Yearly Archive: 2008

Fox Wants to Delay ‘Watchmen’ Release

Fox Wants to Delay ‘Watchmen’ Release

Warner Bros and 20th-Century Fox attorneys met with U.S. District Court Judge Gary Feess on Monday for a conference in the wake of the Christmas Eve ruling saying 20th had rights to The Watchmen after all.

Fox’s lawyer indicated that the studio would seek to delay the schedule March 6 release which has sent fans awaiting the Zack Snyder-directed feature into despair.

Warner’s attorney, Stephen A. Marenberg, made it clear they were ready to go to trial, as scheduled for January 20 and remain defiant of the ruling. "We respectfully but vigorously disagree with the court’s ruling and are exploring all of our appellate options. We continue to believe that Fox’s claims have no merit and that we will ultimately prevail, whether at trial or in the Court of Appeals. We have no plans to move the release date of the film," the studio said according to The Hollywood Reporter. "We continue to believe that Fox’s claims have no merit and that we will ultimately prevail, whether at trial or in the Court of Appeals."

When he steered the argument back to the core issues, Feess said, “I have spent more time than I think you can imagine working on your case at a time when I didn’t expect to be working on it.” As a result, he was looking for remedies not rehashing.

"We are gratified by the recognition of our rights in the Judge’s order, which speaks for itself," Fox said in a statement.

Fox’s contention has been that their agreement with producer Lawrence Gordon required him to offer them first dibs on the feature each time it was reconfigured.  They claim the Zack Snyder version, which was ultimately filmed, was never offered to them. Gordon, who has not been named in the lawsuit, did not testify during the hearings to date and Feess said Monday that his silence hurt Warners’ case. “The court takes a dim view of this conduct,” Feess wrote as a footnote to his December 24 ruling, according to The New York Times. “The court will not, during the remainder of this case, receive any evidence from Gordon that attempts to contradict any aspect of this court’s ruling on the copyright issues under discussion.”

Warner has said when they signed with Gordon, he never mentioned his obligation to Fox and if anyone owes the studio money, it should be the producer not Warner Bros.

Review: ‘Metalocalypse: Season II’

Review: ‘Metalocalypse: Season II’

I somehow missed the advent of Cartoon Network’s Adult Swim but recognize its contributions to pop culture.  As a result, as the DVD sets have been arriving for review, I’ve managed to play a bit of catch-up.  The random humor of [[[Aqua Teen Hunger Force]]] was lost upon me and I was excoriated for being too old to appreciate it.

Well, I certainly enjoyed the second season of [[[Metalocaplypse]]] a lot more. Largely, this had to do with the level of wit and creativity that is brought to each episode of the series, which aired from September 2007 through September 2008, with a six month break in between.  The cartoon is derived from the [[[This is Spinal Tap’s rock mockumentary]]] roots but works because there’s so much that can be parodied.

Deathlok is an unnaturally popular metal band and the performers are great when on stage and totally dysfunctional away from the crowds.  Each of the 19 episodes comprising [[[Metalocalypse Season II: Black Fire Upon Us]]], currently in stores,  has fun with some aspect of stardom and rock’n’roll.

The writing is sharper and the animation better, although still rather limited. Brendan Small and Tommy Blacha are to be commended for sustaining what could have been a one-note concept.  Having said that, the introduction of the Tribunal, the shadowy governmental force that works to tamp down their rising popularity feels like an ill fit, especially since the band triumphs over “The Man” each time so becomes flat and predictable.

Favorite episodes out of the bunch include “Dethfashion”, “Dethgov”, and “Dethweedding”.

While some shows work through a single sitting, this does not.  You find some of the gags and character bits repetitious atop the boring Tribunal crap. And if you’re not a metal head, the music can switch from entertaining to pounding real fast.  

There aren’t a lot of extras but they’re all hidden including five deleted scenes, music videos, and Klokateers: In Memoriam, and Nathan reading [[[Titus Andronicus]]].

Delays in ‘Arrested Development’ Feature Film

Delays in ‘Arrested Development’ Feature Film

Mitch Hurwitz, creator and executive producer Arrested Development told Fancast that development on the big screen version of the film has been slowed by the reluctance of series stars Michael Cera and Will Arnett to appear in the film.

“I don’t want to talk about who is holding out right now because we might still work that out and I don’t want to pressure anyone through the press,” said Hurwitz. “Although I will say that Will Arnett is gung-ho, so there’s a big clue!”

