The Mix : What are people talking about today?

What we are thankful for, and how you can help ComicMix (and thank you for asking)

What we are thankful for, and how you can help ComicMix (and thank you for asking)

We’re thankful to you. Each and every one of you who keeps coming back to the site because you like the people, or the comics, or the occasional snark.  We all know how tough it is out there, not acknowledging that fact doesn’t make it any less tight in the wallet. There is a pestilence upon this land, nothing is sacred. Even those who
arrange and design shrubberies are under considerable economic stress
in this period in history. But we’re glad that you’re here, reading and occasionally commenting.

We’d also like to ask you, if you’re doing any shopping at Amazon this holiday season, do it through us and help us keep the lights on. If you want to support ComicMix every time you shop at Amazon, bookmark this link and use it whenever you do your online shopping. And if you order before December 16th, you can still get free shipping before Christmas ends.

We are NOT asking you to forgo shopping at your local comic store, far from it. Support your local shops. If you don’t know if you have one near you, go to the Comic Shop Locator. Many stores are doing door-buster sales– Cosmic Comics in NYC, for example, is doing 80% off of back issues and 50% off new books on Friday. I don’t care what kind of advantage you get from Amazon, that’s real tough to beat.

Things may be a bit light over the next few days with holidays and tech stuff, so enjoy yourself and watch out for crazy drivers and rogue TSA agents.

The Point Radio: Writing With Tim Burton

The Point Radio: Writing With Tim Burton


Here’s your chance to write along side Tim Burton – all via Twitter! Plus more with the cast of THE EVENT and why Joss Whedon had a bad week.

And be sure to stay on The Point via iTunes - ComicMix, RSS, MyPodcast.Comor Podbean!

Follow us now on and !

Don’t forget that you can now enjoy THE POINT 24 hours a Day – 7 Days a week!. Updates on all parts of pop culture, special programming by some of your favorite personalities and the biggest variety of contemporary music on the net – plus there is a great round of new programs on the air including classic radio each night at 12mid (Eastern) on RETRO RADIO COMICMIX’s Mark Wheatley hitting the FREQUENCY every Saturday at 9pm and even the Editor-In-Chief of COMICMIX, Mike Gold, with his daily WEIRD SCENES and two full hours of insanity every Sunday (7pm ET) with WEIRD SOUNDS!

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NEWSFLASH FROM WILD CAT BOOKS!

Updates from Wild Cat Books include-
                  *STARTLING STORIES Fall 2010 issue is nearing completion!
                  *Martin Powell’s HALLOWEEN LEGION is still in the works and
                    hopefully coming soon.
                  *Barry Reese’s novel THE DAMNED THING is in production!
                  *There will be sequels to Barry Reese’s RABBIT HEART!!

ECHOES AWARD WINNERS ANNOUNCED!!! HOSTS OF ALL PULP’S OFFICIAL PODCAST WIN!

ECHOES AWARD WINNERS ANNOUNCED!!! HOSTS OF ALL PULP’S OFFICIAL PODCAST WIN!

(release from Tom Johnson)

Ric Croxton and Art Sippo, hosts of THE BOOK CAVE, ALL PULP’S official podcast, are the recipients of the ECHOES Award for 2010/2011. Their dedication to the preservation of pulp culture has been clearly displayed over the past year since Ric Croxton started the Podcast a couple of years ago. Art Sippo has been a co-host for over a year now, and both men’s knowledge and dedication to the pulp community clearly comes through in their interviews with writers, artists, and publishers in the current pulp field. The pulp fan can learn of current books on the market, as well as what’s in the works from their favorite writers and publishers. The weekly Podcasts covers comics and movies, plus their Thursday night pulp interviews.

Ric and Art’s love of the pulps, and devotion to the pulp community has earned them the respect from their contemporaries that puts them above a mere fan, and it is with great honor that we bestow the ECHOES Award for 2010/2011 to these fine gentlemen.

The Echoes Award was created in 1992, the second award to honor members of the pulp community, the first being the Lamont. From 1992 until 1997, the Award consisted of both plaque and paper certificate. Between 1998 and 2004, only the paper certificate was given out, then the Award ceased until 2009, at which time it was resurrected. The Award is not voted on, but the determination of who is doing the most to promote the pulps and pulp fandom is selected by Tom & Ginger Johnson. It is not a writer or artist award, those awards are being given out by The Pulp Factory and Pulp Ark. 

