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Liss and Worley Bring the Shadow to the 21st Century

  • Uncategorized
  • July 14, 2013
Cover Art: Tim Bradstreet
Cover Art: Colton Worley

Comic Book Publisher, Dynamite Entertainment announces author David Liss and artist Colton Worley as creative team on the new series, The Shadow Now. Click on the images for a larger view.

Official Press Release:

Dynamite is proud to announce that beloved pulp-era crime-fighter will appear for the first time in the modern age in the upcoming The Shadow Now comic book series.  Mystery/thriller novelist David Liss, whose previous comic book credentials include Black Panther and Mystery Men from Marvel and Dynamite’s The Spider, will usher the classic character into present day New York City with the assistance of talented artist and painter Colton Worley.  The first chapter in this six-issue miniseries is slated for release in October, featuring cover artwork by Tim Bradstreet (Punisher) and interior artist Colton Worley.

The Shadow Now page 1

In The Shadow Now, the greatest pulp hero of all returns to New York City in modern times, having spent decades in the mystical East to rejuvenate himself.  Lamont Cranston seeks to resume his old life, and his heroic alter-ego is ready to stand once more as an enemy to evil.  But while he was gone, his foes have remained vigilant, and the most dangerous man The Shadow has ever faced prepares to rise once more.

“The Shadow is, without doubt, one of the coolest pulp characters of all time, so I was thrilled to get a chance to add something to the legend,” says the critically acclaimed David Liss, whose first book, A Conspiracy of Paper, won the coveted 2001 Edgar Award from the Mystery Writers of America for Best First Novel.  “While we are working within the long and storied tradition of Shadow adventures, I think we’re also doing something original with this character, and that’s always a great combination.  I was especially happy when I heard Colton would be doing the art for this miniseries.  His art is stunning, and a perfect fit for our neo-pulp tone.  This story is dark and moody, which I think a Shadow story should be, but I think we’re also portraying a very human and fallible version of the man behind the mask.  Fans who have followed The Shadow in comics over the years are going to be very interested to see how we run with what’s come before this.”

The Shadow Now page 2

The Shadow began its existence in 1930 as a narrative voice on the Street and Smith radio program Detective Story Hour.   The audience thrilled to the serialized adventures of this mysterious figure, whose mythos expanded to include Occidental mysticism, hypnotic powers over weak criminal minds, and twin .45 caliber handguns.  With a keen intellect and relentless drive, The Shadow hunted criminals without mercy in an era when gumshoe detectives and bootlegging mobsters was a thrilling yet fearsome reality.  The character’s popularity has endured for over 80 years, bolstered by appearances in radio serials, novels, comic books, films, and more.  In recent years, Dynamite published a groundbreaking and well-received ongoing Shadow series launched by comic writer Garth Ennis (Preacher).

The Shadow Now page 3

David Liss has written comic books for Marvel and Dynamite, including Black Panther, Mystery Men, and The Spider.  He is also the author of five novels, with more on the way.  His debut novel, A Conspiracy of Paper (2000) with its hero, the pugilist-turned-private investigator Benjamin Weaver, was named a New York Times Notable Book and won him the 2001 Barry, MacAvity, and Edgar awards for Best First Novel.  David’s second novel, The Coffee Trader, (2003) was also named a New York Times Notable Book and was selected by the New York Public Library as one of the year’s 25 Books to Remember.  His third novel A Spectacle of Corruption (2004), the sequel to A Conspiracy of Paper, became a national bestseller. David’s fourth novel, The Ethical Assassin (2006) is his first full-length work that is not historical fiction.  David’s most recent novel, The Whiskey Rebels, is set in 1790′s Philadelphia and New York. The third Benjamin Weaver novel, The Devil’s Company, arrived in stores in late 2009.

The Shadow Now page 4

“David Liss is one of those writers who just naturally understands pulp noir,” says Nick Barrucci, CEO and Publisher of Dynamite.  “He understand the feel of it, the chills down the spine, that paranoid feeling that danger lurks at every turn.  The whole idea behind The Shadow Now is that, despite all our advances, the world can still feel that way — there’s still evil lurking in the hearts of men, and only The Shadow knows how to deal with it.  David can perfectly capture that old-time Shadow spirit, the foreboding and menace, the kind that would terrorize even today’s criminal element.”

