Category: News

A rest from your labors

A rest from your labors

I’ll be travelling today, hoping everyone else had plans to take to their cars either yesterday or tomorrow, but I’d be remiss if I didn’t leave you with some fine  ComicMix columns from his past week, all well worth reading:

And for your listening pleasure, Mellifluous Mike Raub brings you the Big ComicMix Broadcasts as always:

And, of course, check out Mike’s weekly Stories Behind The Big Broadcast.

Have a swinging September, y’all!

BIG BROADCAST’s Stories Behind The Stories

BIG BROADCAST’s Stories Behind The Stories

You’ve been to three cook outs, there are no good movies left this season and Jerry Lewis looks just plain scary in HD. So grab the trackball, ‘cuz The Big ComicMix Broadcast has a few things to keep you occupied until Real Life kicks in on Tuesday morning:

Jennie Breedon’s Devil’s Panties updates daily right here, and there is a lot more Jennie’s work to be seen – including the "Customers Suck" strips. If you’ve ever done retail, you will get it.

So you’ve finished with the Season One DVD and you need a new Heroes  fix? You can find the five part online series that chronicle’s Hiro’s adventures here. Don’t let that picture of George Takai scare you. Remember, he used to wear yellow spandex.

Robot Chicken is hysterical, but it’s even funnier with a video commentary track from creators Seth Green and Matt Senrich. You can get the latest one here and even spoil yourself by watching the latest episode before you see it on a real TV.

National Lampoon launched its own video channel here on Yahoo! Video featuring clips from classic comedies and webisodes of made-for-internet shows. Check out "Transformers In The Hood" while you are there.

Go here to see full-length episodes of Late Night with Conan O’Brien. The episodes will be made available  at 9 am ET/ 12 noon PT the morning after each telecast. And while you are there, click over to here to see Conan’s "Pale Force" features made exclusively for the web.

Next week on The Big ComicMix Broadcast, we’ll grab the microphone and blurt out our weekly list of new comics and DVDs, then later in the week we’ll report on what is being done to honors comics’ most beloved cop and we preview a new comic company with a few familiar titles and a rather kick-ass attitude!

See you real soon!

RIC MEYERS: Nights from the City of Violence

RIC MEYERS: Nights from the City of Violence

I love action movies. So does Korean film director Ryoo Seung-wan, which is made abundantly clear in the ample extras for the Dragon Dynasty two-disc Ultimate Edition release of The City of Violence. Originally I wasn’t going to review another Dragon Dynasty DVD so soon after my praise of their Hard Boiled and Crime Story remasterings, but I was overwhelmed by the sheer mass of action movie analysis available for this South Korean labor of love.

   

Ryoo is an award-winning director of such international cult favorites as Arahan and Crying Fist, but even after those successes, and others, he was dissatisfied with the compromises he felt inclined to make because of producer and studio collaboration. Sitting down with friend and co-worker Jung Doo-han – the stunt coordinator and action director for such Asian classics as The Foul King, Legend of Gingko, Fighter in the Wind, and A Bittersweet Life – they formulated a compromise-free concept.

   

Or, as Ryoo himself put it: “What if we made a film for under a million dollars with characters like those from John Woo’s A Better Tomorrow, who go to a place like Roman Polanski’s Chinatown, have to struggle and fight like in Jackie Chan’s Police Story, I film it like Martin Scorcese’s Raging Bull, edit it like Sam Peckinpah’s Wild Bunch, and set it to something like Sergio Leone’s soundtrack for The Good, the Bad, and the Ugly?” The result is The City of Violence, a well-named film if ever there was one.

   

Upon setting eyes on the kinetic movie poster I had no idea that the charismatic stars were also the director and fight choreographer, but to dodge more compromise by having to train out-of-shape actors to take on the roles of childhood friends investigating, and taking vengeance for, the murder of a colleague, Ryoo and Jung co-star themselves – a sticking point throughout production. The movie itself is a linear, lean, mean, and exciting thriller which plays like a Japanese yakuza film filled with golden age of Hong Kong kung-fu battles, but, thanks to the hours and hours of special features, it plays like an action film tutorial.

