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Prince William and Kate Middleton Become Comic Book Couple

It’s Valentine’s Day, so let’s give you a story about a good old fashioned romance comic, complete with a beautiful woman and a dashing young prince.

Cashing in on the royal wedding hoopla of Prince William and Kate Middleton, the comic Kate and William: A Very Public Love Story has been written by Bleeding Cool‘s Rich Johnston for Markosia and tells the story of the couple’s past in two parts.

The first half is told from Kate’s perspective, with a fictional diary and illustrations in the style of a 1970s girls’ comic by Mike Collins (artist on Thunderbolt and painter of the covers to my Star Trek: Starfleet Corps of Engineers stories). The second half is by the Gary Erskine and follows William from the rugby pitches of Eton to army officer training at Sandhurst before his RAF service, told by newspaper headlines and mission briefings.

Publisher Markosia calls it a “dramatic biography” with two separate stories that “come together in the middle, a fictional look at the wedding day itself, with a kiss. How could it end any other way?”

Kate and William: A Very Public Love Story is set to go on sale in stores and online on April 2 (yes, a Saturday). The wedding is planned for April 29.

One hopes it goes better for Kate in the comics than it has for Princess Diana…

HANCOCK TIPS HIS HAT TO TALES OF THE BLACK CENTIPEDE!

