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Kevin Conroy Discusses his Return to the Batcave

bat-dog-3968726That loud sound you hear in the distance is the echo of fanboys cheering the return of Kevin Conroy to his benchmark role as the voice of the Dark Knight for the highly-anticipated Superman/Batman: Apocalypse, the ninth entry in the popular, ongoing series of DC Universe Animated Original PG-13 Movies coming September 28, 2010 from Warner Premiere, DC Entertainment, Warner Bros. Animation and Warner Home Video.

Conroy, the voice behind the title character of the landmark Batman: The Animated Series, set a standard that has yet to be contested over the past 20 years. Conroy had already been seen on soap operas and television series like Dynasty and Tour of Duty when he aced his first audition for an animated voiceover role in 1991 – earning the title character role for Batman: The Animated Series. It was a casting decision that sounds as good today as it did back then.

Conroy will share that voice in person as the featured guest when Warner Home Video, UGO.com and The Paley Center for Media proudly present the East Coast premiere of Superman/Batman: Apocalypse in New York on September 23. The West Coast premiere will be hosted in Los Angeles on September 21.

The bi-coastal premieres are just part of the ongoing festivities in conjunction with the release of the film. Included in the activities is “Destination Apocalypse,” an interactive online promotion that allows fans to get even deeper into the mythology of Superman/Batman: Apocalypse.  Fans can access “Destination Apocalypse” at http://DestinationApocalypse.com and explore the many sections including games, quizzes and information about film. Fans can even send Kryptonian messages to their Facebook friends.  In each section, participants virtually “check in” and earn badges to unlock an exclusive video clip from the movie.  In addition, earning badges for participating in the various activities in each section help to unlock exclusive movie poster downloads.

Conway helps lead a Superman/Batman: Apocalypse cast that includes fan favorite Tim Daly (Private Practice) as Superman, as well as Andre Braugher (Men of a Certain Age) as the daunting Darkseid, sci-fi heroine Summer Glau (Serenity/Firefly; Terminator: The Sarah Connor Chronicles), and multi-Emmy Award winner Ed Asner (Up) as Granny Goodness.

Based on the DC Comics series/graphic novel Superman/Batman: Supergirl by Jeph Loeb, Michael Turner and Peter Steigerwald, Superman/Batman: Apocalypse is produced by animation legend Bruce Timm and directed by Lauren Montgomery (Justice League: Crisis on Two Earths) from a script by Academy Award-nominated screenwriter Tab Murphy (Gorillas in the Mist).

Conroy will speak quite a bit during pre-premiere interviews and a post-premiere panel discussion on September 23. But for those fans who can’t attend the sold-out event, here’s some thoughts the actor offered after a recent recording session.

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Review: ‘The Black Cauldron’

blackcauldron25thanndvd-1979969Fantasy author Lloyd Alexander was beloved for his imaginative series, the [[[Chronicles of Prydain]]] so anyone who read the series, originally released between 1964 and 1968, were no doubt apprehensive to see the entire story collapsed into an 80 minute animated feature from Walt Disney.

The filmmakers decided to focus on the second book, [[[The Black Cauldron]]], and substantially altered characters, settings, and events so when it opened July 24, 1985, fans of the material were not happy. Worse, people unfamiliar with the source material were not particularly entertained leading to a box office collapse. That this film came at the tail end of a period where creativity was clearly lacking meant that it looked and felt like a generic Disney animated film. Jeffrey Katzenberg arrived on staff just prior to the film’s release and he could merely nip and tuck sequences, but recognized their most expensive feature to date, and the first to use computer-generated animation, was not working.

Now released in a standard DVD 25th Anniversary edition, the movie has been cleaned up a bit but still lacks suspense and imagination. Rather than visually embrace the Welsh mythology that Alexander mined for his novels, Disney made everything look fairly bland.

In short, the Horned King (John Hurt) is attempting to find the legendary Black Cauldron which would give him the power to rule the world. According to a trio of witches, no one had been looking for the magical artifact in over 2000 years, but now the time seemed ripe. What the tall, shadowy figure did not count on was the plucky band of adventurers to stand in his way towards global domination. Leading the charge was the teenaged Taran (Grant Bardsley), who we meet as he laments his having just missed out on participating in the last war. Instead, he works as the assistant pig keeper to a wizard, unaware the prize pig, Hen Wen, can conjure up images of the future. When the pig goes missing, Taran goes in search only to encounter a talking creature named Gurgi (John Byner), followed by a dim-witted princess Eilonwy (Susan Sheridan) and Fflewddur Fflam (Nigel Hawthorne), a broken down balladeer.

The movie barely resembles the book with characters altered beyond recognition and the Horned King a possible threat, as opposed to the malevolent force he is in the books. Instead, the standard quest story and coming of age for Taran are inserted much to the disappointment of the readers. Comical elements are there for the children but overall there’s no spark to ignite the imagination.