The awards were given beginning in 1992 until 2004.  Although records were lost for the years 1998-2004, winners in prior years include-

1992: Nick Carr/Ron Wilber/Francis Saint Martin
1993: Steve Mitchell/Kevin Duncan
1994: Burt Leake/Ray Capella
1995: David Burton/Shawn Danowski
1996: Bill Thom/Albert Roberts
1997: Will Murray/Albert Tonik

With the resurgence of pulp interest, and the sudden escalation in print on demand – POD – technology, there appeared to be a revival of the pulps, we decided to take another look at the feasibility of presenting the Echoes Award once more. And so the plaque returned in 2009 and winners thus far are-

2009: Matt Moring
2010/2011: Ric Croxton & Art Sippo

We are already looking at several names for the 2012 Echoes Award, but no decision will be made until the proper time.
Tom & Ginger Johnson.

And a word of thanks from Art Sippo-

I am utterly speechless (but I am still able to write)! I am deeply honored by the Echoes Award and I thank you so much for considering me. I have loved Pulp Literature since I was a kid and it helped to form me as I became a man. I am eternally grateful to Dent, Gibson, Nanovic, Burroughs, Howard, Lovecraft, Farmer and all the other great contributors to this wonderful form of American literature. And I am equally gratefull to folks like you and Ginger, Ric Croxton, Will Murray, Ron Fortier, Barry Reese, Wayne Skiver, Ron Hanna, Andy Salmon, and all our other friends who have carreid Pulp writing into the 21st Century. I am so pleased that folks have enjoyed the worrk I have done with Ric Croxton on The Book Cave and my stories. I hope I can continue to live up to the honor you have paid me so that we can alll continue to enjoy the adventures of real heroes who both light a torch and curse the darkness!

Art Sippo

ALL PULP CONGRATULATES RIC AND ART ON THIS AWESOME HONOR!!

A LETTER FROM ALL PULP…TO YOU

A LETTER FROM ALL PULP…TO YOU

Fans, followers, and most of all…friends…

ALL PULP wants to thank you for all the support, feedback, and especially pulpy goodness you have given the Spectacled Seven here at ALL PULP the chance to cover.  When this idea started, our goal was to provide something that wasn’t available on the internet for pulp fans. A site devoted to the news, discussion, and general coverage and encouragement of Pulp, old and new. A place where we…and by we ALL PULP means the pulp family complete…can come together and find who’s writing what, what hero is battling what villain, and just how good that last book so-and-so wrote really was.

ALL PULP has met that goal, I believe…

And we plan to continue being your one stop full purpose news shop for millenia to come.  There are many interviews, columns, reviews, panels, and so forth to come.  You’ve seen us try ideas, change concepts, and streamline things and that will continue.  ALL PULP will be here for the long haul, trust me on that one.

But, as for what you can do for us…(yeah, these types of letters always have that catch…)

Everyone’s busy, we get that…trust me, we get that…but even though there are seven guys (and the occasional wonderful guests we have) hammerin’ this out…this truly is YOUR news site…not just the fans, but the writers, artists, production staff..all the people who read AND produce pulp…this is your place…We get our content because of YOU…and although content flows in pretty regular…and we chase down what we can…ALL PULP can never have enough content.  Never enough interviews, never enough reviews..and most notably never enough news…

So, to that end, please if you have suggestions for interviews, books or magazines or articles you want reviewed, column or panel topics that should be covered, please do not hesitate to let us know that either on our facebook page, our comments page here on the site or at allpulp@yahoo.com.   The Seven are ready to bring the news to the world at large (our numbers are growing almost daily between the site and the facebook page), so please if you have a tidbit bring it to us.

