Tagged: Radio Archives

RADIO ARCHIVES IN THE BOOK CAVE! LISTEN NOW!

Tom Brown and Will Murray visit the Book Cave to inform the listeners of some of the great new projects coming from Radio Archives!

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FIBBER, OPERATOR 5, THE SPIDER, AND SO MUCH MORE FROM RADIO ARCHIVES!

  • News
  • June 15, 2012

RadioArchives.com Newsletter

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June 15, 2012
 
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Very few shows from Radio’s golden age had an impact that still today resonates throughout society and entertainment. One such program left its mark indelibly on performers, on our language, on popular culture in a number of ways. Forever changing the landscape of American comedy, it featured a duo all others would be judged by. Why is evident in The Fibber McGee and Molly Show, The 1939/1940 Season from Radio Archives!
 
Best known as the blustery storyteller and his witty, long suffering wife, Jim and Marian Jordan did in fact have a lot in common with Fibber and Molly, the characters they created for themselves. Married in 1918, The Jordans worked to be entertainers together. Spending the next nearly seven years trying to break into show business and failing, The Jordans finally got their chance in 1924 when they rushed to a radio station, sure they could perform better than the singing act they’d just heard on the same station.
 
The rest indeed is history, but it was a history marked with many ups and downs as well as a multitude of other characters, real and fictional, joining Jim and Marian as they made ‘Fibber McGee and Molly’ not only a hit on the radio, but a remarkable page all its own in American history.
 
Restored to “Sparkling Radio Archives” audio quality, The Fibber McGee and Molly Show, The 1939/1940 Season is a 20 hour collection that begins a series of collections featuring individual seasons of the classic program as originally heard over 70 years ago. Only $59.98 from Radio Archives!
 

Special New Release Price: Save $20 for the next two weeks. Only $39.98 in a beautful 20 CD storage case!

 
 
 
weirdtales-3932907“Weird Tales” was a proposed radio series recorded in Hollywood in 1932 and based on stories in the famous horror themed Pulp of the same name, notable for featuring such iconic authors as Robert E. Howard and H.P. Lovecraft. The series was produced by Hollywood Radio Attractions, 4376 Sunset Drive, Hollywood. In a promotional flyer for the program, they advertise three episodes that had been produced and the company was planning to record a total of 52 half-hour shows.
 
Scholars looking at the history of “Weird Tales” magazine have heard about the series for years, but no recordings of the shows themselves or many detail about the series have surfaced until now.
 
Radio Archives is giving you a chance to hear an episode of Weird Tales for Free! Similar to “The Witch’s Tale”, the show was created in such a way that they could be played as one half-hour program each week or split into two fifteen minute shows, completing one story each week. Click the Weird Tales Banner and listen to the Weird Tales radio show today!

 
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NEW Pulp Audiobook: Operator #5 “#1 The Masked Invasion”
 

Before James Bond was ever imagined, Jimmy Christopher was the bravest, boldest and best-equipped secret agent any nation ever had!

 

 

From out of the pages of Operator #5 magazine steps a dramatic hero who pits himself against threats to national security from all origins. Whether it’s subversive internal menace, or a full-scale invasion from an enemy land, James Christopher stood ready and resolute to defeat it.

 

In 1934, with Hitler consolidating power in Germany and the Japanese Empire on the rise in Asia, young pulp publisher Harry Steeger decided that the American public was ready for a magazine chronicling the exploits of an undercover agent dedicated to defending the United States from foreign aggressors. With his editors, Steeger came up with a title, Secret Service Operator #5, and a cover depicting a masked terrorist fleeing an exploding White House. Over this loomed the resourceful hero, blazing away with a .45 automatic. His job: to defeat a new invasion of the United States—every month!

 

James Christopher did not technically belong to the U. S. Secret Service. He was a top agent for an America’s unnamed Intelligence Service. It was in his blood. His father, John Christopher, retired from the same agency years before. Answerable only to his superior, Z-7, and carrying a letter from the President of the United States identifying him as Operator #5, Jimmy Christopher played for keeps. He carried a rapier sewn into his belt, and in a golden skull hanging from his watch-chain was a reservoir of poison to be taken in the event of capture.

 

Aided by a small group of trusted assistants, ranging from his twin sister Nan to scrappy street urchin Tim Donovan, Jimmy Christopher was a one-man defense force. Proud and patriotic, expert marksman and swordsman, he was the best America has to offer in a time of severe trial.

 

Originally written by master pulpsmith Frederick C. Davis, the Operator #5 series was a clear forerunner of the spy and espionage genre, which exploded in the 1960s when President John F. Kennedy happened remark that he enjoyed reading Ian Fleming’s James Bond novels. The first Bond film, Dr. No, was released in 1962. Soon, America was surrounded by spies. The Man from U.N.C.L.E., Our Man Flint, and Nick Carter, Killmaster were just a few of the most prolific. Jimmy Christopher was on the job a generation before them all, blazing the espionage trail, and keeping America safe from fascism and other wicked isms.

 

Invisible, secret, deadly, the Masked Empire wielded its dread power of darkness throughout the nation. Havoc and ruin followed the terror-torn thousands who fled the country to escape the Thirteenth Darkness. America, faced with certain disaster, placed her chance of survival in one man’s capable hands — and prayed that the warrior gods might smile once more upon the miracle man of her Secret Service — Jimmy Christopher!

 

Into this unprecedented crisis plunged Jimmy Christopher. Only one man, but a man who embodied with the American spirit—and stands prepared to perish to protect his country. James Christopher, Operator #5 is voiced by the talented Richard Epcar. Order your copy today for only $17.98.

 
Interview with Audiobook Reader: Richard Epcar
 
One important aspect of bringing a Pulp classic to life as an audiobook is finding just the right voice to breathe life into the words on the page. Continuing its fine tradition of doing just that, Will Murray’s Pulp Classics from Radio Archives has matched one of Pulpdom’s most loved characters with a voice actor with a passion for the period and this type of character.
 
Jimmy Christopher, that super United States secret agent known to Pulp fans as Operator #5 is the newest character to be added to the ranks of The Spider, Doc Savage, and others to be featured in the audiobooks produced as a part of Will Murray’s Pulp classics. And giving voice to Christopher and to the stories themselves is a voice talent who feels a certain connection to a character that most definitely might be considered the James Bond of the Pulp set.
 
Richard Epcar has had an acting career in Los Angeles for nearly three decades. “I’ve appeared,” Epcar stated, “in films, television, commercials, stage and as a voice actor, I’ve voiced over 300 different characters in games, animation, commercials, foreign film dubs and anime.”
 
With this exceptional background in voice acting, Epcar’s involvement in the Operator #5 audiobook project is actually his first major professional association with Pulp. “Honestly,” Epcar admitted, “I haven’t had that much exposure to it, although I think that pulp fiction and I are a very good fit. I love the stories and I’m kind of an old school guy, so I think these books and my style really go hand in hand.”
 
As for Operator #5 specifically, Epcar finds himself well suited to take on a character that truly stands out amongst its Pulp peers and as a precursor to the Spy craze of the 1960s. Richard said, “I am a huge fan of spies and spy tales so this is perfect for me. I’m just starting the second book as we speak, and I’m really getting into the characters.”
 
The cast of the Operator #5 tales particularly appeals to Epcar. “They’re a bunch of wonderful characters and I’m having so much fun doing the different voices for each character. It has a great noir, old time comic book feel to it. I love the plots and the science involved, especially for the time, is amazing.”
 
Richard feels a connection, not only to the Operator #5 stories, but to the time when the stories were first published. “I love the period,” he said, referring to the heyday of Pulps. “I would have loved to have lived then. In some ways a simpler time, but a time with more style. I really enjoy getting into all the wonderful characters and becoming ensconced in the language of that time. I think people love these stories for the same reason I do-because they are wonderful period pieces, and great escapism. Like watching some old Bogart movie or any of the old Noir detective or spy films. There’s just a great feel to them and they create a lovely fantasy by which to escape into the world of espionage, danger and intrigue.”
 
Richard definitely notes the obvious comparisons between Jimmy Christopher and another famous spy, but recognizes differences that make Operator #5 stand out as well. “I’m a huge fan of spies, especially James Bond. Anyone who knows me knows that. My office is covered with 007 movie posters, figures, books and memorabilia. There are a lot of similarities between Bond and Christopher.”
 
“But unlike James Bond,” Richard continued, “Jimmy Christopher is an ace spy for the United States, he’s straight laced, a man of honor and high moral code, isn’t a womanizer, doesn’t really drink, but he is a master of many forms of combat and nobody’s fool. He’s also quite a magician, which is something really interesting that pops up in all the stories. The stories are fantastic and a lot of fun.”
 
Although many of the Operator #5 stories might be considered extravagant and over the top compared to other Pulp tales, Richard noted why he thought the stories appealed to the readers of Pulp in the 1930s and 40s. “Up until Pearl Harbor, the United States had never been attacked. I think the idea of a foreign power invading us and taking over is a very frightening thought for all Americans. It might even be enough to cause us to stop bickering amongst ourselves. I think by using our actual enemies at the time, it gives the stories more verisimilitude.”
 
He also recognizes why Operator #5 is an ideal character to bring to modern listeners in the Will Murray’s Pulp Classics audiobook line. “Perhaps when these books were written the idea of attacking our mainland seemed far fetched, but as 9-11 showed, we’re not impregnable. I think audiences today will love these stories, for the characters, the incredible action, and that sense of another time, also they have a fantastic hero-Jimmy Christopher.”
 
