Author: Mike Gold

Wolverine To Tear Up The Screen At Last

Wolverine To Tear Up The Screen At Last

After two years of discussion and rumor, Hugh Jackman’s Wolverine movie is finally a go.

Variety reports Gavin Hood will be directing from a David Benioff script. Hood is a director relatively unknown in the United States, although his work as an teevee actor (Stargate SG-1, King Solomon’s Mines, Rhodes) is somewhat better known. His movie Tsotsi won the Oscar last year as best foreign language movie.

Brian Cox (Deadwood, the Bourne movies) is expected to reprise his role as William Stryker from X2.

Who’s Porg?

Who’s Porg?

The British media have been busy snapping photographs of "Porg" (not his real name), who’s been hanging around the set of  "Voyage Of The Damned," this year’s Doctor Who Christmas special. This is the one that hooks U.K. pop singer Kylie Minogue up with the temporarily companionless Doctor, as currently played by David Tennant.

It seems Porg – that’s just his on-set nickname, by the way – crashes the Titanic’s launch party by donning a white dinner jacket. Hey, look, Superman fooled people by putting on glasses… Anyway, it is believed the alien will not be smoking cigarettes on-camera.

The Doctor finds his TARDIS materializing on the Titanic, where he is joined by an on-ship waitress named Astrid (Minogue) to save the planet from the evil red spikey thing and, no doubt, tons of CGI. Mr. Tennant has some scenes where he doffs his trademark longcoat for a tuxedo.

The one-hour ""Voyage Of The Damned" airs on the BBC, aw, you guessed it, on or around Christmas. The second season of the spin-off series Torchwood is expected to begin a couple weeks later.

Meet the Real Sgt. Rock?

Meet the Real Sgt. Rock?

Perhaps the comic book world has achieved a higher level of respectability. According to WCBS radio in New York, military recruiters have discovered two new and potentially lucrative areas to ply their trade, as they have started targeting shopping mall food courts and comic book stores.

Whereas at first this might seem like a clever (or, given the nature of shopping mall food, desperate) approach, at least three groups of people are upset with the practice: parents who don’t want their kids to go to Iraq, mall managers who are accustomed to renting space to recruiters, and comic book collectors who are concerned about receiving their alternate cover editions in Falusia in mint condition.

It’s hard to say if this approach has been worth the effort, but many readers have noticed the increased level of military recruitment advertising in DC and Marvel comics. I’ll have to check to see if such ads have been appearing in Rick Veitch’s Army @ Love.

Artwork copyright DC Comics. All Rights Reserved.

 

Slices of Galactica Pie

Slices of Galactica Pie

In what is certain to be received with shock and awe, the vaguely innovative Sci-Fi Channel is going to precede the November 24th broadcast of the two-hour Battlestar Galactica teevee movie Razor with a bunch of two-to-three minute "mini-sodes" (their term, not mine) that will "provide background and context" for the movie special and, no doubt, help round-out their DVD release.

The micro-story will revolve around the first Cylon War and a young William Adama (Nico Cortez). The gumball-sized mini-sodes will be broadcast on Sci-Fi in October and November. Consult your local listings for time, but don’t be too surprised if you discover nada en detalle.

Remember, while watching, you can blink, but don’t dare sneeze.

Dial S For Shadow

Dial S For Shadow

Over here on ComicMix, we’ve been talking about The Shadow a lot recently – prompted by Denny O’Neil’s fine columns and Robert Greenberger’s first-rate interview with Shadow pulp reprint editor / publisher Anthony Tollin. Without belaboring a point, I’d like to refer you to another remarkable effort concerning comics’ most influential icon.

There’s this really great site called Dial B For Burbank. It’s operated by “Robby Reed,” who had previously run an equally amazing site called (wait for it) Dial B For Blog. I bet you thought I was going to say it was called Dial H For Hero; no, that trademark was owned by some publisher. Dial B For Blog had all kinds of wonderful articles about comics, my favorite being an in-depth look at classic letterer / logo designer Ira Schnapp, inventor of most of DC’s logos and house ads from about 1940 until the mid-60s. Schnapp also lettered title cards for silent movies and chiseled the words on the front of the New York Public Library. Robby also did some amazing production work, much of it of a satirical nature – to wit, the Adventure Comics cover shown here, with the genuine Ira Schnapp logo intact.

Let’s just assume “Robby Reed” is his real name.