If you are a company or a writer/artist that is interested in sharing news/press releases with ALL PULP, we are adding a new feature just for you.  From this date, 11/23/10, forward, every company and/or individual that sends ALL PULP a press release for its next upcoming project will be given the ALL PULP FRONT PAGE TREATMENT, this being a full article AND interview focused on the company and/or individual providing the release.  This will be a featured focus for a full 8 hours minimum when it debuts on the front page and then will be archived on our news page.  ALL PULP will then work up a small tag from this coverage and attach it to every press release sent by said company and/or creator in the future.  Just our way of making sure the world knows all about you and what you do every time you send us news…

If you’re interested in this, please send a press release to allpulp@yahoo.com and be a part of THE ALL PULP FRONT PAGE TREATMENT!!

And sincerely from my position as sorta EIC…and I’m sure from the other Spectacled Six…

Thank you so much,
Tommy Hancock, ALL PULP

Review: ‘Batman Beyond the Complete Series’

Review: ‘Batman Beyond the Complete Series’

I admit to being leery when Warner Animation announced their plans to follow the  amazing [[[Batman the Animated Adventures]]] with a next generation hero called [[[Batman Beyond]]]. After all, it was a clear departure from the source material and there was no knowing how this would work.

As it turns out, there was little to fear. The series, which ran from January 1999 through December 2001, honored the past and showed us a future Gotham City that still needed a Dark Knight. Rather than just add wrinkles and gray hair to all the familiar figures, things have changed. Dick Grayson seems to be gone, Alfred and Jim Gordon are dead with Barbara Gordon now the police commissioner. And sitting in the gloom of Wayne Mansion is a still-angry, infirm Bruce Wayne.

He knows there’s work to be done and in time, targets teenager Terry McGuinness as his successor. The youth has just lost his father to violence and Wayne’s appeal sounds logical so he signs on to don a high-tech cowl, sans cape. With Wayne barking orders in his ear, Terry is the new Batman, instilling fear in the hearts of 21st century criminals.

The series lasted a strong 52 episodes plus spawned a direct-to-video film and the character wound up on other series such as [[[Static Shock]]] and was given an epilogue in episodes of [[[Justice League Unlimited]]]. There was even the tangentially-related spinoff [[[The Zeta Project]]].

Obviously the brain trust that included Bruce Timm, Alan Burnett, Paul Dini, Dwayne McDuffie, and Glen Murakami rose to the occasion, taking everything they learned from their previous efforts and poured it into this series. The future was recognizable with sleeker architecture that cast new shadows on the city’s streets. The miniaturization and sophistication of the gear was not stretching the imagination and the new sorts of threats owe a nod to the rogues of the past but were fresh menaces.

Today, Warner Home Video has released the long–awaited [[[Batman Beyond the Complete Series]]] in a nifty box set. You get all three seasons of the series and the original extras plus a bonus disc. Tucked within the box is a nice 24-page booklet with character and set designs and some glimpses into the process. The box is slipped inside a plastic wrap that approximates animation cels and makes this a lovely package, perfect for the holiday season.

The episodes look great on DVD and the stories hold up after all these years.

There are three new featurettes all running about five minutes each, which looks back at the show’s origins and the thinking that went into the series’ design and architecture. You don’t learn a lot that’s new but the creators’ affection for Terry and his world is clear. There is also the 75th anniversary documentary [[[Secret Origin]]], which is nice but it would have been nicer to have the episodes and movie that Terry’s Batman appeared in, making this a real complete set.

1304965_320-4873222-5658581

GUEST REVIEW OF THE WEEK! DR. HERMES RETURNS

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From February 1975, this was adapted from Lee Falk’s original 1963 story by Warren Shanahan, who did a really good job with it, much better than most of the other books in the Avon series. THE ISLAND OF DOGS gives the Phantom a worthwhile challenge to face and presents a hero who is as impressive and competent as he should be portrayed. Unfortunately, as nice as George Wilson’s cover is, it does give away the story completely, spoiling any mystery about exactly what is going on upon the Island of Dogs. But the layout is so neat, leading your eye down in an S-shape to the title that it’s worth it.

One great thing about Shanahan’s work is that he takes the time and energy to present background information beyond the standard Phantom lore. The horrifying history of the Island of Dogs makes for three pages that will haunt you. It’s not strictly necessary to the story, but it adds ominous undertones. The same goes for the life stories of the main villain, General Serge, and the impudent heroine, Janice Helm– the background doesn’t go on for too long but it makes them more believable and increases the stakes.

