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CALL FOR WRITERS FOR NEW PULP SITE!!!

CALL FOR WRITERS FOR NEW PULP SITE!!!

Pulp Carnivale is an alternative short fiction site that follows in the tradition of pulp magazines – a highly curated collaborative publishing space featuring varied stories of uniform quality.  This is a space for authors to gain exposure and for audiences to discover quality new fiction without a lot of noise to sift through.

Pulp Carnivale is publishing 3 types of short story:

Flash Fiction: Stories of 1,000 words or less, published daily as a “News Flash”.
Short Story: Stories of differing longer lengths, around 10,000 words or less.
Serial Fiction: These stories will be 10,000 words or less and will come in weekly installments. They can be either episodic or a miniseries.

We are currently looking for stories in the following genres:

fantasy
gangster
detective/mystery
science fiction
adventure/exotic travels
westerns
romance
horror/occult

Please feel free to contact Tracy Austin, editor of Pulp Carnivale, at pulpcarnivale@gmail.com or 646-926-7857. Submissions are currently being accepted for our launch in November 2010.
By submitting, the author gives the editor non-exclusive rights to publish their works. The editor reserves the right to reject works at her own discretion.

MOONSTONE Feb ’11 releases!!!

MOONSTONE Feb ’11 releases!!!

1. SAVAGE BEAUTY
Written by Mike Bullock
Art: Jose Massaroli
Colors: Bob Pedroza
Cover A Thomas Yeates
Cover B Dave Hoover
Cover C Dave Hoover

Special “Retro Rollback Price”: $2.99 for 40 color pages!

Ripped from today’s world news comes a reimagining of the classic jungle girl genre debuting a new hero for the modern age!

Join the Rae sisters, recent UCLA grads, as they travel across modern-day Africa defending the defenseless. Guided by the mysterious Mr. Eden, they assume the identity of a mythical goddess and reveal their Savage Beauty.

Mike (The Phantom) Bullock presents a fresh new spin on the jungle girl genre, featuring real world conflicts in Africa and beyond.

*This over-sized premier issue also includes a Golden Age Sheena reprint, a look back at Jungle Girls with Michael “Robot 6” May and “lost art” from the proposed 1960 Raquel Welch/Sheena movie!

(cover A available separately. Cover B & C are 50-50)

________________________________________________________________

2. Rotten/Zombies vs Cheerleaders Flips Out #1
(W) Mark Rahner, Robert Horton, Steven L. Frank (A) David Namisato,
more (C) Brittany Jackson, Joel Gomez

**32 pgs, color, ONLY $1.99

**GREAT INTRODUCTORY PRICE!***
In this one-shot flip issue, you get NEW stories from two of
Moonstone’s hottest titles. Following a lead on the undead outbreaks
plaguing 1877 America, reluctant agent Wade investigates rumors of an
Indian curse with his partner, Flynn. They stumble into a grotesque
massacre… but that’s just the beginning of the horror they’ll face.
Who knew that these events would affect high school football players
and cheerleaders over a century later!

3. ANGELTOWN: The Nate Hollis Investigations

Author: Gary Phillips
Interior art: Shawn Martinbrough
Cover: Michael Stribling

176pgs, b/w, 6” x 9”, HC, $19.95

10 digit: 1-933076-88-7
13 digit: 978-1-933076-88-1

Los Angeles is the birthplace of noir because the brighter the sunshine,
 the deeper the shadows and the more deadly the mischief that goes on in the dark.

Angeltown: The Nate Hollis Investigations is a HC from Moonstone
reprinting the Vertigo mini series in glorious black and white — the
original critically praised sequential mystery featuring the cool,
tough private eye’s frenzied search in the shadows for a pro hoopster
wanted for murder in “Baller.”
**Additionally, Gary Phillips (Operator 5), has penned two original
illustrated prose short stories for this volume; “Hollywood Killer,”
wherein superhero pretenders prowling Hollywood Boulevard for tips are
getting bumped off, and “King Cow,” about cattle, low-riders and babes
with nazi tattoos.

_________________________________________________

4. Airboy Presents: AIR VIXENS#1
Written by Mike Bullock
Art: Ben Hansen
Colors by: Bob Pedroza
Cover:Franchesco!

32pgs,color, $3.99

More story pages than ever before!

From the pages of Air Fighters comes the first issue of Air Vixens
starring Black Angel, Bald Eagle and Valkyrie.

When Der Furher sent Valkyrie to smuggle secret weapons and
intelligence across Europe in a zeppelin, he didn’t expect Black Angel
and Bald Eagle to crash the party, and neither did they.

Tune in for the first issue featuring the high flying femme
fatales of the Air Fighters in this oversized, bombastic first issue!

