The Mix : What are people talking about today?

New Ender’s Game Trailer and One-Sheet Released

*Master bill typeEnder’s Game, coming to theaters on November 1, has today unveiled a brand new one-sheet and trailer.

In the near future, a hostile alien race called the Formics have attacked Earth. If not for the legendary heroics of International Fleet Commander Mazer Rackham (Ben Kingsley), all would have been lost. In preparation for the next attack, the highly esteemed Colonel Hyrum Graff (Harrison Ford) and the International Military are training only the best young minds to find the future Mazer.

Ender Wiggin (Asa Butterfield), a shy but strategically brilliant boy, is recruited to join the elite.  Arriving at Battle School, Ender quickly and easily masters increasingly difficult challenges and simulations, distinguishing himself and winning respect amongst his peers. Ender is soon ordained by Graff as the military’s next great hope, resulting in his promotion to Command School.  Once there, he’s trained by Mazer Rackham himself to lead his fellow soldiers into an epic battle that will determine the future of Earth and save the human race.

Based on the best-selling, award winning novel, Ender’s Game is an epic adventure which stars Asa Butterfield, Hailee Steinfeld, Ben Kingsley, Viola Davis, with Abigail Breslin and Harrison Ford.

Emily S. Whitten: A Weekend with Rob Paulsen

Whitten Art 130806I’ve been super-lucky on two different weekends in the past month to have been able to spend significant time with the inestimable Rob Paulsen, voice actor extraordinaire (and all-around nice guy). It’s been a fantastic experience.

If by some chance you don’t know who Rob is (which is something voice actors sometimes run into, since they are recognized by their characters’ voices rather than their own names or faces) just take a look at his Wikipedia and you’ll quickly figure it out. Or, see if you recognize any of the following characters: Raphael of the 1987 Teenage Mutant Ninja Turtles; Donatello of the current TMNT; Yakko Warner, Doctor Otto Scratch’n’sniff, and Pinky of Animaniacs and Pinky & the Brain; Carl Wheezer of Jimmy Neutron; Mark Chang of The Fairly Oddparents; Bobble of Tinker Bell; Bravoman and Alphaman of Bravoman…is it starting to click now? If not, just keep going down the list at IMDB and I guarantee it will!

The first weekend, I sat down with Rob at the San Diego Comic-Con for a really fun video chat. We covered a lot of ground – including Rob’s awesome podcast in which he talks with other great animation talents; the experience of meeting fans, and of fan reactions to his voices; what it’s like to get to work with all of your friends; the freedom that voice acting provides in comparison to on-screen acting; which characters Rob identifies with; the Pinky & the Brain episode for which he won an Emmy Award; working on Animaniacs; singing in cartoon voices; character development; and his current projects, such as Teenage Mutant Ninja Turtles and Bravoman. And of course, on the video he did some of the great voices for which he is known – and he sang, too!

You can see the whole video here, and I definitely recommend you give it a watch! Although I must warn you, I totally geek out over the voices, because I really can’t not. So be prepared for the geeking. (And please excuse the odd angle; all of the furniture in the Hard Rock Hotel is either really high or really low!)

This past weekend, I got to hang out with Rob again, when he came to do a public appearance at The National Press Club in Washington, D.C. We had a great crowd, and everyone had a fantastic time. The fans who came to see Rob delighted me by spontaneously singing along with the Animaniacs theme song and other music I’d queued up to play before Rob came out to talk; and Rob delighted everyone with his discussion of his career, answers to audience questions, and (of course) his voices and singing. And yes; yes, he did sing Yakko’s World. He then stayed to meet every fan and sign autographs for almost two-and-a-half hours! It was a great night.

The next day, I got to experience two things I’d never been a part of before, and both experiences were remarkable in very different ways. In the morning, I tagged along while Rob did something he likes to try to do when he travels for his events – which was to go to a local hospital and visit with sick kids. I don’t know that I can properly describe how heartwarming it was to see the way Rob engaged with the kids, even the ones who were the most subdued due to being in the hospital for a long time or feeling pretty sick, or how much it affected them. I watched as kids who were listless when we entered a room were smiling or laughing as we left; and was told by a hospital staff member that one boy and his mother (who were both laughing or smiling by the end of Rob’s visit) had been having a very tense and difficult time in the past few days; and by one young woman’s father that Rob’s visit was the first time she had smiled all day. What a great gift that is, to be able to brighten someone’s day like that; and what a great person Rob is, to realize that gift and give his time and energy to these kids.

