Author: Robert Greenberger

‘The Road’ May Detour Towards 2009

‘The Road’ May Detour Towards 2009

Post-production delays may torpedo The Road’s chances of opening in 2008.  The film, starring Viggo Mortensen and based on Cormac McCarthy’s acclaimed novel, was originally scheduled for a November 14, but has been slipped to December and if the work is not completed may miss the year entirely. 

The story, directed by John Hillcoat, features Mortensen as a father taking his son across a post-apocalyptic American landscape. The novel was awarded the Pulitzer Prize for Fiction and the 2006 James Tait Black Memorial Prize for Fiction. In June, Entertainment Weekly named The Road the best book, fiction or non-fiction, of the past 25 years.

As noted in The Hollywood Reporter, given that last year’s No Country for Old Men, based on a another McCarthy novel, took the Best Picture at the Academy Awards and Mortensen, now on screen in Apaloosa, received an acting nomination for Eastern Promises, The Weinstein Company had pinned similar hopes for this feature.

Harvey Weinstein will determine the current status of post-production and his execs will make a final decision today.  Meantime, hedging his bets, Weinstein has started the publicity machine for December’s The Reader, which may take pressure off The Road.
 

‘Sleeper’ Scribe Signed

‘Sleeper’ Scribe Signed

Newcomer Brad Ingelsby has been hired by Warner Bros. to adapt WildStorm’s Sleeper into a feature film. Ed Brubaker and Sean Phillips’ short-lived sf/crime comic lasted two 12-part maxiseries and was somewhat tied to the greater WildStorm continuity.  In fact, the first maxiseries ended and spun events into the Coup D’Etat crossover event.

Ingelsby sold his first screenplay, Low Dweller, to Relativity Media just this March. They then hired Ridley Scott to direct and cast Leonardo DiCaprio to star which, if the cameras actually roll, will bring the scribe a cool million dollar payday.

Sleeper is about Holden Carver, nicknamed The Conductor, who is fused with an alien artifact that makes Carver impervious to pain. Instead, he can store the pain and transfer it to others, a rather nifty skill. He is then sent undercover to infiltrate a criminal organization. When his contact (in the comics, Tao’s John Lynch) is killed, Carver is left with no allies.

According to Variety, the film adaptation, without continuity ties, will be produced by the very busy Sam Raimi with Star Road Entertainment partner Josh Donen.

Brubaker and Phillips enjoyed working so much together that they now produce Criminal for Marvel’s Icon imprint.

Marvel Adds Six Exclusive Digital Comics

Marvel Adds Six Exclusive Digital Comics

Marvel has increased its original online content today, announcing six new initiatives with the first of these titles debuting next Wednesday. Once they are on all online, fans can expect three or more web-exclusive stories each Wednesday.

The details, according to a press release:

Marvels Channel: MONSTERS, MYTHS and MARVELS
Coming up on Marvels Channel: MONSTERS, MYTHS and MARVELS: Galactus… devourer of worlds… embodiment of a cosmos… oldest being in the universe… totally made up? Join reporter Gordon Allsworth as he ventures to expose the lies and unearth the truth about the foremost foe of the Fantastic Four. Prepare for your world to be turned upside-down as experts de-bunk Galactus and explore the financial motivations for creating such a being. With limited (fake) commercial interruption, from writer Frank Tieri and artist Juan Santacruz

Halloween Special Issue
Frankenstein might be one of the most misunderstood monsters out there… so it’s just his luck when an overprotective mother temporarily blinds him, thinking he was attacking her daughter. Fortunately, Frankenstein stumbles into Jack Russell, a.k.a. Werewolf-by-Night, a friend who understands Frank’s plight. That is, until the full moon comes out… Make sure you sign-on for this special Halloween Monster Mash, from writer/artist Dean Haspiel!

American Eagle: Just a Little Old-Fashioned Justice
Leaping out of the pages of Thunderbolts, Jason Strongbow aka American Eagle, tribal leader and former super hero, keeps the peace throughout Navajo lands. So when a super villain on the run crosses onto the rez, pursued by one of Tony Stark’s Initiative teams, Strongbow must give them all a hard lesson in down-home justice in a story from red hot scribe Jason Aaron and superstar artist Richard Isanove!

