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Review: ‘Erotic Comics’ by Tim Pilcher

Review: ‘Erotic Comics’ by Tim Pilcher

Erotic Comics: A Graphic History from Tijuana Bibles to Underground Comics
By Tim Pilcher with Gene Kannenberg, Jr.
Abrams, March 2008, $29.95

We’ve reached an interesting point in modern culture, when even something as disposable and downmarket as sexy comic books can be the subject of a classy art book from a major publisher. Abrams is about as respectable an art-book publisher as you could find; they’re the official book imprint of both the Whitney and Guggenheim museums. And they’re also the publisher of [[[Erotic Comics]]], a well-crafted and thoroughly conventional art book with lots of pictures of comics panels featuring people at least half-naked – if not actively engaged in various lascivious acts.

Erotic Comics is, except for the smutty pictures, an absolutely standard coffee-table book – printed at a large but comfortable size, not too expensive, with several color reproductions on each spread, occasional background images as well, helpful, detailed captions, and a body text that’s thin beer but perfectly acceptable. It makes no sweeping claims for the field of erotic comics, and is content mostly to show some pictures and retell the same old stories about the men who drew them.

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Interview: Jane Espenson on “Buffy” and “Battlestar Galactica”

Interview: Jane Espenson on “Buffy” and “Battlestar Galactica”

Writer and producer Jane Espenson has written, or co-written, episodes of some of the most popular and successful TV shows in recent memory. From her first writing work on Star Trek: The Next Generation through stints on the hugely popular Buffy: The Vampire Slayer and Angel, to one of the most celebrated series currently on TV, Battlestar Galactica, Espenson’s career is certainly one which fans of quality writing, humor and storytelling can appreciate.

In addition to her continued professional writing accomplishments, Espenson also finds time to offer inspiration to fledgling writers by providing advice on the craft of writing, breaking into the businesss and what makes a good spec script via her personal website. Recently, I caught up with Espenson to talk about, among other things, how writers can break into "the business," her love of sci-fi and fantasy, and what episodes of Buffy are her favorites.

COMICMIX: Jane, thanks for taking the time to talk with me. For those who may not know, can you talk a bit about your background? Did you always know you wanted to write?

JANE ESPENSON: I grew up in a small town in the Midwest where I watched a heck of a lot of television — good and bad.  For every M*A*S*H, there’s an Enos. You don’t remember Enos?  The Dukes of Hazzard spin-off?  Well, I was watching. I always knew I wanted to write for television. 

I read an article once about spec M*A*S*H scripts that were submitted to the show, and I wrote one myself. I wrote "PUT COMMERCIAL HERE" after every scene. I never sent it to anyone. It’s just as well.
 
CMix
: Were there any particular writers you admired when you were growing up? Anyone influence your work today?

JE: I didn’t notice the names of individual television writers back then, although all those shows certainly influenced me.  My mother introduced me to the books of Jane Austen, which I love.  Austen had that wonderful observational sense of humor rooted in character.  I’d love to think that influenced me. 

But I’m most strongly affected by the writers I’ve worked with and for.  So much of this job is about seamlessly emulating the "voice" of the show’s creator, that I’ve spent years mastering how to write like Joss Whedon and Ron Moore.

There are worse influences to have!
 
CMix: How did you first break into the business? Was there someone who gave you your first break?

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The Comics Confluence, by Elayne Riggs

The Comics Confluence, by Elayne Riggs

As The Dark Knight breaks more box-office records (with its accompanying Watchman trailer leading to orders for the original book jumping up near the top of the Amazon charts) and Hollywood relocates to San Diego for the coming four-day weekend that used to be known primarily as Geek Prom, it’s clear that comics continue to affect the wider culture as never before. Two recent examples of this seepage and mingling have reared their heads in the world of toys and politics – respectively, as reported here on ComicMix and lots of other places, Mattel’s decision to release a special-edition Barbie dressed as Black Canary, and the New Yorker cover featuring a scare-fantasy version of Barack and Michelle Obama. Lots of comics folk have weighed in quite nicely on the latter, including our own Mike Gold, but heaven forfend I don’t take my turn before the subject is completely eclipsed by the next manufactured controversy in the ever-spinning news cycle!

To the Barbie matter first. For whatever reason, the UK newspaper The Sun took the wacko group Christian Voice seriously (which is like American media taking Bill Donohue’s Catholic League seriously) when the CV nutbars complained about the incarnation. And you just know an organization that supports marital rape has the moral authority to comment on how the Canary costume is “irresponsible” and “filth”!

I can sort of see the sighing over fishnets. I’ve never liked fishnets. I think I tried to wear them when I was a teenager, years before wearing ripped ones became fashionable (I think I would have liked ripped ones), and they were just all itchy and made marks on my skin and were simply uncomfortable. They seemed like something made for guys to leer at on women, rather than something made for women to enjoy. Likewise, I don’t care for the way high heels can cripple a woman’s legs, and I don’t wear ’em myself because I figure I’m tall enough, but the heels on those boots aren’t really that high. And leather? Seriously? A leather jacket and gloves, some sign of the impending Apocalypse? Didn’t the outrage about this clothing choice reach its peak around the era of Marlon Brando and James Dean?

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8 Books to Find at Comic-Con

8 Books to Find at Comic-Con

There’s far too much to see, do, find and run like hell away from during San Diego Comic-Con, so I always enjoy finding notable, specific lists of panels, projects and events that focus on the subject matter that most piques my interest. Over at The Comics Reporter, Tom Spurgeon has highlighted eight small-press projects to hunt down at this year’s show, offered up some ideas about where to find them and provided a synopsis of each project.