My favorite part of the visit was when we walked into the dialysis room, in which about five kids were receiving treatment – and they were all watching Teenage Mutant Ninja Turtles! Perfect timing! (Rob, pointing at the screen: “I’m that one.”) It was pretty surreally cool to hear one of Rob’s voices coming out of the TV as he chatted and signed pictures for the kids. All of the kids and hospital staff got a huge kick out of Rob’s visit; and there was even one teenage boy who was a big Animaniacs fan and knew just about every major character Rob did. So naturally, Rob sang Yakko’s World for him and the rest of the room. Aww.

That evening I sat in on a completely different sort of event – a private, limited admission voice acting workshop for aspiring voice actors. This was a side of Rob’s skill set that I hadn’t seen before, as the working actor took over while Rob listened carefully to each word and sound as students read scenes, and then gave advice tailored to each student’s specific performing strengths and weaknesses. As the students tried the scenes again, I could see the immediate effects of his advice in their improvement; and when he gave examples on how he’d read certain scenes, it was once again clear how skilled and polished a character actor Rob really is. He is a master of his art.

I wasn’t the only one to think so, either – as Rob demonstrated his take on a scene, one of the students in front of me actually gasped in wonder, and when she caught my eye, mouthed, “Isn’t he amazing?” He really is. My high school soccer coach, when the team was working together like clockwork and made a great play, used to say, in a phrase that encompassed the way everything had fallen perfectly into place, “It’s a beautiful thing.” And that’s the phrase that came to mind as I watched Rob working and the magic happening in that seminar room. Even as someone who’s not an actor, I could tell that this was an opportunity a student can’t get just anywhere; and also that it is different from what Rob does on the podcast or in Q&As, because it is such personal and immediate coaching. It’s a beautiful thing.

I realize I must sound pretty enthused, even for me, about how awesome Rob Paulsen is; but hey – that’s because he is totally awesome. Or, as Raphael might say, radical. I was fortunate to be able to spend some time with him and get a glimpse into his life as a voice actor, and would happily do it again any time. And that’s a fact, Jack.

Thanks for reading, and stay tuned because I’m still catching up on my SDCC coverage and there’s more to come! So Servo Lectio!

WEDNESDAY: Mike Gold

THURSDAY MORNING: Dennis O’Neil

 

Sword and Sorcery Comes to Seventh Star Press

Cover Art: Enggar Adirasa

Seventh Star Press has announced that the two volume anthology series, Thunder on the Battlefield: Sword, and Thunder on the Battlefield: Sorcery. The series will be available August 8th in ebook format with print editions coming a week or two after.

Press Release:

New 2 Volume Sword and Sorcery Anthology Edited by James R. Tuck, Deacon Chalk Author!

Available this Thursday in eBook formats, and mid August in print, SSP is proud to offer a 2 volume anthology edited by James R. Tuck, author of the Deacon Chalk Novels.

Introducing Thunder on the Battlefield: Sword, and Thunder on the Battlefield: Sorcery, featuring two dozen brand new, hard-hitting sword and sorcery tales!  Here are the two covers from artist Enggar Adirasa!  Stay tuned for more information on this exciting release week!

“HARK! to the sounds of battle. Mighty men and women who take their destinies with the strength of their arm and the sharpness of their blades. These are tales of warriors, reavers, barbarians, and kings. Lands of wonder populated with monsters, black-hearted sorcerors of Stygian power, and heroes who have blood on their hands and on their steel.

This is SWORD AND SORCERY.”

 
Learn more about Thunder on the Battlefield: Sword and Sorcery here.

The Masked Rider Saddles Up With Altus Press

Altus Press has released The Masked Rider Archives Volume 1 by Oscar Schisgall and William H. Stueber. The title is available now in softcover and hardcover.

Press Release:

The Masked Rider Archives Volume 1
by Oscar Schisgall and William H. Stueber
introduction by Will Murray

Collected for the first time: the original Masked Rider series! Originally published by Ranger Publications, Altus Press has committed to collecting all the rare and illusive Masked Rider yarns from these early years prior to its acquisition by Standard Publications. Each volume will include new articles and information about the series as well as the history of Ranger Publications, one of the earliest companies run by Marvel Comics founder Martin Goodman.