FIN FANG FOUR
There was a time when giants walked the Earth! Monstrous creatures! Products of science gone MAD!!! But what happens when some of these terrible titans try to play nice?  Find out as Googam, Elektro, Gorgilla and the purple-pantsed Fin Fang Foom himself do the unthinkable and become functioning members of society. Well, not TOO functional…creators Scott Gray and Roger Langridge welcome back Marvel’s favorite enfants terribles in five gut-busting stories sure to unleash the Marvel Monster within!

Kid Colt
Tom DeFalco saddles up for a four-part western adventure featuring the classic Marvel western hero. Wanted by the law for killing a man in cold blood, Kid Colt thunders through the Wild West with guns blazing while trying to prove his innocence.

Amazing Spider-Man
Peter Parker’s life is very involved and even with three issues a month, there’s just not enough time to touch on everything or everyone. So to help solve that, Spidey Brain Trustee Bob Gale brings you an ongoing collection of stories taking place within and around current Spidey continuity, exploring his supporting cast and missed adventures. A lot can happen to a web-head in any given day…And it’s time you found out what’s missing!
 

Bonds Bests Batman Where it Counts

Bonds Bests Batman Where it Counts

James Bond and Batman may rival one another for who has the best gadgets, but the British espionage agent bests the Caped Crusader where it really counts.  In the current issue of Condé Nast Portfolio, on sale today, an article calculates how much the franchise has earned since its inception. Ian Fleming’s literary creation has generated $13.8 billion in business from the first novel through the most recent film, Casino Royale. His next film, November’s Quantum of Solace, will only add to those numbers.

The article breaks down the categories and estimates that the original 14 Fleming books in addition to the 30 authorized sequels and related titles have brought in a cool $1 billion on their own.  The article notes that Sebastian Faulks’ novel, Devil May Care, released earlier this year became the fastest selling hardcover fiction title in Penguin’s history despite poor reviews. The appetite for Bond fiction remains large.

The film series, from Albert Broccoli and his heirs, began in 1961 with Sean Connery portraying the spy in Doctor No.  The official 21 films alone have brought in $11.6 billion plus whatever the original Casino Royale and Connery’s return in Never Say Never Again added to the totals.  Home video sales are estimated to have generated $400 million before the Blu-ray releases coming shortly from Fox Home Entertainment.

Bond remains a licensing machine with video games accounting for $812 million alone plus other toys and games in the mix.

The article notes that other huge money machines include Harry Potter, Frodo Baggins, and Batman.
 

Swedish Director Changes his Tune

Swedish Director Changes his Tune

Swedish director Tomas Alfredson, in America promoting the release of his acclaimed Let the Right One in, seems to have softened his stance against an English-language remake. As we reported last week, he was critical of the need to reinterpret his efforts.  Now, he told Sci Fi Wire that it’s okay for Matt Reeves (Cloverfield) to try his hand at adapting the novel his movie was also based on.

"Who knows? Maybe he sees something different in the source material," Alfredson said. "Maybe he will come up with something different. I don’t know. I am not involved with that, and I wish them well."

The “them” includes producer J.J. Abrams who actually purchased the rights to John Ajvide Lindqvist’s novel although it will be made under the Hammer Films banner.

The novel concentrates on the relationship between an adolescent boy and a vampire.  The director reflected on the world’s fascination with the genre. "It is a 360-page book, and there are a lot of subplots and characters that we had to take out," Alfredson said. "I decided to follow the love story. I fell in love with that part of the story.

"It seems like they come and go every 20 years, but, honestly, I cannot remember seeing a vampire movie," he said. "I think I did as a kid, see something with Bela Lugosi, but I never read Dracula. … I think that it has to do with the animals inside of us. They are very much an archetype. We have suppressed the animal part of ourselves, and maybe it’s a reaction to that, I don’t know." 
 

‘Batman Theme’ Composer Neal Hefti Dies

‘Batman Theme’ Composer Neal Hefti Dies

Neal Hefti, composer of the memorable Batman television theme music, passed away on October 11. He was 85 and had been in poor health for some time his son Paul reported.