TIPPIN’ HANCOCK’S HAT-Pulp Reviews by Tommy Hancock
Tales of the Black Centipede
Written by Chuck Miller
Every writer of pulp and heroes I know at one point or another comes up with their very own universe, a place where history is theirs to manipulate and their characters thrive, live, die, succeed, and fail.  Sometimes these universes we creative minds come up with actually have histories similar to ours, histories that we allow our creations to influence and change even.  So we have these great concepts where our personal ideas mingle and interact with real or other fictional beings and history becomes our playground.  We all usually have these ideas and sometimes we explore them in a story or two.  Sometimes, though, there is a writer who is so involved, so an integral part of what he creates that this universe of his not only shows up in a place or two, but becomes his body of work, is the focus of all that he does, and represents not only words by the author, but what the author intends to be remembered for.  
If you haven’t yet, meet Chuck Miller.  And welcome to the world of The Black Centipede.
Describing TALES OF THE BLACK CENTIPEDE in a short paragraph is problematic as it has so much involved.  So, instead of stringing together sentences, I’ll do this.  If you’re interested in pulp style heroes, true crime, mystical serial killers, super hero ghosts, drunk optimistic former sidekicks, a conspiracy headed up by a shadowy crime figure, Sherlock Holmes, Lizzie Borden, Fredric Wertham, Professor Moriarty, famous historical personages as vampires, lots of drinking, secret lairs, machines that should never exist, homicidal maniacs that stopped aging at nine years old, and sex charged surname obsessed tulpas, then you need to wrap yourself in the disturbing cape of The Black Centipede and hang on.
Now, to get to specifics.  Before we get into this review, let me explain how TALES is set up.  For the last year or so Chuck has ran his stories on the address noted above as he finishes them.  They are of varying lengths, some short-short stories, some novel length.  I’m going to review each story individually in no particular order, then offer a review of the concept and site as a whole.
FORTY WHACKS
The Origin of The Black Centipede
Chuck’s titular character finds his beginnings in this story.   Written as if by the Centipede himself, it details the story of his move to Fall River, Massachusetts in the early 20th Century and his meeting with one of the town’s more infamous citizens, Lizzie Borden.   Although not your typical pulp tale completely, this origin fits the mold of the other stories.   The Centipede and Lizzie’s relationship is at the center of the tale, but the introduction of Bloody Mary Jane, a figure who is prominent across the Centiverse as well as the explanation behind how the Centipede took his name and had his becoming are the real jewels here.   The writing is very personal and evokes emotions from beginning to end.  Miller starts his world off with a subtle bang with this story that uncorks a whole universe of conspiracies, chaos, and cacophony.
FOUR OF FIVE TIPS OF THE HAT
WISCONSIN DEATH TRIP
This is yet another Black Centipede story.  It establishes that the Centipede, once again the narrator of the tale, enjoyed popularity when a publishing company began publishing fictionalized Centipede tales in the 1930s.  This story, set in the 1950s, has one of the Centipede’s fans send him a letter and ask for help dealing with the fan’s mother.  The Centipede goes to help the fan and supernatural and murderous events ensue.  The fan’s name…Edward Gein.   Possession, killer matriarchal spirits, and more oedipal confusion than you can shake a speare at fill this tale with lots of turns and twists and does quite a bit to give the reader a fairly concrete view of just who the Black Centipede is and establish him as a viable, even likable character to a pulp fan.  Miller’s use of such a heinous individual as Gein as a sympathetic dupe in this tale on one hand seems to be pure genius, but on the other hand is almost so disturbing it makes the story hard to stomach.   This is somewhat relieved with the way the tale ends, however.
FOUR OUT OF FIVE TIPS OF THE HAT
THE RETURN OF LITTLE PRECIOUS
This tale involves a couple of different characters from Miller’s mind.  Dr. Unknown, Junior, the child and inheritor of her father’s supernatural heroic legacy, and Jack Christian, a former super hero sidekick turned drunkard and once more reluctant hero, star in this tale, a first parter of however many parts to come.   This is a quick little one two punch tale that fully fulfills its one purpose…to explain who Little Precious is.  This character, like Bloody Mary Jane, is an evil sort that will leave all sorts of bloody prints across the Centiverse, but is extremely original in conception.  Miller’s storytelling here performs a similar task to what it did in WISCONSIN DEATH TRIP, putting just a hint of sympathy on a dark shadowy villain that should have no redemptive qualities.
FOUR OUT OF FIVE TIPS OF THE HAT
VIONNA AND THE VAMPIRES
This is a novel length tale starring as narrator Vionna Valis, yet another of Chuck’s varied cast.  Vionna is a young lady who in her youth enjoyed adventures alongside super hero types as a sort of ‘street kid hero’, popping up in the middle of derrings-do aplenty.  She now, much like Jack Christian, has become a disaffected soul who has little memory of most of her life and finds solace in a bottle.  She has, however, found Jack and companionship with the Whitechapel Vigilance Committee, five women who hold a special place in history-They were the victims of Jack the Ripper in the 19th Century who, due to a ritual to banish the Ripper’s Ghost, have returned to the modern world in brand new bodies.  The WVC is a sort of private detective outfit and this is the capacity in which Vionna and the hardest worker of the five, Mary Kelly, end up involved with the ghost of Sherlock Holmes, Professor Moriarty as a vampire, and a host of other vampiric historic celebrities.  Take that and mix it with a creepy old house, a machine of mass destruction hidden somewhere, and intrigue and triple crossing and you end up with what should be a rollicking adventure tale of blood sucking and world threatening evil.  And it is, mostly.