The new edition comes complete with a deleted scene, “The Fairy Folk”, that would have added to the exposition and you see it in semi-complete and pencil form with the soundtrack. A scene Katzenberg ordered cut, is not here. Also new to this set is “The Witches’ Challenge”, a trivia game for the youngsters. “The Quest for the Black Cauldron” game and art gallery are preserved from the previous release along with the 1952 Donald Duck short “Trick or Treat” included merely because it featured a witch.

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Webcomics You Should Be Reading: “The Gutters”

gutters-8361843Gentle reader, I know it’s been an eon and a half since last I told you to dust off that bookmark button. But to be honest, I’ve been buried in the same set of webcomics for a long time now, with nothing piquing my interest as such… until now. Found literally by happenstance, I bring to you today a webcomic that is not like any other I’ve brought to you thus far. I bring to you… The Gutters.

Produced and written by Ryan Sohmer, the same dude that puts out a former Webcomic You Should Be Reading, Least I Could Do, The Gutters is truly a unique webcomic beast. Instead of a singular cast, The Gutters uses today’s comic books as fodder for content. Expressing a gripe about “One More Day” or “Blackest Night,” or offering a more general comics in-joke, the strip skewers just about everyone in the industry… fictional or not! Instead of a single artist, The Gutters employs the services of a multitude of industry pros. Past strips has been drawn by the likes of Eugene JjAR, cartoonist Chris Jones, comic book guru Bill Sienkiewicz, and webcomic god Scott Kurtz. Even Least I Could Do‘s Lar deSouza lends his hand on occasion. At the end of the day, the combination of a rotating art cast with Sohmer’s wit and criticism of the comic industry equals a damn funny webcomic that had the Unshaven Comics crew doing spit takes while we roamed through the archives. Although the comic is only 40 strips old, it offers a gold mine of jokes.

Normally, I peruse the wikipedia of the “About Us” page to pick up a little backstory. Sadly, The Gutters is far too new and awesome to have garnered an entry yet. From what I can glean from the blogs, though, the project is pretty straightforward. According to Sohmer:

“In brief, Gutters is a series of standalone pages that parody the
comic book industry and the heroes and characters that dwell within.
Think of it as an editorial cartoon targeting comic books, and you’ll
understand where we’re going with it.

While I’ll be writing Gutters, Lar will be the art director with Ed
Ryzowski serving as colorist. As for who will be doing the actual art,
well, that’s where things get interesting (and slightly different).
Rather than have one artist pencil each page, we elected to have a
rotating roster of professional artists, among them some giants in the
comic book industry alongside new and emerging talent. This way, in
addition to what I hope will be a humorous comic, Gutters will also be
an ongoing showcase of art.”

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INTERVIEWS, INTERVIEWS, INTERVIEWS!!!

Things are hoppin’ in the Pulp Genre and people are wantin’ to talk about them!!!   Today, author Bill Craig talks about his various series and titles and later, Bill Cunningham, Pulp 2.0 Press Publisher leads off a two part interview about his RADIO WESTERN ADVENTURES!  Stay tuned in the next few days for interviews from Don Glut and Adam Garcia!   And more and more in the coming days, no kiddin’, everybody wants to talk to ALL PULP!!! Don’t you???

EPIC INTERVIEW OF WRITER OF EPIC PULP TRILOGY, WAYNE REINAGEL!

All Pulp delivers a slam bang, action packed interview with Wayne Reinagel, Knightraven Studios, Writer and Artist of the PULP HEROES trilogy.  This Herculean effort of fiction is both mind boggling, pulp worthy, and even educational, so go learn about the genius workhorse behind it!

Review: ‘THX 1138’

George Lucas is a filmmaker who believes that movies are works that can be revisited and altered as the artist’s vision or his tools change. This has been a hallmark of his dating all the way back to his 1967 USC student film, [[[Electronic Labyrinth: THX 1138 4EB]]]. When Lucas and colleague Francis Ford Coppola made it from film school to Hollywood, they wound up getting the money to make a feature-version of the story as Lucas’ film directing debut. A co-production between Coppola’s American Zoetrope and Warner Bros., [[[THX 1138]]]was shot and released in 1971 to dismal results.

In the wake of his subsequent success with 1977’s Star Wars, he re-edited the film back to his original 86 minute cut, adding in five minutes, for a re-release. After tinkering endlessly with the [[[Star Wars]]] trilogy, Lucas decided it was time to go back and play with THX 1138, resulting in an 88 minute director’s cut that was released on video in 2004. Adding in numerous CGI elements, the spare film is filled out, in some cases for the better and in most cases, to its detriment.

The 2004 version is now out on Blu-ray from Warner Home Video and is an interesting exercise to watch. You certainly see the detached Lucas, the one we knew wanted Star Wars to focus on the droids. He’s uncomfortable with people it seems, or at least he was, and stuffs humanity under the surface into a loveless, emotionless existence in this bleak story. We don’t know when mankind moved underground or why, but clearly, to keep the population busy, new levels of scrutiny are employed, bringing George Orwell’s Big Brother to life.