In a career spanning many decades, the big band trumpeter was finally known for the theme in addition to other memorable film and television scores including The Odd Couple.

Hefti’s catchy “Batman Theme” was released as a single and went as high as #35 on the Billboard Hot 100 chart. A version by the Marketts did better, cracking the Top 20 at #17.  The theme song has been covered throughout the years by the Who, the Kinks, and virtually every surf-band on Earth.

A 1966 episode of the television series Hullabaloo, hosted by George Hamilton, featured two dozen girls dressed in faux-Batman costumes dancing to the LP version of the theme song.

His career began with writing musical charts for Nat Towles before moving on to compose and arrange for Woody Herman.  Through the 1940s he had his own band from time to time but largely worked for other performers.

As live music waned in favor of recordings, Hefti changed gears and began writing scores for both television and movies.  His credits include Sex and the Single Girl, How to Murder Your Wife, Synanon, Boeing Boeing, Harlow, Lord Love a Duck, Duel at Diablo, and Barefoot in the Park.

He received Grammy Award nominations and prizes for "Jazz Pops" (Li’l Darlin’, Cute, Coral Reef) as artist, two awards for "Basie" (Li’l Darlin’, Splanky, Teddy the Toad) as composer, three nominations (one award) for the Batman TV score, two nominations for the Harlow movie score (Girl Talk), and two nominations for The Odd Couple TV score.
 

Fox Defends ‘Dollhouse’

Fox Defends ‘Dollhouse’

There isn’t even an airdate as yet, but Fox’s Dollhouse, due in January, has stirred up some controversy.  Fans are worried because Fox has a reputation for being ham-fisted with genre programming and is as likely to cancel a show as it is to support it.  Creator Joss Whedon has defended the current regime at Fox and is comfortable with them although he did stop production for two weeks to retool the storylines.  At present the series has a mere eight episode order, short even for a midseason replacement.

Twentieth Century Fox Television Co-Chairmen Gary Newman and Dana Walden spoke with TV Week recently and during their wide-ranging discussion, Dollhouse inevitably came up.

“Trying to tell stories that involve a genre mythology, while also telling close-ended episodic stories, while also developing characters that people are going to want to come back to week in and week out—it’s an enormous, Herculean effort. [But] there’s no one we have more faith in than Joss Whedon,” Walden explained.

“The midseason opportunity is a blessing and curse. It’s a blessing because you have more time. And it’s a curse because you have more time. There’s a greater level of scrutiny. There is a greater level of intrusion from executives. The bar just keeps being raised because there’s no urgency to put the show on the air, so at no point do you just let go of it and say, “You know what, now it’s time for this country to decide whether this is something that’s going to tap into the Zeitgeist and become culturally phenomenal or successful in general, or not.” Being stuck in that limbo with a lot of well-intentioned executives is very difficult for a creator like Joss.

(more…)

New Lester Dent Novel Found

New Lester Dent Novel Found

We adore Hard Case Crime and their line of hardboiled crime and mystery tales from new and famous authors.  Founder Charles Ardai just announced that he will publish, for the first time ever, a Lester Dent novel, Honey in his Mouth. The creator of Doc Savage had written the story intended for the Gold Medal line of books that are a direct ancestor to Hard Case.

Similarly, a previously unpublished Roger Zelazny mystery, Dead Man’s Brother, will finally see the light of day in February, the first new Zelazny novel in 15 years. Found more than 30 years after it was written, it’s the only new book by the author since his death a decade ago. The breathless back cover copy tells us: “Once an art smuggler, now a respectable art dealer, Ovid Wiley awoke to find his former partner stabbed to death on his gallery floor. That was strange enough—but when a CIA agent showed up to spring him from NYPD custody, things got a lot stranger.

“Now the CIA is offering to clear up the murder charge, but only in return for a favor: They want Ovid to fly to Vatican City and trace the trail of a renegade priest who has gone missing with millions in church funds. What’s the connection? The priest’s lover, a woman Ovid knew in his smuggling days… “Those who’ve read early copies have been effusive with their praise.

