A Deeper Origin of the Asian Horror-Film Phenomenon, by Michael H. Price
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According to the Associated Press, if you go down to Walt Disney World and want to cop a meal at Victoria and Albert’s, the five-diamond rated restaurant in the Grand Floridian Resort and Spa, you better leave your pre-tens at the hotel. They are not welcome. Or tolerated.
The restaurant manager said that banning young children makes for a better dining experience for adults. Probably so; in fact, I’ll bet banning kiddies from Walt Disney World would make for a better experience for adults. Shorten the lines, too, although they’d have to keep those "you must be THIS tall" signs.
Having never been to Victoria and Albert’s, I don’t know if they have topless dancers in the lounge.
What could be more Apple Pie America than an eighteen wheel big rig flying down the highway? Toss in a vampire apocalypse and you’ve got Arcana studio’s American Wasteland – ComicMix Radio takes you behind the wheel of this great indy horror comic.
Plus:
• Robert Kirkman bails on Ultimate X-Men
• Bryan Singer bails on Superman
• Lost Girls goes European
• 25 films chosen to outlast all of mankind
Press The Button and we’ll let you blow the horn on the big truck!

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Celebrating the 100th anniversary of the birth of spy-turned-writer Ian Fleming, this Tuesday the British post office will be issuing a half-dozen "extra-long" stamps featuring reproductions of various James Bond books.
Royal Mail will be issuing other stamps honoring popular culture throughout the year, including a set commemorating the Hammer horror movies this summer.
Can Judge Dredd be far behind? More important, can Royal Mail cough up Brian Bolland’s cover rate?
As I start this column, the Iowa caucuses have been going on for less than half an hour. The 24-hour news channels, however, have been covering them, intensely, all day. The early returns aren’t in, but, since I don’t expect to finish this until the totals are final, we can keep talking.
Oh good grief. According to ShockTilYouDrop.com:
An inside source, who wishes to remain anonymous, tells ShockTillYouDrop.com author Richard Matheson has signed off on sequel rights for the smash hit I Am Legend. Matheson wrote the original 1954 novel upon which Francis Lawrence’s film is based.
Just what we need– I Am Legend Of Curly’s Gold.
Hat tip: Lisa Sullivan.
Simone and Ajax‘s daddy Andrew Pepoy did an interview at the Schulz Museum (yep, that Schulz!) and the good folks at www.comicscoasttocoast.com have it up in their latest podcast. This is your opportunity to hear Andrew the way we here at ComicMix do: actually speaking words from his mouth to your ears. It’s quite remarkable.
And since I have your attention, I should point out Andrew’s hard at work at his all-new full color Simone and Ajax graphic novel… soon to debut right here at ComicMix!
I’m often most interested in the decadent phase of an artistic movement, the point when it starts turning on itself. Snarky parody, convoluted derivative plots, art that’s clearly a rip-off of someone else’s style – this and more amuses me. So I’m happy that I finally gave in to temptation and picked up Even a Monkey Can Draw Manga.
I found it on the “how to draw” shelf, which sort-of makes sense: it’s a parody of books about how to draw manga. But I tend to doubt it’ll find many readers over there; I expect the people looking for drawing guides are serious, devoted, dour young folks who won’t be in the mood for zany humor. (The fact that this book was published in 2002, and one lonely copy was still poking around on the shelf, tends to support that idea.)
But, if you do manage to find it, Monkey is quite funny. In it, fictionalized versions of the creators (Koji Aihara, 19 years old and Kentaro Takekuma, 22 years old, as they’re billed in the book) talk about how they’re going to conquer the world of manga, in a very funny overwrought style, full of full-face close-ups. (Which are also essentially the same in every single episode; there’s some very obvious humor and some sly hidden humor in this as well.) Takekuma, the older, seasoned manga pro, then proceeds to teach Aihara the lessons of manga – this book contains the first nineteen of them. (There’s a second volume promised at the end; I don’t know how much more material appeared in Japan.)
The lessons start with the very obvious and basic – drawing borders, facial expressions, and then figures. (Takekuma recommends copying from other artists to do that last one, gleefully insisting that everyone does it.) Then Takekuma moves on to explaining where ideas and stories come from – everyone else’s stories and ideas, of course. After that, there are a series of lessons about particular manga genres, which are in turn shows to be completely cliché-ridden and obvious.
Via the Occasional Superheroine website, we find this survey:
Poll Results for Worst Gender Related Comic Incident of 2007
Amazons Attack 35%
Batgirl’s Entire Personality Change 12%
BC/GA Wedding 12%
Starfire’s treatment in Countdown to Adventure 12%
Black Canary Wedding Planner 6%
MJ Statue of Evil 6 %
Donna’s weakness in Countdown 3%
Wonder Woman relaunch 6%
Cassie continuing to play Juliet to Kon 3%
It disturbs me that so much of this is DC — when I worked there, we seemed to be the more progressive publisher of the Big Two. The Editor-in-Chief was a woman, and there were several women editors who had some authority.
While I’d quibble with some of the selections here, that’s really not the point. The point is that the publishers of the largest-selling American comics would appear to go out of their way to alienate half the population. And that half of the population seems quite happy to buy manga, in bookstores, where they find themselves appreciated as valued customers.