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Review: ‘Bluesman’ by Vollmar & Callejo

Review: ‘Bluesman’ by Vollmar & Callejo

Bluesman
By Rob Vollmar and Pablo G. Callejo
NBM, August 2008, $24.95

[[[Bluesman]]] was published once before, as three album-sized collections, but this is the first time the entire story has been collected between two covers. It’s a moody tale, told in black and white – but mostly in grays, from the background to the characters.

Lem Taylor is a blues guitarist, wandering through the rural Mississippi Delta in the late ‘20s, hungry and foot-sore. With him is a blues pianist, Ironwood Malcott, and together they make some excellent music. But that doesn’t put food in their bellies half the time, let alone a roof over the heads and a bed at night more than every so often.

As the book begins, their luck is beginning to look up: they get a decent gig at a popular juke house called Shug’s and are invited up to Memphis to record some sides by J.L. Dougherty, a traveling salesman who also acts as a talent scout.

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Barry Blitt’s Other New Yorker Covers

Barry Blitt’s Other New Yorker Covers

There’s been quite the hub-bub over artist Barry Blitt’s recent New Yorker cover featuring presidential candidate Barack Obama dressed in traditional Muslim garb and surrounded by various jingo-tastic symbols in the Oval Office, and you can catch up on some of the debate via ComicMix Editor-in-Chief Mike Gold’s recent column, "We Will Think For You."

However, ComicMix reader Simon Owens recently posted a pair of past New Yorker covers created by Blitt that might be of interest to anyone following this story, too.

In all the news coverage over the controversial New Yorker cover depicting the Obamas as terrorist extremists, I haven’t seen many mentions of other works by Barry Blitt, the artist of that cover. Two of his covers last year — which I’m posting below — were among the best the magazine has featured in years.

This first one had every political cartoonist in America smacking his head, saying, “Why didn’t I think of that?”

Thanks for the tip, Simon!

Interview: David Willis on “Shortpacked”

As the opening day of San Diego Comic-Con International looms ever closer, it seems only right to turn the spotlight on a webcomic that draws from the world of comic books and toy collecting — the often-overlapping fan cultures that have long provided the backbone of the comic convention scene. With that in mind, this week’s interview subject is David Willis, the author of one of the toy scene’s most popular webcomics, Shortpacked!

Since ending his celebrated series It’s Walky! in 2005 and turning his full attention to Shortpacked, Willis has managed to elevate his semi-autobiographical account of the lives of toy store employees to a prominent role in collectible toy culture  — so much so, in fact, that Willis currently produces both the original, ongoing Shortpacked series and a special version of the comic for Toy News International, one of the most popular toy news sites on the ‘Net.

While much of the series chronicles the oddball cast of characters who work at the toy shop where the series’ main character, Ethan, earns a paycheck, the series often detours into commentary on superhero culture, contradictions and fandom, and rarely shies away from poking fun at the fan culture it calls its own.

I spoke with Willis about the origins of Shortpacked, his decision to "pull the drama tag" in the series, and what toys are on his must-buy list for this year’s Comic-Con.

COMICMIX: Can you tell me a bit about the reason you started Shortpacked? I know it started out semi-autobiographical, but what elements of your life at the time inspired you to run with Shortpacked and end It’s Walky!, your previous series?

DAVID WILLIS: It’s Walky! was coming to its natural end, and I wanted to try something different. I’ve collected toys for most of my life, but what really spawned Shortpacked! was working for a few years at Toys "R" Us. So much of retail work is spoofable. Laugh at the "Customer Protection Rackets" in Shortpacked! all you want, but they’re real. They’re just called something slightly nicer.