Operator #5 is a series that fans of Pulp and audiobooks will enjoy for its action, fast pace, and stunning characters brought to life by Richard Epcar. “I love the feel of the books,” Richard said. “I think they are great story telling and you care about the characters. I really like that Jimmy Christopher is a man of honor, yet he is also self-effacing. I like the relationships between all the characters, they are really fleshed out, and not one dimensional and I said before, you really care about them. I’ve really been enjoying reading these books and I hope that everyone enjoys my interpretation of Operator #5.”
 
Operator #5 “#1 The Masked Invasion” is the latest title from Will Murray’s Pulp Classics voiced by Richard Epcar and available now! Stay tuned for more adventures of Jimmy Christopher voiced by Epcar from Radio Archives!
 

Guest Audiobook Review: The Spider “Wings of the Black Death”
by Ron Fortier, Airship 27
 
With the expansion of the increasing popular New Pulp movement, it was only inevitable that the audio book industry would enter this exciting new field. One of the most aggressive to do so in the past year has been Radio Archives out of Spokane, Washington, headed by the wonderfully creative and energetic Roger Rittner. Working with noted pulp writer and historian, Will Murray, Rittner and Radio Archives have began doing expansive audio book versions of classic pulp thrillers with the feel of genuine old time radio melodramas. It is important to note that these are not exact, full cast recordings, but by adding brilliant sound effects and period background music, Radio Archives provides such marvelous audio atmosphere as to beautifully mimic those old radio plays.
 
“Wings of the Black,” was written by Norvell Page, writing as Grant Stockbridge, and appeared in the December 1933 issue of “The Spider” magazine. This exciting audio adaptation produced and directed by Rittner, features Nick Santa Maria as both the narrator and primary male characters to include Richard Wentworth, aka the Spider, and Police Commissioner Stanley Kirkpatrck along with Robin Riker who takes on the role of Nita Van Sloan, Wentworth’s paramour. They are absolutely marvelous, each evoking these well known characters as we all imagined they would sound…and act towards each other.
 
The plot centers about a fiendish villain calling himself the Black Death. He has managed to get a strain of the Bubonic Plague and is systematically unleashing it on the people of New York City. He will only stop when they pay him a billion dollar ransom. As if that were not horrendous enough, this merciless fiend has managed to convince the police that it is the Spider who is responsible to the point of leaving the Spider’s telltale crimson seal on the foreheads of his policemen victims. Now, for the first time ever, Commissioner Kirkpatrick finds himself believing the Spider is in reality a heartless monster and he proceeds to hunt him down with all the resources at his command. Suddenly Richard Wentworth is battling both the fiendish mastermind and the police, frantically trying to evade capture until he can solve the mystery of the Black Death and bring him to justice.
 
Rittner’s direction is pace-perfect as he leads both Santa Maria and Riker through each chapter hitting all the right beats, from moments of intense action scenes to those of quiet, anxious reflection as the pair, depending on each other as never before, endure the Spider’s greatest challenge of his crime-fighting career. Radio Archives’ “The Spider – Wings of the Black Death,” is a winner from the opening scene to the last. It pulls the listener into the raw, brutal, fantastic world of the classic pulps and in the end provides such a unique, rewarding experience as to delight both old and new fans alike.
 
Finally, this audio book is available both as a digital download and in the 6 CD set, both reasonably priced. For those into new fangled digital toys, this reviewer would imagine the digital version would be their obvious choice. Whereas the legion of audio book listeners who prefer enjoying books while on long road trips will find the CD set much to their liking. Either way, this is a package you will be thrilled with. And if you aren’t familiar with audio books, this is easily the right book to begin with. Enjoy.

 

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The best of timeless Pulp now available as cutting edge Ebooks! Will Murray’s Pulp Classics brings the greatest heroes, awesome action, and two fisted thrills to your E-Reader! Presenting Pulp Icons such as the Spider and Operator 5 as well as wonderfully obscure characters like Doctor Death and more, Will Murray’s Pulp Classics brings you the best of yesterday’s Pulp today!
 
Five new golden age Pulp tales exquisitely reformatted into visually stunning E-books!

 

Mysterious death, suicide, and madness took uncanny toll of New York’s most prominent citizens. Only the Spider sensed the presence of the criminal genius whose tentacles were strangling the city — and the Spider was next on the crime monster’s death list! Another epic exploit of America’s best-loved pulp-fiction character of the 1930s and 1940s: The Spider — Master of Men! As a special Bonus, Will Murray has written an introduction: “Meet the Spider” especially for this series of eBooks.
 
America faces certain doom as its citizens fall in screaming thousands before the noxious death vapors loosed upon them by the Green Hand. How can the Spider, harried and threatened by a hundred new and deadly perils, check the rising power of the next Dictator — and lay bare the scheming, criminal mind which seeks to enslave the nation? Another epic exploit of America’s best-loved pulp-fiction character of the 1930s and 1940s: The Spider — Master of Men! As a special Bonus, Will Murray has written an introduction: “Meet the Spider” especially for this series of eBooks.
 

The mad Emperor, warrior descendant of the ravagers of Asia, unleashed a new, horrible, ingenious weapon against the American people. While slant-eyed Mongols bent over a powerful death-machine, a thousand miles away, the air became unbreathable! Men and women and children — all living things — gasped for life-giving oxygen, and with searing, heaving lungs, fell strangled by the mysterious, deadly element. Against these demoniacal hordes, one man alone — Operator 5 — struggles while red revolt and destruction blasts America!
 
Jimmy Christopher, clean-cut, square-jawed and clear-eyed, was the star of the most audacious pulp magazines ever conceived — Operator #5. Savage would-be conquerors, creepy cults, weird weather-controllers and famine-creating menaces to our mid-western breadbasket… these were but a few of the fiendish horrors that Jimmy Christopher was forced to confront. Operator #5 returns in vintage pulp tales, reissued for today’s readers in electronic format. As a special Bonus, Will Murray has written an introduction especially for this series of Operator #5 eBooks.

 
Trapped in the depths of Halley’s Comet, the Futuremen battle fourth-dimensional monsters in a titanic struggle to save the system’s solar energy! Captain Future… the Ace of Space! Born and raised on the moon, Curt Newton survived the murder of his scientist parents to become the protector of the galaxy known as Captain Future. With his Futuremen, Grag the giant robot, Otho, the shape-shifting android and Simon Wright, the Living Brain, he patrols the solar system in the fastest space ship ever constructed, the Comet, pursuing human monsters and alien threats to Earth and her neighbor planets.

 

Through an unguessable abyss fraught with peril, Curt Newton and the Futuremen set out to save the remnants of a great civilization from suicide and destruction! Captain Future… the Ace of Space! Born and raised on the moon, Curt Newton survived the murder of his scientist parents to become the protector of the galaxy known as Captain Future. With his Futuremen, Grag the giant robot, Otho, the shape-shifting android and Simon Wright, the Living Brain, he patrols the solar system in the fastest space ship ever constructed, the Comet, pursuing human monsters and alien threats to Earth and her neighbor planets.
 

When you purchase these beautifully reformatted eBooks from RadioArchives.com you receive all three formats in one ZIP file: PDF for PC or Mac computer; Mobi for Kindle and ePub for iPad/IPhone, Android, Sony eReader, and Nook. When you upgrade to a new eReader, you can transfer your eBook novels to your new device without the need to purchase anything new.
 
Find these legendary Pulp tales and more in Will Murray’s Pulp Classics, now available in the Kindle store and the Barnes and Noble Nook store! The best Pulp eBooks now available for only $2.99 each from Radio Archives!
 
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For a limited time you can now download an exciting original Spider adventure for just one thin penny! Part of the Will Murray Pulp Classics line, The Spider #11, Prince of the Red Looters first saw print in 1934 and features his momentous battle with The Fly and his armies of crazed criminal killers. Their motto? Why “KILL THE SPIDER!” of course.
 
For those who have been unsure about digging into the wonderful world of pulps this is a perfect opportunity to give one of these fantastic yarns a real test run. With a full introduction to the Spider written by famed pulp historian and author Will Murray, The Spider #11 was written by one of pulp’s most respected authors, Norvell W. Page. Writing as Grant Stockbridge, Page’s stories included some of the most bizarre and fun takes on heroes and crime fighting in the history of escapist fiction.
 
Even today Page’s scenarios and his edge-of-the-seat writing style are still thrilling both new and old fans everywhere. For those who have never read one of these rollercoaster adventures, you are in for a thrill. If you already know how much fun a classic pulp is, make sure you download this bargain.
 
All eBooks produced by Radio Archives are available in ePub, Mobi, and PDF formats for the ultimate in compatibility. When you purchase this eBook from RadioArchives.com you receive all three formats in one ZIP file. When you upgrade to a new eReader, you can transfer your Spider novels to your new device without the need to purchase anything new. Use the PDF version when reading on your PC or Mac computer. If you have a Kindle, the Mobi version is what you want. If you have an iPad/iPhone, Android, Sony eReader or Nook, then the ePub version is what you want.

 

 

Altus Press is proud to announce the release of the third volume in its acclaimed Wild Adventures of Doc Savage series, written by Will Murray and Lester Dent, writing as Kenneth Robeson.
 
Set in the Fall of 1936, The Infernal Buddha tells the epic story of Doc Savage’s desperate quest to control the Buddha of Ice, a relic of unknown origin—and what may become the most dangerous object on Earth!
 
When a mummy arrives at Doc Savage’s New York headquarters wearing the clothes of his missing assistant, engineer Renny Renwick, Doc, Monk, and Ham rush to Singapore where they get on the trail of a swashbuckling pirate who calls himself the Scourge of the South China Sea, in whose hands a piece of the infernal Buddha has fallen. The trail leads to Pirate Island, the fate of Renny, and a mysterious box containing a terrible, unstoppable power.
 
