Kevin Conroy Discusses his Return to the Batcave
That loud sound you hear in the distance is the echo of fanboys cheering the return of Kevin Conroy to his benchmark role as the voice of the Dark Knight for the highly-anticipated Superman/Batman: Apocalypse, the ninth entry in the popular, ongoing series of DC Universe Animated Original PG-13 Movies coming September 28, 2010 from Warner Premiere, DC Entertainment, Warner Bros. Animation and Warner Home Video.
Conroy, the voice behind the title character of the landmark Batman: The Animated Series, set a standard that has yet to be contested over the past 20 years. Conroy had already been seen on soap operas and television series like Dynasty and Tour of Duty when he aced his first audition for an animated voiceover role in 1991 – earning the title character role for Batman: The Animated Series. It was a casting decision that sounds as good today as it did back then.
Conroy will share that voice in person as the featured guest when Warner Home Video, UGO.com and The Paley Center for Media proudly present the East Coast premiere of Superman/Batman: Apocalypse in New York on September 23. The West Coast premiere will be hosted in Los Angeles on September 21.
The bi-coastal premieres are just part of the ongoing festivities in conjunction with the release of the film. Included in the activities is “Destination Apocalypse,” an interactive online promotion that allows fans to get even deeper into the mythology of Superman/Batman: Apocalypse. Fans can access “Destination Apocalypse” at http://DestinationApocalypse.com and explore the many sections including games, quizzes and information about film. Fans can even send Kryptonian messages to their Facebook friends. In each section, participants virtually “check in” and earn badges to unlock an exclusive video clip from the movie. In addition, earning badges for participating in the various activities in each section help to unlock exclusive movie poster downloads.
Conway helps lead a Superman/Batman: Apocalypse cast that includes fan favorite Tim Daly (Private Practice) as Superman, as well as Andre Braugher (Men of a Certain Age) as the daunting Darkseid, sci-fi heroine Summer Glau (Serenity/Firefly; Terminator: The Sarah Connor Chronicles), and multi-Emmy Award winner Ed Asner (Up) as Granny Goodness.
Based on the DC Comics series/graphic novel Superman/Batman: Supergirl by Jeph Loeb, Michael Turner and Peter Steigerwald, Superman/Batman: Apocalypse is produced by animation legend Bruce Timm and directed by Lauren Montgomery (Justice League: Crisis on Two Earths) from a script by Academy Award-nominated screenwriter Tab Murphy (Gorillas in the Mist).
Conroy will speak quite a bit during pre-premiere interviews and a post-premiere panel discussion on September 23. But for those fans who can’t attend the sold-out event, here’s some thoughts the actor offered after a recent recording session.

Fantasy author Lloyd Alexander was beloved for his imaginative series, the [[[Chronicles of Prydain]]] so anyone who read the series, originally released between 1964 and 1968, were no doubt apprehensive to see the entire story collapsed into an 80 minute animated feature from Walt Disney.
Gentle reader, I know it’s been an eon and a half since last I told you to dust off that bookmark button. But to be honest, I’ve been buried in the same set of webcomics for a long time now, with nothing piquing my interest as such… until now. Found literally by happenstance, I bring to you today a webcomic that is not like any other I’ve brought to you thus far. I bring to you…
George Lucas is a filmmaker who believes that movies are works that can be revisited and altered as the artist’s vision or his tools change. This has been a hallmark of his dating all the way back to his 1967 USC student film, [[[Electronic Labyrinth: THX 1138 4EB]]]. When Lucas and colleague Francis Ford Coppola made it from film school to Hollywood, they wound up getting the money to make a feature-version of the story as Lucas’ film directing debut. A co-production between Coppola’s American Zoetrope and Warner Bros., [[[THX 1138]]]was shot and released in 1971 to dismal results.
There are some movies that provide us with indelible characters and performances, few giving us more than one. Then there are movies that help reflect a decade of the American experience. But, there are few that do all of the above and One Flew Over the Cuckoo’s Nest is one of those films.
There are institutions in Chicago that make the city what it is. Deep-dish pizza loaded with premium toppings. A hot dog “dragged through the garden.” The Sears Tower (sorry, it’ll never be “Willis Tower” to anyone in the city). Da Bears. And Oprah. More than the robust food, gigantic buildings, or the amazing football team, Oprah’s seat in pop culture has been cemented in recent years as an unstoppable brand. Thanks to the big O, no less than than four talk shows litter the dial. And soon, an entire cable network will launch, thanks to the big O. In addition to the television shows, Oprah and her fifth-dimensionally named Harpo productions is responsible for magazines, telefilms, a radio station, and, we’re pretty sure, an eventual space station where housewives will be whisked away by private rocket to nibble on Southern comfort food and dish on their louse husbands, in between book-club meetings.
[[[Chuck]]] is the ultimate fanboy dream television show. We all wish we could be accidentally zapped with the Intersect and be a walking computer, filled with espionage details. This way, we too could be protected by the CIA and NSA in the form of the rough Colonel John Casey and the gorgeous Sarah Walker. The show’s producers know this and Josh Schwartz and Chris Fedak have carefully built up the television series reeling in the fans and finding new ones along the way with a delightful mix of humor, action and pathos.