Volume 1 contains the first three stories, uncut, in order, and accompanied by the original illustrations: “The Black Caballero” by Oscar Schisgall along with “The Avenging Shadow” and “Sapphire Mesa,” both by William H. Stueber.

340 pages, approx. 6″x9″

Printed Books:
Order the paperback from Amazon: $24.95
Order the limited edition hardcover: $34.95 (only 100 made)
You can order it here.

World War Z Blu-ray to Include Unrated Cut

WWZ_BD_3D_FNIt feels a little fast for us, especially considering how well it performed at the box office,but here’s the formal details for home video release of Paramount Pictures’ World War Z.

HOLLYWOOD, Calif.  – August 2, 2013 –  “The suspense is killer!” (Peter Travers, Rolling Stone) in the fast-paced, pulse-pounding epic WORLD WAR Z, debuting on Blu-ray, Blu-ray 3D, DVD and On Demand on September 17, 2013.  The pandemic begins one week early on Digital September 10th.  Due to overwhelming demand, the film has been digitally re-mastered into the immersive IMAX® 3D format and will be released in select IMAX theaters domestically for an exclusive one-week running beginning today.

Starring international superstar Brad Pitt and based on the best-selling and wildly popular novel, WORLD WAR Z took audiences by storm and was hailed by critics as   “thrilling, epic and spectacular” (Owen Gleiberman, Entertainment Weekly) and the “most gratifying action spectacle in years!” (David Denby, The New Yorker).  The tense and thrilling film follows a former United Nations investigator (Pitt) as he helps stop the chaotic pandemic that has gripped populations around the world.  WORLD WAR Z features stunning visual effects and edge-of-your-seat action and suspense that take the Zombie apocalypse phenomenon to a more extreme and electrifying level.

“I’m really excited for fans to see the new unrated version of WORLD WAR Z on Blu-ray,” said producer and star Brad Pitt.  “We were thrilled with the audience response to the film in theaters and wanted to give viewers even more of the action and intensity that they loved when they watch the film at home.”

WORLD WAR Z will be available on Blu-ray Combo or Blu-ray 3D Combo with an Unrated Cut packed with even more thrills and action too intense for theaters, along with the theatrical version of the film.  The combo packs feature UltraViolet™ and boast in-depth looks at the making of the film, the seamless blending of practical and digital effects, the science behind the Zombie outbreak and much more.  The film will also be available as a single-disc DVD.

WORLD WAR Z Blu-ray/DVD Combo Pack

The WORLD WAR Z Blu-ray is presented in 1080p high definition with English 7.1 DTS-HD Master Audio, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital, Portuguese 5.1 Dolby Digital and English Audio Description and English, English SDH, French, Spanish and Portuguese subtitles.  The DVD in the combo pack is presented in widescreen enhanced for 16:9 TVs with English 5.1 Dolby Digital, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital and English Audio Description and English, French, Spanish and Portuguese subtitles.  The combo pack includes access to a digital copy of the film as well as the following:

Blu-ray

  • Feature film in high definition (Unrated version)
  • Origins—The filmmakers discuss collaborating with renowned actor/producer Brad Pitt to create a Zombie film the likes of which have never been seen.
  • Looking to Science—Explore the scientific realities of Zombie behavior in nature and learn more about Zombies in literature and film.
  • WWZ: Production
    • Outbreak—Go on set with Brad Pitt and director Marc Forster for a behind-the-scenes look at the film’s breathtaking first attack in Philadelphia.
  • The Journey Begins—Delve deeper into Gerry’s fight for survival during the dramatic escape in South Korea.
  • Behind The Wall—Explore the epic scene in Jerusalem and discover the incredible logistics of creating the elaborate stunts and crowd sequences.
  • Camouflage—Experience the final confrontation between Gerry and the Zombies and discover the phenomenal scope of the film’s production.

DVD

  • Feature film in standard definition (Theatrical version)

 

WORLD WAR Z Blu-ray 3D/Blu-ray/DVD Combo Pack

The WORLD WAR Z Blu-ray 3D combo pack includes all of the above, as well as the theatrical version of the film in high definition and 3D on a disc presented in 1080p high definition with English 7.1 DTS-HD Master Audio, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital, Portuguese 5.1 Dolby Digital and English Audio Description and English, English SDH, French, Spanish and Portuguese subtitles.

