Monthly Archive: November 2013

Marc Alan Fishman: Who. Who? Who!

Columns
November 30, 2013

Yeah. I know. I’m last on the bandwagon, yet again. But that’s OK, kiddos. I found Nirvana well after Kurt Cobain passed away. As many of you would also note, I found Star Trek: The Original Series just a little over a year ago. Funny enough, that was one of my most popular columns. For all the nerd-rage that exists when we poke and prod one another about our loves, we’re also the first sub-culture to embrace noobies with the unbridled passion of 1000 angry Daleks. That’s joyful rage though, so it’s all good. A bit over a week ago, I became of a fan of Doctor Who. Whovians, take me into your bosom. Move the celery stalk first.

A bit of backstory to begin. Unshaven cohort Kyle Gnepper has long been an outskirt Who-fan. Unshaven cohort Matt Wright also partook of the good Doctor upon subscribing to Netflix. My own timey-wifey has been a fan for quite some time as well. Heh. As we are all apt to do when everyone we know is in to something, we feel the latent pressure to join in the rapture. So, on occasion, I tried. And tried. And tried again.

Each time, the same feeling would pass over me. I’d glare at a Dalek, or a Cyberman, or whatever the thing-of-the-week was, and I’d scoff. Even ladled with every well-budgeted CGI and modeling trick, the episodes reeked to me of technical limitations. Much as I’d railed against Trek, I couldn’t find the suspension of disbelief due to the constraints of a TV budget. And much like Trek, what was really missing was my understanding and appreciation for characterization.

If you’ll allow me one more deviation off the pathway before I gush over “The Day of the Doctor” special… it’s the aforementioned note of characterization that I need to extrapolate on. Take Firefly. There, Fox supplied Joss Whedon with a budget that made his sci-fi romp visually appealing at the get-go. Without the stigma of eww, this looks like it cost pennies to make, I was quicker to give the show a try (still way late and well after the show was DOA). As much as I wanted to hate the show, like so many before me, I was enchanted by the roguish charms of Captain Mal. I bought into the character, and quickly thereafter, I bought into the show. The same could be said for my finding love in other series like House, Modern Family, and more recently Hannibal (which I can’t wait to return). The common factor here is simple: my adoration is bestowed to shows (and comics, movies, et al) that give us strong characterization.

Now, onto Who. As I’d said briefly above, I’d given myself several chances to fall in love. Each time, I was met with an odd fellow who dazzled my friends, but confounded me. His mannerisms, his oddness, his aloofness irritated me. And when I’d make an attempt to find the hook of The Doctor, I’d be met with either terse explanations (“It’s just how he is, in this incarnation…”) or lengthy diatribes that attempted to cram decades of knowledge into a tight ten-minute lecture. In both events, I simply didn’t get it. Much with Trek, it would take me having to clear my head of preconceived opinions and walk into things blindly.

After dinner with my parents, my wife, son and I retired to the casa del pescador. I’d noted that somewhere around the 8:30 hour the living room TV was still blaring. You see, that is typically night-night time round these parts. But there, wide awake, sat my young scion and my lovely lady partaking of the Doctor. Figuring it would be best for me not to attempt to daddy-lecture my own wife as to the importance of adhering to a strict schedule, I opted instead for what all us white people do when we want to make a point, but fear confrontation: I sat in the same room silent, in hopes that waves of passive-aggression would communicate my feelings.

What? (See what I did there, Michael Davis?)

And so, I sat for the better part of an hour, watching “The Day of the Doctor.” With three Doctors sharing screen space, I was curious. David Tennant with his sand shoes, Matt Smith with his fussy hands, and John Hurt with his John Hurtiness. They occupied the same space, playing iterations of the same character. Different lives, but ultimately the same consciousness. And between them, a history, a future, and a mantra I had not heard until then.

“Never cruel or cowardly. Never give up, never give in.” And there it was. Just as I’d found my love of Trek via Kirk’s labido and Bones’ testicular fortitude. Just as I’d found my love of House via his unseen pain and self-doubt (and because it’s fun to watch him be a jerk). Here was The Doctor, making the hard choices, living and reliving moments in his lifetime, and decidedly declaring a purpose. This was to me the same as the oath of a Green Lantern, or Truth-Justice-and-the-American-Way.

