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Write A Song For Skultar, and You Could Die!

Write A Song For Skultar, and You Could Die!

  • News
  • September 7, 2010

Frequent commenter and song-craftsman Russ Rogers tipped us off to a little contest he put together, and folks, it’ll slay you.

For those in-the-know (and those not…) Mark Wheatley and M.J. Butler have been toiling away at an homage to Conan and all things barbarian with their new project, Skultar the Unconquered! In viral barbarian fashion, Mark and M.J. decided on a great way to gain some much needed funding to get their bloody pet project off the ground (you did read Glenn’s article on just how much it costs to put out a book these days, did you not?). For various contributions to the project, you can get a slew of special prizes… ranging from exclusive behind the scene updates, signed Frankenstein Mobster comics, to the bigger prizes, like limited editions of the printed Skultar comic (with signed book plate!) to our personal favorite: being drawn into Skultar to be maimed, slaughtered, or otherwise killed… along with a signed death certificate and acknowledgment in the final book! Who doesn’t want to be vivisected in 4 colors by a master like Mark Wheatley? We thought so.

That brings us to Russ Rodgers, and the White Elephant Music Club! Starting today, everyone is welcome to enter the Skultar Sword and Sorcery Song Challenge! The rules are simple: Write a song, featuring lyrics about swords, sorcery, and other savage goodness. It can any genre, any style. Full band? Rock out. Solo acoustic? Folk it up. Bolivian flute and rap combo? The weirder the better. Write, record, and share your creation with the White Elephant Music Club on Facebook, and you’re entered. Want to increase your chances of winning? It’s simple: Mention Skultar in the lyrics! Sounds simple? We know. Want more points? Make some “conversion van quality” album art for your song. Submit a .jpg of your art with said song, and you’ll get some more bonus points. Want even more points? Record a music video for your song! Bam. More points. Want yet even more points, you grade grubber? Word is that if you promote your song and the contest on your own facebook / myspace / website / neighborhood juice bar… you’ll nab a bloody carcass full of bonus points! Judges for the contest will weigh your song-craft, bloody lyrical content, and add up your bonus points. The song’s are due September 24th, with the winner being announced September 30th.

For full details on the contest, do yourself a favor and click on over to the White Elephant Music Club page.

For more details on Skultar, and all of his bad-assery, click on over to his website before he smites you.

Now, all you rockin’ ComicMixers… plug that old Strat into your Marshall half stack. Hit that fuzz pedal and overdrive. Crank the volume to 11, and sing your heart out… before Skultar cuts it out from your girly chest.

Labor Day and the Cost Of Doing Business in Comics

  • News
  • September 6, 2010

Monopoly Money - new design $500Five hundred dollars.

When people talk about putting regular, old-fashioned comic books online, keep that $500 in mind.

That’s about how much it costs for an average page of comic book art, in terms of labor. Figure $100 for the writer, $150 for the penciller, $130 for the inker, $90 for the colorist, and $30 for the letterer. Those numbers go up and
down depending on talent and publishers, but that’s a nice round number for us to work with.

Let’s consider another number: 22. That’s the average page count for a monthly comic book story. It’s also the number of pages most average pencillers can produce a month. Neat coincidence.

Now start multiplying. That means a penciller will make $3300 a month, or $39,600 a year. With covers, round that up to $42 grand a year. Not a lot of cash there. And the penciller’s the highest paid talent on the book. A writer will make $2200 a month, and nobody pays him to write covers. He’ll probably have to write two books a month to make his nut. And so on.

But if you’re expecting professionals to create your comics, that’s what you’ll have to spend.

Graphic novels? From scratch? You’re looking at about 120 pages minimum– that’s $60,000 in labor costs. Unless you’re economizing and doing a lot of the work yourself, that’s going to almost insurmountable unless it’s commissioned by somebody– most writers don’t have a spare $48,000 to spend on an outside artist. This, of course, is one reason why many “literary” graphic novels are solo jobs– David Mazzuchelli, Darwyn Cooke, Alison Bechdel, Brian Fies, et cetera– because the economics simply aren’t there to support five hungry mouths.

Any proposal for getting books in print in paper– or publishing online– has to keep those numbers in mind. You either have to generate enough money to cover those upfront costs, or find some way to mitigate or reduce them.

So how would you do it? (And no, you can’t pay in Monopoly money.)

Trashing Jerry Lewis

  • News
  • September 6, 2010

Is there a single person on the planet who could actually make me feel sorry for that walking train-wreck, Lindsay Lohan? Well, as it turns out, there is!

Just before his 60th Muscular Dystrophy Telethon this weekend, 84 year-old Jerry Lewis discussed Lindsay Lohan specifically and some of his fellow craftspeople generically on the syndicated teevee gossipfest Inside Edition. “I think they need a fucking spanking and a reprimand,” Jerry Lewis said.

