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Finding expression in comic books, television series and successful blockbuster films, the superhero has become part of everyday life. Exploring the superhero genre, its storytelling practices, its hero-types and its relationship with fans, this anthology fills a gap in research about the comic book superhero of the last 20 years.
This book provides a link between the contemporary criticism of Trauma Studies and the increasingly important world of comic books and graphic novels.
By placing comics in a lively dialogue with contemporary narrative theory, The Narratology of Comic Art builds a systematic theory of narrative comics, going beyond the typical focus on the Anglophone tradition.
Tracing the industrial emergence of transmedia storytelling–typically branded a product of the contemporary digital media landscape–this book provides a historicised intervention into understandings of how fictional stories flow across multiple media forms. Through studies of the storyworlds constructed for The Wizard of Oz, Tarzan, and Superman, the book reveals how new developments in advertising, licensing,…
Romantic-era concepts of childhood nostalgia have been understood as the desire to retrieve the ephemeral mindset of the child.
Media in general and narrative media in particular have the potential to represent not only a variety of both possible and actual worlds but also the perception and consciousness of characters in these worlds. Hence, media can be understood as “qualia machines,” as technologies that allow for the production of subjective experiences within the affordances…
This book, first published in 1977, begins with a close look at the lives of nineteenth century Russian writers, and at the problems of their profession. It then examines their environment in its broader aspects, the Russian empire being considered from the point of view of geography, ethnography, economics, and the impact of individual Tsars…
This book, first published in 1977, analyses the lives of nineteenth century Russian writers. It examines their environment: the geography, ethnography, economics, and the impact of the competing forces of cohesion and disruption in imperial society.
This book, first published in 1979, provides a systematic anatomy of Russia’s modern authors in the context of their society at the time. Professor Hingley places their lives and work firmly in the setting of the USSR’s social and political structure.
This book, first published in 1979, provides a systematic anatomy of Russia’s modern authors in the context of their society at the time. Professor Hingley places their lives and work firmly in the setting of the USSR’s social and political structure.
This book aims to illuminate the unique character of Grandes s major postmillennial novels by examining the heretofore unexamined themes of perpetrator and gender memory, as well as reconceiving her representation of the memory of victimhood.
This book, first published in 1979, presents a portrait of science fiction as a distinct form of serious and creative literature. Contributors are drawn from Britain, America and Europe, and range from well-known academic critics to young novelists. The essays establish the common properties of science fiction writing, and assess the history and significance of…
This book, first published in 1979, presents a portrait of science fiction as a distinct form of serious and creative literature. The essays establish the common properties of science fiction writing, and assess the history and significance of a field in which critical judgements have often been unreliable.
This biographical study, first published in 1985, draws on extensive newly available material and illuminates the life and work of a man who lived through one of the most turbulent periods of Russian history to produce some of his country’s greatest poetry and its most significant modern novel.
This biographical study, first published in 1985, draws on extensive newly available material and illuminates the life and work of a man who lived through one of the most turbulent periods of Russian history to produce some of his country’s greatest poetry and its most significant modern novel.
This book, first published in 1981, examines four of the greatest Russian poets, Anna Akhmatova, Osip Mandelstam, Boris Pasternak and Marina Tsvetayeva, their struggle to survive the Stalin years, and their dedication to their art despite considerable personal danger.
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