The Mix : What are people talking about today?

Duane Swierczynski Interviews Ed Brubaker

Talk about impossible to pass up: Here’s an interview between two pretty brilliant crime writers, Ed Brubaker and Duane Swierczynski.

It originally ran in Crimespree magazine, issue 22. Here’s a sample:

DS: Since Scene of the Crime, many of your regular series have been infused with this great crime/noir vibe—Sleeper was pure noir, Gotham Central was hardcore police procedural, and so on. Is “crime” the lens through which you view much of life?

EB: Yeah, and espionage, a bit. My dad and his brother (who I’m named after) were both in the intel field. My uncle was a big mucky-muck in the CIA and my dad was in Naval Intelligence. Not that either of them were ever forthcoming with details about what they did, but it probably accounts for my interest in that genre. And when I was a teenager, I was kind of a thief and a drug-addict. I did a lot of things I’m not proud of, and lived in a really ugly world of speed-freaks and scumbags for a few years. Nearly going to prison straightened me out, though. Scared the shit out of me at 18, basically. But you never forget sitting in the felony tank with 50 other guys fighting over sandwiches.

So, when I started writing stories for other people to draw, I just always thought of crime stories. Just before my first paying work, in 1991, I had read a lot of the Jim Thompson reissues from Black Lizard and had been on a real true crime binge, so that probably played into it a lot. But I think on some level, I identify with criminals, even though now that I’m older and a home-owner, I hate them. I never liked any of the ones I knew, really, it was just the life I fell into. I like the ones I make up, but they’re much more romantic than the criminals in real life

Paris Hilton and Stan Lee Creating Comic Spoof

MTV’s new Splash Page comics blog has some bizarre news about a partnership between Stan Lee and Paris Hilton. Let that sink in for a second or two.

Apparently the oddest dynamic duo are working together on an animated superhero spoof show for MTV. Details:

“We’re developing that right now and just going over scripts and drawing my character,” Hilton told us. “I fight crime.”

The infamous party girl will soon be seen in the upcoming twisted musical “Repo! The Genetic Opera” where she lampoons beauty-obsessed celebritities as a plastic surgery-addicted brat, and Hilton proclaimed her next target will be the capes-and-cowls crowd.

“It’s not like your typical superhero,” she promised of her Lee-created character. “It’s me basically as a superhero, so kind of using makeup and compacts as weapons. It’s kind of like a spoof on a superhero.”

Forward… Into The Past, by Mike Gold

Typically, birthdays are a time for self-reflection and so, in this spirit, I am today changing the name of my column to “Brainiac On Banjo.” I have come to accept the likelihood that few, if any other than Mark Waid, got the “Whizzy’s Wazoo” reference. “Brainiac On Banjo” is a bit easier.

In fact, both are titles of APAzines I used to produce. In today’s age of blogging and Twittering and other ways to avoid actual physical contact while maintaining the ability to be instantly obnoxious, APAzines are the buggy whips of comics fandom. They’re still around, although I suspect the average age of the APA participant is over a half-century.

APA stands for “amateur press association” and it’s a holdover from science-fiction fandom from whence comics fandom came. What it is is this: you, as a member of a specific association, write up your fanzine. You write all kinds of stuff: what comics you like, which ones you hated, which movies are great, which comics creator(s) has his head so far up his ass he can get a haircut by swallowing… you know, blogging. You comment on all the other ‘zines in your APA. Said association may or may not be based around a common theme, and said theme may or may not be addressed on every page of your ‘zine. Things tend to wander a bit.

You know, blogging.

APAs require far more work: you mimeograph or photocopy your ‘zine, collate the pages, staple them, mail them off to the Central Mailer (a guy named Norman) who then collates all the other APAs and mails the package out to each member. The roster is usually around 25 or 35 members, so there’s often a waitlist for membership. Waitlisters can participate and might get the overage ‘zines, but there’s no guarantees.

A lot of people were involved in the production of their own APAzines and I had established many of my most enduring and wondrous friendships through this vehicle, including many folks in the media like Richard Pachter and Mike Valerio and folks in comics like Paul Levitz, Kurt Busiak and Carol Kalish. I met my closest buddy, ComicMix’s podcast producer Mike Raub, through a Legion of Super-Heroes themed APA back when Gutenberg was a kid. (more…)

ComicMix Columns & Features for the Week Ending August 3, 2008

August?  August?  Where did July go?  As if anyone’s recovered from San Diego yet.  As the dog days approach, ComicMix is still barking up all the right trees with our regular columns and features; here’s what we’ve broughnt you this past week:

So cry havoc, and let loose the dogs of peace!

Comic Book Movies Hit $1 Billion

hellboy2poster5-2863943Comic book movies have finally been unseated from the top of the box office mountain, as the latest Mummy movie displaced The Dark Knight.

But there’s still no debating this being the summer of the superhero, as comic book movies hit one HUH-YUGE milestone: $1 billion in ticket sales, according to boxofficemojo.com.