Wow, Jerry. 
So you want to spank a 24 year-old woman, huh? Well, I understand a lot of old geezers feel that way.
Okay, so you’ve got a father complex. But exactly what sort of father do you want to be? One who beats his kids?

Zeroing in on Lohan, Jerry Lewis went on to rant “I’d smack her in the mouth if I saw her. I’d smack her in the mouth and be arrested for abusing a woman.” Gee, Jerry, ya think? By the way, you’d also go down for assault and battery. And probably hate crime. “I would say ‘you deserve this and nothing else.’ Whack! And then if she’s not satisfied, I’d put her over my knee and spank her.”

If she’s not satisfied?
Is that how you satisfy women, you sad pathetic has been?

Hokey smokes, Jerry! And to think Mel Gibson got his badass self in trouble while you get to go on teevee and act condescendingly toward your children.

Lohan’s got enough of her own problems, and Jerry, so do you.
 

Monday Mix-Up: ‘Comic Sans Man’

Monday Mix-Up: ‘Comic Sans Man’

  • News
  • September 6, 2010

The unholy melding of bad comic book superheroics and bad comic book lettering…

Never has the phrase “Will he save the world… or destroy it?” seemed so apt.

2010 Hugo Awards Winners Announced

2010 Hugo Awards Winners Announced

  • News
  • September 6, 2010

Kudos and congratulations are in order for the winners of this year’s Hugo Awards.  Named for “Amazing Stories” founder, Hugo Gernsback, the Hugos were awarded at this year’s WorldCon (Aussiecon 4, in Melbourne, Australia) to celebrate fine contributions for the year’s top science fiction or fantasy works. So, without further adieu, let us present this year’s winners, and offer our congratulations!

And the John W. Campbell Award for Best New Writer (presented by Dell Magazines): Seanan McGuire

We here at ComicMix congratulate all the winners above, and recommend you give a gander at their (now award winning!) work next time you get a touch of the wanderlust for the stars or sword.

Review: ‘Smallville Season 9’

Review: ‘Smallville Season 9’

When [[[Smallville]]] debuted on the WB network in fall 2001, it was a revelation, a serious and well-considered examination of Clark Kent coming to terms with his alien origins and super-powers in a modern context. It was a perfect fit for the teen-skewing network and apparently they hit pay dirt casting Tom Welling as Clark and surrounding him with a strong ensemble. The real secret early on was the writing staff, fronted by Jeph Loeb and Mark Verheiden, who said more with less and kept you coming back for more.

By the fourth season though, the success of the show was beyond expectations and the vamping began, coupled with the turnover of the writing staff which irreparably harmed the show. Things grew silly real fast as the iconic elements were twisted beyond recognition and the producers sought new threats and twists in the soap opera relationships. In the latter seasons, especially after creator/showrunners Al Gough and Mile Millar departed, character motivations seemingly changed weekly and storytelling logic was usually ignored.

Season eight gave us the season-long threat of Doomsday and once he was dispatched, it seemed time for something new. Maybe something familiar, a little taste of home. Executive Producers Kelly Souders, Brian Peterson, and Welling decided the time had come to bring the threat of General Zod made flesh. Callum Blue was added to the cast as the Kryptonian military officer, and former ally of Jor-El’s, to demonstrate for Clark the need to use their powers for selfless reasons.

Recognizing this was likely the final season, they chose the theme to be that of Clark embracing his alien heritage. He donned a black costume for the first time and either distanced himself from his friends and allies or relearned the lesson that he cannot act alone.

(more…)

Review: ‘Bone: Tall Tales”

Review: ‘Bone: Tall Tales”

Bone: Tall Tales

By Jeff Smith with Tom Sniegoski
128 pages, Scholastic Graphix, $10.99 (paperback), $22.99 (hardcover)

Scholastic’s Graphix imprint is wisely repackaging all the [[[Bone]]] material, turning it into a uniform library for the young adult readers who can’t get enough of the denizens of Boneville. The latest such entry is[[[ Tall Tales]]], which is the color edition of 2000’s [[[Stupid, Stupid Rat-Tails: The Adventures of Big Johnson Bone]]],[[[ Frontier Hero]]], which in turn collected a 1999 miniseries. The key differences are that “RIblet” is not included here while a story produced for the late, lamented [[[Disney Adventures]]] magazine is added along with some new material.

Additionally, the versatile Tom Sniegoski penned three of the four tales collected here with Smith handling the honors for the framing sequence and the first story. Essentially, Smiley and Bartleby take Ring, Bingo and Todd camping and tell stories around the campfire. So, the frame is set post-Bone and the stories themselves are all prequels.

In all cases, they are delightfully told stories with all the usual drama, action, and humor one can expect from the Bone universe. Steve Hamaker once more colors the stories and does his usual superb job, making this a valued addition to the line.