But that is only the beginning of the quest into which the Man of Bronze plunges—one that will take him to the upper reaches of the Yellow Sea and a series a wild ocean battles against the vicious factions fighting for control on the infernal Buddha.
 
Before it is all over, every human life on Earth will tremble on the brink of eternity, and Doc Savage will face his greatest test.
 
“This may be my wildest Doc novel to date,” says author Will Murray. “The Infernal Buddha is a fantasy epic full of corsairs, criminals and other culprits. The menace is planetary. The threat, extinction. Doc Savage has a reputation for saving the world. This time he does it on the greatest scale possible. I began this book back in 1992, working from an opening situation Lester Dent started in 1935. Together, we have produced a true Doc Savage epic. And it only took about 75 years….”
 
The Infernal Buddha features a startling cover painted by Joe DeVito, depicting Doc Savage as the Buccaneer of Bronze! This cover was painted from a still taken in 1964 of legendary model Steve Holland, and is a variant pose shot for famed illustrator James Bama’s classic cover to The Man of Bronze. There has never been a Doc cover like it! Buy it today for only $24.95 from Radio Archives.
 

Girasol Collectables presents a fantastic example of Villain Pulps that thrilled and chilled readers of the early 20th Century. Dr. Death #1 is an authentic replica of the magazine as originally presented in February 1935. Featuring a full length tale starring the evil Dr. Death, this replica is designed to give fans a real idea of what holding and reading a pulp magazine really was like. Every aspect of the magazine is faithfully reproduced. Experience a harrowing tale of a Villain gone mad in Doctor Death #1, faithfully reproduced as a top of the line Pulp Replica from Girasol Collectables.
 

Altus Press publishes a book destined to be a Pulp history classic. Writings in Bronze by Will Murray, noted Pulp Expert and Historian, features the best of 40 years of articles on Lester Dent and Doc Savage written by Murray. Considered to be the leading expert on the author and his greatest creation, Murray brings to light many facts and insights about Dent and Doc in this collection of work, all articles that have been features in fanzines throughout the last four decades. Writings in Bronze is a definite must have for Pulp fans from Altus Press!

 

The Master of Darkness battles murderous master villains in thrilling pulp novels by Walter B. Gibson and Theodore Tinsley writing as “Maxwell Grant.” First, the Master of Darkness journeys to New Orleans to uncover the hidden identity of the international swindler known only as “Cyro.” Then, The Shadow suspects that “The Man Who Died Twice” still lives, and is the key to the Prince of Evil’s plot to murder Lamont Cranston! This instant collector’s item showcases the original color covers by George Rozen and Graves Gladney and the classic interior illustrations by legendary illustrators Tom Lovell and Earl Mayan, with historical commentary by Will Murray. Buy it today for $14.95.
 

A knockout painting by legendary paperback artist James Bama leads off a special variant edition of two action-packed pulp epics by Lester Dent writing as “Kenneth Robeson.” First, a bequest from a dying scientist leads Doc Savage to Death Valley in search of a long-dead pirate’s legendary treasure. Can this amazing invention allow “The Pirate’s Ghost” to speak from beyond the grave? Then, the Man of Bronze goes undercover at a Wyoming dude ranch to solve the bizarre puzzle of a strange “Green Eagle” with lead feathers! This special anniversary edition also showcases the original color pulp covers by Emery Clarke, Paul Orban’s classic interior illustrations and an intriguing article by The Shadow’s famous raconteur, Walter B. Gibson. Priced at only $14.95.
 

The Pulp Era’s most unusual mystery man returns in three action-packed adventures by Paul Ernst and Emile Tepperman writing as “Kenneth Robeson.” Dick Benson’s life will be forever changed after “Murder on Wheels” and the mysterious Cole Wilson lure The Avenger into a deadly trap! Then, “The Three Gold Crowns” and a dentist’s forceps leads The Avenger to Mr. Death’s house of murder. PLUS: “Death to The Avenger,” a bonus Avenger novelette, and a Whisperer thriller by Alan Hathway. This classic pulp reprint features the color pulp covers by H. W. Scott, Paul Orban’s original interior illustrations and historical commentary by Will Murray. Priced at only $14.95 
 

One of the top crime-fighters from the golden age of pulp fiction, The Spider returns in two thrill-packed adventures written by Norvell Page under the pseudonym of Grant Stockbridge. First, in “The Spider and the Scarlet Surgeon” (1941), With unheard of skill, the Red Surgeon can change a patient into an imbecile… or a genius of crime! Not only can he alter the physical shell, but this mad doctor can even amputate parts of a victim’s personality, even their conscience. And his greatest ambition is to operate on none other than Stanley Kirkpatrick, Nita van Sloan… and the Spider! Then, in “The Spider and the Death Piper” (1942), Weird compelling music lures the inhabitants of Martinsville to suicide! By ones and twos at first, then in a stampede of maddened self-destruction. Even Richard Wentworth, with the iron will of the Spider, felt the irresistible calling of that Devil-tune! Can even the Master of Men prevail against an unearthly power that goads the listener to suicide? These two exciting pulp adventures have been beautifully reformatted for easy reading and feature both of the original full color covers as well as interior illustrations that accompany each story. Available now for $14.95!
 
 

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Review of “The King Maker” from Doc Savage, Volume 19
By Dr Art Sippo

 
The Ambassador of the Balkan nation of Calbia comes to Doc Savage to seek his protection against an assassination attempt. But while Doc is going to see him, the ambassador’s yacht is blown up in New York harbor! Then the beautiful Princess Gusta de Galbin of Calbia is in peril and Doc comes to her rescue. There is a revolution brewing in this Balkan nation and the Princess begs Doc to come with her. A new king must ascend the Calbian throne and Doc is being offered the job! The megalomaniac Captain Henri Flancul wants to make himself dictator and Gusta’s ailing father wants to abdicate in Doc’s favor offering the hand of his only daughter as both an enticement and a legitimization of royal succession.
 
Doc and his men go to Calbia and fight a guerrilla war against the anarchist seeking to take over the government. Flancul has a super weapon that he used to destroy the Ambassador’s yacht and he is threatening to use it against anyone who stands in the way of his rise to power.
 
This is a cloak and dagger tale of intrigue, suspense, and espionage. Doc and his men operate like an underground cell seeking out the villainous Captain Flancul. But this is the wily Flancul’s home turf and he knows how to play the game and fight a clandestine war. At stake is the throne of Calbia and the key to control the entire Balkan area of Europe.
 
Can Doc Savage prevail against a covert army of revolutionaries led by a man with Napoleonic visions of grandeur? Will he allow himself to be made King of Calbia? And will he accept the hand of the lovely Princess Gusta to seal the deal of rightful succession in this war torn land?
 
This is one of the earlier Doc Savage novels (October 1934) when Doc was at his super-heroic best. The stakes were high but Doc was always up for the challenge. Don’t miss this one! Only $12.95 from Radio Archives!
 

Comments From Our Customers!
 
SGT Michael D. Dean writes:
I just wanted to say thank you for your line of pulp classic ebooks. Not only are you offering these classic stories at a reasonable price, but you have also taken it upon yourselves to provide multiple formats, allowing customers a flexibility not offered through the regular Nook or Kindle storefronts. While that is not so significant when you only have one device, it is a great help if you’re looking for a new device and don’t want to lose your purchased books. Thank you for allowing us that flexibility not offered by all booksellers.
 
Uncle Chunk writes:

Real life has forced me to neglect my nostalgia life and I’m just now getting back to the important things…pulp reprints, for one. My last order was back in 2010. I just finished ordering two more reprints of The Shadow and I was pleasantly surprised to see the prices are unchanged and your inventory has expanded.
 
Lou Dumont writes:
During the mid-summer weeks of 1945, I served as announcer on three of the ‘Date With The Duke’ radio shows. The first, in July, was at the RKO Keith Memorial Theatre, downtown Boston. A couple of weeks later, we did a remote for ABC from Marshfield, Massachusetts and in August, after V-J Day, another show from Marshfield. I have them on a reel to reel made by a friend some years back but the quality that you’ve got on your Radio Archives set is just outstanding and this is a testimonial and you can print that and I will be very pleased. Excellent sound. What pleasant memories. Keep up the great work. Lou Dumont still broadcasting at age 87.
Update
I’ve listened to several of the shows, hoping to find my voice and I did on program #34. I remember that the show vividly. He never gave us a play-list. Keeping an envelope on his piano, he had jotted down song titles. I would check with him, hoping he would give me a clue to help me quickly come up with an appropriate intro. So, if you hear this ‘rookie’ (aged 19) introducing “In a Mellow Tone,” “The Wish That I Wish Tonight” (sung by Joya Sherill); “C-Jam Blues”; “UltraViolet”; and that crazy intro about the alphabet, with Kay Davis singing “There’s No You.”
 
Norma Mawston writes from England:
Many thanks for your speedy response to my query regarding new Railroad Hour CD releases. I’ve immediately ordered Volume 3. Yippee-I-Kay!! Please keep them coming!!! Thanks again.

 
Allan Smith writes from England:
Have received latest package and just finished being completely entertained by “ The Spider – Wings of the Black Death “. It had me nailed to the chair until the early hours listening in the dark. Total enjoyment for me, a grand story, magnificently orated and enhanced so well by the subtle touch of delicate background atmosphere that works beautifully in generating that right sense of involvement. I was there and look forward to the next thrilling episode. Thanks so much for this piece as well as all that you produce and release. Cheers.
 