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Getting Respect, by Dennis O’Neil

Getting Respect, by Dennis O’Neil

Well, it is certainly a superheroic weekend here in New York, and maybe where you are, too. The latest Batman flick has already set one box office record and who knows what others it may yet conquer? The second Hellboy movie is still kicking box office butt. And a while ago, I was paging through the Arts and Leisure section of my Sunday New York Times when I saw a familiar face staring up at me from a photo: my old colleague Frank Miller, grim and determined looking. The accompanying story was about Frank’s writing and directing of The Spirit movie, based on work by yet another old friend, the late Will Eisner, produced by yet another old friend, Michael Uslan. (Good heavens! Whom don’t I know?)

Last week, the loyalists among you, if any, will remember that I strongly recommended a book titled The Ten Cent Plague, by David Hajdu. Since then, I’ve recommended it in conversation a couple of times, and may do so again. Damn good book. One of the points Hajdu makes is that comics were the outsider’s medium: the first bunch of creators and promoters were primarily Jewish, guys who had trouble getting work elsewhere. This is one of the reasons the Establishment may have felt threatened by the four-color trash sprouting from the newsstands like crab grass on a lawn; these were not their kind of people and who knows what kind of anarchy these grubbies might promote, given the opportunity? Decent folk practically had an obligation to put them in their place!

When I entered comics, about a quarter century into their history, the field was still dominated by outsiders, or anyway at least ex-outsiders. As for my cohorts… maybe one of the writers who came into comics at about the same time after I slithered in may have been destined for a respectable career in respectable institutions among respectable citizens, but the rest of us were hippie-rebel, anti-establishment types. If that hadn’t been true, why were we there? Comics publishing didn’t have an established career path, there didn’t seem to be really serious money to be made, at least at the editorial level, and Lord knows we weren’t reputable; only a decade or so earlier, our chosen endeavor had been crucified in magazines and on editorial pages and even in congressional hearings. We weren’t exactly bracketed with axe murderers, but you probably wouldn’t want your daughter marrying one of us.

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Interview: Jeffrey Brown on ‘Sulk’ and the ‘Incredible Change-Bots’ Toys

Interview: Jeffrey Brown on ‘Sulk’ and the ‘Incredible Change-Bots’ Toys

There’s a lot to like about the contradictions surrounding award-winning writer/artist Jeffrey Brown (I Am Going to be Small). His intensely personal work isn’t the first thing that comes to mind when considering properties destined to become action figures, but that didn’t stop Devil’s Due Publishing from licensing the characters from Brown’s Incredible Change-Bots series for their new "Pop" line of collectible toys — the first of which is scheduled for an August release.

In contrast, the work of Brown and several of his peers recently became the focus of an exhibit in the Galerie Anne Barrault in Paris, France. The exhibit, titled "Midwest," promises to explore "the American Midwest, a huge, flat, agricultural area around Chicago, stretching over several states, swept by the winds, dotted with the Great Lakes."

I recently had the chance to speak with the soft-spoken Brown about the Incredible Change-Bots toy deal, as well his upcoming projects and the overseas exhibit of his work.

COMICMIX: How did Change-Bots get connected with Devil’s Due, Jeff?

JEFFREY BROWN: Tim Seeley happens to live around the corner from me and we shop at the same local comic shop. Sam Wells happened to be a groomsman in a wedding that my girlfriend and I were attending, so I met him there.

So I knew all of these people at Devil’s Due. They had the Change-Bots book sitting around, and came to me with the idea.

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Jon Sable Freelance: Ashes of Eden – Complete and Online

Jon Sable Freelance: Ashes of Eden – Complete and Online

Mike Grell returned to his greatest character creation in this all-new full-length graphic novel co-starring Maggie The Cat! And you can read the entire story, from first chapter to last, now that we’ve posted every little bit of it online. 

Any time you have one of the world’s biggest diamonds and one of the world’s most beautiful women, you have a recipe for danger. With New York City on the brink of disaster and Maggie tossed into the mix, and you’ve got more than just an international incident. Can Jon Sable do his job without bringing about nuclear disaster? Can his do it in time for Christmas? 

