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This book explores the so-called “British Invasion” of DC Comics’ Vertigo imprint, which played an important role in redefining the mainstream comics industry in the US during the early 1990s.
This book explores the so-called “British Invasion” of DC Comics’ Vertigo imprint, which played an important role in redefining the mainstream comics industry in the US during the early 1990s.
First published in 1987, this title celebrates the scholarship of Professor Harold Jenkins, one of this century’s foremost editors and critics of Shakespeare. All of the essays address Shakespearean topics, and many of the sixteen focus on the years between 1595 and 1605, the period on which much of Professor Jenkin’s work centers.
First published in 1987, this title celebrates the scholarship of Professor Harold Jenkins, one of this century’s foremost editors and critics of Shakespeare. All of the essays address Shakespearean topics, and many of the sixteen focus on the years between 1595 and 1605, the period on which much of Professor Jenkin’s work centers.
Immigrants and Comics is an interdisciplinary, themed anthology that focuses on how comics have played a crucial role in representing, constructing, and reifying the immigrant subject and the immigrant experience in popular global culture of the twentieth and twenty-first centuries. Nhora LucÃa Serrano and a diverse group of contributors examine immigrant experience as they navigate…
This book, first published in 1980, analyses the history of science fiction and related developments, for instance the Bomb, that have shaped the literature. It examines the complex of activity and background tradition, the body of accepted beliefs and conventions, and the ethics and values of the world of science fiction.
This book, first published in 1980, analyses the history of science fiction and related developments, for instance the Bomb, that have shaped the literature. It examines the complex of activity and background tradition, the body of accepted beliefs and conventions, and the ethics and values of the world of science fiction.
This book, first published in 1980, analyses science fiction as a mode of literature, examines the definition of the genre, its function as social criticism and as an embodiment and critique of the scientific outlook.
This book, first published in 1980, analyses science fiction as a mode of literature, examines the definition of the genre, its function as social criticism and as an embodiment and critique of the scientific outlook.
This book, first published in 1979, presents a portrait of science fiction as a distinct form of serious and creative literature. The essays establish the common properties of science fiction writing, and assess the history and significance of a field in which critical judgements have often been unreliable.
This book, first published in 1979, presents a portrait of science fiction as a distinct form of serious and creative literature. Contributors are drawn from Britain, America and Europe, and range from well-known academic critics to young novelists. The essays establish the common properties of science fiction writing, and assess the history and significance of…
This book aims to illuminate the unique character of Grandes s major postmillennial novels by examining the heretofore unexamined themes of perpetrator and gender memory, as well as reconceiving her representation of the memory of victimhood.
Combining theoretical perspectives from analytic philosophy, cognitive theory, and narratology with approaches from phenomenology, psychosemiotics, and social semiotics, the contributions collected in this volume provide a state-of-the-art map of current research on a wide variety of ways in which subjectivity can be represented across conventio
Romantic-era concepts of childhood nostalgia have been understood as the desire to retrieve the ephemeral mindset of the child.
Through studies of the storyworlds constructed for The Wizard of Oz, Tarzan, and Superman, the book reveals how new developments in advertising, licensing, and governmental policy across the twentieth century enabled historical systems of transmedia storytelling to emerge.
By placing comics in a lively dialogue with contemporary narrative theory, The Narratology of Comic Art builds a systematic theory of narrative comics, going beyond the typical focus on the Anglophone tradition. This involves not just the exploration of those properties in comics that can be meaningfully investigated with existing narrative theory, but an interpretive…
