Review: ‘The Mary Tyler Moore Show – The Complete Sixth Season’
There were many groundbreaking television series as the 1970s arrived and most have been extensively written about because of their casting or long-term cultural impact. Norman Lear made the sitcoms more relevant by making his characters more like us and Larry Gelbart helped make sitcoms comment on issues of the day by adding an edge to the humor. But James L. Brooks, Allan Burns and company helped bring about a revolution in character-based comedy with [[[The Mary Tyler Moore Show]]].
Running from the 1970-71 season through the 1976-77 season, the series was built around Mary, a single, independent working girl. Initially, she was to be divorced but CBS wasn’t ready for that but she still broke ground. She had friends at home and at work, she dated, she gave terrible parties, but was exceptionally competent at her job, producing the evening news at WJM.
20th Century Fox Home Entertainment finally released the penultimate season this month and as with the best of comedy, it’s all in the timing. One of the show’s best writers, David Lloyd, died recently and just about every obituary singled out his episode “Chuckles Bites the Dust”, which is included in The Complete Sixth Season three-disc set so now we can see it once more.
By the sixth season, neighbor Rhoda Morgenstern (Valerie Harper) had been spun off into her show as was her landlady Phyllis (Cloris Leachman) so the series focused more on the newsroom. By now, the relationships and inter-personal dynamics between Mary, her boss Lou (Ed Asner), the news writer Murray (Gavin McLeod), and anchor Ted (Ted Knight) had been sharpened. The ensemble worked well together and their comic timing is strongly evident here, especially when they’re all together such as at Chuckles’ funeral. The supporting cast had been broadened allowing Betty White’s salacious Su Ann Nivens and Georgia Engels’ innocent Georgette to gain more screen time and each get showcased during the 24 episode season. It may have been MTM’s name in the title, but she graciously allowed everyone to take their turn.
The season opens and closes interestingly on characters not Mary. “Edie gets Married” is a terrific spotlight for Asner as he watches his ex remarry while “Ted and the Kid” shows how Ted and Georgette struggle to conceive only to wind up adopting (spoiling the episode was the pat pregnancy at the end). In between, we see Mary date and fall in love, only to have her heart snapped in two. She meets new neighbors, recurring characters played by Mary Kay Place and Penny Marshall (just as she gained fame as Laverne). Place, by the way, also wrote for the series so her contributions were strongly felt.
From Nikki Finke (of course): 
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America loved [[[Amelia]]]] Earhart, as much for her pioneering work in the sky, but for being a woman of accomplishment at a time women were still getting used to having the right to vote. She was celebrated in book, story, and song up to her disappearance over the Pacific Ocean in 1937. Since then, her story has been told and retold numerous times and the woman herself has been portrayed by the likes of Rosalind Russell, Diane Keaton, and Jane Lynch. On [[[Star Trek: Voyager]]] she was portrayed by Sharon Lawrence and most recently, Amy Adams displayed her as a plucky, ready-for-action woman in [[[Night at the Museum 2]]].
Warner Home Video, Newsarama.com and The Paley Center for Media proudly present the bi-coastal World Premieres of Justice League: Crisis on Two Earths, the highly anticipated next entry in the ongoing series of DC Universe animated original PG-13 movies, in New York on February 16 and in Beverly Hills on February 18. Filmmakers and members of the voice cast are expected to attend both events.
{{{Civil War Adventure]]]