When I’d posted on Facebook that I’d found a love for the character and now decided to jump in with the new season to come… I was pelted with more comments than I’d seen in the last year. Seems the whole world had become Whovian without me, but were quick to open their Tardi (Tardidisisisisis?) to me with open arms and weee-oooo-weee-oooo’ing sonic screwdrivers. For the record, I liked Tennant just a bit more than Smith (sorry, that Fez ain’t cool, no matter what he says), and Hurt more than either of them (“Why are you pointing those things? What are you going to do, assemble them a bookshelf?”). Doctor Who is about a hero who fights the good fight for all the universe, through all times. That I can certainly get behind. And now? I look forward to the future… the past… and all the timey-wimey in between.

SUNDAY: John Ostrander

MONDAY: Mindy Newell

Watch “An Awkward Justice League Thanksgiving”

News
November 29, 2013

It’s Thanksgiving at the Justice League of America household and things are just as awkward for them as they might be for your family. Join Superman, Batman, Wonder Woman, Green Lantern, and more as they give thanks. Via the Nerdist: http://www.nerdist.com

Written by Joseph M Petrick and Andrew Bowser
Directed by Andrew Bowser

Cast:
Wonder Woman: Valerie Perez
Batman: James Mastraieni
Superman: Ryan Stanger
Aquaman: Steve Szlaga
Green Lantern: William Sterling
The Flash: Steven Meissner
Raven: Celia Sutton
Ms Marvel: Olivia Taylor Dudley
Green Arrow: Bradford Jackson
Robin: Jesse McKeil
Martian Manhunter: Charlie Sanders

Wonder Woman Cosplay Courtesy of Valerie Perez
Superman Cosplay Courtesy of William Sterling
Batman Cosplay Courtesy of Sam Schmucker
Aquaman Cosplay Courtesy of Christopher Cho
Green Lantern Cosplay Courtesy of Thomas Parham
Green Arrow Cosplay Courtesy of Sam McClellan
Flash Cosplay Courtesy of Steven Meissner
Robin Cosplay Courtesy of Kelly Mark
Raven Cosplay Courtesy of Celia Sutton
Ms. Marvel Cosplay Courtesy of Mandie Bettencourt

Martha Thomases: Doctor Who and Something… Joyful!

Columns / Reviews
November 29, 2013

It was Saturday morning and I was at the Union Square Green Market buying dried black beans for soup. It was a beautiful clear cold day, the kind that makes me even more chatty with the people selling the goodies (and, yes, I consider black beans to be goodies. Sue me.). The lovely young woman who took my money commented about being outside all day.

“But there’s Doctor Who!” I said.

She looked at me with scorn.

“I have to watch,” I said defensively. “I need to be able to talk to my son.”

“You’re a good person,” she said. I interpreted this to mean that I was subjecting myself to something tiresome in order to be a good parent.

I came late to Doctor Who. I mean, I had heard of it but never felt any great need to see it. I thought it might be like Thomas, the Tank Engine, a perfectly fine BBC show for children that I also didn’t want to watch. A character with a colorful scarf did not seem compelling enough to me.

Years went by. My son and I bonded over various media, including the television ventures of Joss Whedon, Homicide: Life on the Street, and assorted, other, cool… stuff .

So when he said I’d like Doctor Who, I listened. But first, I whined. “It’s been on forever,” I said. “I don’t have time to watch decades worth of a series.

“You only need the new stuff,” he said. “It’s all on Netflix. It’s easy.”

So I started. The first episode I saw didn’t thrill me. I mean, it was fine, but didn’t seem to be the kind of thing to inspire a cult. My son said, “Give it time. Lots of people don’t like Christopher Eccleston.”

But he wasn’t the problem. I thought he looked a bit like Jason Statham, and I amused myself by imagining what the program would be like if Jason were The Doctor. Fucking awesome is what it would be.