Shanahan also handles the Phantom’s first action scene in a fascinating way. He treats the Ghost Who Walk’s handling of two gunmen as if discussing an athletic event on videotape, stopping to point out details and mention how remarkable the hero’s deeds are. This is so much more interesting than the usual “The Phantom hit the roughneck hard, and then turned to the other” stuff we too often get. I smiled at details such as the Phantom grabbing one thug by the shirt and then slugging him so hard that the shirt front rips off as the guy flies backwards.

One bit of Phantom mythology that always intrigues is the Sign of the Skull left on goons’ faces as they are punched by our hero. Twice, we are told here that these marks have been examined by forensic scientists, who are at a loss to explain the phenomenon. “..the marks are applied with tremendous force, much more than one man could exert, even a professional boxer.” Once it’s implied that it would take something like a pile driver to make a mark like that.

On the other hand (haw!), the Phantom also leaves his good mark with the left-hand ring, gently pressing it against the recipient’s wrist. He certainly doesn’t smash his ring against a child’s wrist with shattering impact.

In the interviews I’ve read with Lee Falk, he always just said that this is one of the Phantom’s mysteries and perhaps it’s best to leave it at that. But speculation is in my blood and I can’t help it. There could be some sort of caustic, acidic substance inside the hollow ring, cutting into skin through the sharp edges of the skull outline (or those crossed Ps or sabers on the other ring). These marks would then be not much a tattoo as a literal brand. In a real all-out brawl, if the Phantom felt it necessary to use both fists, he could either turn the lefthand ring around so its symbol was on the inside of his fist (although maybe then it would print the mark on the inside of his hand, so that might not work). Or perhaps the symbol on the rings can be twisted a half-turn to prevent the mark from being left, as certainly there must be times when the Ghost Who Slugs must be compelled to punch some misguided soul who doesn’t deserve being branded for life.

On second thought, Lee Falk knew what works. The marks left by the rings are best left a mystery.

MOONSTONE CLIFFHANGER FICTION!!! PART THREE OF THE SPIDER: CITY OF THE MELTING DEAD!

MOONSTONE CLIFFHANGER FICTION!!! PART THREE OF THE SPIDER: CITY OF THE MELTING DEAD!

 
Moonstone Books and ALL PULP are proud to present the next chapter of MOONSTONE CLIFFHANGER FINCTION!!!!
Let ALL PULP know what you think of MOONSTONE CLIFFHANGER FICTION on the Comments Page!!!
Want more Moonstone??? http://www.moonstonebooks.com/ !   And stay tuned at the end of this week’s chapter for a link to purchase the collection this story is featured in!
THIS WEEK ON MOONSTONE CLIFFHANGER FICTION-
CITY OF THE MELTING DEAD
A STORY OF THE SPIDER
BY MARTIN POWELL
featured in THE SPIDER: CHRONICLES
from Moonstone Books
PART THREE
Somewhere behind the hollow eye-slits of the mask and gnashing fangs, Richard Wentworth buried the creature deep inside him again. Instantly he began the agonized search for Nita…or for what remained of her. The engine and first two passenger cars of the train—he remembered that there’d been some ominous movement inside, behind the broken windows.

“Nita…” fighting back the choking sob in his throat, Wentworth made for there first.

The crumpled wreck looked unearthly in the pulsing glow of the dying emergency lights, haunted and forbidden. Wentworth’s jaw muscles flexed and he scrambled inside a misshapen, jagged window. A pocket lantern came from his clothing and he sprayed its yellow light over the destroyed interior. He barely recognized the gasp of horror that escaped his own lips.

There, engulfing the space of the center aisle of the train car, was a loathsome mass of putrefied flesh—a semi-congealed heap of human beings fused together in a fleshy tangle of writhing death!

What once were arms and hands reached wetly out toward him, boney, dripping fingers losing skin like melting candles. Black mouths split and gaped in gurgling, pleading agony as eyes long dissolved stared with hollow sockets in outrage and despair. Wentworth could barely believe it, never had he seen such an abomination.