One major fault of this tale is a trope of Miller’s work.  He writes from the perspective of his characters, not simply with them narrating, but as if they have a real awareness that they are writing, so they will at times to refer to why they aren’t writing a certain accent a certain way or when voices change, they make a point to say that they have this person’s narrative on voice recording, so we can get their side.   This is a device that is ok and even works well in most of these stories.  In this one, however, the technique takes largely away from the flow of the story and distracts the reader with trying to keep up with who is speaking and/or why Vionna feels like she shouldn’t be writing this tale or how others might do it well.   The story has strong elements and potential in several areas, but Vionna’s voice, unsure and inconsistent, weighs it down and makes it difficult to read and follow in a flowing manner.
TWO OF FIVE TIPS OF THE HAT
THE JOURNAL OF BLOODY MARY JANE
This is exactly what it says it is, words from the mouth of one of Miller’s wildly imaginative, over the top villains, truly a vile spirit that haunts the world of the Centipede and his cohorts.  This is Bloody Mary Jane’s origin in her own words, an explanation of what she is and what leads her to encounter a strange settlement of people who live rustic lives around a bubbling pool of mud…people name Ponce De Leon and Cotton Mather.  This is probably one of the best of Miller’s works.  He captures Bloody Mary’s voice as if he is channeling her, God forbid, and the tension builds evenly and steadily to the reveal at the end.
FIVE OF FIVE TIPS OF THE HAT
CLOSE ENCOUNTERS OF THE KIND WE’D RATHER NOT THINK ABOUT
This story is yet again an adventure of The Whitechapel Vigilance Committee and is once more narrated, much more successfully than VIONNA AND THE VAMPIRES, by Vionna Valis.  Here, Miller keeps the pace going briskly, Vionna’s voice moves well and not only makes sure the story flows, but adds to the consistency and intensity of the story.  This cheating spouse case turned alien abduction conspiracy has so much in it that Miller explored and so much more he could have, it’s a story pregnant with possibilities.
FOUR OUT OF FIVE TIPS OF THE HAT
THE LAST VENUSIAN SUPER HERO
This story is not so much a stand alone tale, although it works well by itself, but more or less it’s the glue that sticks some things together.  We get Jack, Dana, Mary, Vionna, The Centipede and others in this tale, but its biggest purpose is to peek even further into the mystery of what happened to all the super heroes and to announce the return of yet another great evil…the ghost of….well, that would be telling.  For what it is, this one pops right into the mix and serves its purpose well.
THREE OUT OF FIVE TIPS OF THE HAT
THE OPTIMIST, BOOK ONE: YOU DON’T KNOW JACK
This is another novel length escapade and all the favorites end up in the mix.   This tale is told by Jack Christian and is the reunion of he and Vionna and tells the story of the return of  The Rippers’ five victims, the origin of the Whitechapel Vigilance Committee, and introduces the Centipede’s paranoid, but likely true concept of there being a ‘Moriarty’ of crime pulling criminal strings in the modern world.   This tale is full of magic, ghosts, blood, death, revealing character moments, and scenes that make your skin crawl, all Miller trademarks by this time if you weren’t aware.
This tome, however, suffers from a couple of things, one of them evident in another of Miller’s longer pieces.  The use of Jack as the narrator is fine, but Miller continually reminds the reader that Jack is writing this and has Jack comment on that fact.  This is almost breaking the fourth wall in a way and it is horribly distracting.  There are at least three significant places where this occurs that forced me to go back and start over just to be able to keep up.   The use of this as a storytelling device seems to work much better in shorter tales, but ties a weight around longer stories.
Another issue I have with this story is the use of cursing.  Now, I’m in no way a prude and other of Miller’s stories use it quite efficiently, but within THE OPTIMIST, cursing is extremely overused and even completely changes what Miller has spent so much time building up regarding one character.  The cursing goes with some characters, such as Jack, but by the middle of the story everyone is flashing expletives like gang signs in a high school.   It takes away from the story, makes everyone sound the same, and loses any effect the words might have.  One character does it as a sort of recurring joke, but even the effect of that humor is lost because everyone else is cursing.  And Miller’s allowing of the Black Centipede to be in this cursing chaos surprises me a lot and does not ring true of the Centipede Miller created via the other stories.
TWO OUT OF FIVE TIPS OF THE HAT
GASP, CHOKE, GOOD LORD!
This tale of the Black Centipede is from a period in the character’s history, in the 1950s, when he’s considered a hero in Zenith, his home city, and even has a close working relationship with the police.  A call from the Commissioner to a strange crime scene at a ball park starts off this tale that ends up with Fredric Wertham, William Gaines (of EC Comics fame), a cast of three horror hosts, Albert Fish, and enough animated corpse bits to shake your lunch at!  This story is really one wild ride that, while its throwing decapitated pitcher’s arms and wronged pedophilic cannibals at you, also does a wonderful job of not only adding layer upon layer to the character of the Centipede, but also paints all the characters, every single one of them in bright pastel colors on wonderfully conceived canvases.  This is one of the best tales in the bunch.
FIVE OUT OF FIVE TIPS OF THE HAT
THE PRESENTATION/THE SITE
As a whole TALES OF THE BLACK CENTIPEDE is obviously a labor of love, a project of intense time and research, and overall a slam bang action packed thrill ride that we’ve only really seen a corner of.  
This is no more evident anywhere than on Miller’s site.  It is chock full of images, pictures, premiums, you name it, Chuck has covered the TALES site with enough eye candy to almost convince any reader that these people really did exist.
FIVE OUT OF FIVE TIPS OF THE HAT
OVERALL RATING FOR TALES OF THE CENTIPEDE
FOUR OUT OF FIVE TIPS OF THE HAT
How Comics Inspired the Egyptian Revolution

