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There is a prevailing sense that commercial Superhero Comics cannot be serious objects of academic enquiry. It is the hallowed graphic novel, with its auteur/author, for which serious work is reserved. This volume presents the work of three publishing houses who publish Superhero Comics in Delhi and Mumbai. It analyses their techniques of narration associated…
This book studies human rights discourse across a variety of graphic novels, both fiction and non-fiction, originating in different parts of the world. It demonstrates the emergence of the ‘universal’ subject of human rights, despite the variations, through a study of these vastly different authors and styles.
There is a prevailing sense that commercial Superhero Comics cannot be serious objects of academic enquiry. It is the hallowed graphic novel, with its auteur/author, for which serious work is reserved. This volume presents the work of three publishing houses who publish Superhero Comics in Delhi and Mumbai. It analyses their techniques of narration associated…
Why does Johan Vilde testify about Sweden’s involvement in the transatlantic slave trade? Why do the young Stockholm sons, Stefan and Sacho, in Mystiska 2: an discuss class society and commercialism on their way back home from school? And why does the Phantom start a co-operative society in the jungle and act as a mouthpiece…
New Left Comics examines the leftist radicalization in Sweden during the decade immediately succeeding 1968 through the lens of comic books. It uncovers the ways in which writers and artists used mainstream comics as a medium to teach and inform readers about various forms of injustices and inequality.
This book is a detailed study of the Indian graphic novel as a significant category of South Asian literature. It focuses on the genre’s engagement with history, memory and cultural identity and its critique of the nation in the form of dissident histories and satire.
Comics and human mobility have a long history of connections. This volume explores these entanglements with a focus on both how comics represent migration and what applied uses comics have in relation to migration.
This book studies human rights discourse across a variety of graphic novels, both fiction and non-fiction, originating in different parts of the world. It demonstrates the emergence of the ‘universal’ subject of human rights, despite the variations, through a study of these vastly different authors and styles.
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