Owen Ken Knight writes:
I bought all 3 volumes of One Night Stand programs, and they’re wonderful! The sound quality is excellent, and whoever selected these from among the hundreds of AFRS recordings really knew what they were doing. High points are Jan Garber’s swing band with Debbie Claire (sister of the more famous Dorothy Claire) and Art Wayner’s orchestra with Ginnie Powell and Andy Pierce. Not to mention the two Gay Claridge segments with guitarist Mary Osborn singing. These performances, just to name a few, are treasures that I’ve listened to over and over again.
 

If you’d like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We’d love to hear from you!

 
The products you’ve read about in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s the sparkling audio fidelity of our classic radio collections, the excitement of our new line of audiobooks, or the timeless novels of the pulp heroes, you’ll find hundreds of intriguing items at RadioArchives.com.
 
If you no longer wish to receive our newsletter, or if this newsletter has been sent to you in error, please reply to this e-mail with the subject line UNSUBSCRIBE and your name will immediately be removed from our mailing list.
 

FORTIER TAKES ON ‘WINGS OF THE BLACK DEATH’ FROM RADIO ARCHIVES!

  • News
  • June 11, 2012

ALL PULP REVIEWS by Ron Fortier
THE SPIDER
Wings of the Black Death
(An Audio Book)
Radio Archives.com
6 CD Set
4 hrs. 46 min.
With the expansion of the increasing popular New Pulp movement, it was only inevitable that the audio book industry would enter this exciting new field.  One of the most aggressive to do so in the past year has been Radio Archives out of Spokane, Washington, headed by the wonderfully creative and energetic Roger Rittner.  Working with noted pulp writer and historian, Will Murray, Rittner and Radio Archives have began doing expansive audio book versions of classic pulp thrillers with the feel of genuine old time radio melodramas.  It is important to note that these are not exact, full cast recordings, but by adding brilliant sound effects and period background music, Radio Archives provides such marvelous audio atmosphere as to beautifully mimic those old radio plays.
“Wings of the Black,” was written by Norvell Page, writing as Grant Stockbridge, and appeared in the December 1933 issue of “The Spider” magazine. This exciting audio adaptation produced and directed by Rittner, features Nick Santa Maria as both the narrator and primary male characters to include Richard Wentworth, aka the Spider, and Police Commissioner Stanley Kirkpatrck along with Robin Riker who takes on the role of Nita Van Sloan, Wentworth’s paramour.  They are absolutely marvelous, each evoking these well known characters as we all imagined they would sound…and act towards each other.
The plot centers about a fiendish villain calling himself the Black Death. He has managed to get a strain of the Bubonic Plague and is systematically unleashing it on the people of New York City. He will only stop when they pay him a billion dollar ransom.  As if that were not horrendous enough, this merciless fiend has managed to convince the police that it is the Spider who is responsible to the point of leaving the Spider’s telltale crimson seal on the foreheads of his policemen victims.  Now, for the first time ever, Commissioner Kirkpatrick finds himself believing the Spider is in reality a heartless monster and he proceeds to hunt him down with all the resources at his command. Suddenly Richard Wentworth is battling both the fiendish mastermind and the police, frantically trying to evade capture until he can solve the mystery of the Black Death and bring him to justice.
Rittner’s direction is pace-perfect as he leads both Santa Maria and Riker through each chapter hitting all the right beats, from moments of intense action scenes to those of quiet, anxious reflection as the pair, depending on each other as never before, endure the Spider’s greatest challenge of his crime-fighting career.  Radio Archives’ “The Spider – Wings of the Black Death,” is a winner from the opening scene to the last. It pulls the listener into the raw, brutal, fantastic world of the classic pulps and in the end provides such a unique, rewarding experience as to delight both old and new fans alike.
Finally, this audio book is available both as a digital download and in the 6 CD set, both reasonably priced.  For those into new fangled digital toys, this reviewer would imagine the digital version would be their obvious choice. Whereas the legion of audio book listeners who prefer enjoying books while on long road trips will find the CD set much to their liking.  Either way, this is a package you will be thrilled with.  And if you aren’t familiar with audio books, this is easily the right book to begin with.  Enjoy.

RAPID FIRE RADIO, THE MOON POOL, DOC SAVAGE, AND MORE FROM RADIO ARCHIVES!

RadioArchives.com Newsletter

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June 1, 2012
 
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Rapid Fire Radio
A Column by Tommy Hancock

 

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Reviews!
The Lives of Harry Lime, Volume 1 – Long before the term was even invented, Orson Welles brought one of entertainment’s most loved and hated anti heroes to life. The Lives of Harry Lime, Volume 1 collects 20 episodes spotlighting Lime’s escapades prior to his first appearance (and death) in the film ‘The Third Man’. Welles brings the skill, talent, and most definitely the irascible charm that typifies many of the roles he played, both on radio and screen. Combine that with exotic locales, strong supporting cast, and stories that were better written than most on the air at the time, and the Lives of Harry Lime, Volume 1 definitely stands out as a Radio Classic! And it’s yours today for $29.98 from Radio Archives!
 

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The Weird Circle, Volume 1 – Radio Drama in the Twentieth Century saw many shows featuring new stories of horror, terror, and strangeness. One program, however, chose to reach a bit farther back into the past and share classic tales of suspense and chills with then modern audiences and did it extremely well. The Seminal works of terror from Edgar Allan Poe, Wilkie Collins, And Balzac (along with classic standards from Dickens, Bronte, and more) performed and restored at top quality! The Weird Circle, Volume 1, contains twenty consecutive episodes as aired in 1943-44! Need a bit of fright in the night? Then enter The Weird Circle, Volume 1 for only $29.98 at Radio Archives!
 
Date with The Duke - Although the early 20th Century is rife with musicians who pioneered new musical forms, who reached heights most only dream of, and who still ring strong in the memories of fans today, none had a greater impact perhaps than Duke Ellington. Not only a consummate performer, Ellington exemplified the way one person could turn himself into both a household name and a popular piece of American Culture. Date with The Duke, collecting twenty episodes of the show, is just a shimmer of the bright star that Ellington (and all those who played and sang for and with him) still is today in Entertainment. Find out how much fun music can be by getting Date with The Duke today for only $29.98.
 
All-Star Western Theatre – Missing the days of singing cowboys, blazing six shooting, dashing heroes, and hilarious high plains antics? Want your dose of all that in a radio show? Then All Star Western is for you! Featuring guest stars, mostly prominent Western film actors, and spotlighting the music of Foy Willing and the Riders of the Purple Sage, All Star Western is the closest radio could come to a Saturday afternoon matinee! Equal parts country and western music, fast galloping ten gallon adventure, and enough humor to shoe a horse, All Star Western is definitely a whole passel of fun! Only $29.98 from Radio Archives!
 
Character Spotlight!
Riverdale, USA! A small town many have visited for over 70 years in the pages of Archie Comics is home to one of the best-known teen characters ever! And that red headed romance tangled adolescent has also taken up residence at Radio Archives! Laugh out loud as Archie juggles Betty and Veronica and gets head over heels in and out of trouble with Jughead, all with the lovable charm he’s won fans over with for seven decades! Enjoy The Adventures of Archie Andrews, 7 hours on CD, for only $20.98 at Radio Archives!
 

Hancock’s Favorite Episodes!
Want to know what shows I can’t help but listen to over and over? Each newsletter, I’ll share an all time favorite episode of a program available from Radio Archives and how You can enjoy it as well!
 

Private Eye Richard Diamond (played to the hilt by Dick Powell) brings all his dry wit and charm to this fantastic story. Hired to help the son of a parole board member who believes he murdered a man, Diamond jokes and punches his way through murder that may not be and potential blackmail. This story has all the staples of a good Diamond episode, including the song at the end, but the tale itself is the star. It proves so strong that Blake Edwards, the scribe of ‘Richard Diamond’ brought it to TV almost verbatim in an episode of “Peter Gunn!” Find ‘A Man With a Scar’ on ‘Richard Diamond Private Detective, Volume 1 for $29.98 at Radio Archives!

 
 
weirdtales-4765332“Weird Tales” was a proposed radio series recorded in Hollywood in 1932 and based on stories in the famous horror themed Pulp of the same name, notable for featuring such iconic authors as Robert E. Howard and H.P. Lovecraft. The series was produced by Hollywood Radio Attractions, 4376 Sunset Drive, Hollywood. In a promotional flyer for the program, they advertise three episodes that had been produced and the company was planning to record a total of 52 half-hour shows.
 
Scholars looking at the history of “Weird Tales” magazine have heard about the series for years, but no recordings of the shows themselves or many detail about the series have surfaced until now.
 
Radio Archives is giving you a chance to hear an episode of Weird Tales for Free! Similar to “The Witch’s Tale”, the show was created in such a way that they could be played as one half-hour program each week or split into two fifteen minute shows, completing one story each week. Click the Weird Tales Banner and listen to the Weird Tales radio show today!

 
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NEW Pulp Audiobook: “The Moon Pool and Other Wonders”
 
Where does fantasy end and horror begin? Is there beauty in terror? Does horror possess a spiritual dimension? In these five classic tales written by acknowledged masters of the supernatural, these haunting questions are explored…but not fully answered.

Each of these timeless tales takes us to a different zone of terror, whether in a faraway land, or in a hidden pocket of the past. They strum chords in us we hardly suspect exist. They evoke our deepest fears as a kind of eerie wonder. And they whisper to our innermost souls that the reality we in which we dwell may be only one of many interpenetrating realms where mankind coexists in blind, uneasy ignorance….

