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Sfar So Far is the first monograph in any language devoted to the graphic novels of Joann Sfar, an artist whose abundant and innovative work has profoundly marked the contemporary French comics scene. This book examines how, over the past two decades, Sfar has constructed an idiosyncratic universe with its own thematic and stylistic recurrences:…
Girls’ comics were a major genre from the 1950s onward in Britain and the most popular titles sold between 800,000 and a million copies a week. However, this genre was slowly replaced by magazines, which now dominate publishing for girls. Remembered Reading is a readers’ history that explores the genre, and memories of those comics,…
This volume is a cross-disciplinary collection of essays in the fields of nineteenth-century history, adaptation, word/image and Victorianism. Featuring new writing by some of the most influential, respected and radical scholars in these fields, Transforming Anthony Trollope constitutes both a close companion to Simon Grennan’s 2015 graphic novel Dispossession–an adaptation of Anthony Trollope’s 1879 novel…
Contemporary graphic novels show an interesting shift from the extraordinary to the ordinary in slice-of-life stories in which nothing happens. This book brings a historical, aesthetic, and narratological approach to comics in which boredom is not only a topic but also awakens a deliberate affective response in the very experience of reading. This volume brings…
The French comic magazine Pilote hebdomadaire arrived in a weakening comics market in 1959 largely dominated by syndicated translations of American comics and comics inspired by a Catholic ethos. It tailored its content and tone to an older adolescent reader far removed from that of France’s infant comic. Pilote’s profile set it on a turbulent…
Bringing together the work of an array of North American and European scholars, this collection highlights a previously unexamined area within global comics studies. It analyses comics from countries formerly behind the Iron Curtain like East Germany, Poland, Czechoslovakia, Hungary, Romania, Yugoslavia, and Ukraine, given their shared history of WWII and Communism. In addition to…
Postcolonialism and migration are major themes in contemporary French comics and have roots in the Algerian War (1954-62), anti-racist struggle, and mass migration to France. This volume studies comics from the formal dismantling of the French colonial empire in 1962 up to the present. French cartoonists of ethnic minority and immigrant heritage are a major…
Portugal’s vibrant comics scene originated as early as the 19th century, bringing forth brilliant individual artists, but has remained mostly unknown beyond Portugal’s borders to this day. Now a new generation employs this medium to put into question hegemonic views on the economy, politics, and society. Following the experience of the financial crisis of the…
Historical and theoretical analysis of the “clear line” style in comics and cinema The “clear line”, a term coined in 1977 by Dutch essayist and artist Joost Swarte, has become shorthand in the field of comics studies for the style originally developed by Hergé and the École de Bruxelles. It refers to certain storytelling strategies…
Sugar, Spice, and the Not So Nice offers an innovative, wide-ranging and geographically diverse book-length treatment of girlhood in comics. The various contributing authors and artists provide novel insights into established themes within comic studies, children’s comics, graphic medicine and comics by and about refugees and marginalised ethnic or cultural groups. The book enriches traditional…