**RETAILER INCENTIVE: any purchase of 3 or more copies, retailers will
get one free “virgin” Franchesco cover variant!

The Point Radio: Behind The Scenes on RIESE

The Point Radio: Behind The Scenes on RIESE


You heard it here first – RIESE THE SERIES is making the move to SyFy.com (and hopefully to the network itself). We sit down with the creators and stars to see just how the big move is going down. Plus THE HOBBIT is now two films and two TV shows get some extra love.

And be sure to stay on The Point via iTunes - ComicMix, RSS, MyPodcast.Comor Podbean!

Follow us now on and !

Don’t forget that you can now enjoy THE POINT 24 hours a Day – 7 Days a week!. Updates on all parts of pop culture, special programming by some of your favorite personalities and the biggest variety of contemporary music on the net – plus there is a great round of new programs on the air including classic radio each night at 12mid (Eastern) on RETRO RADIO COMICMIX’s Mark Wheatley hitting the FREQUENCY every Saturday at 9pm and even the Editor-In-Chief of COMICMIX, Mike Gold, with his daily WEIRD SCENES and two full hours of insanity every Sunday (7pm ET) with WEIRD SOUNDS!

CLICK HERE TO LISTEN LIVE
FOR FREE or go to GetThePointRadio for more including a connection for mobile phones including iPhone & Blackberrys.

 

 

Iron Man 3 Cometh!

Iron Man 3 Cometh!

So, what are you planning on doing May 3, 2013? On or about that day, unless I’ve gone to a preview, I’ll probably be seeing Iron Man 3.

If that seems like a long time, it’s only a year (almost to the day) after Iron Man and Tony Stark appear in The Avengers movie.

Amusingly, Disney will be distributing both movies. Whereas they own Marvel, the distribution rights on these projects is still in Paramount’s hands so, according to Box Office Mojo, Disney is coughing up at least $115 million to assume the privilege. It wasn’t too long ago that you could buy all of Marvel for that kind of money. Paramount maintains distribution rights to this year’s Thor and Captain America: The First Avenger.

No word about cast and villains, although Robert Downey Jr. is contractually expected to repeat in the lead.

Review: ‘Thundarr the Barbarian The Complete Series’

Review: ‘Thundarr the Barbarian The Complete Series’

Ruby-Spears was a strong competitor to Hanna-Barbera and Filmation when they arrived during the 1970s. For ComicMix fans, their brightest moment may have been the imaginative and visually interesting [[[Thundarr the Barbarian]]], which aired a mere 21 episodes. But, boasting the designs of Jack Kirby and Alex Toth, along with the writing prowess of Steve Gerber, Martin Pasko, and others, the show has remained a fan favorite.

We were reminded of the show’s potential when the first episode was included in the [[[Saturday Morning 1980s]]] set from Warner Home Video. Now, their sister division, Warner Archive, has released a complete four disc set of the series. Amazingly, though, Lords of Light! an eighteen minute piece all about the creation and enduring appeal of Thundarr the Barbarian that was on the former set, is missing here.

The series ran during the 1980-1982 seasons, on ABC. Thundarr is a nomadic barbarian (aren’t they all?) who meets up with the sorceress Princess Ariel and the mutant being Ookla the Mok in a post-apocalyptic Earth circa 3994 A.D.. The odd trio wander the ravaged planet and have many exciting exploits as we slowly try and piece together what may have happened to the Earth.  What’s left has been divided into territories with a variety of powerful rulers, all coveting power and more land. Nearly two millennia later, there are enough visual artifacts still extent to cue the viewer that this remains our world, after the worst imaginable has happened. The writers and animators wisely send the heroes around the world to show that the devastation was not merely limited to the United States.

The strongest example of the world’s cataclysmic events may be the constant visual of the moon, broken in half, which we’re told happened in 1994 when a rogue comet passed by. It was the shattering of the moon that altered the tides and the weather, beginning the changes that continue to mark the planet.

There were changes to the people and animals too, leading the rise of the Moks, a cross between lions and humans. Ookla was enslaved until freed by Thundarr and the grunting companion was forever loyal thereafter. Thundarr seemed to know the Mok language, at least enough to comprehend Ookla’s intentions.

The state of science fiction in the late 1970s can be felt here such as Thundarr’s sunsword which looks remarkably familiar. Toth’s lead character designs are his typical strong work while Kirby lent his pencil to the opponents, both human and non-human, in subsequent episodes. As a result, scholars look for links between Thundarr and Kirby’s own post-apocalyptic Kamandi.

The key difference between the series was that in Thundarr’s world, magic was a part of the world. Ariel was the daughter of the evil wizard Sabian and she was highly educated, knowing much of Earth’s pre-apocalyptic history. She was throughtful and kind, a strong companion to Thundarr but never really a romantic interest.