So I was enjoying Eccleston, but it was David Tennant who won my heart. That is a cute guy. And, as I was relaxing into the show more, it grew on me. I liked his relationships with the various companions, women who were his friends, nothing more and, more important, nothing less. I liked that they were not, for the most part, conventionally beautiful. Billie Piper’s Rose Tyler was dressed to look like she still had some baby fat, Freema Agyeman’s Martha Jones is (you should pardon the expression) black, and Catherine Tate’s Donna Noble was definitely pudgy and had rather coarse features (please note I think these some are beautiful, but my point is simply that they don’t meet Hollywood standards). They were, like most of us at first glance, ordinary. And, as we watched them interact with The Doctor, they revealed themselves to be, like most of us, extraordinary.

Matt Smith is no David Tennant, but he grew on me. I felt the writing for his character got dicey at times, with some of the gags forced, and his resemblance to Stan Laurel was, at times, distracting. But I loved the Ponds. Through them, I grew to like Smith.

I enjoyed “The Day of the Doctor.” It was fun. I suspect I missed a few Easter eggs, since my knowledge of the older versions of the show is limited to the newer episodes, which I know makes me much less cool. However, I have loved John Hurt since he was Caligula, so that was pretty much great.

Before I left with my black beans, I said to the woman, “The thing about Doctor Who is that, no matter how dangerous the situation, no matter how dire the circumstances, the characters are always happy to see each other. They always find something joyful.”

“Maybe,” she said, “I need to look at it again.”

SATURDAY: Marc Alan Fishman

SUNDAY: John Ostreander

Tweeks Get Their Whovian Geek On For The 50th

Columns / Reviews / Tweeks
November 28, 2013

The Tweeks enjoyed the Day of the Doctor in Los Angeles and today recap the Dr. Who 50th Anniversary, giving us their review and reactions.

And yes, they manage to keep their squeeing over both their Doctors being onscreen at once to a minimum.

***Spoilers Alert!***

The Tweeks will return Tuesday morning with their special Hunger Games: Catching Fire review!

FRIDAY: Martha Thomases

SATURDAY: Marc Alan Fishman

Dennis O’Neil: Men of their Hour

Columns
November 28, 2013

Is Hourman Lance Armstrong’s patron superhero? Does Jose Conseco cherish his copy of All-Star Comics #1, featuring Hourman? Did Alex Rodriguez have his own special version of the Miraclo pill, Hourman’s after dinner mint of choice?

Ah yes, Hourman: one of the second (or third) string superheroes created just as the nation was edging into World War Two and decades before the athletes named above and other sports stars were accused of using steroids to enhance performance.

Hourman is not a character who has ever occupied much of my attention. I’ve been aware of him for a long time, and that could mean that I encountered him when I was very, very young, or that I came across him when I was working for DC Comics. I may have even considered reviving him. I wouldn’t put it past me, the editor who, quite briefly, resurrected the original Vigilante, because I remembered liking him when, again, I was very, very young, and Air Wave because I thought I could give him a quirky spin. (These were not my most glorious moments as a DC employee, these flings with yesteryear.) But now, there he is, camping in my psyche – Hourman is back (should we rejoice?) thanks to our brethren in videoland, who are planning an Hourman television show. If the news item I read was accurate, they have ideas for a fresh take on the man of the hour.

The original Hour-Man (he later lost the hyphen) was Rex Tyler who, while working as a research scientist, discovered a drug that would give him super strength and super speed but only, darn it, for an hour. He made two decisions: he would limit trials of the drug, dubbed Miraclo, to himself, presumably to spare innocents possible side-effects, and he would use his awesome but temporary powers for good. As origin gimmicks go, this isn’t bad: it’s novel, and it builds into the premise the venerable ticking clock plot trope. And in the innocent forties, readers probably weren’t bothered by the notion that problems could be solved by swallowing something; anyone who’s ever struggled with addiction knows that the notion is dangerous. To their credit, later writers acknowledged this danger and gave Hourman a druggie’s woes.

The television Hourman’s power will be a form of prophecy. He will be able to see into the future – but, alas, only a single hour into the future. Extremely useful at the race track, but not much good at questions of geopolitics. But it might facilitate some interesting storytelling, especially if the writers are allowed to do heavy character stuff. How would being able to glimpse the future twist a man’s psyche? Would the man become addicted to the facilitating drug and/or the powers it gives him? In popular fiction, it’s always the recipe that matters most, not the ingredients. The Hourman show, if it ever gets onto a television screen near you, might be worth – yes! – an hour of your time.