Read the entire graphic novel Jon Sable, Freelance: Ashes of Eden, from the very beginning right here at ComicMix for FREE!

Credits: Mike Grell (Writer, Artist), Glenn Hauman (Colorist), John Workman (Letterer), Mike Gold (Editor).

Hammer of the Gods: Odin Walks

Hammer of the Gods: Odin Walks

In today’s brand-new episode of Hammer of the Gods: Back from the Dead, by  Michael Oeming and Mark Wheatley, Odin decides he needs a break from the rigors of Asgard, and goes to the mortal realm to relax.  And he’s taking travel advice from a raven.  Can anything good come from this?  

 

Credits: Mike Oeming (Artist), Mike Oeming (Writer), Mark Wheatley (Colorist), Mark Wheatley (Letterer), Mark Wheatley (Writer), John Staton (Colorist)

 

 

 

 

‘Heroes’ Hopes for Rebound Season

‘Heroes’ Hopes for Rebound Season

After a pretty unambiguously down second season, the NBC show Heroes is looking to get the magic back from its debut season that marked it as the network’s most important show.

In an interview with the New York Times, Heroes creator Tim Kring gave some insights into what’s to come, as well as reflecting back on what went wrong last year.

The scale tipped toward disappointment at the start of last season, as Mr. Kring acknowledged in an interview way back in November, just after production was abruptly cut off by the writers’ strike that shut down Hollywood. At that time he cited a list of early missteps, including introducing too many new characters, dabbling too much in romance and depositing one of the fans’ favorite characters, Hiro, in feudal Japan for too long. …

The new volume, which will run in 13 episodes, is called “Villains” and will focus on a single big story line, Mr. Kring said, relying almost totally on its core of main characters, and will return the show to exploring what he called “the primal questions” from Season 1: “Who am I? What is my purpose?”

The third season (volume, whatever) begins on Sept. 22.

Frank Miller Defends ‘Spirit’ Film

If you watched the first full trailer for Frank Miller’s upcoming adaptation of The Spirit, you could be forgiven for thinking it had little more than the title in common with Will Eisner’s comic series.

Miller insists that’s not the case, though, in a story in the New York Times.

“The only ways they resemble each other are the ways that I learned from Will Eisner: the use of black and white, certainly the rapturous approach to women.” Mr. Miller spoke after an editing session in Culver City in June, wearing a straw hat, a gray shirt and a loose black jacket; his voice, faintly adenoidal, stems from a long relationship with Winston Lights.

Where “Sin City” was bleak, “The Spirit” seems playful, quirky. For someone who exalts Ayn Rand and has vigorously defended America’s military response to 9/11, Mr. Miller seems to have tempered his cynical machismo. As for the strip’s most nettlesome character — Ebony White, the black sidekick with the Stepin Fetchit patois— he has been jettisoned.

But, as is always the case, not everyone agrees:

But the current film-comic infatuation isn’t for everyone. “I think they once made a movie out of ‘Ulysses,’ the Joyce novel, and it can’t be done,” said Art Spiegelman, the Pulitzer Prize-winning graphic novelist behind “Maus.” “I’m not saying that Eisner is Joyce, but the things that are great” about “The Spirit” “are likely to be lost in translation.”

Heidi MacDonald and Foreign Comics on NPR

Heidi MacDonald and Foreign Comics on NPR

NPR ran a feature on All Things Considered, the daily news program, about the solid sales of foreign graphic novels in the United States.

One interesting note was that foreign novels don’t sell, but comics do. That seems to indicate comics readers are a bit more cultured than the general public, doesn’t it?

A few big comics people are quoted in the piece, including Heidi MacDonald of The Beat.

Heidi MacDonald, who blogs about graphic novels for Publishers Weekly, says the Japanese invasion has helped pry open American markets to authors and illustrators from other parts of the world, including Marjane Satrapi.

"Marjane Satrapi … she’s definitely one who has had a huge breakthrough commercially and critically," says MacDonald.