WORLD WAR Z Single-Disc DVD

The single-disc DVD is presented in widescreen enhanced for 16:9 TVs with English 5.1 Dolby Digital, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital and English Audio Description and English, French, Spanish and Portuguese subtitles.  The disc includes the theatrical version of the film in standard definition.

The Blu-ray releases available for purchase will be enabled with UltraViolet, a new way to collect, access and enjoy movies.  With UltraViolet, consumers can add movies to their digital collection in the cloud, and then stream or download them – reliably and securely – to a variety of devices.

Mindy Newell: Family, A Love Story

Newell Art 130805I must apologize for not being here last week. We had a family emergency, and the weekend was not fun.

No, not my dad. My mom. She was in the hospital.

I’ve talked about my dad here, but have rarely mentioned my mom.

She comes from a large family. Eleven kids. All of them, the girls as well as the boys, were raised to be independent, to be able to stand on their own two feet. My mom became a nurse, and down through the years, like Cherry Ames, she has worked in many areas of the field.

Laura Newell, Army Nurse. Laura Newell, Labor and Delivery Nurse. Laura Newell, Dialysis Nurse. Laura Newell, School Nurse. Laura Newell, Camp Nurse. Laura Newell, Public Health Nurse. Laura Newell, Emergency Room Nurse.

I thought a lot about my mom this past week. A professional woman before that was unremarkable. Able to sustain a marriage now 65 years in the making while raising two kids and continuing to work before there was daycare and flex-hours. Being in love, married to a man who was as proud of ability to help others heal as he was of her looks and housekeeping skills and never minded if she had to work an extra shift or stay overtime at the hospital? How had she done it? Where did she learn to how to do it?

And then I thought of my grandmother.

It was during the second wave of the East European Jewish immigration (which lasted from 1890 to 1924) that my grandmother, Anna Pecker, with her two young children – my Aunt Ida and my Uncle Phillip – crossed the ocean to America sometime in the early 1900’s. She was from a shtetl (Yiddish for “small town or village”) near Vilna, a city always known for its culture and book-learning, and which was sometimes part of Poland and sometimes part of Russia and is now a major city of Lithuania.

The thing is, no one knows what happened to her first husband. We don’t even know his name.

There are two theories. The first is that, like many young men of the times, he was conscripted into either the Polish or Russian Army and never returned. Her brother advised her by letter to come to America, saying that he could pay the steerage passage.

The second, and this is what makes it such an intriguing story, is that her husband was a miserable lout, always drunk, and always beating her and threatening the children. She hid her brother’s letters from the brute of a husband, as well as secreting money from him, as she saved for the journey from Vilna to Hamburg, Germany, where the ship would be docked. And then one day, young Anna had enough. She waited until her husband was asleep (or in a drunken stupor, or not home), took her kids, the money she had squirreled away, and left.

They mostly traveled by foot, saving money, and Anna would hire herself out as a maid or a cook to earn more, hiding the kids in a field or a forest. Supposedly they only travelled at night because it was safer, especially for a Jewess with two young children.  I don’t know how long it took, but it must have taken weeks, if not months, to get to Hamburg. Either she wrote her brother and sent it from one of her stops along the way, or, reaching the German port, she wrote her brother to wire her the passage money. (No one is sure about that.) At any rate, she paid for and received booking on a steamer to New York.

When they finally reached America and Ellis Island, my Aunt Ida, who was about five, was almost turned back because the immigration doctors said she had tuberculosis. But my grandmother refused to allow that, and my grandmother’s brother, who was waiting for them, must have greased a lot of palms. Ida was allowed to stay, although she had to be in quarantine for about three months. Think little Vito Corleone in Godfather II.

Anna and her children lived with her brother and his family in Bayonne, New Jersey, which had a large and thriving Jewish community. Jacob Yontef, a tall, handsome widower with seven children, and considered a “hot catch” by widows or mothers with marriage-age daughters, saw Anna at a dance, and fell instantly head-over-heels in love. I mean, he only had eyes for her, as the song says.

But Anna wasn’t interested. She literally scoffed at him, or so the story goes.

Was it because Jacob already had seven children? Of course, back then large families were the norm, but still, I think any woman would hesitate inheriting such a large brood. Unless her name is Carol Brady. Or…

Was it because she was still legally married? Was she worried that her husband would track her down? The mind boggles at the possibilities.

But Jacob never gave up.