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Fanboy Meltdown 2: Magneto Meets the Doctor

Fanboy Meltdown 2: Magneto Meets the Doctor

I finally watched most of the third X-Men movie on HBO last night, and found I didn’t really miss the absence of Patrick Stewart for half the film.  A major reason for that, of course, was another wonderful performance by Stewart’s fellow Shakespearean thesp, Sir Ian McKellan.

Sir Ian, not to be outdone by news of Stewart appearing in the Royal Shakespeare Company’s Hamlet alongside Dr. Who‘s David Tennant, has been headlining  ex-RSC director (and old Cambridge mate) Sir Trevor Nunn’s production of King Lear, which plays this week at the Brooklyn Academy of Music.  Alas, notes the NY Times preview, all performances are sold out.  The Dr. Who connection here is that Sylvester McCoy (Doctor #7) appears in the role of Lear’s Fool.

The production, which began in Stratford upon Avon in repertory with Chekhov’s The Seagull (that’s Anton Chekhov, not Pavel) and has been touring the world, will wind up in London’s West End in November.

More information and photos can be found on Sir Ian’s website.

MICHAEL H. PRICE: The Man Who Was Easy

MICHAEL H. PRICE: The Man Who Was Easy

Back during the middle 1960s, my newsroom mentor George E. Turner and I became acquainted with the Texas-bred cartoonist Roy Crane (1901–1977), whose daily strip Buz Sawyer – a staple of the local newspaper’s funnies section – had recently landed a Reuben Award from the National Cartoonists Society. Like some Oscar-anointed filmmaker with a current box-office attraction, Crane was visiting his syndicate’s client-papers, one after another, to help promote this touch of newfound momentum for Sawyer as a circulation-builder.

Now, George and I were admirers of Crane’s storytelling artistry from ’way back, and we were as interested in an earlier example called Wash Tubbs. Crane had shepherded Tubbs during the 1920s from a gag-a-day feature to a full-fledged high-adventure vehicle of sustained force, then entrusted it in 1943 to his boyhood pal and studio assistant, Leslie Turner, when the opportunity came to develop Buz Sawyer.

For a good many readers, the greater attraction of Wash Tubbs lay not so much in its title character – a boyish adventurer with an affinity for trouble – as in Washington Tubbs’ cohort, a man of action known as Captain Easy. Easy seemed to George Turner and me an essence of resourceful heroism, and we had wondered: Who might have been the life-model for the rough-and-ready Southerner? (Wash Tubbs’ origins seemed an easier call – in part, a wish-fulfillment projection of Crane himself.)

So while visiting with Crane, we asked about Easy. One of us set forth the theory that Easy was based upon either Richard Dix or Jack Holt, square-jawed, hawk-nosed figures who were noted for their tough-guy movies at the time Easy had appeared. Crane smiled and changed the subject.

 

George and I were hardly alone in the wondering. Historian Ron Goulart also had asked; Crane had replied simply that his brother-in-law had suggested that Washington Tubbs needed a strong sidekick, and that he, Roy Crane, had concocted Easy in response to the idea. Goulart had said that Easy seemed reminiscent of Tom Mix, the cowboy star, but Crane had dismissed the idea by saying that he had used his brother-in-law as a model.

But according to separately collected but unanimous opinions from school-days friends of Crane, Mr. William Lee, a.k.a. Captain Easy, was modeled after a college pal. Journalist-turned-novelist Carlton Stowers put us on the track after he had visited with another friend from Crane’s youth.

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BIG BROADCAST talks with Roy Thomas!

BIG BROADCAST talks with Roy Thomas!

He calls himself the "Super Adaptoid" of comics and we can easily say he’s done it all – from Sgt. Fury to the Justice Society and from Millie The Model to Conan. How did a school teacher from Missouri end up writing so much comics history for the last four decades? Roy Thomas tells The Big ComicMix Broadcast all about it in an exclusive interview!

Meanwhile we’re covering more title changes at DC, MTV’S VIdeo Music Awards get remixed and we rundown of a bunch of new stuff on the web to look at if you get bored over your three-day weekend.

