REVIEW: 47 Ronin
Properly channeling Japanese culture for American audiences has been a challenge given how different our tastes and expectations are. We find the content of much of their Manga and anime either not to our taste or outright incomprehensible. So, the challenge of adapting their bushido Edo-era and adding in some powerful fantasy into [[[47 Ronin]]] was going to be a challenge. Mix in American performer Keanu Reeves as a half-breed you have an uphill challenge in making the film palatable to enough moviegoers to justify the $170 million budget.
It has some terrific concepts and incredible visuals but it’s a mess of a movie, with a long, sluggish middle that loses the audience. Even amazing CG and a strong Asian cast can’t support a messy script.
The story, in short: Lord Asano Naganori (Min Tanaka) is disgraced after the efforts of Lord Kira (Tadanobu Asano), conspires with a shape-shifting witch (Rinko Kikuchi). He commits seppuku and Kira takes charge of Asano’s family by arranging for him to marry Asano’s daughter, Mika (Ko Shibasaki). She agrees to the marriage but extracts a promise to have a year to mourn her father. Asano’s 47 samurai has acknowledged the deviltry that befell their master and they become ronin, masterless samurai, vowing revenge. Enter Kai (Reeves), who just happens to be in love with Mika, who partners with Oishi (Hiroyuki Sanada), the ronin’s leader.
While the action is swell along with some stuff I have not seen before, the characters are flat, one-dimensional. There are the brooding glances, clichéd dialogue, and predictable character beats that spoil the film’s potential. Much of this is a result of delays in shooting, studio interference and an emphasis on visual wonder and not enough on content. The film was a major bomb in the United States, bringing in under $40 million. As a result, you likely missed this last winter but can make up for it now with the Blu-ray release from Universal Home Entertainment. The video transfer is stunning with equally strong sound.
Clearly, the studio gave up on the film and went with a perfunctory suite of extras including four Deleted Scenes (8:00), which are interesting but easily excised; a brief Re-Forging the Legend (7:00); Keanu & Kai (4:00); Steel Fury (6:00), which looks at the film’s training, swordplay and battles; and Myths, Magic & Monsters (8:00).
The film is a curiosity and there are glimpses of what it could have been.
It’s become a growing practice to create a special edition of popular new releases specifically for Sony and Nintendo’s handhelds, more suited to the system’s differing strengths. When [[[Batman: Arkham Origins]]] was released recently, both systems got their own side adventure, obliquely connected to the main game, but unique in features and content. Thanks to the popularity of the series, the handheld game has been expanded and made available for all major systems, console and handheld.
Marvel’s promise that everything will change after Captain America: The Winter Soldier was no understatement. A solid plot, witty banter, some very surprising returns and couple seeds for future films resulted in what may well be the best Marvel film yet. Marvel seems dedicated to show that not all comic book movies are the same. The upcoming Guardians of the Galaxy is clearly set up to be an action comedy, and Winter Soldier is at its heart a political intrigue thriller. It still carries the hi-tech trappings and gadgets of a superhero story, but it’s a much more grounded film, touching on rather sober topics like dealing with life back home after a term in combat, the eternal questions of how much freedom will people surrender in the name of safety, and the simple question, “Who do you trust?”. There’s no way to discuss the film without hitting numerous spoilers, so before we do this, does anyone want to get off? 
I suppose you can’t make a movie about a global flood and a man building an ark to store all of the animals of the world without people drawing the comparison to the story of Noah from the bible. That’s a shame though because there’s an interesting movie in Darren Aronofsky’s Noah that might never get it’s due because it is so divorced from the story we’ve all heard a million times that I fear it’ll never get a chance. This is a story everyone knows and changing the answer to questions like “Why did God flood the earth?” or “How many people were on the ark?” or even “How many rock monsters are in this story?”
I feel bad for The Muppets in the same way I feel bad for aging rock bands. They used to be cutting edge but now they’re content to be a nostalgia act making money by playing the hits. I don’t begrudge them the work and frankly I might be a little jealous of how much money they’re making doing the same old thing but I wish they doing new and exciting things rather than just jamming out on “Sympathy for the Devil” one more time. Muppets Most Wanted is a fun movie but it’s nothing you haven’t seen before.