Meanwhile, you can watch a game.

THURSDAY AFTERNOON: The Tweaks!

FRIDAY MORNING: Martha Thomases

SATURDAY MORNING: Marc Alan Fishman

“Spider-Man: Turn Off The Dark” closing $60 million in the red

Every Comic Eventually Gets Adapted
November 27, 2013

Spider-Man: Turn Off The Dark will end its Broadway run on January 4, with expected losses of $60 million, the biggest loss ever in Broadway history. New York Magazine has a breakdown on the show’s costs, both financial:

$1,300,000: Weekly production budget

$2,940,000: Gross for the week of December 25, 2011, the highest one-week take for any show ever

$621,960: Gross for the last week in September 2013

and human (five people with major injuries, including one person who required amputation).

Most disturbing to me: they spent more money on props and puppets for the show than Spider-Man co-creator Steve Ditko has ever seen from the creation of Spider-Man.

Tickets are available now, heavily discounted if you know where to look and are willing to brave Christmastime crowds in Times Square.

via A Monetary Autopsy of Spider-Man — Vulture.

Mike Gold: Sex – Our Moral Dilemma

Columns
November 27, 2013

Regular readers of this space may have discerned I have an absolutist attitude towards the First Amendment: freedom of expression must not be abridged in any way or form. That doesn’t mean people or corporations shouldn’t be held responsible for what they say, just that they can say it.

As A. J. Liebling said, “Freedom of the press is guaranteed only to those who own one.” That’s obviously true, although the Internet has expanded our deployment of these freedoms exponentially. But the same attitude probably should be expected of retailers: is your local mom’n’pop candy store (yeah, yeah; nostalgia) obligated to carry the latest issue of Steamy Dwarf Sex? Probably not.

But let’s take this one step further. Do corporations that are publicly traded – public corporations – have the right to decline to offer whatever publications they dislike? If Apple’s bookstore and magazine stand doesn’t like, say, Boy’s Life, do they have a right to prevent their customers from getting it through their facilities?

That’s not an easy question to answer. Setting aside the completely ridiculous fact that in the United States of America corporations are defined as human beings, where does one “person” get off deciding what you get to read on your tablet… or hear on your Internet radio station… or see online? The Internet’s success was spurred by the availability of free pornography. The entire home video business was founded on the availability of porn in the solitude of your own home. So have various On Demand services. And where would HBO be today if not for the availability of free tits for the past 41 years?

(Yes, Virginia, there was a time when nary a nipple was permitted on the boob tube.)

Today, there’s much controversy about Apple’s bookstore and magazine stand service setting arbitrary “standards” that, by their very definition, cannot be evenly enforced. This policy has kept Matt Fraction and Chip Zdarsky excellent (in my opinion; this is not a review, although the book does offer the best recap page I’ve ever read) series Sex Criminals from being listed in their service. This story rightfully has garnered a lot of publicity, so I’ll use that as my example while promoting a worthy book that may be hard to find in some venues.

Sex Criminals is not a salacious book – but that is not the issue. A book’s “redeemable qualities” are completely irrelevant: that’s a standard that obviates freedom of expression. And Apple – as well as sundry other “public” corporations – has declined to distribute the title.

Outside of expanding opportunities for letting corporations determine what we can and cannot read through their efforts, the problem here is that Apple has established a standard that they do not enforce evenly. Their music service distributes all kinds of “explicit” stuff. So does their movie and teevee service. Same thing with iBooks. Their newsstand service distributes material that is truly salacious. So why dump on Fraction and Zdarsky?

Let me pose this question a different way: If Image Comics’ Sex Criminals was written by, say, Stephen King, would Apple refuse to offer it?

What’s Valley-Speak for “no fucking way?”

THURSDAY MORNING: Dennis O’Neil

THURSDAY EVENING: The Tweaks!

The Point Radio: MOB CITY Heaps On The Noir

Podcasts
November 26, 2013

TNT’s MOB CITY not only brings to TV a stylized, noir look at a crime ridden Los Angeles, but it also signals the return of acclaimed show runner Frank Darabont. Franks talks about what hooked him on the project and how he chose the cast that fit the era just right. Plus DOCTOR WHO scores big and Warren Ellis takes a crack at MOON KNIGHT.

