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Review: B.P.R.D., Vol. 10: The Warning by Mignola, Arcudi, and Davis

Review: B.P.R.D., Vol. 10: The Warning by Mignola, Arcudi, and Davis

B.P.R.D. Vol. 10: The Warning
Written by Mike Mignola and John Arcudi; Art by Guy
Davis
Dark Horse Comics, May 2009, $17.95

[[[The Warning]]] is the tenth volume
collecting the adventures of the [[[Hellboy]]]-less Bureau for Paranormal Research
and Defense, and the first in what the creators are calling the “[[[Scorched Earth
Trilogy]]].” The afterword by co-writer John Arcudi claims that events will get
bigger and more dangerous from here – though he does note that this volume
includes, among other thing, “[name withheld] gets kidnapped, … entire fleet of
helicopters gets wiped out, and gigantic robots trample [name withheld] into
rubble.” And previous volumes of this series (and, of course, of the related Hellboy)
have been no slouch in the near-Armageddon sweepstakes – particularly [[[The Black Flame]]]. That’s a lot of promise, but Mignola’s fictional
world does always teeter on the verge of utter supernatural chaos, in his very
Lovecraftian way. It would be wise to take Arcudi at his word.

The Warning begins with the team going
in two directions at once, urgently following up recent events – Abe Sapien
leads an assault squad out into the snowy mountains to try to find and retrieve
the Wendigo-possessed former leader of their team, and the others have a séance
to contact the mysterious ‘30s costumed hero Lobster Johnson, whom they think
will have information about the robed man taunting and manipulating firestarter
Liz Sherman in her mind. But neither one of those leads works out as the
[[[B.P.R.D.]]] hopes, and, before long, they’re face-to-face with another
high-powered menace and seeing another city being assaulted by giant robots.

And yet, remember that note from Arcudi. The plot of The
Warning
turns out to be just a warm-up; the antagonists here
are not the true enemies of the B.P.R.D. Near the end, that mysterious man
claims that he isn’t their real antagonist, either. The B.P.R.D. is
fumbling in the dark in The Warning, unsure of what the
real menace is, let alone how to stop it. But they go on, because that’s what
they do.

The Warning is a great installment
of a top-rank adventure series, filled with wonder and terror, eyeball kicks
and quiet character moments. It’s a magnificent brick in a more magnificent
wall, but it’s no place to start. If you haven’t read B.P.R.D.
before, go back to the beginning with [[[Hollow Earth
]]]– or, even better, go back to the beginning of Hellboy
with [[[Seed of Destruction]]]. But, if you enjoy adventure
stories with characters who don’t wear skin-tight outfits,
you should have discovered Mignola’s world by now.

Andrew Wheeler has been a publishing professional
for nearly twenty years, with a long stint as a Senior Editor at the Science
Fiction Book Club and a current position at John Wiley & Sons. He¹s been
reading comics for longer than he cares to mention, and maintains a personal,
mostly book-oriented blog at antickmusings.blogspot.com
.

Publishers who would like to submit books
for review should contact ComicMix through the usual channels or email Andrew
Wheeler directly at acwheele
(at) optonline (dot) net.

Interview: Chris Claremont on ‘X-Men Forever’, part 2

Interview: Chris Claremont on ‘X-Men Forever’, part 2

This is the second part of a very long interview with Chris Claremont that started on the topic of X-Men Forever and branched into a number of other areas. Part one of the interview is here, and we recommend reading it to get up to speed. Warning: plot points are discussed up to X-Men Forever #5 at least, do not read this interview if you want to be spoiled.

ComicMix: X-Men Forever– this isn’t just you taking your old X-Men script from 1991 and picking up where you left off.

Chris Claremont: No. The point is that I took my concepts from 1991 and sat down and looked at the team and rethought the whole thing.  The difference is that the scripts in 1991 were a whole series of arcs that in more than a few cases had ended up being echoed, if not outright adapted, by subsequent writers.

CM: In the same vein, since your initial run on the X-Men, a lot of your work and your own style has been adapted in other places; for example, your creation of Kitty Pryde has been cited as an inspiration for Joss Whedon on Buffy. Let’s not even get started on what people have been drawing on for Heroes and Lost.  So now that people know your tropes and it’s become mainstream, what’s next? How do you go beyond that now that the rest of the world is catching up with you?

CC: Well, theoretically the rule we’re running with is if I’ve done it before, I can’t do it here. One of the rules that Mark and I are using is to try as much as possible not to take a story in directions that people anticipate. We’ll see what happens. Part of it is the nature of the characters themselves. My original impulse was to excise Cyclops from the cast because I wanted to focus on someone else– and he just wouldn’t go! Every time I wrote him out, he’d write himself back in. Some part of my brain refused to accept that perception of the X-Men’s reality; its vision was that Cyclops is a key and essential character. There comes a point, as a writer, when you have to listen to that part of your instinct, to ask “why is is saying this?” And once you find the answer, go with it. I am throwing everything up in the air. There are major changes to the eight characters in the series…

CM: Those being Storm, Rogue, Nightcrawler–

CC: Let me start at the top. Cyclops, Storm, Nightcrawler, Beast, Kitty, Gambit, Rogue, Nick Fury, and two others to be named later.