You have the day off, so PRESS THE BUTTON and let’s party down!

COMICS LINKS: Gorey Tribbles

COMICS LINKS: Gorey Tribbles

Comics Links

Shaenon Garrity imagines what Edward Gorey’s adaptation of “The Trouble With Tribbles” might have been like.

The Beat takes a look at DC’s sales in July.

Comicon interviews James Kochalka, whose new children’s book Squirrely Grey has just been published.

Comicon also talks to Scott Shaw! about the rebirth of Captain Carrot.

The Wall Street Journal reports on Japan’s Ministry of Foreign Affairs, which is trying to use manga’s popularity in the West to improve Japan’s image.

Ridiculopathy has the sarcastic version of the old how-to-create-a-webcomic story.

Comic Book Resources interviews what looks like every person connected with the new Marvel Comics Presents series.

CBR also interviews Joe Casey about his new series Pilot Season: Velocity.

Comics Reviews

AppScout reviews the preview chapter of a new graphic novel, Shooting War.

Chris’s Invincible Super-Blog covers this week’s comics, starting with Avengers: The Initiative #5.

Graeme McMillan of The Savage Critics learns that Gene Simmons’s Dominatrix #1 is just as bad as he thought it would be.

Awards

According to Charles Stross, his novel Glasshouse has won the 2006 Prometheus Award, given by the Libertarian Futurist Society to the best Libertarian SF novel of the year.

SF/Fantasy Links

Tobias Buckell runs down a current SFWA kerfuffle: one particular officer is a bit extreme on fighting copyright infringement, and has demanded the website Scribd take down a whole bunch of things are aren’t actually infringements. (And here’s the original report from Cory Doctorow of Boing Boing.)

One more Worldcon report today, from Pat Cadigan.

Robert J. Sawyer walks the Great Wall of China – and takes pictures.

Commonwealth of Fantasy, you can rest easy tonight. The SF Diplomat is taking his ball and going home.

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Happy anniversary, science fiction films!

Happy anniversary, science fiction films!

Georges Méliès’s Le Voyage Danse La Lune (A Trip To The Moon) was released in Paris 105 years ago today — by any definition of the term, the first science fiction special effects summer spectacular. And now, through the magic of the internet, we bring it here to you.

Enjoy it before some bozo decides to remake it for Summer 2009.

Hugo, girls and guys!

Hugo, girls and guys!

Yesterday in Japan, which I believe is today here, the Hugo Awards (which some of us jokingly refer to as the Eisners of science fiction) were handed out in the first-ever Asian-based World Con, Nippon 2007.  Congratulations to all the winners (see below), especially ComicMix friend Patrick Nielsen-Hayden!

Novel: Rainbow’s End by Vernor Vinge (Tor)

Novella: "A Billion Eves" by Robert Reed (Asimov’s, October/November 2006)

Novelette: "The Djinn’s Wife" by Ian McDonald (Asimov’s, July 2006)

Short Story: "Impossible Dreams" by Timothy Pratt (Asimov’s July 2006)

Non-fiction Book: James Tiptree, Jr.: The Double Life of Alice B. Sheldon edited by Julie Phillips (St. Martin’s Press)

Professional Editor: Patrick Nielsen Hayden (Tor Books)

Professional Artist: Donato Giancola

Dramatic Presentation: Pan’s Labyrinth Screenplay by Guillermo del Toro. Directed by Guillermo del Toro (Picturehouse)

Short Dramatic Presentation: Doctor Who "Girl in the Fireplace" Written by Steven Moffat. Directed by Euros Lyn (BBC Wales/BBC1)

Semiprozine: Locus, edited by Charles N. Brown, Kirsten Gong-Wong, & Liza Groen Trombi

Fanzine: Science Fiction Five-yearly edited by Lee Hoffman, Geri Sullivan & Randy Byers

Fan Writer: Dave Langford

Fan Artist: Frank Wu

Campbell Award: Naomi Novik

The full list of nominees can be found here.