More recently, Robby shifted his attention to The Shadow and launched the aforementioned Dial B For Burbank. All the effort, all the research, all the amazing production skill we saw on B For Blog is here… and more. Robby also added a 10 part video documentary called The Shadow Knows covering all aspects of The Shadow, from the pulps to radio to comics to the movies to television. He might have missed the short-lived newspaper comic strip; there’s only so much you can squeeze into 124 minutes.

Uncovering rare photographs and selecting some of the best artwork from George Rozen, Edd Cartier, Jim Steranko, Bernie Wrightson, Mike Kaluta and others, his documentary pretty much gives you the full story – not only of The Shadow and his pulp creator Walter Gibson, but of his many predecessors, successors, and imitators. Interviews and voice-overs from such folks as Gibson, Tollin, and Shadow performers Orson Welles, Bill Johnstone, Brett Morrison, and Alec Baldwin abound.

It’s a stunning effort. All the more stunning: it’s free.

You can download it from the Dial B For Burbank website; each of the 10 chapters in a quality sufficient for quality DVD burning, or in a lower-resolution QuickTime version.

If he sold this effort for, say, twenty bucks on DVD I would give it my highest recommendation. For free, well, heck, he’s not going to pay you to watch it, so that’s as good as it gets.

MIKE GOLD: The Peacock Priorities

MIKE GOLD: The Peacock Priorities

About a month ago, our Glenn Hauman turned me on to this story and I’ve got to tell you, I’m still pissed.

According to published reports, which all carry the following verbatim: “NBC/Universal general counsel Rick Cotton suggests that society wastes entirely too much money policing crimes like burglary, fraud, and bank-robbing when it should be doing something about piracy instead.

“Our law enforcement resources are seriously misaligned," Cotton said. "If you add up all the various kinds of property crimes in this country, everything from theft, to fraud, to burglary, bank-robbing, all of it, it costs the country $16 billion a year. But intellectual property crime runs to hundreds of billions [of dollars] a year.”

Okay, let me first state the obvious: this man’s head is so far up his ass his eyeballs think they’re hemorrhoids. And I am in the intellectual property business: what ComicMix publishes is intellectual property, and we’d rather not see our various creators’ work, current and forthcoming, ripped off.

The whole thing about copyrights and the Internet is a little wacky and confusing. This country has lousy copyright laws and, to the extent they “protect” anybody, they tend to offer that protection more to the corporate oligarchs than they do to actual creators, let alone to any legitimate sense of history, art and culture. We’re muddling through as best we can, basically using the Grateful Dead’s policies as our starting point.

But Mr. Cotton acts as though he is an idiot. He is either woefully misinformed or he is an out-and-out liar. Intellectual property crime runs into hundreds of billions of dollars each year? Prove it. Smith Barney, hardly a communist organization, quotes the Motion Picture Association as saying such piracy cost them $6 billion in 2005. I realize there’s a lot of other stuff going on – music piracy, books, even comics – but movies and DVDs are the E ticket of the operation. If Mr. Cotton is even remotely correct, these other media have to come up with a minimum of $194,000,000,000.01 to justify his number.

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BOOK REVIEW: The Marvel Vault

BOOK REVIEW: The Marvel Vault

O.K.  I’ve got to admit this: I can’t remember the last time I’ve had so much fun with something I’ve pulled out of my weekly Diamond Distributing box., Betty Boop blow-up dolls notwithstanding.

At first glance, The Marvel Vault might appear to be just another well-designed history book. And who better to write such a tome than master comics writer and former longtime Marvel editor-in-chief Roy Thomas and noted comics historian Peter Sanderson? Well, Roy’s a noted comics historian too, but I’ve got a thing for the "editor-in-chief" title. Whereas there have been somewhat more comprehensive histories of Marvel (more-or-less including "corporate-approved" volumes), everything you need to know to understand and appreciate the publishing house is here, along with a great deal of inside information and well-informed observation that other books are lacking.

Nope. What makes The Marvel Vault amazing fun is the surplus of bells-and-whistles. It’s subtitled "A Museum-in-a-Book with rare collectibles from the World of Marvel" for a reason: it’s got tons of removable reproductions of all kinds of cool stuff produced by Marvel and its predecessor imprints Timely and Atlas over the past 70 years. To name but a few: original sketches of the early 1940s Sub-Mariner and Human Torch by Carl Pfeufer, including work from the history-making 50 page crossover from Human Torch #8; Bil Everett’s illustrated postcards to his daughter; a John Severin color piece denoting himself and fellow Atlas artists Bill Everett and Joe Maneely; the plot synopsis to Fantastic Four #1, a ton Merry Marvel Marching Society stuff; the program book to the 1975 Mighty Marvel Convention, Bernie Wrightson’s Howard The Duck For President art; Marvel Value Stamps from 1974; the Marvel No-Prize Book; a Marvel stock certificate from 1993; Andy Kubert’s Wolverine sketches from Origin… and, as the saying goes, a lot more.