How Comics Inspired the Egyptian Revolution

Martin Luther King Jr. Egypt ComicJesse Singal at The Boston Globe points to the Comics Alliance blog post connecting “The Montgomery Story,” a comic book that relates Martin Luther King Jr.’s philosophy of nonviolent civil disobedience (particularly as it pertained to the Montgomery bus strike) to the recent non-violent revolution in Egypt:

Dalia Ziada, Egypt Director of the American Islamic Congress, arranged to have the comic book translated into Arabic and distributed 2,000 copies across the Middle East. In a newsletter, Ziada described what happened when she tried to get the book printed in Egypt: When, at first, we went to print the comic book, a security officer blocked publication. So we called him and demanded a meeting. He agreed, and we read through the comic book over coffee to address his concerns. At the end, he granted permission to print and then asked: “Could I have a few extra copies for my kids?”

Of course, we aren’t surprised. We’ve known for a very long time that comic books promote truth, justice and the American Way… this is just a bit more than usual.

‘Comic Book Legends Revealed’ Hits #300

‘Comic Book Legends Revealed’ Hits #300

Congratulations to Brian Cronin on the 300th installment of Comic Book Legends Revealed, his ongoing series of examinations of comic book legends and whether they are true, false, or somewhere in between. Click here for an archive of the previous two hundred and ninety-nine, or buy the book he got out of it, Was Superman A Spy?

Now if he ever finds about that time with the thing in the men’s room at the Wizard World in… but I’ve probably said too much already.

The Point

The Point Radio: Lisa Kudrow’s Big Search

The Point
After many years as one of our favorite FRIENDS, Lisa Kudrow has gone down a totally different TV path with WHO DO YOU THINK YOU ARE? She gives us a tour right here, plus more with THE CAPE and digital comics in comic stores – it’s about time!

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Andrea Romano Discusses Casting ‘All-Star Superman’

Andrea Romano Discusses Casting ‘All-Star Superman’

To vocally craft the characters within the DC Universe Animated Original Movies, the production brain trust of DC Entertainment, Warner Premiere, Warner Home Video and Warner Bros. Animation is smart enough to employ the best in the business – on both sides of the microphone.

While winners of Oscars, Emmys and Tonys alike provide the voices behind some of the world’s best known comic book characters, it is the super hero of voice directors that guides these unique talents – Andrea Romano.

Arguably the top animation voiceover director in the business today, Romano has been instrumental in orchestrating the vocal tones behind the first 10 DCU animated films, including the highly anticipated February 22 release of All-Star Superman.

The eight-time Emmy® Award winner (not to mention 30+ Emmy nominations) has a voiceover casting/direction resume that spans more than a quarter century, covering the genre gamut from action (Batman: The Animated Series) and humor (Animaniacs) to contemporary (The Boondocks) and timeless (Smurfs). She will appear at both the sold-out New York and Los Angeles premieres of All-Star Superman next week, and will undoubtedly be greeted with a wild, lengthy cheer – an ovation she regularly receives at Cons around the globe.

For All-Star Superman, Grant Morrison’s beloved, Eisner Award-winning vision of Superman’s heroic final days on Earth, Romano has rounded up an intriguing lineup of stars to fill the comic book character roles. James Denton (Desperate Housewives) has donned the cape as Superman, Christina Hendricks (Mad Men) is Lois Lane, and Anthony LaPaglia (Without A Trace) voices Lex Luthor to form the core cast. They are joined by seven-time Emmy® Award winner Ed Asner (Up) as Perry White, Golden Globe® winner Frances Conroy (Six Feet Under) as Ma Kent, Matthew Gray Gubler (Criminal Minds) as Jimmy Olsen and Linda Cardellini (ER) as Nasty.   Also amongst the voice cast is Arnold Vosloo (The Mummy), Catherine Cavadini (The Powerpuff Girls), Finola Hughes (General Hospital), Alexis Denisof (Angel), Obba Babatunde (That Thing You Do!), Michael Gough (Batman) and John DiMaggio (Futurama).

Romano paused between her many current projects – including a few upcoming DC Universe Animated Original Movies – to discuss the cast and recording of All-Star Superman. Listen up …

QUESTION: Are there certain writers’ scripts you find easier to direct or get an instant feel?