The Shadow Now #1 is being offered in the August 2013 Previews catalog, the premiere source of merchandise for the comic book specialty market, with an intended street date of October 2013.

The Shadow Now page 5

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About Dynamite Entertainment:
Dynamite was founded in 2004 and is home to several best-selling comic book titles and properties, including The Boys, The Shadow, Vampirella, Warlord of Mars, Bionic Man, A Game of Thrones, and more.  Dynamite owns and controls an extensive library with over 3,000 characters (which includes the Harris Comics and Chaos Comics properties), such as Vampirella, Pantha, Evil Ernie, Smiley the Psychotic Button, Chastity, Purgatori, and Peter Cannon: Thunderbolt.  In addition to their critically-acclaimed titles and bestselling comics, Dynamite works with some of the most high profile creators in comics and entertainment, including Kevin Smith, Alex Ross, John Cassaday, Garth Ennis, Jae Lee, Marc Guggenheim, Mike Carey, Jim Krueger, Greg Pak, Brett Matthews, Matt Wagner, and a host of up-and-coming new talent.  Dynamite is consistently ranked in the upper tiers of comic book publishers and several of their titles – including Alex Ross and Jim Krueger’sProject Superpowers – have debuted in the Top Ten lists produced by Diamond Comics Distributors. In 2005, Diamond awarded the company a GEM award for Best New Publisher and another GEM in 2006 for Comics Publisher of the Year (under 5%) and again in 2011. The company has also been nominated for and won several industry awards, including the prestigious Harvey and Eisner Awards.

John Ostrander: Late To The Party

OStrander Art 130714I’m not often the firstest with the mostest. Ask Mike Gold. I was resistant to getting a computer despite his urging until, of course, I got a computer. Then I was gung-ho (and remain so). Friends back in the day told me that I had to read Lord of the Rings. My reaction was – no, I don’t. Until, of course, I did read The Lord of the Rings and became a huge fan.

There’s a couple of movies that were like that for me. For whatever reason, I resisted looking at them while they were in the movies theaters. Later, I caught them (or part of them) on TV and then discovered I really liked them. I now own DVDs of these films (yes, I’m resistant also to Blu-Ray so far; we all know how that will end but I remain stubborn at the moment).

The first of these is Disney/Pixar’s Cars. You’d think I’d be first in line because I was (and largely still am) a big Pixar fan. Part of me still prefers 2D animation but Pixar absolutely won me over with its stories and characters and the wit of their scripts. But Cars just struck me as pandering to NASCAR (another cultural phenomenon to which I remain resistant) and I passed . . .until I saw it on TV.

D’oh! (Did I mention I was also resistant to The Simpsons for a long time?)

Cars is every bit as good as any other Pixar film and has a great cast. It has Paul Newman in his last performance, for crying out loud! Owen Wilson, Bonnie Hunt, Tony Shaloub, Cheech Marin, and George Freakin’ Carlin all contribute. It even has Tom and Ray Magliozzi from NPR’s Car Talk (highly appropriate but such a nice touch). The animation is first rate with some absolutely stunning backgrounds and a story that involves and tugs at the heart. Love the film and would have loved seeing it on the big screen )if I hadn’t been so danged snobbish and stubborn. That’ll teach me.

No, it won’t.

There’s also The Adjustment Bureau, adapted from the short story “Adjustment Team” by Phillip K. Dick, who has had a stellar record providing grist for Hollywood’s mill – Bladerunner, Minority Report, and Total Recall (twice) among others. It stars Matt Damon and Emily Blunt and features Terrence Stamp (a favorite of mine). It’s odd that I missed it – I really like Matt Damon and would usually watch anything with him in it but this got mediocre to tepid reviews for the most part.

I can see why. There’s a cosmic plan involved and guys in dark suits and fedoras who may or may not be working for someone who may or may not be God. Possessing a fedora allows you to travel through certain doors and wind up in a different part of the city. Damon and Bloom play very star-crossed lovers whom the cosmic forces are trying to keep at bay. It all gets a little arcane and hard to swallon.

But…

Damon and Blunt are terrific together. They have such a natural chemistry that, for me, it sells the film. I want these two people to be together no matter what cosmic forces decree they should not. So I bought the DVD.

