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This book studies human rights discourse across a variety of graphic novels, both fiction and non-fiction, originating in different parts of the world. It demonstrates the emergence of the ‘universal’ subject of human rights, despite the variations, through a study of these vastly different authors and styles.
This book studies human rights discourse across a variety of graphic novels, both fiction and non-fiction, originating in different parts of the world. It demonstrates the emergence of the ‘universal’ subject of human rights, despite the variations, through a study of these vastly different authors and styles.
This book is a detailed study of the Indian graphic novel as a significant category of South Asian literature. It focuses on the genre’s engagement with history, memory and cultural identity and its critique of the nation in the form of dissident histories and satire.
