Category: News

MIKE GOLD: Getting Nostalgic For Nostalgia

MIKE GOLD: Getting Nostalgic For Nostalgia

As these very words see the dawn of a new week, I shall be at home packing my ComicMix shirts for the San Diego Comic Con International. It’s the most important event in the comics year. Really; don’t read that with any sarcasm because I mean that. I agree with every word Michael Davis wrote in his column last Friday the 13th: it’s a hell of an effort, it’s a hell of a show, it’s a huge event.

But I can’t help but get a little nostalgic for the old comic book shows, where the primary focus was on comic books as a hobby and an art form. These days, most of Hollywood and all of New York moves out for the SDCC; it’s a massive business. Meetings, negotiations, mega-promotions, dealers dealing comic books made unreadable by being embalmed in plastic to other dealers for very high-stakes, lawyers, agents, managers, suppliers… it gets to be overwhelming.

My first national conventions were back in New York in the late 1960s, where the sainted Phil Seuling created the model for the comic book comic book convention. When I was involved with the Chicago Comicon (now Wizard World Chicago) back in 1976 – 1985, I shamelessly ripped off Phil’s format and approach; thankfully, he saw that as a tribute. It was a different world then.

As I recall, I was at the first Seuling show to crack the 300 barrier. That’s 300 fans. Today, San Diego has more than 300 pros in attendance. Hell, it’s got more than 300 lawyers in attendance. Back then, most of us were amazed there were so many of us all over the nation. For the first time, we realized we were not alone. We weren’t that unusual. Comics were not hip; hell, from a real-world point of view, they weren’t even very profitable. This was before the direct sales market – we have Phil to thank for that, too – and comic book stores only sold back-issues. There were no action figures or posters or alternate covers; in fact, there wasn’t much of an original art market as neither DC nor Marvel returned the art in those days.

As a young fan, I was exposed to older fans’ nostalgia. I read The Spirit and Justice Society, and I met people who gave me access to Milton Caniff and to The Shadow and to old time radio and movie serials and other relics of The Greatest Generation’s lost youth. Guys like Jim Steranko and Al Williamson would personally turn me on to great artists and concepts and projects. I was exposed to America’s popular culture history, and it was great fun.

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The Big ComicMix Broadcast’s Home Game!

The Big ComicMix Broadcast’s Home Game!

We can’t deny it – we at The Big ComicMix Broadcast have a bad case of San Diego on the brain this week, but why not? The nation’s biggest tribute to comics and pop culture starts in just days, but here’s a few things to occupy your browsers until then:

  • Hipflask and Comiccraft have A PREVIEW OF ELPHANTMEN #10 on their site, and they will be offering samples at their booth in San Diego. While you are there, it is a quick jump over to see all the great fonts offered by Comiccraft – yowzer!!
  • Burger King’s SIMPSONS promotional site is the place where you can submit photos of you or your friends and be transferred into Simpsons characters – which is much cooler than being an M&M!
  • To relive your fond memories of great 90’s Nickelodeon TV like CLARISSA EXPLAINS IT ALL, SALUTE YOUR SHORTS and more, check out the music video from the band XYZ Affair. See if you can spot the former Nick Stars in there.
  • TokyoPop continues to add new episodes of their anime series like I LUV HALLOWEEN, RIDING SHOTGUN and A MIDNIGHT OPERA;  there are links to get soundtracks and books as well.
  • Check out that limited edition sketchbook offered by Bill Sienkiewicz . It goes on sale at ComicCon on a first come basis.
  • Finally – for all things ComicCon, there’s one place to go – the official site of course: http://www.comic-con.org/

The Big ComicMix Broadcast will be back here on Tuesday, we clear off the desk with our rundown of new comics and DVDs, talk to one of the people who helped form comics fandom and then pack our bags for the west coast! See you then!

Once you’ve finished That Book…

Once you’ve finished That Book…

Nerds, geeks and thinking people everywhere are settling down to read J.K. Rowling’s latest and last adventure of Harry Potter prior to packing for sunny southern California.  At least that’s what they tell me; I’ll wait for the easier-to-heft paperback, thanks.  But there are no queues at all to read ComicMix columnist contributions from this past week:

If you see Mellifluous Mike Raub at San Diego, speak loudly and clearly into the mic!  Here are his contributions as he hits the Big Seven-Oh:

Have a safe flight of fancy, everyone!

RIC MEYERS: Kung Fu Popeye

RIC MEYERS: Kung Fu Popeye

I suppose I could have titled this pre-San Diego Comic Con installment “Popeye Hustle,” but I think that would’ve given the improper connotation. The new four-DVD boxed set from Warner – Popeye the Sailor 1933-1938 – (available July 31st) is anything but a hustle. And, in fact, the present column title is all the more apt because there’s some of the best kung-fu I’ve seen recently within these first sixty Popeye cartoons.

   

“Kung Fu” actually means “hard work,” not “martial arts,” but there’s a lot of both on display here – from the labor the Max (and Dave) Fleischer Studios lavished on these cartoons to the more than ample martial arts expended by the Sailor Man and all his antagonists (especially Bluto) in every minute of these more than three hundred and sixty animated minutes.