MARTHA THOMASES: We Shall Not Be Moved

MARTHA THOMASES: We Shall Not Be Moved

Unlike almost everyone else in Manhattan, my family doesn’t usually go away for Labor Day Weekend. Ten years ago, we went to Cape May for the week, but it was so much effort to drive home through the Lincoln Tunnel that any benefit derived from relaxing on the beach, playing ski-ball or bird-watching was burned up thoroughly on the drive back.

Now, we find it more relaxing to sit on our terrace and listen to the tide of traffic on Varick Street, backed up from the tunnel as people rush to their respite.

New York City, on these holiday weekends, is like the Bottle City of Kandor. The city seems built up tall and sparse, with an overcast of humidity and exhaust. Most of the people on the streets are tourists, who walk in the careful cadence of out-of-towners that infuriates those of us who live here all the time and have to get down the street right now because we’re very important people with very important business to take care of so stop gawking and get out of my way!

Ahem. Excuse me. Kandor probably doesn’t have this particular problem with tourists.

New York City in the summer is, as David Letterman once said, the city that makes its own gravy. It’s hot, and it’s humid, and the streets are lined by skyscrapers whose air-conditioning blasts hot air onto the sidewalks. The garbage on the sidewalk cooks in the heat. Different neighborhoods seem to have their own weather conditions: a wind always blowing through the canyon that is the Avenue of the Americas; Broadway in the Twenties is a Delhi street, with bargains and music blasting from the stores.

Central Park is an oasis within the oasis, making New York feel like a chocolate covered cherry of a city, with sticky green replacing the cherry. I imagine that Kandor feels like that, too, with the air recyled in the bottle for decades.

We have no Wal-Marts here. That’s another thing that makes New York feel like it’s separate from the rest of the country. The retail Goliath tried to open stores in the outer boroughs, but New York is a union town, and we weren’t having any of it. We know that “everyday low prices” aren’t free, but come at the cost of low wages, child labor and no health insurance. We’d rather pay a little more and have neighbors who can afford their rent. Also, have you ever been to Loehman’s, or Century 21? That’s a New Yorker’s idea of a bargain.

Unions are important to New York. We depend on them, and the people who belong to them. Teachers, fire fighters, police, sanitation – the city would stop without them. You would think that Labor Day in New York would be a glorious city holiday, with politicians courting endorsements, and dancing in the street.

It’s not like that. Labor Day means the end of summer, and the start of the fall season. The newspapers on Sunday are really thin, and the stories, written far in advance, are dull previews of upcoming movies, television, and theater, not real news.

Union members are like most other New Yorkers. They’re taking a break, at the shore or in the mountains, or in their backyards, tending to the grill. They know that on Tuesday they’ll be back on the job, and, for the most part, they’d rather spend their free time with their families than with politicians.

There was a Tuesday in September six years ago, a beautiful day with none of summer’s humidity. The fall season had started, and most of the tourists were gone. The kids were back in school, and the streets bustled with business. When the World Trade Center was attacked, it was these uniform services – the fire fighters, the police, the emergency medical technicians – who ran in to save their fellow citizens. It was these heroes who died by the hundreds, more than ten percent of the total lost that day.

For nearly a year, they were celebrated, as they deserved to be. A fireman who runs into a burning building to rescue a stranger is the very definition of a hero. In the months that followed, other union members, even those not employed by the city, were on the ground, digging out the rubble and inhaling poison smoke. They were heroes, too. I remember seeing a group of people on the West Side Highway, every day, waving flags and signs and cheering every truck that went downtown.

It was a bittersweet time in our bottle city. We mourned, and we bled, and we helped each other with our recovery. For a week or so, some of us even slowed down.

And then, the politicians decided we needed a war, and the fire fighters and police heroes New Yorkers (and others) admired were replaced with soldiers. Soldiers sacrifice at least as much as fire fighters, but they also kill people. It’s part of the job. Fire fighters don’t.

In Kandor, I imagine, they’re more like New Yorkers. They revere their civil servants. I bet Labor Day there is fun.

Martha Thomases, ComicMix Media Goddess, is a member of the National Writers Union.