First, in A. Merritt’s haunting “The Moon Pool,” we journey to the South Seas, where a moonlit pool hidden among the ruins of an ancient civilization conceals an inhabitant not of this Earth. “The Moon Pool,” is narrated by Joey D’Auria.

“The House and the Brain,” also known as “The Haunted and the Haunters” by Edward Bulwer-Lytton, explores the haunted house genre in a seminal story that inspired countless imitators. As you will hear, this is no ordinary ghost story. “The House and the Brain” is read by Doug Stone.

H. P. Lovecraft next takes us to Ireland for “The Moon-Bog,” one of his earliest eerie tales. “The Moon-Bog,” is told by Joey D’Auria.

Is “The Great God Pan” loose in the Welsh countryside? If so, what deviltry is he committing? Arthur Machen’s classic tale reveals the horrific answer. “The Great God Pan” is recounted by John Shelton.

Finally, H. P. Lovecraft returns us to our lunar theme in “What the Moon Brings,” voiced by Joey D’Auria.

 
Pulp Audiobook: The Spider “Wings of the Black Death”

 
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The Spider Returns on “Wings of the Black Death”
 
A scourge not seen since the Middle Ages descends on America’s largest city, wielded by a criminal mastermind who threatens to wipe out New York … and reveal The Spider’s true identity in the process!
 
“Wings of the Black Death”, Norvell W. Page’s inaugural novel as author of The Spider, is now available in a deluxe audiobook from RadioArchives.com!
 
Following on the success of RadioArchives.com first Spider audiobook, “Prince of the Red Looters”, this new audio adventure pits Richard Wentworth, alias The Spider, against the first of a long line of evil malefactors devised by Page that would inhabit the webbed crusader’s life for the next ten years.
 
The Spider Battles a Vicious Foe
In “Wings of the Black Death”, Manhattan is under siege from a new brand of terrorist – a human monster who calls himself the Black Death. Unless the city fathers pay a monumental ransom, New York will become a city of unspeakable destruction.
 
As Will Murray says in his introduction, “With his first white-heat story, Norvell W. Page remade Richard Wentworth into a messianic avenger unlike anything pulp readers ever read before. Driven, deadly, The Spider was a daredevil caught between the law that branded him as a criminal and the underworld he terrorized with his metallic laugh and searing lead.”
 
Dynamic Narration and Production
Produced by Roger Rittner, with full period music score and extensive sound effects, “Wings of the Black Death”, like its predecessor, is narrated by Nick Santa Maria, with Robin Riker as Nita Van Sloan.
 
“Listeners who enjoyed ‘Prince of the Red Looters’ will delight in Nick’s dynamic narration,” Roger says, “as well as an extended and enhanced role for Robin as Nita battles the malevolent Black Death on her own. Will Wentworth come to the rescue? (Do you have to ask?)”
 

Audiobook Reviews – Doc Savage “The Jade Ogre”
by Derrick Ferguson
 

The first thing you need to know about The Jade Ogre is that this sucker is long. 12 hours to be exact. Now, I don’t point this out to complain as The Jade Ogre is a Doc Savage adventure of truly epic proportions that fully deserves the length. I only mention this going in because I can usually listen to a Radio Archives audiobook in an afternoon as they’re perfectly made for me to listen as I’m doing household chores inside or out. But you’ll probably have to make time to listen to The Jade Ogre in separate chunks.

But anyway you choose to listen to it, you’ll have a rollercoaster of a listen. The action takes place in wildly different settings such as San Francisco, an ocean liner, and the deepest, most forbidden jungles of Cambodia which adds that international flavor I do so love in Doc Savage adventures. Unlike other pulp heroes, Doc’s turf is the entire world and I enjoy reading or in this case, listening to Doc Savage adventures that reflect this aspect of The Man of Bronze.

An added treat is that we get Doc’s spitfire cousin, Pat Savage in on this adventure, along with Monk and Ham. And this audiobook has one of the most bizarre and formidable villains Doc has ever faced: Quon, The Jade Ogre who strikes out to slay his victims with disembodied flying arms. And no, it doesn’t sound as ridiculous as it reads. In fact, The Jade Ogre gives Doc some of the roughest, most difficult challenges in his entire career.

Michael McConnohie is without a doubt the star of the show and I mean this most sincerely. Due to the unusual length of The Jade Ogre, there are quite naturally more characters to voice and Mr. McConnohie performs these different characters with his usual skill and professionalism. It never fails to amaze me how one person can perform so many different characters and make them all sound totally different from each other.

The Jade Ogre is quite simply an epic that I am glad was done in an unabridged form. Don’t let the length scare you away. If you’re a fan of Doc Savage or of Radio Archives’ marvelous pulp audiobooks then this is one you can’t pass by. The Jade Ogre for only $37.98 from Radio Archives today!

 

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The best of timeless Pulp now available as cutting edge Ebooks! Will Murray’s Pulp Classics brings the greatest heroes, awesome action, and two fisted thrills to your E-Reader! Presenting Pulp Icons such as the Spider and Operator 5 as well as wonderfully obscure characters like Doctor Death and more, Will Murray’s Pulp Classics brings you the best of yesterday’s Pulp today!
 
Five new golden age Pulp tales exquisitely reformatted into visually stunning E-books!

 

With terrible swiftness, the Master of the Green Death had struck. His victims lay in the streets, verdant-hued and ghastly — and the Underworld, which he had protected against all reprisal, ran riot in a Manhattan horror-holiday of loot and murder! Another epic exploit of America’s best-loved pulp-fiction character of the 1930s and 1940s: The Spider — Master of Men! As a special Bonus, Will Murray has written an introduction: “Meet the Spider” especially for this series of eBooks.
 
When that first whine rose in the throat of a fellow worker and turned into a screaming, tearing dog-like howl, Nita van Sloan, laboring in a war factory, quickly summoned the Spider… And the Spider found a city mad with terror, its population fighting each other to escape the death that turned humans into howling maniacs… A grim, stark story with exciting, breath-taking action on every page — a story you will remember with startling clarity every time you hear       a dog howl in the night… not a story for a faint-hearted reader! Another epic exploit of America’s best-loved pulp-fiction character of the 1930s and 1940s: The Spider — Master of Men! As a special Bonus, Will Murray has written an introduction: “Meet the Spider” especially for this series of eBooks.
 

by A. Merritt, H.P. Lovecraft, and others

Where does fantasy end and horror begin? Is there beauty in terror? Does horror possess a spiritual dimension? In these five classic tales written by acknowledged masters of the supernatural, these disturbing questions are explored…but not fully answered.

In his famous essay, “Supernatural Horror in Literature,” horror master H. P. Lovecraft singled out several novelettes as classics. Lovecraft, the 20th century’s greatest practitioner of his craft, was widely read and had impeccable taste in the literature of the fantasy and the supernatural. We’ve collected some of the most memorable of those stories Lovecraft praised for The Moon Pool and other Wonders.

 
Ride With Curt Newton, the world’s greatest space-farer, and the Futuremen as they leave the known star trails to penetrate the source of cosmic rays, the very core of the universe! Captain Future… the Ace of Space! Born and raised on the moon, Curt Newton survived the murder of his scientist parents to become the protector of the galaxy known as Captain Future. With his Futuremen, Grag the giant robot, Otho, the shape-shifting android and Simon Wright, the Living Brain, he patrols the solar system in the fastest space ship ever constructed, the Comet, pursuing human monsters and alien threats to Earth and her neighbor planets.

 

Curt Newton leads his valiant band of Futuremen in the thrilling campaign to preserve a priceless Lunar heritage! Captain Future… the Ace of Space! Born and raised on the moon, Curt Newton survived the murder of his scientist parents to become the protector of the galaxy known as Captain Future. With his Futuremen, Grag the giant robot, Otho, the shape-shifting android and Simon Wright, the Living Brain, he patrols the solar system in the fastest space ship ever constructed, the Comet, pursuing human monsters and alien threats to Earth and her neighbor planets.
 

When you purchase these beautifully reformatted eBooks from RadioArchives.com you receive all three formats in one ZIP file: PDF for PC or Mac computer; Mobi for Kindle and ePub for iPad/IPhone, Android, Sony eReader, and Nook. When you upgrade to a new eReader, you can transfer your eBook novels to your new device without the need to purchase anything new.
 
Find these legendary Pulp tales and more in Will Murray’s Pulp Classics, now available in the Kindle store and the Barnes and Noble Nook store! The best Pulp eBooks now available for only $2.99 each from Radio Archives!
 
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For a limited time you can now download an exciting original Spider adventure for just one thin penny! Part of the Will Murray Pulp Classics line, The Spider #11, Prince of the Red Looters first saw print in 1934 and features his momentous battle with The Fly and his armies of crazed criminal killers. Their motto? Why “KILL THE SPIDER!” of course.
 
For those who have been unsure about digging into the wonderful world of pulps this is a perfect opportunity to give one of these fantastic yarns a real test run. With a full introduction to the Spider written by famed pulp historian and author Will Murray, The Spider #11 was written by one of pulp’s most respected authors, Norvell W. Page. Writing as Grant Stockbridge, Page’s stories included some of the most bizarre and fun takes on heroes and crime fighting in the history of escapist fiction.
 
Even today Page’s scenarios and his edge-of-the-seat writing style are still thrilling both new and old fans everywhere. For those who have never read one of these rollercoaster adventures, you are in for a thrill. If you already know how much fun a classic pulp is, make sure you download this bargain.
 