The stories were a cut above their competition thanks to the strong staff, led by Gerber, Pasko, Buzz Dixon, and even the nascent writing team of Roy Thomas and Gerry Conway. They brought their comic book storytelling sensibilities to the series and it benefitted. Watching the shows today, you have to remember that this was during a period when direct violence was limited and action rarely involved any hand-to-hand combat. They are at worst, diverting and at best, highly entertaining.

The transfers are fine although some clean up would have been nice. Overall, this is a nice artifact from a bygone era.

John Ratzenberger Talks About ‘Toy Story 3’

John Ratzenberger Talks About ‘Toy Story 3’

Toy Story 3, perhaps the best movie of the year, is being released on Blu-ray on November 3. In anticipation of the much-desired disc, Disney has provided ComicMix with a series of interviews, beginning with this chat.

Question: How does it feel to return to the role of Hamm in Toy Story 3?

John Ratzenberger: To be honest, it feels like I never left Hamm because I’m constantly asked about the character. I bump into people at airports or I meet people whilst picking up my dry cleaning and someone will always tell me, “My 4-year-old son, Jason, loves Hammie the pig.” I’ll usually say, “Well, get him on the phone.” So we call him up and the mother will explain, “Hi honey, it’s Mommy. There’s somebody who wants to say hello.” Then they hand the phone to me and I’ll do some Hamm for them, “Hey Jason, it’s Hammie the pig. I understand you’re not eating your spinach…” I’ve been doing things like that ever since the first Toy Story came out, so Hamm has never been too far away.

Question: How would you describe Hamm?

John Ratzenberger: Hamm is a wise guy. He throws his opinion out regardless of whether anyone’s listening or not, which is what makes him so much fun. He’s a smart Alec and he’s not so offensive that people shun him, but he makes sure his comments are heard.

Question: What do you bring to the role?

John Ratzenberger: I bring whatever I have in my bag of tricks. They let me play around with the script at times, so there are a lot of my own words are in the movie. That’s the nice thing about Pixar: they let the actors experiment.

Question: How much fun did you have in the recording booth for the movie? 

John Ratzenberger: Recording the voice of Hamm is always a great experience, but all of the heavy lifting has already been done because the guys at Pixar spend four years working on the story before I’m called in. All I have to do is give them five different readings of the same line so that they’ve got a variety to choose from. That way, they’ve got a great potpourri of lines to choose from. (more…)

National Graphic Novel Writing Month Day 18: Starring Roles– The Importance of Character Analysis

National Graphic Novel Writing Month Day 18: Starring Roles– The Importance of Character Analysis

“It’s the
characters, stupid.”

    – Ronald D. Moore, Executive
Producer of Battlestar Galactica
(2004) and Caprica

Comics are
always filled with over-the-top superpowers, bright spandex costumes, and
universe-spanning storylines. While these flashy props were enough to sustain
the comics industry in its infancy, the modern comic reader expects more. Many
of the biggest, most complex stories are known for their iconic moments with
their characters.

DC’s Final Crisis saw the return of Darkseid
and a time-travelling bullet, but we all remember it for the simple image of
Superman holding the lifeless body of his best friend – Batman – in his arms,
sorrow filling Big Blue’s face. Marvel’s Civil
War
brought heroes toe to toe with one another, splitting teams and
friendships alike. What became iconic was the bitter struggle between two men
who used to be best friends: Iron Man and Captain America, then Stark’s grief
over his actions leading inexorably to the death of Steve Rogers. 

Imagine a
photo in a frame. A couple is standing in front of the Eiffel Tower, quite
happy. The frame is a fun pewter souvenir from the Tower itself. The focus –
however – is still the couple. Stories are just the same. We may set it in a
creative, dramatic setting. We may dress it up with superpowers, costumes, or
deep philosophic meanings. None of this works, however, without the characters
to drive the story. If the characters don’t ring true, the entire story falls
apart. Characters are how we – the reader – access, understand, and empathize
with a story. 

When dissecting your characters, whether protagonist,
antagonist, or a mere cameo appearance; they need to feel real. The
three-dimensionality of a character can make or break your story, no matter how
brilliant of a plot you’ve devised or how epic the setting. Creating a
believable character involves a precarious balance between two not-so-small
aspects: uniqueness and universality.

(more…)

MOONSTONE MONDAY-Interview with Mike Bullock on SAVAGE BEAUTY


MIKE BULLOCKWriter/Co Creator, SAVAGE BEAUTY, Moonstone Books

AP: Mike, just what is SAVAGE BEAUTY?