ANDREA ROMANO: There are several writers I’ve worked with over the years whose words I can recognize without even seeing a title page, like Stan Berkowitz, Alan Burnett, Bob Goodman and especially Dwayne McDuffie. And because I’ve worked with them for so long over so many different projects, and once they know I’m on a project, it’s almost as though they write for me – because they know exactly what information I need to know to give to the actors. So I love working with all those guys. Dwayne works so hard on being true to the source material, and yet translating it into something that can be acted. He’s really good at making that transition of honoring the material, but bringing the words off the page to make it actable and dramatically interesting.

(more…)

GUEST REVIEW OF THE WEEK FROM JOSHUA REYNOLDS!

DAY LATE, DOLLAR SHORT REVIEWS by Joshua Reynolds

DEMON’S NIGHT (JASON DARK, GHOST HUNTER VOL. 1)
Guido Henkel
Thunder Peak Publishing, 2009

BOOK BLURB: A series of bizarre deaths leaves the victims unnaturally desiccated and decaying, sending Jason Dark into the dangerous world of the London dockyards in search of a supernatural murderer. But is the paranormal investigator prepared to duel a full-fledged demon on a Hell-bent mission to create chaos and catastrophe throughout the earth, a fiend determined to wreak more death and destruction than his even more ominous Master?

I love a good occult detective story. There’s something about intrepid investigator battling horrors from beyond space and time that really perks my interest as a reader.  I dig characters like Doctor Orient, Inspector Legrasse, Thomas Carnacki…and Jason Dark.

Demon’s Night, the first volume in Guido Henkel’s JASON DARK: GHOSTHUNTER series is a thrilling introduction to the eponymous protagonist, the newest name on the roster of occult detectives. Dark, a scholar as well as a man of action, is very much in the tradition of the old-school Victorian ghost-breaker, facing his supernatural opponents with both an esoteric knowledge and a ready fist.

Henkel goes to great lengths to establish Dark’s personality right off the bat, doing his best to give the reader a fully-fleshed out hero in just a few pages. With hints of Sherlock Holmes and a bit of James Bond, Dark is by turns callous and comforting, his mind on the mystery before him even as he belatedly attempts to comfort a victim of the titular demon’s attack.

Said victim, Siu Lin, is an interesting character in her own right-a Kato to Dark’s Green Hornet (in more ways than one…Dark’s a fair pugilist, but Siu Lin goes toe-to-toe with a demon without blinking, and without a weapon! Now that’s a heroine!), and her transformation from victim to demon-hunter is handled believably, if a tad swiftly.

That’s not a complaint, mind-like any good pulp story, Demon’s Night moves at a fast clip, and Henkel is adept at crafting a taut action sequence, delivering carriage chases and back-alley brawls with cinematic fervour.  Too, Henkel takes care in crafting his world, tossing off directions and regional nods Lester Dent-fashion in order to deliver a fully-developed world for his protagonist to adventure in. 

The story itself is a straight up Gothic mystery, with creepy graveyards and opium dens galore. The characters bounce from one horrific discovery to the next as they try and pierce the veil of secrecy that surrounds the demonic predations, with Dark spitting facts about the Court Infernal the entire time, even as he and Siu Lin begin to create a working dynamic they will keep to in future instalments in the series.  Over it all, however, is the mystery itself-What is the demon after? What-or who-is it hunting? And what does it intend to do when it’s found them?

The answer will leave you breathless for the sequel. Luckily, that sequel (as well as the next seven stories in the series!) is now available via www.jasondarkseries.com. You can read them free online, or purchase them in electronic or print format.  The print version retails for $2.99 USD. 

Yesteryear is on the Way! Tommy Hancock Interview


AP: Thanks for joining us, Tommy! Can you tell us a little about the genesis of Yesteryear and what it’s about?


TH: Thanks, it’s cool to be sitting on this side of the interview again. The genesis of YESTERYEAR is rooted way back in my fan fiction days. I was making a decent name for myself writing Golden Age inspired Fan Fiction on the internet in the late 1990s and up into the early 2000s, but, like so many writers of said stuff, realized it was simply what its name implied, fiction written by a fan. So, I started putting my thoughts toward original work and several great ideas came out of that period. Most of those ideas ended up populating one particular story line, one universe in my imagination. I started looking at what the impact of super types would be on our world if they simply just started on one day in history. What would they make their costumes out of? Why would they even wear costumes? And what about history, would heroes and villains impact history as dramatically as we think they would or would history have rolled on pretty much the same as it has? Out of that came the concept of public perception versus private realities. That’s the genesis of YESTERYEAR and mostly what its about.