THE POINT covers it 24/7! Take us ANYWHERE! The Point Radio App is now in the iTunes App store – and it’s FREE! Just search under “pop culture The Point”. The Point Radio – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or on any other mobile device with the Tune In Radio app – and follow us on Twitter @ThePointRadio.

Michael Davis: Hey Kids! Comics!

Columns / Michael Davis
November 26, 2013

I received the following email last week:

Michael,

Thanks so much for responding to me! Action Files seems like a great program for schools. I’ll be sure to look into it more. With the new Common Core Standards, I’ve noticed that there isn’t really any standards related to the content of what needs to be taught in an English course and that it mostly revolves around “can students read and write?”

With that in mind, I created a Donors Choose to teach Grant Morrison’s All-Star Superman to my high school seniors. I was given four months to raise the money and I did it in 13 hours. As long as curriculum revolves around analyzing literature and understanding tone and purpose, the state doesn’t really seem to care what they’re being taught. In a way, that’s great because it opens up content, but in another way it’s strange because the field is wide open.

If there is anything I can do to help from the perspective of an educator please let me know. I confess that I don’t know how much help I can be given how much research you’ve done already on your end, but anything I can do, I’d be happy to.

Thanks again for your articles on Bleeding Cool. They’re exceptionally fascinating and insightful. And (though I know you don’t need my advice or insight on this either) ignore all the haters. They’re jackasses anyway. You’re all kinds of awesome.

Cody Walker

Wow.

I’ve received cool letters over the years but this is one of if not the coolest letter I’ve ever gotten. It’s funny I just realized the fan mail I get comes from an eclectic group of people.

Over the years people have written me about things I’ve done in comics or some other media but I do so little published work in the comics creative space I still marvel when someone says they like my work.

Denys Cowan in his career I’m sure has thousands of letters of fan letters. How do I know this? I was in his studio once when he got one. “What’s that?” I asked.

“Fan letter. I get them all the time.”

“Define all the time.”

“All the time as in all the time.”

I let the matter drop knowing he was clearly setting me up when he opened up a file draw thick with documents and placed the new letter in. I wasn’t taking the bait.

I on the other hand have hundreds, maybe a bit over a thousand fan letters but I’m counting every singe letter I’ve gotten that praised me for something or the other.

Just wanted to let you know you rocked my world last night. That was the best three minutes I’ve ever had in my life!

Susan

Yep. That counts.

From all my fan letters I can tell you exactly how many were comic book art related.

One hundred seventy-one, of which one hundred fifty-eight were from France and no I’m not kidding.

It seems the French really loved the series I illustrated for the DC mature reader imprint, Piranha Press. I couple of people liked Shado (Stevie Wonder was one) and I got a really nice letter for a painted Green Hornet cover done for Now Comics as well as another painting I did for Now based on the book ‘The Time Machine.’

Most of the fan letters I get are from grade school kids I’ve spoken to, high schools, universities or organizations I’ve lectured at, young artists, educators, parents and some partridges in pear trees.

My absolute favorite letters to get are from young artist I’ve reached (just got a wonderful one from Allison Leung a major talent you will be seeing more from) and educators.

Oh. Did you perhaps think I was going to say grade school kids was my favorite?

Really? Don’t you know by now I’m not one to play to the crowd?

Darn.I am talking about kids here and people lose their minds when they think you are somehow anti-kid when you tell the truth about way receiving letters from grade school kids is not your favorite thing in the whole wide world. You think those haters will give nary a thought to all the good work I’ve for kids?

No. Those simians will lose their minds and call Chris Hanson! The backlash will be terrible…

OK. I know what to do. I’m so glad I like to write my thoughts down then erase them. Can you imagine what the fallout would be if those hairless monkeys saw this?

My absolute favorite letters to get are from young artists I’ve reached (just got a wonderful one from Allison Leung, a major talent you will be seeing more from) and grade school kids!

It’s so great when a 4^th grader writes me a letter telling me how wonderful my visit was and it’s just amazing that 30 kids had the same idea at the same time and all 30 letters came in one envelope!

Wow. If kids were not just the most precious things in all creation I’d think that someone put them up to writing those letters. Not that it would lessen the intent, mind you.