The first story is a quick one-off while the second, “Old Man Winter” tells of Johnson Bones’ exceptional birth, followed by “Big Johnson Bone vs. the Cobbler Gobbler” where the great adventurer may have met his match. All of which establishes the resourcefulness of the legendary figure. He was prone to long, exaggerated tales but also showed a resourcefulness that gave credence to his abilities. About half the book is taken up with the final Tall Tale, “The Lost Tale of Big Johnson Bone”, establishing why rats do not have tails.

After Bone, his mule and talking monkey are caught in a twister, they find themselves in a valley filled with sentient, avaricious rats. They also find several other animal lifeforms that have been subjugated by the rats, including Stillman, a dragon unable to breathe fire. Once he convinces the animals here’s there to help, it becomes a battle of wits between Big Johnson Bone and Queen Maud. There are some twists and turns but you pretty much know how it will end and are entertained every step of the way thanks to skillful storytelling from Smith and Sniegoski.

By all means, pick up this wonderful collection and enjoy the stories.

The Point Radio: A DC History Lesson From Len Wein

The Point Radio: A DC History Lesson From Len Wein

DC’s rich history can best be explained by not only one of their oldest fans, but top creators. The man who gave us SWAMP THING (and much more), LEN WEIN shares a few 75th Anniversary Tales – plus LOCKE & KEY heads to TV.

And be sure to stay on The Point via iTunes - ComicMix, RSS, MyPodcast.Comor Podbean!

Follow us now on and !

Don’t forget that you can now enjoy THE POINT 24 hours a Day – 7 Days a week!. Updates on all parts of pop culture, special programming by some of your favorite personalities and the biggest variety of contemporary music on the net – plus there is a great round of new programs on the air including classic radio each night at 12mid (Eastern) on RETRO RADIO COMICMIX’s Mark Wheatley hitting the FREQUENCY every Saturday at 9pm and even the Editor-In-Chief of COMICMIX, Mike Gold, with his daily WEIRD SCENES and two full hours of insanity every Sunday (7pm ET) with WEIRD SOUNDS!

CLICK HERE TO LISTEN LIVE FOR FREE or go to GetThePointRadio for more including a connection for mobile phones including iPhone & Blackberrys.

 

 

Cleveland is Krypton– The True Birthplace of Superman

Cleveland is Krypton– The True Birthplace of Superman

  • News
  • September 3, 2010

Tip of the hat to Anne Trubek at the Smithsonian online magazine for her nifty article on Cleveland, the true birthplace of Superman. For those not in the know, the myth of comicdom’s biggest hero began in suburban Cleveland. While many are familiar with the names Jerry Siegel and Joe Shuster, many don’t know much about their humble beginnings. Back in 1933, two sons of Jewish immigrants conceived the origins of the Man of Steel. Living in Glenville, minutes from the bustling city (as Trubek notes, Cleveland at the time was the fifth most populous city in the country!), these two funnies-addicted men built what would become perhaps the single most recognized icon in comic books.

However, the fine folks of Cleveland have done little in the way of promoting their city as the birthplace of the Last Son of Krypton. In fact, when Joanne Siegel wanted to donate her husband’s typewriter, among other artifacts, to the city, not a single Cleveland-ite stepped up to accept. The home of Joe Shuster was torn down. If not for the hard work of comic critic Michael Sangiacomo and comic/novel scribe Brad Meltzer, Siegel’s home might not even be standing today. With much of the home in disrepair, the remaining legacy of Siegel and Shuster was seemingly doomed, much like Krypton. Meltzer and Sangiacomo formed the Siegel and Shuster Society, and raised over 100,000 dollars to help restore the home to its former glory. But since then, not much else has been done. The now-restored home is still used as a residence, and Cleveland has done little in the way of homage to the men who gave us the world’s first superhero.

No need for us to rewrite Anne’s thoughts, though. Click on the link above, and follow the continuing Superman saga. We must say we agree wholeheartedly that the city of “King James” should be reclaimed for Kal-El.

What did Mark Waid REALLY say at the Harvey Awards? Listen for yourself!

What did Mark Waid REALLY say at the Harvey Awards? Listen for yourself!

It’s already become a bit legendary this week– the self-described “long vodka-fueled rant” that Mark Waid delivered as the keynote speech at the Harvey Awards. However, unless you were one of the two hundred or so people in the room, you didn’t actually hear his speech. You might have read the speech Mark intended to give, but Mark himself said he almost immediately went off his notes.

So what was actually said? And was there really booing from some audience members?

Now you can listen for yourself. After a brief intro by Scott Kurtz, we have the full speech from Mark Waid here, as caught by Phil Merkel.

And after you’ve heard it, discuss what he had to say about publishing, filesharing, and making a living in the future in the comments.

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