Which leads me to another Matt Damon film, We Bought A Zoo, directed and co-written by Cameron Crowe. The film also stars Scarlett Johansson, Thomas Haden Church, and a lovely supporting cast. It’s the story of a widower with two kids who ups and buys a struggling zoo and tries to renovate and re-open it. It sounded a little Hallmark Channel to me, especially the title.

My bad. I’ve gone through the grieving process for a spouse (albeit without children) and the film feels true to me, as does Damon’s performance. Again, great chemistry with his co-star, Scarlett Johansson. I’m leery of films that focus on kids and animals –they can come off cloying and/or annoying – but the children and the beasties come off very well. Again, I think the reviews were tepid and the title probably kept some viewers away (it kept me away). That’s unfortunate; I think many folks – like me – have discovered it since its initial release and enjoyed it.

There are other films that I ignored in their first release – Amelie comes to mind – that I discovered later. Thanks the powers hat be for DVD.

Or Blu-Ray. Which I’ll get around to owning.

Someday.

MONDAY MORNING: Mindy Newell

TUESDAY MORNING: Emily S. Whitten

 

Marc Alan Fishman: Marctaku – A Study In Anime

Fishman Art 130713This past weekend, Unshaven Comics took a leap of faith. We attended our very first Anime Convention. To be honest, we had little expectation. The Samurnauts, while well-rooted in Sentairoots, isn’t Manga in any sense of the word. It’s pastiche. It’s homage. For those not initiated, it appears only to be tongue-in-cheek. But I digress.

We purchased a table at the third annual Anime Midwest show, now in the lovely Hyatt Hotel in Rosemont, Illinois. Considered perhaps to be the little brother to the now monumental A-Cen show from a few months back, we were unsure if the show would be heavily attended and how we would strike the fancy of a fan-base we as a creative unit are only marginally related to.

Oh, how surprised we were. But first, a bit of backstory.

Speaking only for myself, my relationship to the Japanese comic/movie/TV Show empire was one of tepid acceptance. Shortly after meeting Matt and Kyle in 6th grade, it was clear that I would need to get on the Manga train. By 8th grade, Kyle and his brother had a basement full of VHS tapes (both booted from Japanese TV, and purchased at Suncoast Video), and a near encyclopedic knowledge of dozens of series, both in print and on screen. Matt was a longtime fan of Guyver and Neon Genesis Evangelion as well as dozens of other giant robot animes. Just as when your girlfriend decides to be a vegetarian begets your becoming a vegetarian, so too did I find myself sampling several series from across the pond.

I found several that I genuinely loved. The gritty Angel Cop with its leather, boobs, and super psychics. Record of Lodos War, homage to Tolkien with a Japanese twist. Akira, of course. And a smattering of others. I found most Anime to be kindred spirits to the comic books and super heroes I held dear, but with a foreign (natch) and mature manner about itself. Sitting down to a marathon of Evangelion left me both emotionally drained and completely inspired.

Unlike American action, the Japanese love (even in animated form) to let action unfold without a shaking camera. They like to pepper stories with emotional breaks and pauses. Every so often they even let complete sequences go without dialogue, letting the artistry on screen do all the communicating necessary. Their stories tended to be more complex, and with more expansive universes (albeit rarely shared like the DCU or 616). In simplest terms? Manga and Anime represented to me a world and culture that could easily be obsessed over and beloved by a sect of nerd-culture. Me, perhaps, if only from afar.

We were told by many friends that Anime Shows tend to be “friendlier.” Upon entering the hotel, I immediately recognized why. Comic book fans share a love of a wide-berth medium. Anime fans tend to be closer knit. While there are just as many genres, styles, and sub-sub-cultures within the Otaku world, here I noted that the relative age of the fan was younger than I’d been used to seeing at comic-cons. The show itself was also more akin to what comic-cons used to be like. Here was a convention that was built in celebration of the medium, not just vapid promotion. The brunt of the show attendees were there to view episodes, attend panels, contests, discussions, and enjoy the company of their brethren. The dealer room we sat in was merely one small hall amongst several others. Not the star of the show, just another part of it.

