Category: News

ELAYNE RIGGS: Left Behind

ELAYNE RIGGS: Left Behind

It’s the day before the biggest convention in an American comic fan’s year — the San Diego Comic-Con International.  Just about every one of my ComicMix colleagues is heading out there.  (Don’t ask me how they got hotel rooms, it’s still a mystery to me.)  I’m not.  My boss told me a long time ago that I can’t go on vacation when he’s in the country (yes I know, but it’s still better than being unemployed and sans health insurance), and even if I could I just don’t think I could work up the enthusiasm any more for something so expensive and exhausting.  The closer I get to pushing 50, the more 50 pushes back harder.

I vaguely remember when I used to have the energy for Events.  When I was in college I enthusiastically queued up for a couple hours to see The Empire Strikes Back and was severely disappointed because I was expecting a movie, complete with a resolution, not a chapter.  (When Robin expressed much the same sentiment years later on Usenet, I responded with "Marry me," and the rest is history, sort of.)  I get the idea of wanting to be a part of a phenomenon bigger that one’s self, wanting "bragging rights" to fill your anecdotage.  (I wish I could say I coined that word, but I didn’t, I got it from a Fred Astaire movie and goodness knows where the movie’s writer picked it up.)  When it’s organic and unexpected, the Event phenomenon can be quite fun.  But what’s really organic today?

San Diego grew out of comic fans’ love for their medium and the people who toiled therein.  And then it just grew, and grew, and grew.  It’s nigh unto unwieldy now.  Before Wizard took over the Chicago Comicon, it too was centered around the comics artform; now it’s just another notch on the WizardWorld bedpost.  The more cons grow, the more the fans can convince themselves of the comic industry’s health — but the growth ain’t about comics, it’s about product.

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Oh, My! More Book Reviews!

Oh, My! More Book Reviews!

Graeme’s Fantasy Book Review looks at Harry Potter and the Deathly Hallows.

The Guardian reviews Scarlett Thomas’s The End of Mr. Y.

OF Blog of the Fallen reviews Daniel Wallace’s Mr. Sebastian and the Negro Magician.

Blogcritics reviews Warren Hammond’s KOP.

The Kansas City Star reviews The Dark River by the secretive and mysterious John Twelve Hawks.

In the Washington Post, Jeff VanderMeer reviews Ian McDonald’s Brasyl, Kay Kenyon’s Bright of the Sky, Susan Palwick’s Shelter, and more.

Book Fetish reviews Yasmine Galenorn’s Changeling.

CA Reviews looks at Kristin Landon’s The Hidden Worlds.

Powells Books Blog reviews Matt Ruff’s new novel, Bad Monkeys.

Kate Nepveu reviews  Vernor Vinge’s Hugo-nominated novel Rainbows End.

Visions of Paradise reviews C.J. Cherryh’s Inheritor.

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Roy Thomas and Walt Simonson Speak!

Roy Thomas and Walt Simonson Speak!

As we pack up our ComicMix t-shirts and check our lists a few more times, The Big ComicMix Broadcast is ready to fly west to San Diego ComicCon International 2007 — but we have a LOT to leave you with.

This BIG Big ComicMix Broadcast has news on a new face for The Punisher, new voices for some of DC’s biggest stars and great stuff to grab in San Diego. Plus we talk to Walt Simonson about saying goodbye to Hawkgirl, listen to Roy Thomas tease us on the future of Alter Ego and still have time for a visit to one of the best loved amusement parks of the midwest, circa 1968!

Press The Button and tell the flight attendant we need more snacks!

Hey Kids! More Comics Links!

Hey Kids! More Comics Links!

MTV News talked to Todd McFarlane about the new Spawn movie he’s financing himself. (Wait…isn’t he also claiming he’s bankrupt? Now I’m confused.)

The LA Times has noticed that the dying-by-degrees traditional comic-book market isn’t looking quite as sickly as it had been recently.

