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Published in 2002-2003, Grant Morrison and Chris Weston’s THE FILTH is disgusting, deeply disturbing, and a comic-book masterpiece that inoculates readers against the problems of the postmodern condition. So says Tom Shapira, who also explores THE FILTH’s relationship to Morrison’s THE INVISIBLES, to the 1999 film THE MATRIX, and to the work of Alan Moore….
This definitive, unauthorized study of Christopher Nolan’s landmark 2005 film demonstrates how BATMAN BEGINS adapted and fused a half century of comic books into a single, unified movie. This book also examines past attempts to film Batman’s origins, how those origins evolved over time, and where Nolan’s realism falls on a spectrum with past Batman…
Grant Morrison redefined comics in the 1980s and early ’90s, from his trailblazing creation of ZENITH, through his metatextual innovations in ANIMAL MAN, to his Dadaist super-heroes in DOOM PATROL. Along the way, he also addressed Batman with his multi-layered ARKHAM ASYLUM and his literary “Gothic” storyline. Callahan examines all five works in detail, drawing…
Grant Morrison’s THE INVISIBLES has been hailed as an ambitious comics masterpiece, the key to Morrison’s entire body of work, and the inspiration for THE MATRIX. But it’s also frequently written off as incomprehensible.Using a conversational, accessible style, Patrick Meaney (director of GRANT MORRISON: TALKING WITH GODS) opens up THE INVISIBLES through in-depth analysis that…
VARIETY writer Thomas J. McLean offers the definitive study of the original X-Men movie trilogy. Using both the source material and interviews conducted solely for this book, he traces each film’s development process, adaptation of the X-Men comics mythos, and reception. He also examines previous attempts to adapt the X-Men for the screen, omitted scenes,…
No other run divides Legion of Super-Hero fans like Keith Giffen’s. To detractors, it dismantled everything good about the series.In this short book, Dr. Julian Darius argues that Giffen’s run offered an ambitious and unprecedented response to the growing maturity of super-hero comics – one that, far from trashing Legion history, actually respected it. From…
In 1988, Alan Moore and Brian Bolland’s BATMAN: THE KILLING JOKE offered a violent, literate, and controversial take on the Joker’s origins and his relationship with Batman.Now, Dr. Julian Darius examines it in the context of the high-art ambitions of 1980s super-hero comics, exposing the narrative’s ambiguities and secrets. From Sequart Organization.
INFINITE CRISIS wasn’t just a crossover mini-series; it was a sprawling network of multiple such mini-series, leading both in and out of the main one. It redefined not only the DC Universe but what a crossover could be. In its scale, it exaggerated both the advantages and the downsides of the universe-wide crossover form. In…