It was perhaps this that made things so lucrative for us. With fans able to attend so many different things while at the convention, our little dealer room was there for them to explore and to discover. When we made our pitch, much like at comic-cons, we were met with laughter, and quizzical looks. But unlike comic shows, we rarely heard the all-too-common “I just got here, and I’m making some rounds. I may be back.” Instead, we were given a “yes!” or a very polite “no thank you.” Matt sold 10+ commissions. I sold a few Domos. It was, for all intents and purposes, one of the most profitable shows we’d ever attended.

Beyond simple dollars and cents though, I come out of the experience once again inspired. Here this group of fans still celebrate their medium more than they snark at it from a far. Here cosplayers dress less to impress and more to get hugs and high-fives. Here is a convention more attuned to the type of event I long for (and will see again first hand in Baltimore – which still stands as the most comic-booky con I’ve had the pleasure to attend). I tip my hat to the Otaku. Anime and Manga is a once forgotten love-like of mine that I think I’ll have to revisit. Sometimes all it takes are a few pairs of enormous eyes to open our own, no?

SUNDAY: John Ostrander

MONDAY: Mindy Newell

 

Earth Station One Takes on the Lone Ranger!

  • News
  • July 12, 2013

The Earth Station One podcast travels to the old west to try to collect the bounty on the masked ex-ranger and his Indian companion. ESO hosts Mike Faber, Mike Gordon, Jennifer Hartshorn, and the award-winning author Bobby Nash are joined by New York Times Bestselling Author Debbie Viguie, Dr. Scott Viguie, Joe Crowe, and Ashley Bergner as they cue up the William Tell Overture and discuss the highs and lows of two of the most popular characters in American pop culture from the radio show in the 1930′s to the new Disney movie, that latter of which nearly causes a barroom brawl! Plus, Darren Nowell joins us to rave about the big news regarding Dragon*Con. All this and the usual Khan Report and Shout Outs!

Join us for yet another episode of The Earth Station One Podcast we like to call: Who Is That Masked

Man? The Lone Ranger at www.esopodcast.com
Direct link: http://erthstationone.wordpress.com/2013/07/12/earth-station-one-episode-170-who-is-that-masked-man-the-lone-ranger/

 
Next week: It’s giant robots vs. giant monsters ass ESO heads back to the theater to review the new blockbuster film from Guillermo del Toro, Pacific Rim.

The Point Radio: Jane Lynch Says GAME On

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It started in the home of actor Sean Hayes – and now HOLLYWOOD GAME NIGHT is open to all. Host Jane Lynch talks to us about the NBC summer series and which celebs really had any game. Plus retailers scream as  Amazon unleashes Jet City and comics in June have an “OK” month.

This summer, we are updating once a week – every Friday – but you don’t have to miss any pop culture news. THE POINT covers it 24/7! Take us ANYWHERE! The Point Radio App is now in the iTunes App store – and it’s FREE! Just search under “pop culture The Point”. The Point Radio  – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or on any other  mobile device with the Tune In Radio app – and follow us on Twitter @ThePointRadio.

Interview With Steampunk Octopus Artist Brian Kesinger

  • News
  • July 12, 2013

LA-based illustrator, animator, and artist Brian Kesinger has just released his first book, Walking Your Octopus: A Guide to the Domesticated Cephalopod. I first came across Brian a few years ago when I was the judge for the WeLoveFine steampunk tee shirt art contest, where he submitted “Walkies for Otto”. He won that contest and thus started the Internet’s love affair with his adorable characters Otto and Victoria. Since then, Otto and Victoria have grown to encompass books, prints, shirts, and more. Brian was good enough to sit down with me for an interview on his new book, upcoming projects, and the very important question of “why the octopus?”

ComicMix: How did you get started in the arts?

Brian Kesinger: I was fortunate enough to born into a family of artists. The thing is they were all musicians! In fact I’m the only one in my family who couldn’t play an instrument. I was much more fond of drawing than practicing piano. My parents recognized this and were able to support my artistic endeavors all through school and that support has certainly helped make me the artist I am today.

otto-by-the-sea-brian-kesinger

ComicMix: How did all this Steampunk style art you started doing in 2010 come about?