All eBooks produced by Radio Archives are available in ePub, Mobi, and PDF formats for the ultimate in compatibility. When you purchase this eBook from RadioArchives.com you receive all three formats in one ZIP file. When you upgrade to a new eReader, you can transfer your Spider novels to your new device without the need to purchase anything new. Use the PDF version when reading on your PC or Mac computer. If you have a Kindle, the Mobi version is what you want. If you have an iPad/iPhone, Android, Sony eReader or Nook, then the ePub version is what you want.

 

 

Altus Press is proud to announce the release of the third volume in its acclaimed Wild Adventures of Doc Savage series, written by Will Murray and Lester Dent, writing as Kenneth Robeson.
 
Set in the Fall of 1936, The Infernal Buddha tells the epic story of Doc Savage’s desperate quest to control the Buddha of Ice, a relic of unknown origin—and what may become the most dangerous object on Earth!
 
When a mummy arrives at Doc Savage’s New York headquarters wearing the clothes of his missing assistant, engineer Renny Renwick, Doc, Monk, and Ham rush to Singapore where they get on the trail of a swashbuckling pirate who calls himself the Scourge of the South China Sea, in whose hands a piece of the infernal Buddha has fallen. The trail leads to Pirate Island, the fate of Renny, and a mysterious box containing a terrible, unstoppable power.
 
But that is only the beginning of the quest into which the Man of Bronze plunges—one that will take him to the upper reaches of the Yellow Sea and a series a wild ocean battles against the vicious factions fighting for control on the infernal Buddha.
 
Before it is all over, every human life on Earth will tremble on the brink of eternity, and Doc Savage will face his greatest test.
 
“This may be my wildest Doc novel to date,” says author Will Murray. “The Infernal Buddha is a fantasy epic full of corsairs, criminals and other culprits. The menace is planetary. The threat, extinction. Doc Savage has a reputation for saving the world. This time he does it on the greatest scale possible. I began this book back in 1992, working from an opening situation Lester Dent started in 1935. Together, we have produced a true Doc Savage epic. And it only took about 75 years….”
 
The Infernal Buddha features a startling cover painted by Joe DeVito, depicting Doc Savage as the Buccaneer of Bronze! This cover was painted from a still taken in 1964 of legendary model Steve Holland, and is a variant pose shot for famed illustrator James Bama’s classic cover to The Man of Bronze. There has never been a Doc cover like it! Buy it today for only $24.95 from Radio Archives.
 

Who knows what evil lurks in the hearts of men? The Shadow knows! The Master of Darkness battles supercrime in thrilling pulp novels by Walter B. Gibson and Theodore Tinsley writing as “Maxwell Grant.” First, the Master of Darkness follows “The Triple Trail” that could lead to a million-dollar art treasure, in one of Walter Gibson’s all-time greatest masterpieces of misdirection! Then, The Shadow attempts to rescue his loyal agent from the clutches of the “Murder Genius” in Theodore Tinsley’s violent sequel to “The Prince of Evil.” This instant collector’s item showcases the original color covers by Graves Gladney and George Rozen plus the classic interior illustrations by legendary illustrators Tom Lovell and Edd Cartier, with historical commentary by Will Murray. BONUS: a thrilling adventure of Police Commissioner James Gordon, a.k.a. The Whisperer! Buy it today for $14.95.
 

The pulp era’s greatest superman returns in interconnected pulp thrillers by Lester Dent writing as “Kenneth Robeson.” First, the Man of Bronze and his Iron Men travel to “Pirate Isle” to rescue Johnny Littlejohn from the master criminal, Lord London. Then, the action continues as Doc Savage uncovers a lost civilization as he searches for the strange secret behind “The Speaking Stone” that speaks with the missing Monk Mayfair’s voice. This double-novel collector’s edition features both classic color pulp covers by Emery Clarke, Paul Orban’s classic interior illustrations and historical commentary by Will Murray, writer of nine Doc Savage novels. Priced at only $14.95.
 

One of the top crime-fighters from the golden age of pulp fiction, The Spider returns in two thrill-packed adventures written by Norvell Page under the pseudonym of Grant Stockbridge. First, in “The Spider and the Scarlet Surgeon” (1941), With unheard of skill, the Red Surgeon can change a patient into an imbecile… or a genius of crime! Not only can he alter the physical shell, but this mad doctor can even amputate parts of a victim’s personality, even their conscience. And his greatest ambition is to operate on none other than Stanley Kirkpatrick, Nita van Sloan… and the Spider! Then, in “The Spider and the Death Piper” (1942), Weird compelling music lures the inhabitants of Martinsville to suicide! By ones and twos at first, then in a stampede of maddened self-destruction. Even Richard Wentworth, with the iron will of the Spider, felt the irresistible calling of that Devil-tune! Can even the Master of Men prevail against an unearthly power that goads the listener to suicide? These two exciting pulp adventures have been beautifully reformatted for easy reading and feature both of the original full color covers as well as interior illustrations that accompany each story. Available now for $14.95!
 
 
 
 
 

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Review of “Road of Crime” from The Shadow, Volume 11
By John Olsen

 
“Road of Crime” is a story of one man’s journey from the evil clutches of crime to the freedom of honest, clean living. And it’s all due to… you guessed it… the love of a good woman. And, of course, the just actions of The Shadow.
 
As our story opens, we meet our proxy hero Graham Wellerton. When we meet Wellerton, he’s one of Manhattan’s top bank robbers and mob lieutenant for King Furzman. And he’s just successfully knocked off the Terminal National Bank for thousands of dollars. But he’s not overly pleased with his success. Already the stirrings of a guilty conscience are beginning to make themselves evident.
 
The Shadow is involved from the very beginning. He has followed another of King Furzman’s lieutenants, “Wolf” Daggert, from the scene of a failed bank holdup which Daggert had attempted. He tracked Daggert to King Furzman. And while surreptitiously watching Furzman, he encountered Graham Wellerton.
 
Graham Wellerton, along with his gang, is heading out of Manhattan for Michigan where he plans a string of bank robberies in the mid-west. Wolf Daggert follows and takes over the gang, leaving Wellerton stranded several hundred miles short of Michigan. And that’s where young Wellerton’s gradual conversion from crime begins.
 
The tale is unlike most of Walter Gibson’s Shadow pulp mysteries. We follow a young man forced into crime as he gradually climbs his way up to respectability and eventually wealth.
 
As was typical in these very early Shadow stories, The Shadow plays only a minor role. He remains in the background, stepping in at crucial moments to help shape the destiny of this one young man. The Shadow’s part, though not large, is vital. And when he does show up, he dispenses justice with his huge automatics. And the dead bodies quickly begin to fall.
 
This is one of the more unique Shadow pulp stories. It’s a tale of redemption; one man’s fight to pull himself from the quicksand of crime. Young Graham Wellerton. We watch as he struggles with his conscience and finally regains the path of right and lawfulness. It reads very unlike most of the other Shadow stories. But I really liked it. A nice change of pace that I can recommend.
 
Read ‘Road of Crime’ and another full length Shadow novel in The Shadow Volume 11 from Radio Archives for only $12.95!
 

Comments From Our Customers!
 
C. Southworth writes:
I’m looking forward to seeing more issues online for Operator #5 soon!
 
Allan Smith from England writes:
Once more I have saved up some money to spend in great pleasure with you. Cheers and thanks in advance from England.
 
Pat Flannagan writes:
THANKS for that clip from the series Weird Tales. The sound quality was surprisingly good as was the acting. The writing however was dreadul. Perhaps that’s the real reason the show wasn’t picked up for a series. Shame though because if it had been maybe more people could have found out about H.P. Lovecraft’s works in his own day. Again, thanks for the clip.
 
Barney McCasland writes:
I agree that Wings of the Black Death was the best yet. Can’t wait for more of The Spider’s adventures. Also looking forward to more of The Black Bat, Green Lama and Doc Savage.

 

If you’d like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We’d love to hear from you!

 
The products you’ve read about in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s the sparkling audio fidelity of our classic radio collections, the excitement of our new line of audiobooks, or the timeless novels of the pulp heroes, you’ll find hundreds of intriguing items at RadioArchives.com.
 
If you no longer wish to receive our newsletter, or if this newsletter has been sent to you in error, please reply to this e-mail with the subject line UNSUBSCRIBE and your name will immediately be removed from our mailing list.
 

LORNE GREENE, VINCENT PRICE, LEONARD NIMOY, WEIRD TALES, THE SPIDER AND MORE!

RadioArchives.com Newsletter

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May 18, 2012
 
 
weirdtales-3276610“Weird Tales” was a proposed radio series recorded in Hollywood in 1932 and based on stories in the famous horror themed Pulp of the same name, notable for featuring such iconic authors as Robert E. Howard and H.P. Lovecraft. The series was produced by Hollywood Radio Attractions, 4376 Sunset Drive, Hollywood. In a promotional flyer for the program, they advertise three episodes that had been produced and the company was planning to record a total of 52 half-hour shows.
 
Scholars looking at the history of “Weird Tales” magazine have heard about the series for years, but no recordings of the shows themselves or many detail about the series have surfaced until now.
 
Radio Archives is giving you a chance to hear an episode of Weird Tales for Free! Similar to “The Witch’s Tale”, the show was created in such a way that they could be played as one half-hour program each week or split into two fifteen minute shows, completing one story each week. Click the Weird Tales Banner and listen to the Weird Tales radio show today!

 
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Need proof that Radio Drama is timeless and can capture a modern, more sophisticated audience as well as classic shows did in the early 20th Century? The Mutual Radio Theater, Volume 1 is definitely evidence of that.
 
The Mutual Radio Theater aired every weeknight on hundreds of Mutual stations March to December 1980, 103 original one-hour shows being produced. This program was no small attempt to recapture the glory days of Old Time Radio by any means. It was reported to have a budget of several million dollars and involved talent that definitely was worth every penny spent.
 
