Drew Morton is associate professor of mass communication at Texas A&M University-Texarkana. He is author of Panel to the Screen: Style, American Film, and Comic Books during the Blockbuster Era, published by University Press of Mississippi. His publications have appeared in Animation: An Interdisciplinary Journal; Cinema Journal; [in]Transition; Journal of Graphic Novels and Comics; and Studies in Comics. He is cofounder and coeditor of [in]Transition, the award-winning journal devoted to videographic criticism.
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Over the past forty years, American film has entered into a formal interaction with the comic book. Such comic book adaptations as Sin City, 300, and Scott Pilgrim vs. the World have adopted components of their source materials’ visual style. The screen has been fractured into panels, the photographic has given way to the graphic,…
Over the past forty years, American film has entered into a formal interaction with the comic book. Such comic book adaptations as Sin City, 300, and Scott Pilgrim vs. the World have adopted components of their source materials’ visual style. The screen has been fractured into panels, the photographic has given way to the graphic,…
Contributions by Apryl Alexander, Alisia Grace Chase, Brian Faucette, Laura E. Felschow, Lindsay Hallam, Rusty Hatchell, Dru Jeffries, Henry Jenkins, Jeffrey SJ Kirchoff, Curtis Marez, James Denis McGlynn, Brandy Monk-Payton, Chamara Moore, Drew Morton, Mark C. E. Peterson, Jayson Quearry, Zachary J. A. Rondinelli, Suzanne Scott, David Stanley, Sarah Pawlak Stanley, Tracy Vozar, and Chris…
Contributions by Apryl Alexander, Alisia Grace Chase, Brian Faucette, Laura E. Felschow, Lindsay Hallam, Rusty Hatchell, Dru Jeffries, Henry Jenkins, Jeffrey SJ Kirchoff, Curtis Marez, James Denis McGlynn, Brandy Monk-Payton, Chamara Moore, Drew Morton, Mark C. E. Peterson, Jayson Quearry, Zachary J. A. Rondinelli, Suzanne Scott, David Stanley, Sarah Pawlak Stanley, Tracy Vozar, and Chris…
