Walt Disney has released their classic Beauty and the Beast in 3-D, hoping to capitalize on the success of their Lion King in 3-D release. We here at ComicMix think it’s merely a cash grab since the up-conversion doesn’t really add anything new to the story or songs but for those dwindling few who still buy into the current 3-D fad. Still, it does allow Disney to give us Tangled Ever After, the followup short to 2010’s surprisingly charming film.
[youtube]http://youtu.be/E6-H0HBjifE [/youtube]
And look, here’s another trailer to Finding Nemo in 3-D because you can’t just have enough re-releasees in 3-D.
Just as one mysterious character departs, another enters as MERLIN welcomes its newest addition – Agravaine, chief adviser to the King. Played by acclaimed actor Nathaniel Parker, the character provides yet another potential snake in Camelot’s grass for Arthur and Merlin as they fend off Morgana’s attack in the epic conclusion of the season-opening, two-part episode entitled “The Darkest Hour, Part 2.” The episode premieres this Friday, January 6 at 10 p.m. ET/PT on Syfy.
The magic of MERLIN continues to cast a spell over audiences: Last Friday’s fourth-season premiere of MERLIN attracted the biggest-ever first-episode audience in its Syfy history, with viewership 29% higher for Season 4 than Season 3. Episodes from all three previous seasons are available on iTunes, and Season 3 will be released January 17 on DVD.
In “The Darkest Hour, Part 2” the kingdom of Camelot is on the brink of collapse as Lancelot (Santiago Cabrera) races back to Camelot with the dying Merlin, the Dorocha continue their siege on the kingdom, Arthur considers an unthinkable sacrifice … and Morgana waits to strike. (more…)
Ah, there you are. Still with us. Good. You survived the turning of the new year and the doom some are predicting hasn’t happened. Yet. But be of good cheer, you who are longing to manifest the death instinct that Sigmund Freud said is common among homo sapiens. According to something I read somewhere, the Big Erasure isn’t due until the fall. So we might yet be annihilated, thank you very much.
Meanwhile, we can read comic books and/or go to the movies. That’s what I did day before yesterday, went to my local monsterplex and saw the new Sherlock Holmes flick. And pretty much enjoyed it. Director Guy Ritchie and his associates have done what, I maintain, must be done with olden characters if they’re to appeal to contemporary audiences; he reinvented Sherlock and Dr. Watson and even Sherlock’s smarter brother, Mycroft.
Sherlock is still the world’s greatest “consulting detective” and Watson is still loyal, courageous and honorable and Mycroft is still brilliant and still needs to get to the gym, urgently. Nothing here alien to the 60 Holmes stories Arthur Conan Doyle gave us more than a century ago. But although Doyle’s Sherlock was occasionally a man of action – he could give a good account of himself in a donnybrook, by Jove – and he had a streak of the rebel in him, he was primarily a thinker and a scientist, and despite that tiny flavor of rebellion, he espoused the Victorian values: respect for order and tradition and law and, despite the denseness of some of the policemen he dealt with, also a respect for authority.
Those aren’t our values.
The world has churned and we know that science isn’t always benevolent and order is not the highest good and scoundrels can hide in tradition and authority figures…oh, come on! Check the headlines or a reputable newscast or two.
Mr. Ritchie and friends haven’t gobsmacked those quaint values – if you squint hard you might be able to discern them – but they’re largely ignored. What’s emphasized is comedy and action, along with enough science and ratiocination to qualify the hero as Sherlock. If you’re familiar with the Doyle canon, you might react to the movie’s references and rearrangement of plot elements. If you’re not… no harm, no foul. What you need is up there on the screen, though you might have to pay close attention to get it all.
I have one gripe, and for me it’s not a new one; I can level it against a number of entertainments. It’s this: much of the action is rendered in blurs and pans and ultra-swift cuts and so we popcorn eaters don’t know exactly what’s going on. The Asian actioners have demonstrated that there is considerable entertainment value in a clearly seen, cleverly choreographed fight scene. Why deny us that pleasure, particularly in a movie the budget of which is the size of Neptune? I mean, you can hire really good stunt people.
RECOMMENDED READING: The Adventures of Sherlock Holmes, by Arthur Conan Doyle
Thursday July 19 midnight shows for The Dark Knight Rises: The IMAX Experience have already sold out at New York’s AMC Loews Lincoln Square theater. The AMC Loews Universal City cineplex in Los Angeles has sold out all seats and all but two wheelchair slots, according to seating charts for advance sales via Fandango. No additional screenings have been scheduled yet.
I don’t think we’ve ever had movies sell out over six months in advance, have we? This film could be a MONSTER– and that’s saying a lot for the Batman franchise.