Brian Kesinger: I had been drawing steampunk art before I knew of that term. Back in 2000 I was doing layout and background design for Walt Disney animation studios on the film, Atlantis. It was on that film that a grew fond of drawing submarines, gears and gadgets. After that I moved on to the film treasure planet where I continued my alternate history aesthetics that time with the mixture of tall ships and sci-fi. It wasn’t until recently that I started doing my own steampunk art and I think my passion for the subject matter stems from the education I had on those films.”

Brian-Kesinger-осьминог-Otto-and-Victoria-deviantartcom-524333

 

ComicMix: Can you tell us a little about the new book you have coming out?

Brian Kesinger: My book, walking your octopus: a guidebook to the domesticated cephalopod is based on two of my more popular original characters, Otto and Victoria. It’s not your typical storybook. It reads more like an owner’s guide to pet octopuses. (Think of a Victorian era “puppies for dummies”)
It’s sort of a satirical look at how we all can get a little carried away with how we raise our pets. It’s certainly inspired by my own dog Scout but also inspired by the ups and downs of raising two young children with my wife. My hope is that the book speaks to not only steampunk fans but pet owners and parents as well.

ottoandvictoria

ComicMix: Why the Octopus?

Brian Kesinger:  I find octopuses extremely fun to draw. It is a real challenge inventing eight different things for them to do in every image. They are nature’s original multi-tasker and they certainly have captured the imagination of a lot of people. Along with the squid and other Cephalopods, octopuses seem to be a sort of theme animal for steampunk so when I set forth trying to render an image of a high class Victorian lady and her boutique pet the choice was obvious. What was not obvious was how popular Otto has become since I first drew him a year ago. He has inspired fan art, tattoos and I’ve even seen girls cosplay Victoria and conventions around the country! And for that I am so grateful and it keeps me drawing octopus.

Brian Kesinger's Tea Girls

ComicMix: What other things do you have coming up that we all should look forward to?

Brian Kesinger: Well my first love is movies. It’s why I have wanted to work in animation. So I have been developing several short film ideas and in addition to that I am in the very early stages of developing a full length feature of Otto and Victoria’s adventures. I would love to see a beautifully rendered steampunk animated film and I can’t think of any characters better suited for that than Otto and Victoria. Stay tuned for more details!

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Annie Award-winning artist Brian Kesinger has loved to draw ever since he could remember. During his senior year of high school, Brian was accepted to the Walt Disney Animation Studios in Burbank, California as the second youngest animation hire in the history of the company. At just 18 years old, Brian became a layout artist and in his 16+ years at Disney Animation, he has worn many artistic hats from visual development to story artist. In 2011, he was honored with a prestigious Annie award for his story work on the hit Disney TV holiday movie “Prep and Landing.” Brian’s most recent film at Disney is the Academy Award-nominated film “Wreck It Ralph” – and if you listen closely, you’ll hear him lend his voice talents to comic bad guy, “Cy-borg.” Inspired by his love of gadgets and fantasy, his delightful steampunk characters celebrate Victorian sensibility and timeless beauty with a dash of geekiness thrown in for good measure. His original “Tea Girls” art is created with different kinds of actual tea – resulting in an innovative visual affect.
Brian

Martha Thomases: California, Here I Come – Except…

Thomases Art 130712In a few days, I’ll be in California. Not in San Diego, but in California. I’ll get the good weather without the mobs.

It is the habit of old farts (check out our editor-in-chief’s tirade in this space next Wednesday morning) such as myself to complain about the San Diego Comic Convention. It’s too big. It’s not about comics anymore. Nobody kisses my ass anymore. I don’t have an expense account. (Those last two might be unique to me.)

My major philosophical objection is that a fine, non-profit educational organization has been completely co-opted by Hollywood. True, comic book companies used the occasion of the convention to promote their books, but the convention was at least about comics. Now, it’s a stop on the promotional train for television, movies and video games, complete with red carpets and stylists.

And, apparently, rock bands. Metallica will be performing a live concert for those lucky enough to get tickets (in case you haven’t waited in line for Hall H long enough), to promote their new movie.

Metallica is no doubt a fine group of people (although their music is not my genre), and, since they’ve been together since 1981, they aren’t exactly amateurs at attracting and keeping fans. They should live and be well.

But, as the New York Times story in the link reports, there is going to be a panel about rock music at the Con. And it will include people who score movies, but not the people behind the new Dark Horse graphic novel, The Fifth Beatle, which actually combines rock music and comics. It won’t include John Holmstrom who was combining rock’n’roll and comics even before Metallica was a band.