Now out, is The First Quarry, featuring Max Allan Collins’ early crime character. He wrote his first Quarry book in 1976 and has periodically revisited the character ever since, most recently in last year’s Hard Case release, The Last Quarry.  This book, the eighth, goes all the way back to the hitman’s beginning.
 

Fincher Declares ‘Rendezvous’ Dead

Fincher Declares ‘Rendezvous’ Dead

David Fincher, while promoting his next feature, The Curious Case of Benjamin Button, told reporters that the film adaptation of Arthur C. Clarke’s Rendezvous with Rama was likely dead. Despite the most recent draft of a script being delivered in April, financing proved difficult for the classic novel.

"It looks like it’s not going to happen,” the director was quoted as saying over at First Showing. “There’s no script and as you know, [Morgan Freeman’s] not in the best of health right now. We’ve been trying to do it but it’s probably not going to happen."

The actor was the person to begin developing the property for much of this decade with Fincher coming on soon after. Freeman, though, was badly injured in a car accident back in August.

Freeman told the website last year, that "it’s a very intellectual science fiction film, a very difficult book to translate cinematically." A 30-mile long cylinder is found in the solar system and a crew of astronauts is sent from Earth to explore the extraterrestrial object. Published in 1972, it went on to win the Nebula, Hugo and Jupiter Awards.

Revelations Entertainment, Freeman’s production outfit, holds the screen rights and they contracted with Fincher in 2001.  The most recent screenplay was written by Stel Pavlou, a writer perhaps best known for his prose stories in the Doctor Who Short Trips anthologies.
 

Review: ‘French Milk’

Review: ‘French Milk’

French Milk
Lucy Knisley
Touchstone Books, October 2008, $15

These days, people record their every inner thought and deed via Twitter, LiveJournal, Facebook and other social networking sites.  It’s a fast and easy way to tell the multitudes what you’re up to.  This is especially true for people who travel far from friends and family.

As a result, Lucy Knisley is a throwback.  The 23-year old grew up on comic books and has studied art in Chicago and New York, developing a distinctive style and voice that earned her a small but dedicated following. She recorded her six week sojourn in France by using pen and paper, recording a graphic diary of her trip to celebrate her 22nd birthday and her mother’s 50th.   Upon her return, she gathered up her dozens and dozens of pages and self-published through Monkfish Book Publishing.

While showing [[[French Milk]]] to people at a MoCCA event, she was discovered by Amanda Patten, senior editor at Fireside/Touchstone.  Now, the book is receiving a big PR push and is on sale as today and has already been receiving positive notices.

Knisley has a keen eye for atmosphere and detail, finding joy in the simplicity of a baguette or a rude American tourist. Her observations are sharp and we can share her delight in fresh, unadulterated whole milk, from which the book takes its name.  We follow mother and daughter as they sightsee, shop, dine and relax together.  She does a nice job recording the details to bring their flat to life along with shops, Laundromats and restaurants.

The book’s publicity tells us of the changing relationship between moth and daughter but the book barely scratches the topic.  There’s one sequence when mother tries to discuss financial planning to Lucy but that’s about it.  They share the flat and bed and seem to get along without any tension, quarrel or serious issue.  Lucy Knisley, it seems, missed having sex but remained faithful to her boyfriend, whom she stills has a relationship with. But she seemed content to be a homebody and never craved going out to experience Paris nightlife on her own with people her age. If anything, the relationship seemed very close and stable.

The pair had been to Paris before and her observations about seeing things after a few more years’ growth and maturity is interesting.  But her diary is all surface.  We did this, ate that and went to sleep.  There’s precious little about the culture or differences with her life back in the states.  Her observations are all micro with no attention paid to the larger issues facing a young woman on the cusp of adult independence.

The book benefitted from the occasional photograph so we can compare the real people with Knisley’s fun drawings.  It could have benefitted from some summing up beyond a one-pager at the end.

Knisley has great potential and she’s working hard to achieve her place in the comics field.  This is a terrific, albeit flawed, first major effort. Her current material at Knisley’s website show continued development.