He said until the cast is locked in lace, he will not begin work on a screenplay. “I think in some respect it would have to pick up where the show left off. Maybe the benefit of that would be, if nothing else, just to recap everything. There are a couple of ways to get into it. I was even thinking about a big animated sequence to start. Kind of like how the Blake Edwards movies used to start – to kind of catch everyone up.”

Will the movie allow audiences to finally see Michael Bluth’s wife?

“I don’t know,” he said. “There were a couple of areas where I always sort of held back, where I always felt like if I needed to deal with at some point, I could. One of them is definitely that story, and who those people are, and what effect that has on this kid. I don’t know if we’d necessarily see her.”
 

Teresa Palmer Wants to Be Bad

Teresa Palmer Wants to Be Bad

Actress Teresa Palmer has received good notices for her role in Adam Sandler’s hit film Bedtime Stories but she longs to be a bad girl.

Specifically, she wants to play Talia al Ghul, daughter of Ra’s al Ghul, and one of the antagonists in George Miller’s aborted Justice League film.

Palmer told Australia’s Herald Sun of the film’s status, No idea. I hope it comes off. I was going to be playing a villain, which would be so exciting and totally different from anything I’ve done before. And with George Miller, an Aussie icon. Plus, I’m good friends with Megan [Gale], it would be so brilliant for her to be cast as Wonder Woman. Fingers crossed it will happen.”

Of course, she looks nothing like the comic incarnation, who has mixed ancestry including Middle Easstern blood,

Warner Home Video Finally Collects Superman Cartoons

Warner Home Video Finally Collects Superman Cartoons

Warner Home Video is finally releasing their own version of the Superman cartoons produced by Max & Dave Fleischer.  The seventeen classics have been in the public domain and collected repeatedly over the last 20 years.  Come April 7, though, the first authorized collection will be released.

In addition to the Paramount cartoons, released in 1941 and 1942, the two-disc set will include two extras: “The Man, The Myth, Superman” and “First Flight: The Fleischer Superman Series”. The set will retail for $26.99 and if you have never seen these cartoons, they are well worth it

Matthew Sturges Pens Sequel to ‘Midwinter’

Matthew Sturges Pens Sequel to ‘Midwinter’

Matthew Sturges has spoken much of his comics work, including his new miniseries Run! and being named last week as co-write of Justice Society of America in the wake of Geoff Johns’ departure. But his prose work has gone little mentioned.

Over at his blog, he reports, “Since it’s been announced elsewhere, I guess it’s safe for me to announce that I’ve sold a sequel to Midwinter, which is tentatively titled The Office of Shadow. I pitched it as ‘a spy thriller set in Faerie’ and I think that’s actually one of the most accurate elevator pitches I’ve ever come up with. It follows directly from the events of Midwinter, and will hopefully be released sometime around early 2010.”

 

Studio 407’s ‘Hybrid’ Gains a Director

Studio 407’s ‘Hybrid’ Gains a Director

Studio 407 has announced a deal for its Hybrid series to become a motion picture to be directed by Ernie Barbarash (Cube Zero). The four issue miniseries has garnered good reviews and a trade collection will be released from Bluewater Productions on February 25.

The deal is part of an earlier agreement granting Myriad Pictures (Jeepers Creepers II) a first-look partnership.  Production on the film, which has yet to be cast, is expected in 2009.

Written by Peter Kwong, the story focuses on four friends who rent a schooner then discover a derelict trawler. When they spot a little girl waving to them, they feel compelled to offer assistance but quickly discover she is not alone. The story has ecological themes in addition to thrills, blood, and mutant creatures.

Studio 407 is a small studio run by managing director and film producer Alex Leung (Around the World in 80 Days).

Leung told ShockTillYouDrop.com, “We came out of Asia as an intellectual property/multi-media company that was started in Bangkok. From there we opened a small office there with four people and when I came back to Los Angeles, we started an office here and we got started with Myriad with the idea to not only use our comic books but to also develop genre material with them because they were very successful with Jeepers Creepers 2. They wanted to find a way to do more of those kinds of films. It just made sense because it’s what the market demands right now. A lot of their films they put together through foreign sales and pre-sales, and obviously a genre that crosses over really well is horror. We wanted to do more of these and we could provide a lot of that material, but we could also produce those films because we have experience in that field as well.