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Tell Us the Craziest Thing in Comics and Win a Digital Download of ‘One Flew Over The Cuckoo’s Nest’

There are some movies that provide us with indelible characters and performances, few giving us more than one. Then there are movies that help reflect a decade of the American experience. But, there are few that do all of the above and One Flew Over the Cuckoo’s Nest is one of those films.

Now, in celebration of the 35th anniversary of the Academy Award winning film, it’s available for the first time as a download on iTunes with extras including all-new interviews with Michael Douglas and Deleted Scenes (starring Jack Nicholson). The Blu-ray edition of the film also came out this week so you have a choice.
 
For those unfamiliar with the story, it is based on the American literary classic by Ken Kesey. One Flew
Over the Cuckoo’s Nest
is the powerfully dramatic film that took the
1975 Academy Awards by storm with its compelling tale about the triumph
of the human spirit and the fight for freedom.

Our friends at Warner Digital have given us a free download to bestow on a lucky ComicMix reader. What we’re looking for is the craziest thing you’ve read in a comic book this year. Name a character, incident, cover image, whatever (or an incident from the real world relating to comics) and put it in the comments section below. Our team of judges at ComicMix will evaluate your contributions and pick a winner. Submissions have to be posted in the comments section for this item not later than 11:59 p.m. Thursday, September 16.

Electro-shock is optional. (But fun.)

Graphic Novel Says A Long Goodbye to Oprah

There are institutions in Chicago that make the city what it is. Deep-dish pizza loaded with premium toppings. A hot dog “dragged through the garden.” The Sears Tower (sorry, it’ll never be “Willis Tower” to anyone in the city). Da Bears. And Oprah. More than the robust food, gigantic buildings, or the amazing football team, Oprah’s seat in pop culture has been cemented in recent years as an unstoppable brand. Thanks to the big O, no less than than four talk shows litter the dial. And soon, an entire cable network will launch, thanks to the big O. In addition to the television shows, Oprah and her fifth-dimensionally named Harpo productions is responsible for magazines, telefilms, a radio station, and, we’re pretty sure, an eventual space station where housewives will be whisked away by private rocket to nibble on Southern comfort food and dish on their louse husbands, in between book-club meetings.

Earlier in this year, Oprah shocked her audience of 12 billion viewers by announcing the end of her talk show. And while some shows may have a special “farewell” episode, Oprah is enjoying a “farewell season.  Chicago comic creators Todd Allen and Scott Beaderstadt are dedicating an arc of their graphic novel series Division and Rush in response to the announcement of Oprah’s eventual retirement on daily TV. Division and Rush is a serial strip published on the Chicago Tribune Media Group’s ChicagoNow website. It follows the exploits of a pair of Chicago detectives as they scour the city and confront eerily familiar pop-culture icons and current events. Story arcs from the strips are collected and reprinted as full-fledged graphic novels. The first arc, “The Murder Professor,” was a #1 bestseller on Amazon for the Kindle.

The newly announced second arc, dubbed “The Cult of Low Self-Esteem,” follows Oprah-esque television diva Opa! as she announces her eventual move to California. Not everyone is thrilled by her decision, and the murderous romp begins to unfold. We here at ComicMix dig the strip, and think you should do yourself a favor and check it out. Just don’t tell Oprah we recommended it, lest we incur her wrath. Don’t think that’s scary? Just a tip, there, hotshot: the last time Oprah got mad, America gave up BEEF for a month. We don’t want to see what happens if we get on her death-ray radar anytime soon.

Review: ‘Chuck: The Complete Third Season’

[[[Chuck]]] is the ultimate fanboy dream television show. We all wish we could be accidentally zapped with the Intersect and be a walking computer, filled with espionage details. This way, we too could be protected by the CIA and NSA in the form of the rough Colonel John Casey and the gorgeous Sarah Walker. The show’s producers know this and Josh Schwartz and Chris Fedak have carefully built up the television series reeling in the fans and finding new ones along the way with a delightful mix of humor, action and pathos.

The show, though, has never been a ratings hit and NBC has been cautious with its episode orders so there has always been a campaign to ensure the series is renewed annually. Last year, a 13 episode commitment and a spring debut seemed to be the most the Peacock Network would offer up and the producers made certain each episode would further the theme. If season one was about the boy, then season two was about the boy becoming a man and season three was all about the man becoming a spy. When [[[Heroes]]] tanked early, NBC rushed Chuck onto the schedule earlier than expected and an additional six episodes were ordered, giving the producers more room to play with.

The results can be found in the excellent [[[Chuck the Complete Third Season]]], now out from Warner Home Video. All 19 episodes are included along with a handful of bonus features and they’re well recommended.

Season recap and spoilers ahead…

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