The inferior4+1 reports on a DC Comics press release which says that Walter Simonson will be writing a new comics series based on the popular MMORPG World of Warcraft.

PopMatters has an interesting (by which I mean silly) theory that Generation X loves Transformers because it symbolizes their wish to “transform” into adults. (That would be more interesting if they meant the old Marvel series Generation X, but they’re talking about the Americans born in the late ’60 and early ’70s.)

The San Diego Union-Tribune has an article on comics today to get ready for some kind of event happening in their fair city later this week.

Fantasybookspot reviews GI Joe: America’s Elite #25.

Monster & Critics reviews Amazing Spider-Man #542.

Publishers Weekly has a handy chart comparing and contrasting four recent superhero-themed novels.

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Is Sylar Spock?

Is Sylar Spock?

The Chicago Tribune‘s Maureen Ryan reports Paramount is "close" to signing Zachary Quinto to play young Spock in the next Star Trek movie. Right now, Quinto is playing bad-guy Sylar on Heroes.

If this comes to pass, a few changes might be in store for one of the few successful teevee shows launched last season, as Sylar was expected to play a major role. Quinto’s Trek shooting schedule might disrupt those plans.

An announcement is "expected" to be made at the San Diego Comic Con.

Hollywood Casting Announcements Flow Towards San Diego

Hollywood Casting Announcements Flow Towards San Diego

Comic-Con is upon us and Hollywood studios, like the various publishers, have lined up a series of announcements to whet the appetites of fanboys, geeks, and the mainstream media.  I should note it’s pretty fun the con is receiving more coverage this year than the political conventions will likely receive next year.

Over the last week or so, numerous announcements have been slipping out through the trade press, starting with word that Seth Rogan, riding high from being Knocked Up, will write and star in the long-awaited Green Hornet movie. 

Yesterday, word spread pretty quickly about likely casting for the forthcoming adaptation of Watchmen, being helmed by 300’s Zack Snyder.  Matthew Goode looks to be Adrian Vedit, a.k.a Ozymandias.  Joining him will be Billy Curdrup (Dr. Manhattan), Patrick Wilson (Night Owl) and relative newcomer Malin Ackerman (Silk Spectre).  Jackie Earle Haley, who was recently nominated for an Academy Award, will play the pivotal role of Rorschach.

The Hollywood Reporter, today, added to that by named Disturbia’s director, D.J. Caruso, as the man behind New Line Cinema’s version of Vertigo’s Y the Last Man.  Caruso is paired once more with writer Carl Ellsworth, who cut his teeth writing for Joss Whedon, before leaping to features. J.C. Spink, Chris Bender and Blade’s David Goyer are producing the film, which was optioned some two years ago. The comic book series wraps up a little later this year with nine trade collections currently available.

Additional announcements expected this week include casting for Frank Miller’s directorial debut on The Spirit and maybe some additional word on the long-stalled Wolverine film that now inches towards a green light.

DENNIS O’NEIL: “No wizard left behind”

DENNIS O’NEIL: “No wizard left behind”

At the end of last week’s exciting episode, the cute schoolteacher and I were involved in a tense debate about which showing of the new Harry Potter movie we would attend. (Yes, we media people do have lives that throb with excitement.)

We decided, and went.

The schoolteacher, who really does carry Potter devotion to an extreme, at least in one Muggle’s opinion, was enthralled. The Muggle – me – thought it was a pretty good summer flick. I’m a Muggle who can enjoy some good, old-fashioned, British Acting-with-a-capital A, and the Potters are full of A-list thespians. (There may be a pun in there somewhere, but, trust me, it’s not worth the effort needed to find it.) I think British movie acting is still partly influenced by its grandiloquent, stage-bound forebears, and that makes it appropriate to material that is the antithesis of realism, much as Brando’s naturalistic Method acting was appropriate to Tennessee Williams’s realism.