The Table Talk Trio starts 2012 off with a bang! And a column about nothing in particular. This week, Barry Reese, Bobby Nash and Mike Bullock continue their ongoing conversation on anything and everything that makes creative minds tick.
Join the conversation. Leave us a comment on the blog and let us know your thoughts on this topic. We’d love to hear your thoughts and questions.
Next week: More Reader’s Questions.
Have a question you want the guys to answer? Send it to newpulpfiction@gmail.com with “Table Talk Question” in the subject line. Also, let us know if you want attribution for the question, or you’d rather remain anonymous. Please, keep the questions pertinent to the creation of New Pulp and/or writing speculative fiction in general. We’ll get the questions worked into future columns ASAP.
Thanks! New Pulp Fiction.com
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Summit Entertainment wants to ensure we know they are responsible for more than those annoying Twilight movies. Here’s a look at their 2012 release schedule although release dates are subject to change.
SUMMIT ENTERTAINMENT Presents
A di BONAVENTURA PICTURES Production
MAN ON A LEDGE
Directed by ASGER LETH (GHOSTS OF CITÉ SOLEIL)
Written by PABLO F. FENJVES
Produced by LORENZO di BONAVENTURA (RED, SALT, TRANSFORMERS: REVENGE OF THE FALLEN) and MARK VAHRADIAN (TRANSFORMERS)
Starring SAM WORTHINGTON (AVATAR, CLASH OF THE TITANS,
TERMINATOR SALVATION), ELIZABETH BANKS (THE NEXT THREE DAYS, W., THE 40-YEAR-OLD VIRGIN), JAMIE BELL (KING KONG, BILLY ELLIOT), ANTHONY MACKIE (THE HURT LOCKER, MILLION DOLLAR BABY, 8 MILE), ED BURNS (27 DRESSES), TITUS WELLIVER (THE TOWN), GENESIS RODRIGUEZ, KYRA SEDGWICK (TV’S THE CLOSER) and ED HARRIS (NATIONAL TREASURE: BOOK OF SECRETS, A HISTORY OF VIOLENCE)
From the ledge of the 25th floor of a NYC skyscraper, where one wrong step means death, a cornered Nick Cassidy (Sam Worthington) must orchestrate a dangerous plan to prove his innocence for a crime he didn’t commit.
Rated PG-13. In theaters January 27, 2012. (more…)
In celebration of James Bond’s monumental golden anniversary, Metro-Goldwyn-Mayer Studios and Twentieth Century Fox Home Entertainment today unveiled BOND 50, a collectible box-set featuring all 22 James Bond films on Blu-ray Disc for the first time in one complete offering. The longest running film franchise of all time, the Bond 50 collection marks the debut of nine James Bond films previously unavailable in high definition Blu-ray. Fans around the world can pre-order now with participating online retailers.
Acclaimed Bond directors John Glen (five Bond films including For Your Eyes Only, Octopussy, A View to a Kill, The Living Daylights & Licence To Kill), Martin Campbell (GoldenEye, Casino Royale) and Michael Apted (The World Is Not Enough) with special guests Olga Kurylenko (Quantum of Solace) and Caterina Murino (Casino Royale) made the Blu-ray announcement today during a Directors’ Panel discussion in the Panasonic Booth at the annual Consumer Electronics Show.
BOND 50 showcases fiftyyears of Bond neatly packaged into one cool, sleek collectable box-set featuring all six iconic James Bond actors. Produced using the highest possible picture quality and audio presentation, the collection includes all 22 James Bond feature films from Dr. No to Quantum of Solace and more than 130hours of bonus features including some new and exclusive content.
“With all 22 feature films available on Blu-ray in one collection for the first time this is a great way for fans to catch up on 007’s epic journey before Skyfall hits theaters next Fall,” said Michael Brown, Senior Vice President, MGM Home Entertainment. “Now viewers can enjoy the intense action of the innovative franchise in the most immersive home experience possible.”
“We have a whole program of exciting activities planned for our 50th anniversary year, beginning with today’s announcement, by Fox, of the release of all 22 films on Blu-ray for the very first time,’’ added Michael G. Wilson and Barbara Broccoli, with Eon Productions. “We are also delighted that Fox has unveiled a specially designed anniversary poster which we hope the fans will love as much as we do. Our website, 007.com will be regularly updated with all the latest anniversary news and events.”
I’m enjoying the back-and-forth between my fellow columnists Marc Alan Fishman and Michael Davis regarding DC’s New 52, but now it has come to the point where I must give Marc, ComicMix’s own Snapper Carr, some love.
(Hey, Snapper, just swallow it. We’ve already got Johnny DC writing here. No kidding.)