That includes Chris Nolan’s Batman sequel (which is up to $363 million), Hellboy 2, Iron Man and The Incredible Hulk. Am I forgetting any?

Dark Knight was also the fastest movie to hit $350 million in sales, doing so in a scant 14 days. That’s nine days faster than the previous best, set by Pirates of the Caribbean: Dead Man’s Chest.

UPDATE — More official numbers now indicate Dark Knight is No. 1 again at the Box Office, pulling in $43.8 million to $42.5 for the Mummy. It’s also poised to hit $400 million by early this week, now only $5.1 million short of that marker.

Marvel Fashion Show at Comic-Con

I’m not sure what to make of the "Marvel Fashion Show" event held during San Diego Comic-Con. I didn’t attend the event, and now that I think of it, I’m surprised I haven’t heard anyone express an opinion about it one way or another.

All I know is that Marvel.com just posted photos and a video from the event… and that provides a nice opportunity to open up discussion and hear what people think about it.

What do you think about Marvel’s superhero fashion show, ComicMix readers? Let us know in the comment section of this post.

Comic-Con’s Graphic Novels Panel: Full Audio

Journalista recently posted the full audio from Comic-Con’s "World of Graphic Novels" panel in downloadable MP3 format. The panel features a discussion moderated by Tom Spurgeon of The Comics Reporter with panelists Nick Abadzis, Eddie Campbell, Alex Robinson, Rutu Modan and Adrian Tomine.

I attended this panel during the convention and it was a nice, thought-provoking and often funny discussion about graphic novels and the process that goes into creating them. I highly recommend the recorded audio from it.

On a side note, Journalista plans to take down the audio on August 31 — so if you’re interested in hearing the panel, get the audio before it disappears.

“Atomic Robo,” Webcomics and the Eisner Nod

atomicrobo-00-9630252Over at CBR, David Press recently spoke with the creators of the Eisner-nominated Atomic Robo about the origins of the series, their checks-and-balances creative process and the surprise nomination they received at this year’s Eisner Awards. The series chronicles the adventures of a self-aware robot created by Nikolai Tesla and commissioned to combat supernatural threats to the U.S.

I found the interview especially interesting due to writer Brian Clevinger’s roots in the webcomic scene as the creator of 8-bit Theatre. Now that Robo has managed to find its way into the spotlight, however, the print series has become the top priority for Clevinger and artist Scott Wegener.

The next adventure for the character, taking place in a new volume of the series titled Atomic Robo and the Dogs of War and hitting shelves August 13, finds the robot in action during World War II.

“I mean, don’t freak out, we’re not doing Band Of Brothers And Also A Robot. We’re very much aware that people pick up Robo comics to have fun, and frankly we’d get bored with it ourselves if we didn’t deliver on that. Everything we see is from Robo’s perspective, and he’s still a young ‘bot in this story. To him, it’s one big adventure. Not in a frivolous way, but let’s face it, he knows he’s bulletproof and he takes advantage of that to thwart enemy soldiers at every opportunity.”

Head over to CBR for more on Atomic Robo, as well as some pages from the upcoming issue.

Marvel Universe and Marvel Legends Images From Comic-Con

Hasbro recently sent over a pile of images from the new 3.75" Marvel Universe figures that debuted at Comic-Con International last weekend, as well as the two new "Build-A-Figure" lines that premiered. Since it’s that typically slow post-SDCC weekend, I figured I’d post them here.

Seen here are two of my favorite figures from the lines, Black Bolt from the Ares Build-A-Figures and Captain America from the new Marvel Universe line. I’m not even a very big fanof Cap, but something about that figure is really impressive. As for Black Bolt, well… he’s just another one of my favorite characters in the Marvel U. ‘Nuff said.

 

I’ve posted a big ol’ gallery of the rest of the figure photos Hasbro sent over after the jump.

 

(more…)

“Venom” Spin-Off Film Moves Forward?

The Hollywood Reporter recently indicated that Spider-Man spin-off project Venom could be moving forward, with the Sony hoping to revive the web-slinger’s movie franchise much like the upcoming Wolverine spin-off looks to accomplish with the X-Men film franchise. The article also notes that the attention Heath Ledger’s Joker is receiving with regard to The Dark Knight has made studios rethink the viability of a villain in a lead role.

Of course, first they’ll have to get past a few pesky details… like, for instance, deciding on a script and a lead actor.

The studio had commissioned a draft of the script from Jacob Estes, a writer of the specialty film "Mean Creek," released several years ago by Paramount Classics. He’s also attached to the Plan B drama "The Gifted."

But the studio is considering going in a different direction from Estes’ script and is seeking writers for a new draft.

Casting also is no simple matter. Topher Grace played the character in the film, but agents have been eyeing the role for their clients, as Sony is not yet convinced the actor can carry a tentpole picture.

Well, all I can say is that it really can’t be any worse than the Daredevil spin-off, Elektra… can it?