But the Pottery pleasure the teacher and I could share equally began when Dolores Umbridge entered the story. Miss Umbridge, splendidly embodied by a pink-clad Imelda Staunton, is an educational bureaucrat whose saccharine exterior conceals a heart of bile. She’s a stooge for the local politicians whose mission is to insist on a largely useless curriculum and on tests which accomplish nothing except make it impossible for real educators to do their jobs.

“No wizard left behind,” I whispered to the schoolteacher, who nodded vigorously.

I don’t know much about J.K. Rowling, Potter’s creator, but I do know that she must have been writing the novel on which the current movie is based about seven years ago, and that she works and lives in England. Those facts make it unlikely that in conjuring up Miss Umbridge she was commenting on and/or satirizing the Bush administration’s No Child Left Behind farce. So maybe art was anticipating life. Whatever the reason, Miss Umbridge could step from fantasy into the real life milieu of those involved in the president’s – ahem – educational efforts and feel right at home.

Spoiler alert!

Miss Umbridge gets hers, though it appears that she survives to be rotten another day, and I rejoiced. I think schadenfreude is a pretty crummy emotion when it’s directed toward people we know, but it’s perfectly acceptable, and maybe even expected – maybe even desirable – when aimed at creatures of the imagination. And despite what the schoolteacher might want to believe, J.K. Rowling does write fiction.

RECOMMENDED READING: The Assault on Reason, by Al Gore.

Dennis O’Neil is an award-winning editor and writer of comic books like Batman, The Question, Iron Man, Green Lantern and/or Green Arrow, and The Shadow, as well as all kinds of novels, stories and articles.

EZ Street To Sneak-Peek At San Diego…

EZ Street To Sneak-Peek At San Diego…

Our pals Mark Wheatley and Robert Tinnell will be at the good so’ San DIego Comic thing this week – booth 2308 – where they’ll be showing off their latest project, EZ Street.

In addition to his comics work, Robert, of course, is the writer and/or director of such movies as Frankenstein and Me, Kids of the Round Table, and Believe; he also produced the classic Surf Nazis Must Die! Bob also wrote the column on autism for ComicMix last month that generated so much comment. Mark is the man (or at least a man, when he’s standing next to Marc Hempel) behind Mars, Breathtaker, Tarzan, Frankenstein Mobster, and all sorts of other cool stuff. He’s got a new sketchbook called Handmaid debuting at SDCC.

Together, Bob and Mark are doing an on-line comic strip The Mighty Motor-Sapiens at the NASCAR fan site – it’s in collaboration with Daniel Krall and Craig Taillefer. It starts August 6th.

And we’ll tell you all about EZ Street right here at ComicMix.com… when the time is right.

Artwork copyright 2007 Mark Wheatley and Robert Tinnell. All Rights Reserved.

The Wide World of Comics!

The Wide World of Comics!

 

Chris’s Invincible Super-Blog continues its mission of annotating every single “Anita Blake” comic – this time, it’s The First Death #1.

The Oregonian picks on comics commentator Douglas Wolk.

Novelist Lewis Shiner introduces modern graphic novels to the readers of the News & Observer.

The Wichita Eagle looks at the growing field of Christian graphic novels.

Dana has her weekly Marvel Comics reviews at Comics Fodder.

Comic Book Resources has their usual weekly explanation of everything that happened in Countdown – this time, issue #41.

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A Wonder Woman-less New Frontier?

A Wonder Woman-less New Frontier?

On Sunday, The New York Times gave Warner Home Video’s forthcoming direct-to-DVD adaptation of Daryn Cooke’s The New Fontier the preview treatment, ahead of its "official" preview in San Diego later this week.

Noting the D2DVD will be one of three "adult-oriented DC projects," the Times noted neither Wonder Woman nor Lois Lane made the first cut in the movie. As you can see from the above art, WW was restored after Cooke’s objected – as was Lois.

The 70 minute feature directed by Dave Bullock will be released in February.