For a third of a year Marc has been singing the praises of the New 52 Batman to me. I’ve been reluctant to read it despite the fact that I enjoy friends’ recommendations and I respect Marc’s opinions. I’d respect Michael Davis’s opinions as well, if he ever had any. No, my problem is that Batman was one of my favorite characters until the rank and file turned him into a guy who was just as psychotic as his cadre of evildoers. That created a domino effect: the villains became psychoticer. This is the exact opposite of what happened to Mickey Mouse in the 1930s.
Fans of this stuff attacked me as an old fart who wanted the Bat to be like the 1960s teevee show. No; I’m older than that. I grew up a precocious reader during the waning days of Bill Finger and Dick Sprang and stories that were geared to a solidly pre-adolescent audience. If I had my druthers I would wipe out the past 10+ years of Bat-tales and go back to the approach best presented by (in alphabetical order) Adams, Aparo, Englehart, O’Neil, Robins and Rogers, et al. Barring that, I’d take my lead from the Batman of the animated show as professed by (in alphabetical order) Burnett, Dini, and Timm, et al. Of course, some of those efforts were adaptations of the works of Adams, Aparo, Englehart, O’Neil, Robins and Rogers, et al.
Besides, I thought “the New 52 Batman” referred to the number of Batsmen who currently inhabit DC’s new universe. How many Batmen are there today? I have no idea. I can’t count how many were there the day the previous DCU got itself ignored. Evidently, somebody thought Photoshop was for ideas and concepts as well as art. So, with all this hoo-hah between Messrs. Davis and Fishman, I decided to read the New 52 Batman. Keep in mind: I italicized “Batman,” so I’m onlyreferring to the Batman title per se. I have yet to read Detective Comics, Batwing, Wolverbat, or Batpool.
Damn. Score one for our Earth-ComicMix Snapper Carr. Batman has a Batman that isn’t an asshole. That, alone, goes a long way to restoring my faith in the character, DC Comics, and the concept of “the child is father to the man.” Like the rest of us, I have no clue how this ties into that which may or may not have gone before, but Bats is more human and less lunatic. He – or rather Bruce Wayne – is the subject of a deadly conspiracy by something called the Court of Owls (please don’t tell me that’s going to tie into the forthcoming and ill-advised Watchmen prequel). He seems a bit high-techier than he was before, and Alfred has less need to play off of Batty’s psychoses and is a better character for that.
Most important, the Batman Batman is a hero. Hero is a term of respect we bestow upon those who have earned it. A hero need not be a nice guy, but he/she/it should be, at heart, a decent human being. So far, after four issues, this Batman is a hero.
Thanks, Marc. Michael… your turn. Make a heartfelt recommendation.
Disney XD will launch Marvel Universe, a dedicated Marvel programming block, with the new series Ultimate Spider-Man as its centerpiece, on SUNDAY, APRIL 1, it was announced today by Gary Marsh, President and Chief Creative Officer, Disney Channels Worldwide at the Television Critics Association Press Tour in Pasadena, California. Marvel Universe on Disney XD will be the ultimate place for fans to find exclusive Marvel content, including new animated short-form series, live-action interstitials and the series return of The Avengers: Earth’s Mightiest Heroes. The block will be home to Marvel’s biggest superstars, such as Spider-Man, Iron Man, Hulk, Thor, Captain America and many more to introduce dynamic stories of action, adventure and heroism to a whole new generation.
Marsh said, “Iconic Marvel heroes and villains and stories with core values of accomplishment, discovery and growth make Marvel Universe a perfect complement to Disney XD and a destination for parents and kids to experience together.” (more…)
Nation Cartoonists Society president Tom Richmond announced this week that the venerable organization was adding a web-comics division for this year.
According to Richmond’s blog post, he and Awards membership chairman Sean Parkes had been working on this for some time. They received feedback from several industry experts including Dave Kellett (Sheldon, Drive), Andrew Farago (curator of the Cartoon Art Museum, San Francisco), Michael Jantze (The Norm, Professor of Sequential Art and Animation, Savannah College of Art and Design).
Richmond went on to explain that the category, Best Online Comic Strip, will be narrowly focused and based on the following criteria:
Comic-strip format only (no single panels, long-form narrative. etc.)
Must be web only publication (any syndication in print would make it eligible for the Best Syndicated Comic Strip Division)
Must be at least a weekly
Must have shown consistent publication based on determined time-schedule (i.e. it being a daily, twice-a-week, weekly, etc.) over the course of the 2011 calendar year
Creator must earn the greater part of their living directly from the strip/property
Submitted work itself must be:
No more than 12 samples, submitted as physical prints along with submission form and bio or as PDF with 2-4 strips per page and including bio/submission form
Work must have been published (posted) during period from Dec. 1, 2010 to Dec 31, 2011 (archive.org links must be provided for each strip for verification).