CM: Nick Fury’s a mutant, or just showing up a lot?

CC: Nick Fury’s a member of the cast. He’s the head of S.H.I.E.L.D., but we don’t have a S.H.I.E.L.D. book, so we can use him. His rationale for being there is the X-Men are a critical facet of the world community, just because of the power that mutants represent, and they need a minder. That, plus concerns he’s about to have in terms of S.H.I.E.L.D. itself, make it more convenient/essential for him to stay on scene with the X-Men to figure out what’s going on.

CM: Since you mention Nightcrawler and Kitty Pryde…

CC: They were in Excalibur, yes; they are coming back to the X-Men.

CM: A lot of people have been asking that very question.

CC: The opening circumstances of the book, as seen in the preview, are that this is taking place subsequent to the memorial service for Magneto, where all the X-Men have gathered. There’s one panel on page four where you see the group shot of whole bunches of mutants out back. That explains what they’re all doing there.

CM: So you’ll have all of the X-Men there, you’ll have X-Force there, you’ll have Excalibur…

CC: Those who wish to honor Magneto. Some of them may decide they’re not coming. Anyway, things start to happen from that point on. Essentially, for issue 1, Charlie temporarily closes the school and sends everybody home. He gathers a core team of X-characters to go out after Fabian Cortez, who killed Magneto, to bring him in, and to turn him over to S.H.I.E.L.D. and end this disaster before it gets any worse. Fury is there, saying this: You’re living in a dream world. Magneto threatened the world, and some of you X-Men helped him–you were mind-controlled, but you helped him. The rest of you X-Men stopped him. What makes you think the world’s going to stand back and accept the fact that you guys are unaffiliated, independent operatives and let you go on from there? You represent far too much power.

(more…)

Review: ‘Sunshine Cleaning’ on DVD

Review: ‘Sunshine Cleaning’ on DVD

Most times, we read our comics and watch our movies and television programs and come in at the beginning or during an act of gruesome violence. Often, we then see the crime scene investigators do their thing and then leave. But what becomes of the crime scene afterwards?

Answering that question is the moving Sunshine Cleaning, an independent film starring Amy Adams and Emily Blunt. The well-received film comes out on DVD this Tuesday from Anchor Bay Entertainment.

Adams plays Rose Lorkowski, a single parent stuck in a dead end job, trying to raise her young son. Raised by her failed salesman father (Alan Arkin), it fell to Rose to raise her younger sister Norah. Rose was once on top of the world, captain of the cheerleading team, but there she is, a decade-plus later and she’s still sleeping with the quarterback (Steve Zahn), despite his being married to someone else. She aspires to more, maybe real estate, but life keeps dragging her down.

The quarterback turned police detective suggests try her hand at the lucrative crime scene clean up business.  Rose convinces the hapless Norah to join her in this new venture and [[[Sunshine Cleaning]]] is born. We watch them figure out what the business is all about, stumbling on their own, until they meet up with Winston (Clifton Collins, Jr.), proprietor of a cleaning supply company who provides advice.

For a 91 minute film, there are many themes touched on in Megan Holley’s debut script. Love and loss, taking responsibility, struggling to raise a child and sister and father, missing a dead mother and more. Everything is intertwined as the story progresses but it’s not all neatly tied up by the end. Life’s a messy business, the tag line tells us, and director Christine Jeffs does a nice job showing us exactly that. While Rose is serious and trying to do right by her family, she does so at the cost of her own freedom and happiness. Norah is directionless and gains her first taste of adulthood by working with Rose and by trying to befriend the daughter of a victim. Meantime, we’re left uncertain as to what is wrong with young Oscar (Jason Spevack) – is it ADD, a closet genius or something else. He’s also just trying to get by while being looked after by his grandfather and aunt.

The performances are somber and dead on. Adams, normally gorgeous and perky, allows herself to look dowdy and sad while Blunt, more of a chameleon actress, fully inhabits Norah. Arkin plays Arkin, a man past his prime, terrified of disappointing his family yet doing it again and again as his schemes to make a buck fail. The core cast is ably supported, notably by Collins in an understated part.

The movie comes in both widescreen and full screen, which is a somewhat unnecessary option. The sole unique extra is a wonderful 11 minute featurette interviewing two older women who really do this sort of work. They show where the film was dead on and where it took some liberties, plus showed how they did some of their work.

Happy 80th birthday, Marie Severin!

Happy 80th birthday, Marie Severin!

