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Created out of the Swamp by a freak accident, Swamp Thing is an elemental creature who uses the forces of nature and wisdom of the plant kingdom to fight the polluted world’s self-destruction. Alan Moore took the Swamp Thing to new heights in the 1980s with his unique narrative approach. His provocative and groundbreaking writing,…
Eerie Publications’ horror magazines brought blood and bad taste to America’s newsstands from 1965 through 1975. Ultra-gory covers and bottom-of-the-barrel production values lent an air of danger to every issue, daring you to look at (and purchase) them. The Weird of World of Eerie Publications introduces the reader to Myron Fass, the gun-toting megalomaniac publisher…
Welcome to the first publication dedicated to Vermont and New England movies and video. Featuring: The Compleat Fred Tuttle Speeches, Lovin’ the Logger: Rusty DeWees, The Experimental Films of Brigette Blood, John Douglas Take(s) on Da Speech, Simon Stockhausen Speaks, Jay Craven on Jonathan Brandis; Plus: The Year That Trembled, Pursuing Happiness, Talking to the…
Welcome to the first of four volumes collecting the complete weekly “Video Views” columns (1999-2001) by renowned cartoonist, author and film scholar Stephen R. Bissette. Here is the ‘blur’ of Bissette’s comprehensive weekly columns covering the endless flow of video and DVD releases from June 1999 to March 2000. He brings uncanny focus to everything…
The second of four volumes collecting the complete weekly “Video Views” columns (1999-2001) by renowned cartoonist, author and film scholar Stephen R. Bissette covers the video and DVD releases of January to November 2000.
The third in a series collecting the complete weekly “Video Views” columns (1999-2001) by renowned cartoonist, author and film scholar Stephen R. Bissette covers the video and DVD releases of November 2000 to May 2001. As the Millennium turned, Bissette wrote with perceptive wit and a greater grasp of cinema history than the high-ticket critics….
The fourth volume collecting the complete weekly “Video Views” columns (1999-2001) by Stephen R. Bissette covers May to October 2001, and miscellaneous video & DVD-related articles from this period — plus an index for the entire four volume set, making this highly-entertaining read into an essential research tool.
With this volume, Blur truly shifts into the 21st Century, collecting into book form the best of this award-winning cartoonist’s tsunami of online essays and articles from 2005-2007. Whether rhapsodizing over a masterpiece like Guillermo del Toro’s Pan’s Labyrinth or Guy Maddin’s Cowards Bend the Knee, savoring the genuine pleasures of home movies, or lambasting…
Writer/artist Rick Veitch’s career bridges the underground comix of the 1970s, mainstream DC and Vertigo Comics, and the self-publishing revolution of the 1980s and 1990s. In that extraordinary body of work, Brat Pack(R) remains a landmark, and Teen Angels & New Mutants is the first book-length, in-depth study of a creator and graphic novel worthy…
If you’re a 20th century or a 21st century Monster Kid, Denis St. John slashes his way into your eyes, mind, and heart with his brush-pen-and-ink lines and his stories. This collection is wall-to-wall dueling dinosaurs, mad monsters & gorgeous girls (and plenty of monster-girls), from the unexpected drought relief one venerable ol’ creature finds…
A Muck-Encrusted Mockery of a Timeline It all began in 1971, when writer Len Wein and artist Bernie Wrightson introduced a sympathetic bog-monster who was more than his horrifying exterior conveyed. But there was Moore to come-Alan Moore, to be exact-and it transformed the comics world. Wein and Wrightson’s story “Swamp Thing,” published in DC…
A Muck-Encrusted Mockery of a Timeline It all began in 1971, when writer Len Wein and artist Bernie Wrightson introduced a sympathetic bog-monster who was more than his horrifying exterior conveyed. But there was Moore to come-Alan Moore, to be exact-and it transformed the comics world. Wein and Wrightson’s story “Swamp Thing,” published in DC…
(This is the black and white version. Color is also available.) A Muck-Encrusted Mockery of a Timeline It all began in 1971, when writer Len Wein and artist Bernie Wrightson introduced a sympathetic bog-monster who was more than his horrifying exterior conveyed. But there was Moore to come-Alan Moore, to be exact-and it transformed the…
