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Comics and cartoons are ingrained in American life. One critic has called comic books “crude, unimaginative, banal, vulgar, ultimately corrupting.” They have been regarded with considerable suspicion by parents, educators, psychiatrists, and moral reformers. They have been investigated by governmental committees and subjected to severe censorship. Yet more than 200 million copies are sold annually….
This trailblazing survey of an art form preferred by the masses was the pioneer study of the subject. It shows the evolution and subgenres of the comics from The Yellow Kid in 1895 through the first decade of the modern comic book in the 1940s. First published in 1947 and long out of print, this…
Dark Laughter: The Satiric Art of Oliver W. Harrington edited, with an introduction, by M. Thomas Inge It was none other than Langston Hughes who called Oliver Wendell Harrington America’s greatest black cartoonist. Yet largely because he chose to live as an expatriate far from the American mainstream, he has been almost entirely overlooked by…
Will Eisner’s innovations in the comics, especially the comic book and the graphic novel, as well as his devotion to comics analysis, make him one of comics’ first true auteurs and the cartoonist so revered and influential that cartooning’s highest honor is named after him. His newspaper feature The Spirit (1940-1952) introduced the now-common splash…
Will Eisner’s innovations in the comics, especially the comic book and the graphic novel, as well as his devotion to comics analysis, make him one of comics’ first true auteurs and the cartoonist so revered and influential that cartooning’s highest honor is named after him. His newspaper feature The Spirit (1940-1952) introduced the now-common splash…