Here’s an excerpt from the list with accompanying image:

Permagel, Charles Burns, Buenaventura Press, Booth 1732
Get ready for this Fall’s big release of the Giant-Sized new volume of Kramer’s Ergot by getting a beautiful, over-sized Charles Burns import. Buenaventura Press always has one of the three or four must-see booths of the show because of the number of beautiful prints it offers. It’s fun just looking at that stuff, and a lot of it has to be seen in person. So does this book.

Spurgeon tends to be a pretty reliable guy when it comes to this sort of thing, as he’s pointed me in the direction of quite a few projects that not only became favorites of mine, but also did so well before they were celebrated in the more mainstream outlets.

Superhero Movies: The Blockbuster List

Superhero Movies: The Blockbuster List

Blockbuster.com has been my preferred movie-by-mail service for more than a few years now, so it was a nice surprise to see them calling out an impressive number of films based on comics in their big summer promotional list.

The list is actually pretty comprehensive, and includes a few titles I wasn’t expecting to be on Blockbuster’s radar as comics-inspired projects (i.e., Road to Perdition). It’s a great starting point for anyone looking to put together a comics-movie marathon this season, or perhaps a themed alternative to the Comic-Con chaos kicking off this week on the West Coast.

Heck, they even included Man-Thing!

 

(via Scott Hinze)

ComicMix at San Diego: Podcast Live!

ComicMix at San Diego: Podcast Live!

Every day at Comic-Con International, Mike Raub and his skilled crew will broadcast live from the ComicMix booth (#2308). Stop by and watch the master! Maybe you’ll be interviewed! Maybe he’ll make you a star!

Here’s the plan:

 

Wednesday, July 23, at 7:00 PM

 

Thursday, July 24 at 3:00 PM

 

Friday, July 25, at 4:00 PM (Hey, I’m signing at that time!)

 

Saturday, July 26 at 1:00 PM

 

Sunday, July 27, at 2:00 PM

 


 

EZ Street: Complete, Free and Online!

EZ Street: Complete, Free and Online!

Got some free time?  Why not read a free book?  ComicMIx recently published the final chapter of the groundbreaking series EZ Street. Read the entire graphic novel from the very beginning right here, free at ComicMix!

Scott and Danny are brothers.  As kids, they made up comics.

As adults, Scott tries to make movies.  Dan works as a graphic artist.  They are NOT happy.

In this Harvey-nominated graphic novel from Robert Tinnell (director/writer, Frankenstein and Me and Kids of the Round Table; producer, Surf Nazis Must Die!) and Mark Wheatley (Breathtaker, Mars, Frankenstein Mobster, Jonny Quest), the brothers struggle to find out what makes them happy, what makes them excited, and what makes them crazy. It’s about life, love, art … and sometimes compromise.

Credits: Robert Tinnell and Mark Wheatley (Writers), Mark Wheatley (Artist, Colorist, Letterer), Mike Gold (Editor)

 

 

Big Changes at Image Comics

The summer of change continues for Image Comics. Earlier, Erik Larsen stepped down as publisher, turning the reins over to Eric Stephenson. And now Robert Kirkman has signed on as a partner at the company.

The New York Times has a story on this latest development in today’s Books section.

And this week at Comic-Con International in San Diego, Image Comics will announce that Mr. Kirkman is becoming its newest partner. Under the company’s structure, partners profit mainly from their own work but also have a say in what will be published.

“This is kind of a big deal for me,” Mr. Kirkman, 29, said by phone from his base in Richmond, Ky. “Image Comics as a company was founded by comic book creators for comic book creators.”

This was rumored yesterday in Rich Johnston’s Lying in the Gutters, and Johnston also mentioned other big changes that could be afoot at Image, including offering page rates on certain projects by star creators.

Expect to hear more out of Comic-Con.

Neal Adams and Modern Comics Movies

You know superheroes are dominating Hollywood when the movie trade Variety features an extended ode to Neal Adams.

The piece, which includes some quotes from Adams, stresses his role in bringing about more serious superhero comics, particularly on Batman, and how that has influenced superhero movies.

Major studios have mounted a corporate takeover of Comic-Con as a vehicle to promote movies and TV shows, but comicbook artists still receive rock star treatment at the San Diego event. And among those artists, none cast a larger shadow over the current cinematic renaissance than Neal Adams.

Teaming with writer Denny O’Neil in 1970, Adams transformed Batman from the "Biff! Bam! Pow!" camp associated with the 1960s TV show starring Adam West back into the sleek, brooding Dark Knight depicted onscreen for the past two decades. By doing so, they helped establish the serious-minded template that has informed the best superhero adaptations that followed.

And the best quote from Adams:

As rendered by Adams, Batman again became a night-shrouded creature and less a superhero than a grim vigilante — Sherlock Holmes with Olympic-quality athleticism. "Batman is the grittiest character in all of comics," Adams said. "This is an awfully real concept, so none of this wishy-washy shit would do."

‘Iron Man’ as Reading Instructor?

Slate posted a slideshow/essay this morning about "early reader books," the works aimed at young kids with the idea of encouraging them to start reading (think Dr. Seuss).

That literary tradition has been taken up by adaptations of superhero movies, like Iron Man and Incredible Hulk, the essay notes, before questioning whether such works are good brain food.

There’s no denying that kids, especially little boys, love their superheroes, and the whole point of early readers is to get kids excited about reading. But do you really want the Hulk teaching your kid to read?

To which Hulk responded:

HULK READ GOOD!!!

(Oh, c’mon. I had to make that joke.)