The spiral-bound Marvel Vault was designed by Megan Noller Holt, and she deserves notation and praise. The Marvel Vault makes for a wonderful gift, particularly to yourself. It’s available at comic book stores (either in-stock or by special order), online retailers and better big box outlets. When it comes to being a Marvel fan, if, on a one-to-ten scale, you are anything north a "2" you’ll love this book.

The Marvel Vault, by Roy Thomas and Peter Sanderson
US $49.95, CAN $60.00, UK £29.99
ISBN: 9780762428441
ISBN-10: 0762428449
Published by Running Press

STUFF REVIEW: Arf, Arf, Arf

STUFF REVIEW: Arf, Arf, Arf

Craig Yoe is not the most unusual man I’ve ever met. However, this is a statement that reveals more about me than it does about him, and since this is a review of his work I’ll try to stop scaring people.

Craig Yoe runs this place called Yoe! Studios, which is really just one single studio filled with talented people, a lot of energy, and great fun. They do all kinds of stuff: they create the Big Boy Comics (yes, they’re still being published), they do those astonishingly packaged comics figurines that Dark Horse sells and they do design work and create toys and sundry chachkis for such clients as Kraft, Warner Bros. and Microsoft. They hand out Yoe! Studio whoopee cushions and thongs at important business trade shows. He used to run the Muppet Workshop. He actually looks like the Kelly Freas drawing, slightly dispelling the myth that if you don’t look like Corporate America, you won’t fit into Corporate America.

Craig Yoe is also a major, long-time comics fan, among the best and brightest Ohio has had to offer comics, which is saying a lot (the tip of the iceberg: Jerry Siegel, Tony Isabella, Maggie Thompson, Mike W. Barr, Harlan Ellison, ComicMix’s own Martha Thomases and Mike Raub). But, to no one’s surprise, his tastes are as unusual as he is.

For the past couple years, he’s been foisting his line art fantasies on the general public with his Arf series, published by Fantagraphics. There are three such books out right now – in order, Modern Arf, Arf Museum, and Arf Forum. No matter how hardcore a comics enthusiast you might be, there’s a lot of weird stuff in these volumes that you should see, that you would want to see.

His roster of reprinted talent includes (in alphabetical order): Ernie Bushmiller, Charlie Chaplin, Robert Crumb, Salvadore Dali, Dan DeCarlo, Jack Davis, Rudolph Dirks, Max Ernst, Jimmy Hatlo, Hugh Hefner, Reamer Keller, George Herriman, Frank King, Jack Kirby, Stan Lee, Patrick McDonnell, Pablo Picasso, Artie Spiegelman, Mort Walker, and Wally Wood. That’s a really eclectic group of cartoonists; and, yes, I meant cartoonists. You might not have perceived some of the above as such.

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Superman’s Only Villain?

Superman’s Only Villain?

In keeping with the upcoming movie The Dark Knight, the next Superman movie will be titled Man of Steel. The villain…? Aww, you guessed it.

Kevin Spacey told Variety he will be back as Lex Luthor in Superman: Man of Steel. He met with director Bryan Singer and firmed up the deal to star in the movie, which is expected to feature a Michael Dougherty (Superman Returns, X-Men X2) screenplay. Hopefully, Superman: Man of Steel will sport an original plot and not be simply a warmed-over third-rate remake of a previous effort. C’mon, Warners, we’re talking about the family jewels here!

Production is expected to begin next year with a 2009 release.

Cartoonist Doug Marlette Dies In Crash

Cartoonist Doug Marlette Dies In Crash

Pulitzer Prize-winning editorial cartoonist Doug Marlette, creator of the newspaper strip Kudzu, was killed in a car accident this morning in Mississippi.

According to the Associated Press, Marlette was a passenger in a car that struck a tree after skidding on a wet road. The car hydroplaned and struck the tree, killing the cartoonist. Marlette was working in Oxford, Mississippi, with a high school theatrical group that was mounting a musical version of Kudzu.