Finally, at least three years later, though some in my family say it was more, Jacob won his woman.

And Anna Pecker became Anna Yontef.

And into this family was born my mother, Loretta Yontef, called Laura by everyone. Three years later, another girl, Anita, who would almost immediately be rechristened Augie – though that’s a tale for another time – was born.

Eleven kids.

And it wasn’t until I was 19, after my grandmother’s passing, that not only did I hear this story for the first time while we sat shiva (a period of mourning) but also learned that only my mom and my Aunt Augie shared parents.

Now my mom is 87, the matriarch of the family, the last surviving member of a true Yiddisher mischpacha (“family” in English, pronounced mish-PA-cha, the cha as in Chanukah – a sound that is like clearing your throat.)

Last month she fell, but thankfully did not break her hip. Still, for the last four weeks she has been in a great deal of pain and she was finding it hard to walk. Then last Friday I got a call. My mother was in the ER. There was a reason for her constant pain of the last month. No, she hadn’t broken her hip. (Thank God, for that would have been a horrible nightmare.) But the fall had caused a linear fracture of her lower pelvis, and of course walking around for the last four weeks had exacerbated it.

There really isn’t anything to do for a fractured pelvis (dependent on the severity, of course) but to rest it and allow it to heal, which means bed rest and wheelchair, with appropriate physical therapy.

So now my mom is in the same rehab/nursing home facility as my dad. We tried to get them into the same room, but weren’t able to, which, in fact, is a blessing in disguise, because knowing my dad, he would most certainly get up in the middle of the night to check on her and considering his fragile state – he is confined to a wheelchair these days and his cognitive state is not good, to say the least – well, I don’t even want to go there in terms of what that could lead to…But my mom is three doors down, and they spend their days together. I tease them about “wheelchair races.”

Yesterday, after a wonderful day partying and celebrating my niece Isabel’s 13th birthday, we brought my parents back to the nursing home/rehab center. They were both exhausted. The nurses said they would put them to bed for us.

But before they were wheeled off to their separate bedrooms (something that is hard for me to watch), they leaned towards each other, and kissed each other good night.

That’s 65 years of marriage.

That’s mishpacha.

That’s love.

TUESDAY MORNING: Emily S. Whitten

TUESDAY AFTERNOON: Michael Davis

 

MECHANOID PRESS RIDES THE WEIRD WEST WITH DEBUT OF ‘STRANGE TRAILS’!

Contact: James Palmer
FOR IMMEDIATE RELEASE
Mechanoid Press Saddles Up for a Ride Through Some Strange Trails

ATLANTA, GA—Mechanoid Press, an innovative small press publisher of science fiction and pulp adventure, has just released their latest anthology, exploring the Weird West.
STRANGE TRAILS features exciting tales of a West that never was, written by some of the biggest names in New Pulp.
“The Weird Western is very popular today,” says Mechanoid Press publisher James Palmer. “I wanted to put something together to celebrate this bizarre yet exciting sub-genre.”
Palmer has assembled a posse of some of today’s most talented New Pulp authors. Riding the range is Josh Reynolds (Mr. Brass), Tommy Hancock and Morgan Minor (Pro Se Productions), Barry Reese (The Rook), Edward M. Erdelac (The Merkabah Rider), and Joel Jenkins (Dire Planet).
“Everyone in the book is there because they have solid New Pulp and/or Weird West chops,” says Palmer. “All the stories are terrific, and I know readers will love it.”
STRANGE TRAILS is available in print here:
And Kindle here:

About Mechanoid Press
Mechanoid Press is an independent publisher specializing in science fiction and New Pulp e-books and books. Join the Robot Revolution at www.mechanoidpress.com, follow the ‘bot on Twitter: www.twitter.com/mechanoidpressand like them on Facebook.

Still Not Ginger – Peter Capaldi is the New Doctor

Announced at the climax of a globally-broadcast special, The BBC introduced the twelfth actor to play The Doctor, Peter Capaldi.

He’s a BAFTA-winning actor, winning for the role of Malcolm Tucker in The Thick of It.  He’s appeared twice on Who-related series, he played Caecilius in The Fires of Pompeii, and John Frobisher in Torchwood: Children of Earth.  In Neil Gaiman’s Neverwhere, he played the angel Islington.  He is currently filming the BBC adaptation of the Three Musketeers, in which he plays Cardinal Richelieu.