Each program was written specifically for radio, including scripts penned by such radio legends as Arch Oboler, Norman, Corwin, and Elliot Lewis. And the stories themselves ranged the genre gambit.
 
As a matter of fact, Mutual Radio Theater’s commitment to variety is clearly evident in how each night’s program was dedicated to a certain genre and hosted by a different notable performer. Lorne Greene hosted Western Night on Monday. Andy Griffith followed on Tuesday with Comedy Night. Wednesday Night was Mystery Night hosted by Vincent Price. Love & Hate took center stage on Thursday, hosted by Cicely Tyson. Friday Night was Adventure Night with Leonard Nimoy as host.
 
Mutual Radio Theater, Volume 1 is a 20 CD set consisting of programs as they originally aired, complete and uncut, with original commercials, and produced in full stereo-high fidelity. Thrills, chills, laughs, tears, and more. Mutual Radio Theater, Volume 1 has it all with star power! And it can be yours for only $39.98 from Radio Archives in a beautful 20 CD storage case!
 

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All good things must come to an end. At least in this case, Claudia, Volume 14 from Radio Archives finishes out a complete run of a timeless, unique soap opera from the classic era of Radio restored to the most sparkling audio quality possible. Engaging characters, plots that at times incite laughter and tears, and ups and downs that average listeners faced delivered in fifteen-minute punches every day. This was Claudia.
 
Claudia debuted in 1947 and was far different than its strife-ridden forbears. Claudia didn’t offer the anguish and heartbreak that typified most of its peers. But the very elements it was lacking quickly became its strengths. Heard today, Claudia remains wonderful entertainment, notable for both its light-hearted tone and the believable interplay between its characters. As she presents in these last episodes, Claudia has become a unique mixture of enthusiasm, incompetence and over-confidence — deeply in love with her somewhat older husband David but frequently naive and too likely to trust her insecurities rather than her instincts. Listeners originally got to know Claudia, David, and all the people around them in daily doses of fifteen minutes. Radio Archives has been able to locate and preserve the entire eighteen-month run of Claudia allowing you to enjoy the complete series on a day-by-day basis. With Claudia, Volume 14 Radio Archives gives to you the closing chapters of the complete story beginning to end of two people and the world they made for themselves and their listeners – one day at a time. Seven hours for only $20.98 on Audio CDs.

 
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Pulp Audiobook: The Spider “Wings of the Black Death”

 
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The Spider Returns on “Wings of the Black Death”
 
A scourge not seen since the Middle Ages descends on America’s largest city, wielded by a criminal mastermind who threatens to wipe out New York … and reveal The Spider’s true identity in the process!
 
“Wings of the Black Death”, Norvell W. Page’s inaugural novel as author of The Spider, is now available in a deluxe audiobook from RadioArchives.com!
 
Following on the success of RadioArchives.com first Spider audiobook, “Prince of the Red Looters”, this new audio adventure pits Richard Wentworth, alias The Spider, against the first of a long line of evil malefactors devised by Page that would inhabit the webbed crusader’s life for the next ten years.
 
The Spider Battles a Vicious Foe
In “Wings of the Black Death”, Manhattan is under siege from a new brand of terrorist – a human monster who calls himself the Black Death. Unless the city fathers pay a monumental ransom, New York will become a city of unspeakable destruction.
 
As Will Murray says in his introduction, “With his first white-heat story, Norvell W. Page remade Richard Wentworth into a messianic avenger unlike anything pulp readers ever read before. Driven, deadly, The Spider was a daredevil caught between the law that branded him as a criminal and the underworld he terrorized with his metallic laugh and searing lead.”
 
Dynamic Narration and Production
Produced by Roger Rittner, with full period music score and extensive sound effects, “Wings of the Black Death”, like its predecessor, is narrated by Nick Santa Maria, with Robin Riker as Nita Van Sloan.
 
“Listeners who enjoyed ‘Prince of the Red Looters’ will delight in Nick’s dynamic narration,” Roger says, “as well as an extended and enhanced role for Robin as Nita battles the malevolent Black Death on her own. Will Wentworth come to the rescue? (Do you have to ask?)”
 

Audiobook Reviews – Doctor Death “The Gray Creatures”
by Derrick Ferguson
 

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Doctor Death is back and I for one am more than ecstatic to have a new adventure of this prince of Mad Scientists to listen and thrill to, thanks to Radio Archives. I first became acquainted with the character in “Twelve Must Die” in which we are introduced to Doctor Death aka psychology Professor Rance Mandarin, formerly of Yale. Professor Mandarin apparently needed a whole lot of psychological help himself as his train of thought completely goes off the rails. Mandarin renames himself Doctor Death and dedicates himself to forcing mankind to abandon all technology and industry. To accomplish these ends, Mandarin enters into an unholy compact with the very powers of darkness which gives him hideous supernatural abilities. All sorts of hellish creatures are at his beck and call. Who can stop such a monster?
 
Fortunately for us, Jimmy Holm is on our side. An occult criminologist and detective he battles against the schemes of Doctor Death with the stalwart New York Police Inspector John Ricks right by his side. In addition, Jimmy has the full support and considerable power of The Secret Twelve to back him up. The Secret Twelve are the most influential men in the country: industrialists, scientists, business magnates…even The President of The United States and the country’s Number #1 mobster are members of The Secret Twelve. And Jimmy is going to need all their help if he’s to stop Doctor Death’s latest fiendish scheme.
 
And Jimmy’s job is made more difficult due to Doctor Death having kidnapped his fiancé Nina. She was once Doctor Death’s assistant before falling into love with Jimmy and renouncing her allegiance to Doctor Death. She’s the one person who knows the most about Doctor Death and having her back in his clutches drives Jimmy to distraction but he’s going to have to keep his head in the game as the grisly blood-soaked trail of the insane Doctor Death takes him and Inspector Ricks to Egypt for a showdown.
 
I would dearly love more of Doctor Death as The Gray Creatures is excellent at blending spine-tingling supernatural thrills with pulse-pounding action/adventure. Once again Joey D’Auria demonstrates his remarkable vocal talents, giving an energy and vitality to the reading of the story that I couldn’t help but be mesmerized. Once again, a Radio Archives audiobook that I strongly suggest setting aside an afternoon to listen to the entire thing because once you start, I think I can safely guarantee you’ll be hooked. Enjoy.
 
Thrill and chill to Doctor Death: The Gray Creatures for only $17.98 from Radio Archives today!
 

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1 cent Spider eBook!

 
For a limited time you can now download an exciting original Spider adventure for just one thin penny! Part of the Will Murray Pulp Classics line, The Spider #11, Prince of the Red Looters first saw print in 1934 and features his momentous battle with The Fly and his armies of crazed criminal killers. Their motto? Why “KILL THE SPIDER!” of course.
 
For those who have been unsure about digging into the wonderful world of pulps this is a perfect opportunity to give one of these fantastic yarns a real test run. With a full introduction to the Spider written by famed pulp historian and author Will Murray, The Spider #11 was written by one of pulp’s most respected authors, Norvell W. Page. Writing as Grant Stockbridge, Page’s stories included some of the most bizarre and fun takes on heroes and crime fighting in the history of escapist fiction.
 
Even today Page’s scenarios and his edge-of-the-seat writing style are still thrilling both new and old fans everywhere. For those who have never read one of these rollercoaster adventures, you are in for a thrill. If you already know how much fun a classic pulp is, make sure you download this bargain.
 
All eBooks produced by Radio Archives are available in ePub, Mobi, and PDF formats for the ultimate in compatibility. When you purchase this eBook from RadioArchives.com you receive all three formats in one ZIP file. When you upgrade to a new eReader, you can transfer your Spider novels to your new device without the need to purchase anything new. Use the PDF version when reading on your PC or Mac computer. If you have a Kindle, the Mobi version is what you want. If you have an iPad/iPhone, Android, Sony eReader or Nook, then the ePub version is what you want.

 

 

The best of timeless Pulp now available as cutting edge Ebooks! Will Murray’s Pulp Classics brings the greatest heroes, awesome action, and two fisted thrills to your E-Reader! Presenting Pulp Icons such as the Spider and Operator 5 as well as wonderfully obscure characters like Doctor Death and more, Will Murray’s Pulp Classics brings you the best of yesterday’s Pulp today!
 
Five new golden age Pulp tales exquisitely reformatted into visually stunning E-books!

 

By what strange twist of Fate did the fearful menace which was to shadow every man and woman in New York City first rear its venomous head in the distant Caribbean? When terror suddenly boarded a little tramp steamer and left crimson havoc littering its narrow decks a spluttering wireless flashed the doom of every living thing aboard. Within a week, the same ghastly fate struck a gigantic new ocean liner, its luxurious cabins occupied by the elite and powerful of a dozen different nations! Death — swift and terrible — rode the ocean lanes. And the Spider — taken for once off guard — was supposedly dying in a hospital room on the very day when that terror from the seas first showed itself in all its terror above the city skyline. How can the Spider, fighting death himself, help the nation he loves in her hour of greatest need? Another epic exploit of America’s best-loved pulp-fiction character of the 1930s and 1940s: The Spider — Master of Men! As a special Bonus, Will Murray has written an introduction: “Meet the Spider” especially for this series of eBooks.
 