He gazed in sickened awe at the phantasmagoric things before him, the grimly distracted Wentworth nearly failed to notice the sodden, hulking entity that came lurking from behind. Abruptly he spun, his long cloak swirling in mid-air like an exploding ink drop. For an instant the fearsome form of the Spider seemed to become one with the shadows. His automatic whipped up cocked and ready, but the moist misshapen blobs that once were human hands were already at his throat.

“P-pleassssssssssse…” the thing garbled from the liquefied gullet.

Possessed of a wild strength fueled by its death agonies, Wentworth barely wrenched himself free from the desperate grip of the melting man. Once out of the gruesome clutches he watched in helpless pity as the form
diminished before his eyes, drowning in its own tissues. Finally, slumping down to what remained of its knees, the last remaining mass poured from its clothing spilling onto the floor.

Wentworth stood utterly still over the hideous tragedy sprawled in a quickening puddle at his feet, his head bowed in mourning as the other awful liquescent vestiges also became silent and moved no more. A quick study of the engine found the train’s doomed operator in an identical death, the oozing flesh of his forearm bubbling down the brake stick like a burnt out useless wick.

The oppressive sight was so frightful even the battle- hardened Wentworth had to shut his eyes. It was the glacial orbs of the Spider that reopened, seething again with their cold steel fire. These miserable souls would
be avenged.

A muffled groan snapped Wentworth back from his deliberation. His heart quickened, his ears straining in a tense effort to detect the origin of the sound. Again, he heard the tormented wail. This was a fully human voice, weak but unfettered from the gurgling rasp of the victims he’d already encountered. The low moan had come from the last passenger car. It was less damaged than the others, and from his earlier observation of the car’s empty windows Wentworth had suspected it to be lifeless. It was not.

Using a broken section of track, he pried opened the doors. From within a pair of lovely violet eyes regarded him intimately, as if he’d been faithfully expected.

“Quick—I need something for another tourniquet,” she said, her pale face bruised, begrimed, and beautiful. “If we can’t stop the bleeding this mug’s a goner.”

Nita—! She was alive!
Wentworth’s throat tightened and for an instant his tear ducts brimmed, then the Spider responded to the crisis.

“I’ve just the thing,” he bent down over the grievously wounded man tended by Nita, observing several badly bleeding bone fractures. Stout, slender rubber tubing snaked from a pocket in his cloak and the black-gloved hands expertly stemmed the hemorrhage. Satisfied that the victim was no longer in imminent danger, the Spider swiftly surveyed the remaining perimeter within the passenger car. Others were there, also injured, and had been capably treated by Nita. Tightly rolled newspapers had become improvised splints, while strips of her own clothing served as bandages, with her expensive silk stockings providing effective life-saving tourniquets.

Nita Van Sloan, black and blue herself, had done all she could, and that had been considerable. The weight of the last couple hours showed for a mere moment in her wide, haunted eyes. Nita wanted so very badly to fall into Wentworth’s arms, hold him close, and breathe him in. Instead, she resumed her highly trained sense of calm.

“Dick, I saw inside the front cars. What…what could have done this?” she stammered only slightly.

The slouch-brimmed head shook slowly, clearly in restrained astonishment. “Some kind of electromagnetic beam,” he mused. “An unknown highly advanced technique for rebounding and refocusing pure sound waves, aimed at the front of the train. It’s incredible, but it’s the only explanation.”

“My God,” Nita breathed, her face suddenly losing more color. “Then this could have been so much worse…!”

The implications were staggering.

“We can’t let Kirk and his policemen find us down here,” the Spider offered her his hand. “If you can walk—”

“I can do better than that,” Nita attempted a smile, rising quickly to her bare feet.

Her bruised toes stumbled painfully on a bit of debris, and in a blurring swoop, Wentworth swept her up in his arms. For a long, delicious moment their eyes were locked in a fervent gaze, and then their lips found each other.

“It’s unbelievable…unthinkable,” Stanley Kirkpatrick shook his head, his broad shoulders stooped and weighted from the tragedy. “All those people gone, so suddenly. In the past two days more than a dozen of the rescued passengers have also died from their injuries.”

Richard Wentworth refilled the Commissioner’s glass, and returned to Nita on the sofa.