Showrunner Steven Moffat says he’d considered Capaldi when he was casting the eleventh Doctor, though he decided it wasn’t quite the time.

This wasn’t  his first time traveling in time, either – He played Doug Hatton in the recurring sketch “Drunk in Time” on The All new Alexei Sayle Show.

Peter most recently appeared in World War Z, playing a physician working with the World Health Organization.  Or, as he’s listed on the IMDB, “WHO Doctor“.

No details have been yet shared as to how much a part he will played in the final two episodes of the year. Though it’s traditional for the new Doctor to only appear in the last moments of the last episode, the Christmas episode has not been filmed, and David Tennant made his first full appearance in the first Christmas episode, “The Christmas Invasion”.

Mr. Capaldi’s movements will likely be closely followed, and any appearance he makes in the Christmas episode will likely be widely reported.  The Management awaits his work with extreme interest.

John Ostrander: The Essence

Ostrander Art 130804A week or so ago I was talking about how in the Man of Steel movie they had Superman kill someone. No spoiler alert: if you haven’t seen the movie yet, it’s your own damn fault. It did violate one of the traditional tenets that marked Superman as Superman – he doesn’t kill. Lots of innocent bystanders must have also died during his battle with Kryptonians in Smallville and Metropolis but hey – collateral damage.

I did note, however, that characters that have been around a lot need an updating to keep them relevant to the times in which they are being read/watched. The question to me is – how much change is acceptable before you’ve altered the character so much that they are no longer really that character. What defines each character? What are the essentials?

I read in a recent Entertainment Weekly that Andrew Garfield, the current movie Peter Parker/Spider-Man, suggested that the next Mary Jane actually be a guy. Have Peter explore his sexuality with a guy. Even the director, Marc Webb, when asked if he had heard Garfield’s idea, seemed to do an eye roll.

That idea certainly isn’t traditional Peter Parker and got some discussion, but is it that far off? I’m not saying I endorse the idea but wouldn’t it make Peter more contemporary, something to which younger readers/viewers might relate? Would a bi-sexual Peter Parker be any less Spider-Man? Would a Peter Parker in a lip lock with a guy be more shocking than a Superman who kills?

The comics’ Spider-Man has taken it further. In the book, Spider-Man’s old foe Doctor Octopus has taken over Peter’s body and life and identity of Spider-Man with Peter looking real dead and gone. Otto Octavius is now Spider-Man. WTF?

The powers are the same, but the character sure isn’t. Is it the powers that define who Spider-Man is or is it the man behind the mask? If the latter, is this really Spider-Man?

This isn’t the only character to which this has happened. Iron Man has had people other than Tony Stark in the armor. Batman has had a couple of people under the cowl. And let’s not start on Robin. Or Batgirl.

The stories of Sherlock Holmes have also lent themselves to numerous interpretations. There are currently two TV series that put Holmes into modern day. I only really know the BBC series, Sherlock, but despite changing the era it feels so Holmesian to me. It feels like they got the essentials right.

I did it myself with my own character GrimJack. First I killed off the main character, John Gaunt, then I brought his soul back into a clone of himself and then, eventually, I had him reborn into another person, James Edgar Twilley, although again, it was the same soul. Munden’s Bar remained but the supporting cast was different and I had bounced the whole thing down the time line a hundred years or so and the setting of Cynosure was also changed.

I knew why I did it at the time. I felt my writing was getting stale and the character was as well. We hadn’t been around all that long but I felt we were getting tripped up on our own continuity. Sales were eroding. My editor asked me to come up with some way of making the book dangerous again.  That’s how I chose to do it.

Was it still GrimJack? Yes, I felt it was – in its essentials. An alienated and violent loner in a strange city living by his own code. Same soul, two lives. It still felt like GrimJack.

I’m willing to bet that most re-examinations of a given character or concept stems from that – to look at it all with fresh eyes, to make the reader/viewer do the same. To me, that’s trying to get to the essentials.

Maybe we aren’t all agreed as to what the essentials are in any given character or concept. That may vary from person o person, fan to fan. I think that’s why there are quibbles right now about Man of Steel; if Superman not killing is essential to the character, there’s a problem with the newest version. On the other hand, if “do not kill” rule is just like wearing red trunks, then it’s not essential. Is the Man of Steel Superman?

That comes down to you.

MONDAY MORNING: Mindy Newell

TUESDAY MORNING: Emily S. Whitten