JOHN OSTRANDER: Potter’s End
We’re at something of a cultural crossroads.
On July 21, Saturday, the last new Harry Potter book, Harry Potter and the Deadly Hallows, will be published. With this, J.K. Rowling completes her story and a literary phenomenon is completed. Yes, I know there are two more movies and scads of related tie-ins still to come but the story itself will be complete. We’ll know how it ends.
I have a mistrust of anything that labels itself an “instant classic.” It suggests adding water to a half-baked idea, mix, and you have something for the ages. For something to be classic, time must pass. The work must speak to more than one generation. In the 1920 and the 1930s, the detective Philo Vance was all the rage; today, virtually nobody has heard of him, let alone read him.
All that said, I do think the Harry Potter books have the potential to become classics, to be read and loved by future generations. There is a timeless quality to them; they create their own separate but accessible world; and – as with all truly great children’s literature – they are accessible to adults as well as children. I’m 58 years old; I write GrimJack and have written things like Wasteland. I’m a fan of hard-boiled noir detective fiction and, yes, I’m a Potter-head as well.
What is going to decide whether or not the Potter books become classics or not, I think, is going to depend on how author J.K. Rowling winds up the series. I have nothing but respect for Ms. Rowling; she went from being a single mother on welfare when she wrote the first Potter book to being worth more than the Queen of England as she winds up the series. By the end of the summer, they’ll have to start inviting her to G8 meetings. On a simple commercial level, the writer in me is in awe.
The writer in me also admires her clear-headed vision of herself and of her work. I’ve dealt with fans, my own and Star Wars fans, and while I love them I know how fanatical some can get. There can be this sense of identification with a work to where they can feel entitlement or ownership even above the creator his or herself. On a video, I heard Ms. Rowling address this and say, pretty close to verbatim, “Is it important to me what the fans think? Absolutely. Should it change one word of what I’m doing? Absolutely not.” For the record, I think Ms. Rowling is spot on.
As I was saying, however, whether or not the Harry Potter books go on to become a classic or a flash in the pan will depend on this final book – on how she winds up the series. That ending must satisfy everyone, young readers and older ones alike, who have made an emotional investment that spans years. That doesn’t necessarily imply a happy ending; the movie Casablanca doesn’t have a “happy” ending in that the two lovers, Rick and Ilsa, are together. But, boy, does the ending satisfy the viewer.
There’s been a lot of speculation about how the series will end. Word has it that two of the series’ characters will die and that one of them could be Harry Potter himself. Since this is my last shot at it before the book comes out, I’m going to chime in with my own opinions/speculations. WARNING: SAID SPECULATIONS WILL NECESSITATE REVEALING EVENTS THAT HAVE HAPPENED IN PREVIOUS BOOKS. IF YOU’RE NOT CAUGHT UP AND HAVE SOMEHOW AVOIDED LEARNING WHAT’S HAPPENED AND WANT TO LEAVE IT THAT WAY, GO READ SOMETHING ELSE. NOT THIS.