I guess if I had to choose (way way way behind) the second most favorite letter I like receiving would be from educators.

Teachers take a no nonsense approach to what’s right for their students. The letter I received from Cody Walker warmed my kid loving heart in many reasons.

Chief among those reasons is this. Cody is teacher who had the guts to create a high school reading program from comic books.

High School!

Comics!

High School!

Think about that for a hot sec. It’s very likely his idea was not met with universal love from all his educational peers. Some may even have voiced opposition or even worse not voiced support.

I have no doubt in my mind if faced with a parent teacher revolt against comics in the classroom so fierce all the major networks would have 24/7 news coverage (except Fox News – they would continue their 24/7 reporting of Obama and the allegations he shot Lincoln) Cody would fight the good fight and win.

I know this because Cody took the time and effort to create and find funding for the program (in record time), which he did not have to do.

Teachers like Cody are not rare. They are plentiful. Most teachers labor countless hours not paid for to come up with other ways to engage their students.

Like I said: teachers like Cody are not rare, what’s rare is recognition for great work done on behalf our young people.

On the sporadic occasion when recognition is granted to a well deserving teacher that acknowledgment is slow in coming.

Well, I was so impressed with what Cody wrote me after he read my article in Bleeding Cool I wanted to recognize him as fast as possible, hence he writes me a fan letter through Bleeding Cool and I write him a fan letter through ComicMix.

Cody, I’m a fan of yours, my friend. Many (but not nearly enough) thanks for doing what you do.

WEDNESDAY MORNING: Mike Gold

THURSDAY MORNING: Dennis O’Neil

Emily S. Whitten: Fandom Is Beautiful

Columns
November 26, 2013

I’ve seen fandom do beautiful things. In point of fact, I can see because fandom (and some great friends) did a beautiful thing. And as we approach Thanksgiving, I wanted to revisit the story of something I’m thankful for every day.

You see, I have a degenerative, incurable eye disease called keratoconus. It’s relatively rare, and the causes of it are still not known for sure. In brief, keratoconus causes a thinning, malformation, and scarring of the corneas, leading to not only the typical bad vision one might correct with glasses or contacts, but also wacky fun stuff like “monocular polyopia,” other streaking and flaring around light sources, and sensitivity to light. Due to the way keratoconus distorts the cornea, once it reaches a certain point vision is not correctable with glasses or soft contact lenses. Hard (rigid gas permeable) lenses are required to, essentially, provide the proper shape for the corneas.

For some people, the disease will plateau and they may not reach that point. Or they may reach that point and live with hard lenses. For others, like myself, the disease keeps going. It is at that time that options narrow dramatically.

In 2010, my quality of vision and ability to wear hard contact lenses with any degree of comfort had lessened (imagine weirdly blurred vision and sudden, random stabbing eye pains every day and you’ll have my daily life), to the point where my specialist and I were seriously discussing the possibility of corneal transplants.

As you can imagine, I was dreading the possible need for a transplant. The recovery time is over a year, results are not guaranteed, and there’s a 20% chance of rejection, along with risks of detachment, displacement, and infection. So imagine my excitement when my dad found another option.

Remember how I said the disease is incurable? It is. However, my dad had learned of an experimental procedure called corneal collagen cross-linking, which had been in trials for about two years in the United States – 12 years in other countries – at the time. This procedure is much less invasive that a transplant, with a shorter and less difficult recovery time, as well as being less risky. And while it doesn’t fix your vision, if successful it can halt the corneal degeneration, and, in some cases, improve eyesight slightly through rebuilding the bonds between the layers of the cornea.

We looked into it further, and were happy to learn that I was a candidate for the clinical trial. However, the big downside to this procedure was that, due to it still being in the trial stages (only about 300 people had been treated in the U.S. by 2010), my insurance wouldn’t cover it. I would have to pay all $8,000 of the cost of the procedure; not to mention the costs of the medications, lost income from missed work during the recovery periods, and special scleral contact lenses that I now wear (which are, incidentally, what they use in special effects for things like whited-out or black eyes). And the plain fact of the matter was that I did not have the money for the procedure.