   

I say “more than,” because, in addition to the dozens of remastered black & white original cartoons, the set also includes two of the justifiably famous “two-reel” color mini-movies: Popeye the Sailor Meets Sindbad (sic) the Sailor, and Popeye the Sailor Meets Ali Baba’s Forty Thieves. If the Fleischer Studios had only made a feature length Popeye (as well as a feature version of their beautifully made Superman cartoons), they might have remained as eminent as the Disney Studio.

But this handsome, reverent, and exhilarating set will hopefully go a long way to returning them to their rightful pantheon, despite the hundreds of inferior Popeye cartoons made by other studios since 1941. These almost pristine (the remastering process retains the rough edges of the cartoons as they were originally released) nuggets of aggressive mayhem are a welcome blast of fresh air in the fog of politically correct nonsense, which elicits waves of nostalgic pleasure with each spinach swallow and successive bout of frenzied fisticuffs.

Popeye’s legendary theme song, and oft-repeated quotes of “I yam what I yam,” and “that’s all I can stand, I can’t stand no mores,” clearly marks him as an inspiration for Bugs Bunny’s later feistiness (not to mention “this calls for a little stragedy,” and “don’t go up dere, it’s dark”) — and the set’s extras make that ultra clear. To say that there’s a wealth of featurettes and pleasant surprises is putting it mildly. Each disc has at least two engrossing docs detailing Popeye’s (and animation’s) extraordinary history, voices, music, and characters, as well as audio commentaries and mini-docs that they call “Popumentaries.”

The icing on the cake are a whole bunch of other Fleischer Studio cartoons “From the Vaults” – that is, the era before the 1930s, when cartoons were just starting and fascination, if not delight, could be found in inventive silence. At first these ancient animations seem too crude to be bothered with, but watching the just-drawn likes of Koko the Clown dealing with an animated “live-action” fly soon leads to many minutes of amazed viewing.

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Comics & F&SF People Speak To You

Comics & F&SF People Speak To You

Comic Book Resources talks to Eric Powell about The Goon.

The eighth week of “X-Position” from Comic Book Resources is an interview with Peter David about what’s going on in the X-books. (Silly, CBR, don’t you know that exposition will never wash away the sins of mankind?)

Comic Book Resources also chats with Dynamite Entertainment Publisher Nick Barrucci about their upcoming Alex Ross/Jim Krueger book Superpowers.

SciFi Wire interviews Ellen Datlow about her new anthology (with Terri Windling) The Coyote Road: Trickster Tales.

Amazon’s blog has a quick phone conversation with Austin Grossman, author of Soon I Will Be Invincible, in the middle of his tour.

Transmissions from Wintermute interviews short story writer Benjamin Rosenbaum.

MICHAEL H. PRICE: Moe Lester and the Persistenence of Absurditude

MICHAEL H. PRICE: Moe Lester and the Persistenence of Absurditude

(Continued from our July 15 Installment)

Only on occasion nowadays do I revisit at any length the bizarre Southwestern region whose Dominant Culture gave rise to the chronic-to-acute exploits of Konstable Moe Lester. I use the word character facetiously, for in all his years of published misadventures (whether small-press or nearer some nebulous mainstream) and privately circulated gag strips, Moe has never been anything more than a facile caricature, a “type” embodying and exaggerating traits, mannerisms, and attitudes that prevail amongst the denizens of West Texas’ so-called Panhandle region.

Now, I feel a profound and abiding nostalgia for that territory, having grown up there and having spent the first decade-and-a-half of my career touring those Panhandle backroads as both a rock-band musician and a reporter for a centrally located daily newspaper. But nostalgia must be acknowledged as an ailment before it can be dealt with on any practical level: When its pangs of homesickness intrude upon my mostly idyllic self-exile to a more nearly metropolitan base of operations, Moe Lester simply rears his ugly proboscis as a reminder of why I had put that sprawling Panhandle country behind me, in the first place.

Once a lusty land, the Texas Panhandle slouches into the 21st century as a scattering of dying hamlets – Larry McMurtry’s The Last Picture Show, writ large. The long-gone corporate land-grab barons, whose minions (bureaucratic, military, religious) subdued the native tribal culture, left behind an empire of once-vast ranches, once-thriving railroads, and once-monumental oil-and-gas production outfits that in scarcely the span of five generations have given way to an economy driven by speed traps, Dairy Queen cuisine, prison-system boondoggles and bureaucracies-within-bureaucracies, and the occasional Wal-Mart – bane of the independent small merchant. New methods of petroleum reclamation (drilling at a slant to tap the resources beyond the reach of old-school vertical methods) yield wealth and environmental hazards galore; the citified corporate interests get the wealth, and the countryside gets the hazards. You get the picture.

