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“The book has a rambunctious humor that complements its polemical spirit . . . As Disney has evolved from an animation studio into a corporate behemoth–with theme parks, a cruise line, and content streaming around the world–How to Read Donald Duck and its charge of cultural imperialism rings all the truer”–The New Yorker First published…
NATIONAL BESTSELLER – What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human Superman, Batman, Wonder Woman, Iron Man, and the X-Men–the list of names as familiar as our own. They are on our movie and television screens, in our videogames and in our dreams. But what are…
Experiencing Visual Storyworlds illuminates how comics express what characters and narrators see, think, and feel. Drawing on the narratological concept of focalization, which describes the filtering of a story through the minds of characters and narrators, Silke Horstkotte and Nancy Pedri analyze comics from a range of genres, including graphic memoir, graphic historiography, silent comics,…
Die Reihe Narratologia publiziert innovative Monographien und Sammelbände zur modernen Erzähltheorie und zu ihrer fachgeschichtlichen Rekonstruktion aus allen philologischen Disziplinen. Sie stellt das erste narratologische Forum dieser Art in Deutschland dar. Neben literarischen Texten stehen u. a. auch das Alltagserzählen, Wort-Bild-Texte, Erzählen im Film und in den neuen Medien sowie das Erzählen in Historiographie, Ethnologie,…
Miles Morales: Across the Spider-Myth is an exploration focusing on Miles Morales, the history of the Spider-Verse, and the film Spider-Man: Across the Spider-Verse. In these pages, you’ll find a summary of Miles’ full publication history; his trajectory both within and beyond the panels; his contributions to Spider-Man’s legacy; the creation and development of the…
Santé, intimité, et identité dans la bande dessinée autobiographique de tradition franco-belge examines the ways different autobiographical comic books explore the theme of health, and its influence on identity construction. How do artists represent abstract feelings of pain? How do illnesses influence our sense of self? What is the role of others in our personal…
Contributions by David M. Ball, Scott Bukatman, Hillary Chute, Jean Lee Cole, Louise Kane, Matthew Levay, Andrei Molotiu, Jonathan Najarian, Katherine Roeder, Noa Saunders, Clémence Sfadj, Nick Sturm, Glenn Willmott, and Daniel Worden Since the early 1990s, cartoonist Art Spiegelman has made the case that comics are the natural inheritor of the aesthetic tradition associated…
Contributions by David M. Ball, Scott Bukatman, Hillary Chute, Jean Lee Cole, Louise Kane, Matthew Levay, Andrei Molotiu, Jonathan Najarian, Katherine Roeder, Noa Saunders, Clémence Sfadj, Nick Sturm, Glenn Willmott, and Daniel Worden Since the early 1990s, cartoonist Art Spiegelman has made the case that comics are the natural inheritor of the aesthetic tradition associated…
Comics are a global phenomenon, and yet it’s easy to distinguish the visual styles of comics from Asia, Europe, or the United States. But, do the structures of these visual narratives differ in more subtle ways? Might these comics actually be drawn in different visual languages that vary in their structures across cultures? To address…
Media of Serial Narrative, edited by Frank Kelleter, is the first book-length study to address the increasingly popular topic of serial narratives-specifically, how practices and forms of seriality shape media throughout the landscape of popular culture. In modern entertainment formats, seriality and popularity can seem so obviously connected that scholarship has long neglected to address…
Experiencing Visual Storyworlds illuminates how comics express what characters and narrators see, think, and feel. Drawing on the narratological concept of focalization, which describes the filtering of a story through the minds of characters and narrators, Silke Horstkotte and Nancy Pedri analyze comics from a range of genres, including graphic memoir, graphic historiography, silent comics,…
First published in 1971, How to Read Donald Duck shocked readers by revealing how capitalist ideology operates in our most beloved cartoons. Having survived bonfires, impounding and being dumped into the ocean by the Chilean army, this controversial book is once again back on our shelves. Written and published during the blossoming of Salvador Allende’s…
First published in 1987, this title celebrates the scholarship of Professor Harold Jenkins, one of this century’s foremost editors and critics of Shakespeare. All of the essays address Shakespearean topics, and many of the sixteen focus on the years between 1595 and 1605, the period on which much of Professor Jenkin’s work centers.
This book aims to illuminate the unique character of Grandes s major postmillennial novels by examining the heretofore unexamined themes of perpetrator and gender memory, as well as reconceiving her representation of the memory of victimhood.
Distinguishing the graphic novel from other types of comic books has presented problems due to the fuzziness of category boundaries. Against the backdrop of prototype theory, the author establishes the graphic novel as a genre whose core feature is complexity, which again is defined by seven gradable subcategories: 1) multilayered plot and narration, 2) multireferential…
In the same way that Stallone and Schwarzenegger played film heroes who came to embody the values of Ronald Reagans aggressive conservative agenda in the 1980s, the 21st-century film narratives of Batman, Spider-Man and Superman reflect the policies of the Bush Doctrine after 9/11. This book offers a groundbreaking study of the relationship that exists…
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