Although I had been living with the diagnosis of the disease for several years at that time, I rarely mentioned it. However, this difficulty was so distressing that I wrote about it in my online journal. And then, wonderful things began to happen. The first was that several friends in the broader LiveJournal community of which I am a part through my various fandom interests, including those I knew in person and those I only knew online, asked if they could contribute funds for the surgery.

Although I was touched by the generosity, I was raised to believe I should make my own way in the world, and didn’t know that I could be comfortable accepting the offer. So I called up my wonderful friend Cleolinda to talk it over. As we talked, she wisely pointed out to me that this was an unusual medical situation, and that, basically, yes, if nice friends wanted to help, I should let them. After I agreed with her point, she then surprised me by posting about my situation on her journal, and asking if people might want to help me.

Cue wonderful thing number two. Immediately, people began to donate; and after Cleo posted, Heather, an online friend of Cleo’s who I did not know but have since become good friends with, understood my discomfort with just accepting straight funds and suggested a fandom auction on LiveJournal – in which people could donate fandom or handmade items, and others could bid, and the resulting funds would go towards the surgery, with the donators of funds getting some return value for their contribution. She offered to run the whole thing, and did so with great efficiency, jumping right in to get the ball rolling on setting up a community and spreading the word with Cleolinda.

The auction ran for a little over three months, and was a great success. Many cool items were offered and purchased, many kind good wishes came my way (which meant a lot to me as well!), and by the end of the auction, fandom, consisting of some people I knew but many I didn’t, had raised the entire $8,000. Add to that a few other generous donations from friends who had learned of the online fundraising secondhand (as I still hadn’t really felt comfortable mentioning it outside of the online forum), and my recovery and medication expenses were covered as well. I could hardly believe it, but there it was. This tremendous burden lifted from my life by the kindness of a community.

Seeing fandom come together to help me like that was, and to this day is, one of the most amazing things I’ve ever experienced. I can’t even begin to describe how much it means to me that both friends and total strangers banded together to make it possible for me to see.

I can, however, describe the results (and if you are really interested in the blow-by-blow saga of both surgeries and the results, start from the bottom of this and scroll up. Although Cleolinda’s recap of my first surgery is way more amusing than mine). Although of course the procedure was no picnic and the recovery time was over six months, by the end not only had the deterioration been halted (presumably for good), but vision in my right eye, which was 20/400 uncorrected, had been vastly improved, and vision in my left had improved slightly as well.

On top of this, after the procedure I was fitted for special scleral lenses, sometimes prescribed for cases of advanced or very irregular keratoconus. They are the most wonderful thing imaginable for a keratoconus patient like me. Yes, they are a real annoyance to get in and out, but with them, I am able to see better than I had for about six years prior to the surgery; and there is no pain. So although I still live with the disease (and its quirks, which still include occasional and unpredictable vision problems), this procedure vastly improved my quality of life; and it was all thanks to a group of people who were brought together primarily by their enjoyment of various sci-fi, fantasy, comics, or other genre fandoms, and by the online fandom community that resulted from that enjoyment.

Yes, fandom can be, and in this instance certainly was, a beautiful thing. Not only is my daily life improved thanks to fandom, but my fandom life is as well. As Marvel artist Reilly Brown pointed out when he generously donated a gorgeous Deadpool sketch to the auction, a comics fan no longer being able to see comics would be very sad. Now, not only can I continue to read comics, but I can also continue to pursue favorite hobbies like making tiny clay sculptures. And for those blessings and so many more, I am so, so thankful.

It’s been just over three years since my cross-linking procedures, and even if I don’t say it every day, I am constantly grateful for the help and kindness of those who contributed to those procedures; and I want each of you to know that through your caring, you touched a life forever. And I want everyone else who reads this to know what a great thing happened thanks to a bunch of awesome nerds and geeks and fans and friends caring enough about another one of their community to give something of themselves. I hope one day to be able to pay that forward in some manner. But until that time comes – a Happy Thanksgiving to all, and an eternal thank you to everyone who gave me such an amazing gift to be thankful for.

And until next time, Servo Lectio!

Editor’s Note: Due to other commitments, Emily will be shifting to a monthly posting schedule through May of 2014. So look for her column on a monthly basis, starting in December. Emily will be back to her weekly posting schedule after May of next year. And we can hardly wait to have her back fulltime.

TUESDAY AFTERNOON: Michael Davis