Showing 97–112 of 118 resultsSorted by popularity
A great deal of scholarship has focused on Joss Whedon’s television and film work, which includes Buffy the Vampire Slayer, Firefly, Doctor Horrible’s Sing-Along Blog, The Cabin in the Woods and The Avengers. But Whedon’s work in the world of comics has largely been ignored. He created his own dystopian heroine, Fray, assembled the goofy…
For military cartoonists the absurdity of war inspires a laugh-or-cry response and provides an endless source of un-funny amusement. Cartoons by hundreds of artists-at-arms from more than a dozen countries and spanning two centuries are included in this study–the first to consider such a broad range of military comics. War and military life are examined…
The Incredible Hulk is one of the earliest Marvel Comics superheroes. Through the decades, the character and his narrative elements–the causes of Bruce Banner’s transformations, the Hulk’s strength, intelligence and skin color, the stories’ tone, theme and sources of conflict–have been continually reinvented to remain relevant. This collection of new essays explores Marvel’s more than…
Neil Gaiman has emerged as one of the most influential literary figures of the 21st century. To borrow a phrase from his viral 2012 University of the Arts commencement speech, Gaiman “makes good art,” from his graphic novels to his social media collaborations, award-winning fantasy fiction and beloved children’s books. This collection of new essays…
The graphic novel is the most exciting literary format to emerge in the past thirty years. Among its more inspired uses has been the superlative adaptation of literary classics. Unlike the comic book abridgments aimed at young readers of an earlier era, today’s graphic novel adaptations are created for an adult audience, and capture the…
Billionaire industrialist, cold warrior, weapons designer, alcoholic, philanthropist, Avenger–Tony Stark, alter-ego of Marvel Comics’ Iron Man, has played many roles in his five decades as a superhero. From his 1963 comics debut in Tales of Suspense to the recent film adaptations–The Avengers (2012), Iron Man 3 (2013)–hundreds of creators have had a hand in writing…
Comic book audience expectations have fluctuated dramatically through the years, and comic book creators have had to adapt to shifting reader concerns. One of Marvel Comic’s most popular franchises for five decades, the Avengers have always been reflective of their times, having adapted to an evolving readership to remain relevant. This collection of fresh essays…
Since the creation of the comic book, cases of legal conflict and confusion have often arisen where concepts such as public domain, unincorporated entities and moral rights are involved. As a result, comics creators are frequently concerned about whether they are protecting themselves. There are many questions and no single place to find the answers–that…
This is a book about the comics genre and language, how these were used to create Batman, and how that character’s longevity is largely due to the medium’s unique formal qualities. It argues that Batman’s core appeal is his mythic nature which allows him to transcend changes in reader tastes, the vicissitudes of the comics…
In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code’s narrow confines….
In December 1977, struggling Canadian comic book artist Dave Sim self-published the first issue of Cerebus the Aardvark, a Conan the Barbarian satire featuring a foul-tempered, sword-wielding creature trapped in a human world. Over the next 26 years, Sim, and later collaborator Gerhard, produced an epic 6,000-page graphic novel, the longest-running English language comic series…
Although the idea that graphic narratives represent an important literary form is still debated in academic circles, in recent years comics scholarship has emerged into wider contexts. This collection of new essays considers various literary approaches to graphic narrative and sequential art. The authors examine the politics of comic form and narrative, the ways in…
For decades, scholars have been making the connection between the design of the superhero story and the mythology of the ancient folktale. Moving beyond simple comparisons and common explanations, this volume details how the workings of the superhero comics industry and the conventions of the medium have developed a culture like that of traditional epic…
Sequential art combines the visual and the narrative in a way that readers have to interpret the images with the writing. Comics make a good fit with education because students are using a format that provides active engagement. This collection of essays is a wide-ranging look at current practices using comics and graphic novels in…
This book explores the connections between comics and Gothic from four different angles: historical, formal, cultural and textual. It identifies structures, styles and themes drawn from literary gothic traditions and discusses their presence in British and American comics today, with particular attention to the DC Vertigo imprint. Part One offers an historical approach to British…
From his first comic-book appearance in 1939 through his many incarnations on the big screen, the archetypal superhero known as The Batman has never been far from the American consciousness. The character shaped the way we read comics and graphic novels, view motion pictures, and analyze the motifs of the Hero, the Anti-Hero and the…
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