Rather than rehash all the excellent work Michael Pinto at Fanboy.com has done chronicling her amazing life, we’re just going to point you to his article:

At the end of the silver age of comic books (which was sometime the early 70s) there was a well known cigarette ad campaign which would proudly proclaim to the ladies “You’ve come a long way, baby.”
But sadly while the wider world of publishing started to open up to
women, the comic book biz was — and still today largely a boys club.
Now I can already hear the indignation from my fellow fanboys, but
here’s the evidence:

Tomorrow is the 80th birthday of a living legend in the field of comics — yet sadly in my humble opinion not enough people today know the name Marie Severin.
Yet like a Stan Lee or a Jack Kirby by all rights Severin should be one
of a handful of names that every fanboy (and fangurl too) knows.

Request For Comments from the Groupmind: What blogs should we be following?

Request For Comments from the Groupmind: What blogs should we be following?

Due to, as near as we can tell, Martians deleting folders in my RSS reader, I’ve lost every single one of the links to various comics and pop culture blogs. And we’re going to be spending the weekend rebuilding it, more or less from memory.

So I want to ask you. What news sources should be in our reading mix? What are we missing? Who should we be following? Stuff like that.

Please put your recommendations in the comments, and yes, feel free to hype your own blogs as well. Assume that if I don’t see it here, I may not remember it in the midst of debris.

This RSS image, BTW, is by lifted straight from Matt Forsythe. You should read his comic, Ojingogo, here.

The Point Radio: Another Yellow Submarine?

The Point Radio: Another Yellow Submarine?

We’ve got more on USA Network’s PSYCH including series stars James Roady and Duke Hill on how they get into their characters. Plus SHAZAM gets another movie treatment, this time from Geoff Johns, do we really want a new version of YELLOW SUBMARINE and CBS promotes their Monday night line-up in ENTERTAINMENT WEEKLY with a way you’ve never seen before!

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Don’t forget that you can now enjoy THE POINT 24/7. Updates on all parts of pop culture, special programming by some of your favorite personalities and the biggest variety of contemporary music on the net.

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Powerpoint advice from the Incredible Hulk

Powerpoint advice from the Incredible Hulk

This is the week for angry business stuff here, isn’t it? Yesterday, we had Evil Inc. and Fox Business News, and today we have advice on preparing your business presentations from the Incredible Hulk:

  • Showcase hidden strengths
  • Find something to care about
  • Don’t overdo it
  • And for heaven’s sake, stay calm:

Whether you are the unfortunate victim of a gamma radiation overdose
or just a guy trying to pull off a great presentation, the rule is the
same: Chill out! Things are going to go wrong. Outlets aren’t going to
work. You will forget your extra batteries on the day when your
batteries finally die. Yes. Your fonts are beautiful – and unfathomably
tiny. Here’s an idea: live, learn and laugh. You can’t prepare for
every factor that will mess with your perfect presentation. That’s why
should always be preparing to present the imperfect one. Trust me, throwing the lectern through the wall will solve nothing.

Personally, I always use Jedi skills when giving business presentations. They always work well on the weak-minded.

It was inevitable: ‘Evil Inc.’ on Fox Business Channel

It was inevitable: ‘Evil Inc.’ on Fox Business Channel

Some days, the headlines just write themselves.

Brad Guigar’s Evil Inc. comic strip was bound to be noticed by the people at Fox Business News sooner or later, it’s their kind of company. So yesterday, Brad was interviewed by the standard Fox News panel of a blond guy, a brunette guy, and a blonde woman on their show Happy Hour yesterday. Since Fox won’t let you embed video– I guess they really need the traffic– you can watch it on Brad’s site.

Now if you want scary, I suspect there are more people reading Brad’s strip daily than are watching Fox Business News

Tintin Banned In Brooklyn!

Tintin Banned In Brooklyn!

The Brooklyn (New York) Public Library has removed Tintin au Congo from its shelves. If you want to read the graphic novel, you’ve got to ask for it and risk that “what are you, a bigot?” glower from the librarian.

In an act of insane political correctness, somebody looked at the tome and bitched about how Africans are portrayed as monkeys. So instead of actually reading the damn thing, the librarians protected their professional butts and pulled the book. If you want it, you’ve got to make an appointment to see it. 

This isn’t the first time such a fate fell on Hergé’s popular munchkin. Borders, the always-on-the-verge-of-bankruptcy mega-bookstore chain, moved Tintin au Congo from the graphic novel section to their adult section. Hey, that’s where I go for my racist children’s fiction.

Stevie Spielberg, the well-known racist director of Amistad and Schindler’s List, remains on track to release his Tintin movie in 2011. Co-written by Doctor Who show-runner Steven Moffit, the movie stars the obviously insensitive Daniel Craig, Simon Pegg, Cary Elves, and Andy Serkis.

No word on whether the Brooklyn Public Library and Borders are going to hide the works of Mark Twain.