Mike Bullock: Savage Beauty is a myth, a legend born long ago and whispered down through the ages of the goddess Anaya. The dual divinity of Anaya takes form as either a golden beauty who blesses the faithful or an ebon angel who brings punishment to evil men. For centuries, many worshipped Anaya, and she protected her followers from colonial empires, slaver traders, poachers and the like who sought to exploit her people. Then, suddenly around the beginning of the 20th century, the goddess simply vanished.

Now, as her people cry out for justice Anaya has returned as suddenly as she left. Woe unto those who would visit evil upon her people.

AP: What were your inspirations/influences for SB?

MB: Everything from current world headlines out of Uganda, the Sudan, D.R. Congo and Somalia to a variety of mythology rooted in cultures of Eastern and Southern Africa.

AP: Why, Mike? Why a jungle comic in this modern market? What about SB will make it stand out with today’s readers?

MB: Ed Catto and Joe Ahearn enjoyed what I was doing in the pages of Phantom and had a desire to work with me on a new book. At the same time, Ed also had an affinity for the jungle girl comics and pulps of old, but didn’t want to do one unless it was fresh and real, not “just another pretty face”.

After Ed and Joe batted a few ideas back and forth they came to me and asked if I could do what I was doing in Phantom but with a new character, a jungle girl character. There’s only one rule: it has to be relevant.

The idea intrigued me, and since I really didn’t feel I’d yet scratched the surface of what I wanted to do with Phantom, they had me hooked before they were even done pitching it. I then spent the next few weeks pouring through all sorts of African mythology, which is
incredibly interesting and highly recommended to anyone who likes mythology of any sort, and I cobbled together the myth of Anaya from two or three existing mythologies. One thing I found fascinating is that there are over 1000 languages spoken in modern Africa, yet only a handful of mythologies exist through all these cultures; shared
mythologies that transcend languages, borders, regions and ethnic boundaries.

Anyway, I digress. So, I took that mythology and used it to flesh out the two main characters, Lacy and Liv Ray. I then created a back-story that would give them a reason to be in Kenya, to witness firsthand what you don’t really see on the nightly news. Then, I brought in a shadowy organization that has its own agenda in all this. Once all the
groundwork was in place, it was back to cruising along just as I was with Phantom. Anyone who enjoyed the Invisible Children or Checkmate arcs, will find more of the same in the pages of Savage Beauty.

AP: Where does the goddess Anaya come into play?

MB: Well, the girls become the avatars of Anaya, protecting her people and dishing out healthy doses of smack-down on those who would exploit them.

AP: Tell us about her supporting cast/characters?

MB: The first supporting cast member is the mysterious Mr. Eden, owner of Eden Holdings, LTD, a commodities importer/exporter. He was born in Uganda and used his incredible business savvy to go from the son of a local farmer to one of the world’s wealthiest men. I don’t want to say too much more about him, for fear of spoiling anything, but we’ll soon discover Mr. Eden is a lot more than just a rich businessman.

Next up are Lacy and Liv’s dad, Johnny Rae. Johnny’s an ex-action movie superstar turned film producer. After his first two films were worldwide hits, he and his wife “took the money and” ran to Kenya, where they planned to retire in comfort and raise their daughter, Lacy away from the materialism and moral depravity rampant in the US. Not
long after arriving, they found Kenya wasn’t the utopia they’d first imagined, and found themselves adopting Liv after rebels murdered her mother. They stayed in Kenya for nearly a decade before some venture capitalists and Johnny’s old movie company lured him back to the Southern California. He now runs Rae Gun pictures, which has a
mysterious connection to Eden Holdings, LTD.

AP: What about the villains? You can’t have a good comic story without villains, right?

MB: Glad you asked. The first to show their face are the PLA, a rebel army similar to the LRA, a real life army currently committing unthinkable crimes against humanity in D.R. Congo after having been run out of Uganda. The PLA is led by two men, the first we’ll meet is Lumus Okoye. Another we’ll see throughout the opening story arc is a French arms dealer simply known as Richaud, or The Frenchman, as the locals call him.

AP: What are the immediate plans for SB? Any hints into her upcoming adventures?

MB: the first story arc moves from Kenya, to Uganda and into D.R. Congo. After that, you can expect Anaya’s long arm to reach into Somalia, Mozambique and across to the US, Europe, the Middle East and elsewhere.

Author Signing This Saturday!


Barry Reese, Moonstone Contributor as well as writer for Wild Cat Books, Marvel Comics, West End Games, Pro Se Productions and Airship 27, will be signing books at Kema’s Hobby Bookstore in Gray, Georgia from 11 am to 3 pm on Saturday October 23, 2010! The store will have copies of all Barry’s books for sale, including all five volumes in The Rook Chronicles, Rabbit Heart, Guan-Yin and the Horrors of Skull Island, Savage Tales of Ki-Gor and more!