The plot of YESTERYEAR is different, also. There are really three stories going on here. There is a modern tale being told about a manuscript that was written by a former Hero in 1955, but the author and said book both vanished. The unfinished manuscript and all the research accompanying it show up at a publisher’s office in the modern era. What ensues from there is a chase tale combined with a mystery. Who all wants this book and why? What does it contain that could be so dangerous to so many people? Where is the author of this explosive tome? And why did THIS publisher get it?


Included within YESTERYEAR along with the modern tale are excerpts from the fabled manuscript. Some of these are finished pieces by the missing writer, others are letters, notes on napkins, etc. that he gathered for research. Within this manuscript, there are two storylines going on, one showing how the public viewed their first heroes and villains and the truth behind that view. There’s a lot packed into this, but hopefully it all unravels into one great story.

AP: Who are the major characters in the novel and are they based on any pre-existing pulp/superhero archetypes?


TH: Major characters, yeah, there’s a handful. Based on pulp/hero archetypes? You bet. The Hero is my take on Superman, except he’s a human who has these powers thrust on him. The Night, one of my personal favorites, is Batman, The Shadow, and The Spirit all mixed together. The archetype discussion could go on forever and many of them will be obvious, but will also have a twist to them. The real main character of this novel is the book that stirs the whole controversy. It may not be the key to the meaning of life, but its definitely a pot stirrer in this particular universe.

AP: Yesteryear is your first full-length novel — how do you find writing in longer-former to be different than the short story and novellas you’re known for?


Well, that’s not really a question I can answer yet because YESTERYEAR, although it’s a full length novel, is like writing short stories and novellas and even short shorts because it’s a big tapestry sewn together with a central storyline. It’s not a linear novel in several respects. One thing, though, that I think is like other novels, is that you have to insure the story is intriguing and engaging from the first to the last word. I hope I’ve achieved this with YESTERYEAR and not just made something that comes off as gimmicky.

AP: Are there sequels in the works involving these characters?


TH: Oh, most definitely. YESTERYEAR tells a complete story in one way, but intentionally leaves so many questions to be answered. There are at least two direct sequels to this book that are possible, but there are tons of other directions to go as well. Each character could have at least their own collection or novel or series of novels and every one of them would fit into the mosaic that makes up this universe. Can YESTERYEAR be the only novel and readers be satisfied. Yes, I think so. Are there many, many more pieces that should be seen and add to the whole shebang. You bet.

AP: I’ve heard that the book is being featured in an Arkansas-based literacy campaign? Can you tell us about that?


Yeah, this is the coolest part. A literacy organization that covers a large part of Northern Arkansas has seen the cover done by Jay Piscopo, a cover featuring three heroes reading a book, and want to use it as a part of a reading campaign. This is in the works and will be announced very shortly formally, but its really exciting that a pulp/hero novel gets the opportunity to encourage people to read more. Yes, its publicity for the book, but its more about being a part of what this is all about…getting people to read what we write.



AP: The cover by Jay Piscopo is gorgeous — how much direction did you give him on that?


TH: Jay requires little to no direction, he is such an awesome talent. I did give him the three characters I wanted in it (From left to right, The Hero, The Freelancer, and The Night) and the fact that a book should be featured in some way. As far as design goes, though, that’s all Jay. The way he blended the characters, colors, and overall theme into a single image….wow. That cover says it all and sets the tone for the novel it fronts very well.

AP: Where and how will people be able to buy the book?


TH: Pro Se is making the move from Lulu to Createspace and this novel may be the first after that transition. But we’re also not sure how long this will take, so I’ll stay in touch to let you know exactly how to get it.

AP: Thanks for joining us and good luck with the novel!

Welcome A New Addition To The ComicMix Extended Family!

And we’re not just talking about the new site here…

We’d like to welcome Caleigh Elizabeth, daughter of ComicMix colorist and flatter Shannon Weaver (Jon Sable Freelance: Ashes Of Eden, Munden’s Bar) and her husband Tom.

Baby Caleigh was born at 8:47am on Wednesday, weighing 7lbs, 6oz and measuring 19 inches long. Baby is doing very well, mom was sending out updates from her phone mere hours later.

Our warmest congratulations to the happy family.