Comics: An Introduction
$33.99Comics provides a clear and accessible introduction to the Comics form – including graphic narratives and a range of other genres – with sections explaining key terms, history, theories and major themes.
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Comics provides a clear and accessible introduction to the Comics form – including graphic narratives and a range of other genres – with sections explaining key terms, history, theories and major themes.

Comics: An Introduction provides a clear and detailed introduction to the Comics form – including graphic narratives and a range of other genres – explaining key terms, history, theories, and major themes. The book uses a variety of examples to show the rich history as well as the current cultural relevance and significance of Comics….



First published in 1987, this title celebrates the scholarship of Professor Harold Jenkins, one of this century’s foremost editors and critics of Shakespeare. All of the essays address Shakespearean topics, and many of the sixteen focus on the years between 1595 and 1605, the period on which much of Professor Jenkin’s work centers.

First published in 1987, this title celebrates the scholarship of Professor Harold Jenkins, one of this century’s foremost editors and critics of Shakespeare. All of the essays address Shakespearean topics, and many of the sixteen focus on the years between 1595 and 1605, the period on which much of Professor Jenkin’s work centers.

This book, first published in 1980, analyses the history of science fiction and related developments, for instance the Bomb, that have shaped the literature. It examines the complex of activity and background tradition, the body of accepted beliefs and conventions, and the ethics and values of the world of science fiction.

This book, first published in 1980, analyses the history of science fiction and related developments, for instance the Bomb, that have shaped the literature. It examines the complex of activity and background tradition, the body of accepted beliefs and conventions, and the ethics and values of the world of science fiction.

This book, first published in 1980, analyses science fiction as a mode of literature, examines the definition of the genre, its function as social criticism and as an embodiment and critique of the scientific outlook.

This book, first published in 1980, analyses science fiction as a mode of literature, examines the definition of the genre, its function as social criticism and as an embodiment and critique of the scientific outlook.

This book, first published in 1979, presents a portrait of science fiction as a distinct form of serious and creative literature. The essays establish the common properties of science fiction writing, and assess the history and significance of a field in which critical judgements have often been unreliable.

This book, first published in 1979, presents a portrait of science fiction as a distinct form of serious and creative literature. Contributors are drawn from Britain, America and Europe, and range from well-known academic critics to young novelists. The essays establish the common properties of science fiction writing, and assess the history and significance of…

Combining theoretical perspectives from analytic philosophy, cognitive theory, and narratology with approaches from phenomenology, psychosemiotics, and social semiotics, the contributions collected in this volume provide a state-of-the-art map of current research on a wide variety of ways in which subjectivity can be represented across conventio

By placing comics in a lively dialogue with contemporary narrative theory, The Narratology of Comic Art builds a systematic theory of narrative comics, going beyond the typical focus on the Anglophone tradition. This involves not just the exploration of those properties in comics that can be meaningfully investigated with existing narrative theory, but an interpretive…

This book provides a link between the contemporary criticism of Trauma Studies and the increasingly important world of comic books and graphic novels.

This book offers the first multidisciplinary analysis of the “wordless novels” of American woodcut artist and illustrator Lynd Ward (1905-1985), who has been enormously influential in the development of the contemporary graphic novel.