“The movie, if we’re lucky, will be out by the end of 2009. It’s skewing towards a straight horror title with it very much in the vein of the classic Creepy and Eerie comics. It’s a modern day Creature from the Black Lagoon with elements of Jaws. It’s very a much an old school creature feature but updated with an environmental angle, very much like The Host was. It’s a very subtle thing that’s set up in the beginning, then touched on lightly throughout.”

He praised Kwong scriptwriting abilities, making him perfect to take their concept for Hybrid and turn it into a comic to interest Myriad. “But what we went out with was a first draft and it’s rare that you can hook a studio right away just on the first draft. To be honest we did not expect Hybrid to happen. Basically, we told our investors not to expect any films in the first two or three years. So, we’re very fortunate to have two films going. Hybrid, as a matter of fact, is our second film.”

Studio 407 and Myriad have previously collaborated on the film Hunter.
 

Big Finish Offers ‘Doctor Who’ Subscription Deal

Big Finish Offers ‘Doctor Who’ Subscription Deal

Big Finish, the United Kingdom’s audio drama producer, announced that the weekly dramas built around the Eighth Doctor and Lucie adventures are now available for pre-order.

This third series stars Paul McGann as the Doctor with Sheridan Smith as his companion Lucie Miller. It boasts a guest cast including Nigel Planer, Andrew Sachs, Miriam Margolyes, Colin Salmon, Samantha Bond, Stephen Moore, Phill Jupitus and dozens of other big names. The series also features the return of the Wirrn, the Krynoids and those eight-legged freaks from Metebelis 3.

The full series of eight two-part adventures are being offered now and for those who buy them online will automatically receive them as downloads as well.

The downloads begin on Saturday March 7 with Orbis: Part One, followed the next Saturday by Orbis: Part Two. Each two-part story is priced at £10.99 but you can get all eight adventures for just £60 if you subscribe to the whole season.

Subscribers will be given a personal RSS feed that will notify them when downloads are available.

McG Honors ‘Terminator’ Timeline

McG Honors ‘Terminator’ Timeline

McG showed off some footage from May’s Terminator Salvation to a gaggle of reporters then discussed the project.

 “The easy thing for us is that our movie happens after the bombs go off, so it’s a totally new beginning,’ he said of the film’s relationship to the timeline of the first three in the franchise. “Every other picture has been before Judgment Day. We’re largely treating it as though the bombs have gone off, but I’m not going to share exactly what year they went off. The movie itself is set in 2018, and we try our best to honor the timeline that has already been put in place.

“If we do our job properly, this movie will be regarded as a statement of the time and the place and the where and the when and the why and the how (of the entire franchise). Some things are set in stone though – the T-800 only comes around in 2029, and we’re building towards that place.”

Having said that, he noted that his film and the weekly Sarah Connor Chronicles series on Fox will have no relationship to one another.

Calling Josh Friedman, showrunner for the series, a friend, McG added, “I had a meeting with Josh, and I told him I wanted to honor it at all times but this is this and that is that. I know about episodic television, and what it takes to generate stories hour in and hour out every week…. We just can’t keeping chasing their story threads.” In other words, the alternate timeline of the TV series will remain on its own path.
 

‘Watchmen’ Ruling Analysis

‘Watchmen’ Ruling Analysis

Jeff Jenson at Entertainment Weekly analyzes Judge Gary Allen Feess’ Christmas Eve ruling, clearly stating 20th-Century Fox has the copyright to The Watchmen film, granting them distribution rights.

"Fox owns a copyright interest consisting of, at the very least, the right to distribute the Watchmen motion picture," Judge Gary Allen Feess said according to Variety.

“In his ruling, Feess concludes that Gordon never properly presented Fox with the option to produce and distribute the version of Watchmen developed by director Zack Snyder,” Jensen wrote.

“He also makes it clear that neither Gordon nor Warner Bros. had bought out Fox’s interest before Warner Bros. went into production. Indeed, Feess’ ruling includes a rather sarcastic footnote blasting Gordon for his conduct in resolving this dispute. In section 3, Feess remarks that during Gordon’s deposition, the producer claimed he couldn’t properly recollect his contract with Fox.”

Jensen notes that the summary judgment, which had been requested by both studios on December 16, “should be seen as an important move that really benefits all of Hollywood, as it affirms copyright laws that protect all studios. Fox deserves a break on Watchmen; according to Feess, their beef with Warner Bros. has always been legit.”

The two studios no doubt will be seeing a lot of one another in the coming weeks prior to the January 20 trial date.  As of today, the March 6 release date remains in place.