This is Moe Lester Country, and welcome to it. “The land of the living dead,” as Bob Dylan and Sam Shepard characterized the region in an all-but-epic narrative poem of 1986 called “Brownsville Girl.” Where the more progressive restaurants divide themselves into two sections: one for smoking, one for chain-smoking. Where reciprocal bigotries endure despite superficial desegregation of the ethnicities, and where law enforcement practices a policy of intimidation as a stop-gap against (if not a prelude to) harsher measures. Moe Lester is the emblematic intolerant rustic-with-a-badge.

But of course the Texas backwaters are scarcely the sole domain of rampant Yahooism, and I don’t mean the Other Google. I’ve heard readers and colleagues from Maine to Alabama to Orange County (thank you, Barry Goldberg) remark that they’ve met a Moe Lester or two in their own localized ramblings. And yes, Moe’s patently shallow characterization manages to ignore the benevolence and common decency that remain to be found in such provinces. If one looks hard enough, anyhow.

Because benevolence and common decency aren’t particularly funny. And self-important ignorance is the very stuff of lowbrow, big-nose/big-foot humor. Besides, we all talk funny down yonder in the boondocks.

Yes, well, and many’s the time I’ve dismissed the Moe Lester comics as “those stupid ‘cop’ cartoons,” but all the same they have been a constant in a career whose more artistically earnest endeavors have proved fleeting or erratic. I’ve been putting this character – I mean, facile caricature – through his paces for long enough to know that there must be some reason greater than the mere urge or economic need to see one’s words and pictures in cold print.

Moe didn’t even see generalized publication until my senior year in college – 1969-70 – when as new editor of the campus newspaper at West Texas State University I drafted him into the service of lampooning an oppressive administration and its bullying uniformed security force.

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Tons of F&SF Stuff

Tons of F&SF Stuff

Jennifer Fallon loves Wile E. Coyote, and doesn’t care who knows it. (She also lists Chuck Jones’s very interesting rules for Roadrunner cartoons, which show just how much of a brilliant formal exercise those shorts were.)

But Wouldn’t It Be Cool? lists nine reasons that he reads SF.

The Philadelphia Inquirer uses the Harry Potter hook to look at Christian fantasy. (The Washington Post has a similar story today as well.)

Nine MSN News promotes the Australian writer John Flanagan and his series for young readers, “Ranger’s Apprentice.”

Tech Digest asks and answers: what is steampunk?

SF Signal has posted the final lists for their Harry Potter Outreach Program, designed to drag Potter readers (kicking and screaming, if necessary) over to the SF/Fantasy shelves and get them to read more stuff that they’ll like.

Adventures in SciFi Publishing’s 27th podcast features an interview with Sarah Beth Durst, author of the new young-readers novel Into the Wild. (And some other things, like another installment of “Ask an Author” with Tobias Buckell.)

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So You Want To Hear A Superhero?

So You Want To Hear A Superhero?

OK. So buried deep in your closet, you have that mask and cape that you might wear during those "special times," but do you have the powers and abilities to really be beyond mortal men?  If so, then you aren’t alone as hundreds of would-be crusaders sought to gain the favor of Stan Lee – and the Big ComicMix Broadcast talks to a few of them this weekend!

And speaking of masks, the one that the Green Hornet used might worn by someone new … DC and Marvel fill up the comic shelves for the fall … and there’s more on San Diego … plus what do you do when you have 17 kids to feed? Of course, you farm them out to make hit songs!

Press The Button and you will gain the amazing ability to … listen!

Who’s Tony Blair?

Who’s Tony Blair?

Now that he’s no longer Prime Minister of England, Tony Blair just might be up for a part in Doctor Who. At least, that’s what producer / writer Russell T. Davies hopes.

The London Daily Express reports the Doctor Who producers are trying to obtain Mr. Blair’s services for a fourth-season guest shot or cameo. The former Prime Minister, who previously had appeared on The Simpsons, does have a new job and might not be available: he’s the Middle East peace envoy for "The Quartet," a Led Zepplin-like supergroup consisting of the United States, the European Union, the United Nations and Russia. But that job probably has a lot of down-time.

This could be a good career move for the former PM. After all, thus far the new Who has begat no less than three spin-off shows; four, if you count the animated series. If Blair agrees to appear in Doctor Who (perhaps as a Cyberman), might George W. Bush be called upon to drop by Torchwood?

Baseball and comics go together

Want to excite that baseball fan whom you’d like to drag along to the Comic-Con International in San Diego next week?  Tell her or him that Boston Red Sox pitcher Curt Schilling will be there, or at least his company will.

On his blog 38 Pitches, Schilling links to a Businesswire story about his 38 Studios corporation having a San Diego presence.  It should come as no shock that one of the company’s executives is noted baseball fanatic and Spawn creator Todd McFarlane, but it may surprise some folks to see fantasy author R.A. Salvatore’s name in the mix as well.

McFarlane and Salvatore will be a the 38 Studios booth in Hall C, Booth #2601.  Don’t miss your chance to ask Todd about those valuable baseballs he owns, and whether he’ll be looking to purchase the ball from Barry Bonds’ #756, which may well be a reality by this time next week.