Look, I enjoy soundtracks as a musical form. Mark Knopfler did some of my favorites. It is an interesting and a demanding musical form with its own unique challenges and structures. There are lots of places that could host interesting panel discussions on the subject with a variety of experts, including composers, directors, and editors. I just don’t think the panel, as described in this article (and maybe it’s not accurate? Could happen) is that kind of conversation.

If you are going to San Diego, I hope you have a fabulous time. I hope you get into The Black Panel because it is so much fun.  I hope no one hits you in the face with a backpack.

And, if you’re really lucky, I hope you find some cool new comics.

SATURDAY: Marc Alan Fishman

SUNDAY: John Ostrander

 

Scott Lobdell on WE CAN BE HEROES Crowdsourcing Event

  • News
  • July 12, 2013

Scott Lobdell talks on ComicVine about raising money for We Can Be Heroes:

I’m a big fan of crowdsourcing — for comics and graphic novels on sites like Kickstarter and Indiegogo. So far I’ve only watched from a distance, calling attention to special projects and generally being a cheerleader for the ambitious creatives involved in these passion projects.

That was until DC Comics asked me to participate in their crowdsourced We Can Be Heroes fund-raiser — part of their ongoing initiative to raise money for and awareness of the plight of the hungry in the Horn of Africa.

My “bosses” gathered a veritable Who’s Who of some of DC and Warner Bros. most talented creators and said I could hang out with them and help a worthy cause in the process. We’re signing super exclusive and limited run graphic novels, animated movies, caps, T-shirts, prints and other assorted products (Did I mention you can have yourself written into a DC Comic? Or that none other than Jim Lee will come to your town and paint a mural on your wall?) with all the money going to fight something far more destructive than anything Lex Luthor has ever come up with on his worst day.

The best part about this campaign? It really does give the fans the opportunity be the hero here: every dollar you commit goes directly to International Rescue Committee, Mercy Corps and Save the Children to help fund their efforts on the ground in the Horn of Africa. Every donation, no matter how small, helps.

In this particular case the goal is to raise $100,000… and we’re halfway there!

So please, take a moment – -watch the video — find one of the multitude of special incentives from the likes of Scott Snyder, David Goyer, Greg Pak, Kenneth Rocafort, Jim Lee, Geoff Johns, James Tucker, Mike Carlin… and some guy named Scott Lobdell!

[youtube]http://www.youtube.com/watch?v=lRUxD_uNGKg[/youtube]

Is it a donation? Is it a special purchase?

Call it what you will… it is an opportunity to help a worthy cause!

It’s a chance to show that, really, We Can Be Heroes.

www.indiegogo.com/projects/dc-entertainment-we-can-be-heroes-superman-edition

via Scott Lobdell on WE CAN BE HEROES — A Crowdsourcing event! – Comic Vine.

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PRO SE PRODUCTIONS DEBUTS NEW WEBSITE AND NEW PODCAST!

  • News
  • July 12, 2013

Pro Se Productions, an innovative Publisher of Genre Fiction and New Pulp, proudly presents its all new website! Designed to fully represent all that Pro Se is, the site features multiple pages, including staff and creator pages, imprint descriptions, submission guidelines, a news page, a listing of open solicitations, and more. 

From the front page featuring wonderfully rendered Pro Se Covers (swipe over them and they become buttons to other pages!) to the interesting bios, book descriptions, and information galore, the Pro Se website will provide fans and newcomers alike with all they need to know about this growing company.

Also debuting with the website is the weekly PRO SE PRESENTS: THE PODCAST! This will be a podcast focusing on both up and coming releases and projects from Pro Se as well as its continually growing catalog of Genre Fiction and New Pulp works. Tommy Hancock, Partner in and Editor in Chief of Pro Se, will host each episode following the first one. For the Debut, Pro Se Author and Friend of the Company Derrick Ferguson acts as host and quizzes Hancock on Pro Se, then, now, and later!

Pro Se’s new website will be updated frequently and can be found at www.prose-press.com. The Podcast is available on iTunes and can be found at www.prose-press/podcast. Other links on the site can be found in the drop down menu (button in the top left corner at the top of every page on the site.)

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