“It’s a terrible business all right, Kirk,” Wentworth curled an affectionately protective arm around Nita’s shoulders, mindful of her arm’s sling. “You say there are still no leads?”

Kirkpatrick gratefully sipped his whisky and soda. “None. Those who have survived, who owe their lives to Miss Van Sloan here, aren’t talking. From the shock of it all, I’ll wager.”

“I don’t blame them,” Nita visibly trembled.

At that, observing her distress, Kirkpatrick promptly wished Nita a good evening, and a speedy recovery, as Wentworth walked him to the door.

“How’s she doing, Dick? I mean, aside from the sprained arm and the cracked ribs. I hope my visit hasn’t upset her more,” Kirkpatrick whispered, chancing a fretful fatherly glance back over his shoulder.

“Nita’s a scrapper,” Wentworth shrugged. “She’s as hungry for clues to this mystery as the rest of us.”

The older man frowned and paused in the doorway.  “I wish I could provide one, but I only have this,” he drew an envelope from his breast pocket.

Wentworth examined the inner contents, a single ragged sheet of cheap paper. There were five brief words boldly typed in all capitals:

SPIDER…BEWARE THE MELTING DEATH


“It’s from the rusty typewriter of a suicide who took a ten story dive the day before the disaster,” Kirkpatrick put on his hat. “A washed-up old crime reporter named Bill Henry. Seemed like a nutcase at first, but in light of what I saw on that train, not to mention the coroner’s bizarre description of Henry’s
corpse…and, it could have been the alley rats like he said…but, well, now I’m not so sure.”

Wentworth handed back the scrap. “You could be on to something, Kirk. Let me know what turns up,” he
shook his old friend firmly by the hand.

Once the door was closed and locked, Wentworth’s mind was in a sudden cyclone. The jumbling of a dozen facts that had been unfathomable mysteries moments before seemed almost magically to fall into place. A weird, low, chuckling laugh escaped his lips. It was startling, even menacing, in the sudden silence of the room.

“We know that sound, Major,” Ronald Jackson, Wentworth’s tall, wideshouldered chauffeur and trusted aide, stated anxiously from across the room. Ram Singh, another fiercely devoted disciple in Wentworth’s war against criminals, regarded his master with g rim resolution, nodding his proudly turbaned head.

“Indeed, sahib,” the Sikh warrior responded, ominously stroking his bearded chin. “How may we serve you?”

Wentworth whirled around to find all eyes strained upon him. Nita’s haunted gaze was especially troubled. For a moment he was perplexed at the sudden tension he had caused, then—seeing himself across the room in the mirror—Wentworth realized the alarming reason. Standing there, in his expensive tailored suit, within his familiar penthouse suite, Wentworth hardly recognized his own reflection. Not only his face, but his whole physique had unconsciously altered.

It was the Spider who stared back at him.

 
END OF PART THREE

 

TUNE IN NEXT MONDAY FOR THE MIND BLOWING CONCLUSION OF CITY OF THE MELTING DEAD!!!

To purchase THE SPIDER: CHRONICLES anthology containing this story and more, go to http://moonstonebooks.com/shop/item.aspx?itemid=414 today!!

Don’t Drink From Wonder Woman’s Cup!

Do you actually drink from those collectible glasses you’ve been hoarding all these years? You might want to give that another thought.

The Associated Press conducted a test on glasses featuring Superman, Green Lantern, Wonder Woman, Batman, and characters from The Wizard of Oz and they discovered these collectibles exceed federal limits for lead in children’s products by up to
1,000 times.

To break it down, the Feds limit lead content in children’s products to 0.03 percent. These glasses have a lead content between 16 percent and 30.2 percent. Not good.

These glasses were also high cadmium, which is considered even more dangerous than lead but there are no federal limits at this time.

Just in time for all the movie hype, Warners’ Green Lantern glass proved to be the most toxic of those superhero products, exceeding the federal maximum by 677 times.

A spokesperson from Warner Bros. told the AP “It is generally understood that the primary consumer for these products is an adult, usually a collector.” Amusingly, Warner’s own website features these classes
alongside school lunch boxes and children’s t-shirts.

On the other hand, if you’re a collector with no children and no intention to use these glasses to quench your thirst, you better buy them right quick.