Thousands of busy persons bent over their desks in the tallest building in the world — conducting the commerce of the nation — when suddenly the steel girders began to creak and twist, and the gigantic edifice swayed giddily in the rising wind. Never before had criminal brains devised a more cunning or a more horrible weapon to garner their ill-gotten treasures. And never before was the Spider so strenuously put to test — for the Master, the man behind the devastation and death, eluded every suspicion, foresaw every contingency, left no tell-tale clues behind him as he ravaged, slayed and pillaged… Richard Wentworth, working for once hand in hand with the organized forces of law and order, fights the grimmest battle of his long career. Can the Spider avenge the countless dead who have already fallen? Can he bring the Murder Master to the justice he so richly deserves? Another epic exploit of America’s best-loved pulp-fiction character of the 1930s and 1940s: The Spider — Master of Men! As a special Bonus, Will Murray has written an introduction: “Meet the Spider” especially for this series of eBooks.
 

A powerful army of invasion — armed with the most ghastly modern weapons: bacteria, plagues, hideous diseases — lay carefully hidden within the borders of the United States, ready to strike at the heart of the nation, to kill, pillage, demolish… A foreign demagogue, mad-drunk with power, greed, and lust, planned the slaughter of a million helpless men and women, to sate his twisted, race-proud ambition. Belligerent nations watched and waited, sighting America helpless before them. One man — Operator 5 — read the crimson writing on the wall — and he alone was left to battle the frightful odds!

 
Renegades from nine worlds crash out from interplanetary prison in a weird quest for phantom treasure. Follow the Futuremen as the greatest feud of all time catapults them into the fifth dimension. Captain Future… the Ace of Space! Born and raised on the moon, Curt Newton survived the murder of his scientist parents to become the protector of the galaxy known as Captain Future. With his Futuremen, Grag the giant robot, Otho, the shape-shifting android and Simon Wright, the Living Brain, he patrols the solar system in the fastest space ship ever constructed, the Comet, pursuing human monsters and alien threats to Earth and her neighbor planets.

 

Renegades from nine worlds crash out from interplanetary prison in a weird quest for phantom treasure. Follow the Futuremen as the greatest feud of all time catapults them into the fifth dimension. Captain Future… the Ace of Space! Born and raised on the moon, Curt Newton survived the murder of his scientist parents to become the protector of the galaxy known as Captain Future. With his Futuremen, Grag the giant robot, Otho, the shape-shifting android and Simon Wright, the Living Brain, he patrols the solar system in the fastest space ship ever constructed, the Comet, pursuing human monsters and alien threats to Earth and her neighbor planets.
 

When you purchase these beautifully reformatted eBooks from RadioArchives.com you receive all three formats in one ZIP file: PDF for PC or Mac computer; Mobi for Kindle and ePub for iPad/IPhone, Android, Sony eReader, and Nook. When you upgrade to a new eReader, you can transfer your eBook novels to your new device without the need to purchase anything new.
 
Find these legendary Pulp tales and more in Will Murray’s Pulp Classics, now available in the Kindle store and the Barnes and Noble Nook store! The best Pulp eBooks now available for only $2.99 each from Radio Archives!
 

 

 

Altus Press is proud to announce the release of the third volume in its acclaimed Wild Adventures of Doc Savage series, written by Will Murray and Lester Dent, writing as Kenneth Robeson.
 
Set in the Fall of 1936, The Infernal Buddha tells the epic story of Doc Savage’s desperate quest to control the Buddha of Ice, a relic of unknown origin—and what may become the most dangerous object on Earth!
 
When a mummy arrives at Doc Savage’s New York headquarters wearing the clothes of his missing assistant, engineer Renny Renwick, Doc, Monk, and Ham rush to Singapore where they get on the trail of a swashbuckling pirate who calls himself the Scourge of the South China Sea, in whose hands a piece of the infernal Buddha has fallen. The trail leads to Pirate Island, the fate of Renny, and a mysterious box containing a terrible, unstoppable power.
 
But that is only the beginning of the quest into which the Man of Bronze plunges—one that will take him to the upper reaches of the Yellow Sea and a series a wild ocean battles against the vicious factions fighting for control on the infernal Buddha.
 
Before it is all over, every human life on Earth will tremble on the brink of eternity, and Doc Savage will face his greatest test.
 
“This may be my wildest Doc novel to date,” says author Will Murray. “The Infernal Buddha is a fantasy epic full of corsairs, criminals and other culprits. The menace is planetary. The threat, extinction. Doc Savage has a reputation for saving the world. This time he does it on the greatest scale possible. I began this book back in 1992, working from an opening situation Lester Dent started in 1935. Together, we have produced a true Doc Savage epic. And it only took about 75 years….”
 
The Infernal Buddha features a startling cover painted by Joe DeVito, depicting Doc Savage as the Buccaneer of Bronze! This cover was painted from a still taken in 1964 of legendary model Steve Holland, and is a variant pose shot for famed illustrator James Bama’s classic cover to The Man of Bronze. There has never been a Doc cover like it! Buy it today for only $24.95 from Radio Archives.
 

 

The pulp era’s greatest superman returns in classic pulp thrillers by Lester Dent and William Bogart writing as “Kenneth Robeson.” First, the Man of Bronze is summoned to the Oklahoma oil fields to confront the horrific rampage of “The Derrick Devil.” Then, Doc and his aides journey to Lake Erie where a mysterious malady is turning steel workers into “The Spotted Men.” This double-novel collector’s edition features the classic color pulp covers by Robert G. Harris and Emery Clarke, Paul Orban’s classic interior illustrations and historical commentary by Will Murray, writer of nine Doc Savage novels. Priced at only $14.95.
 

Who knows what evil lurks in the hearts of men? The Shadow knows! Triple Novel Special! The Knight of Darkness combats supercrime in an extra-length volume showcasing tales by each of the pulp wordsmiths who wrote as “Maxwell Grant.” First, in a violent thriller by Theodore Tinsley, The Shadow investigates the murderous machinations of “The Prince of Evil,” a sadistic fiend who delights in torture and human misery. Then, The Shadow enters a series of diabolical deathtraps disguised as a “Messenger of Death” to retrieve a secret formula in a classic mystery by Walter Gibson. Finally, Lamont Cranston tracks down a hidden serial killer in Bruce Elliott’s “Room 1313.” This extra-length collector’s special showcases the original color covers by Graves Gladney and Modest Stein and the original interior illustrations by Edd Cartier and Paul Orban, with historical articles by Will Murray and Rick Lai. Buy it today for $14.95.

 

One of the top crime-fighters from the golden age of pulp fiction, The Spider returns in two thrill-packed adventures written by Norvell Page under the pseudonym of Grant Stockbridge. First, in “The Spider and the Scarlet Surgeon” (1941), With unheard of skill, the Red Surgeon can change a patient into an imbecile… or a genius of crime! Not only can he alter the physical shell, but this mad doctor can even amputate parts of a victim’s personality, even their conscience. And his greatest ambition is to operate on none other than Stanley Kirkpatrick, Nita van Sloan… and the Spider! Then, in “The Spider and the Death Piper” (1942), Weird compelling music lures the inhabitants of Martinsville to suicide! By ones and twos at first, then in a stampede of maddened self-destruction. Even Richard Wentworth, with the iron will of the Spider, felt the irresistible calling of that Devil-tune! Can even the Master of Men prevail against an unearthly power that goads the listener to suicide? These two exciting pulp adventures have been beautifully reformatted for easy reading and feature both of the original full color covers as well as interior illustrations that accompany each story. Available now for $14.95!
 
 
 
 

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Review of “Terror Wears No Shoes” from Doc Savage, Volume 15
By Dr Art Sippo

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It is 1948 in Shanghai China. A mysterious young woman known only as Canta works a freelance agent making her living on the shady side of post-War China’s economy. Only 25 years old and she is already a legend. One evening she is accosted by four thugs: huge men who know how to inflict pain. Out of the darkness a crippled man comes to her rescue and scatters her attackers. He sees her again several times and then tries to recruit her help in locating a man who recently disappeared while in Shanghai on business. That man was Long Tom Roberts. Roberts had been planning to investigate the activities of a man named Makaroff who moved like a ghost throughout the Far East and took with him a trio of bodyguards who never slept.
 
It turns out that Canta’s hobbled rescuer was Doc Savage in disguise and that the thugs had been hired by him to fake the attack. But they had gone off script and tried to harm the Bronze Man for real. Who had put them up to this? Canta herself. That is how this convoluted story begins.
 
The Hot war with Japan and Germany is just cooling down while Cold War is just beginning to heat up. Doc Savage and his men are working with Uncle Sam to thwart a major communist plot against the British Crown Colonies in Asia. Can they succeed? Or will the byzantine plots in the Shanghai underworld outwit even the Man of Bronze? Answer these questions and more, plus get another Doc adventure, by getting your copy of Doc Savage, Volume 15 today from Radio Archives for $12.95!
 

Comments From Our Customers!
 
Michael Payton:
Love the Spider eBooks. I sampled the audio books yesterday too. WOW. I’m buying both Spider volumes as soon as I get the extra cash. I posted links to them and the penny Spider ebook deal on my Facebook page, the Comic Book Resources Forum’s Spider thread and on Dynamite Comics’ FB page since they publish the new Spider comics. It’s a great comic and hopefully new fans will sample the original pulps too. Hope you get a few new customers.
 
Rolf Pickelmann from Germany writes:

Good job on the Adventures of Doc Savage! I love it. The remastery was really successful. I read Doc Savage as a child and love to hear today the old radio shows in new quality. I will be back with the next order soon

 
Linda Corigliano writes:
I wanted to thank you. I think this has been the first response I have ever received where the provider has been so willing to work with the customer. I just wanted you to know how impressed I am with your customer service response. Thank you so much for being one of the good guys.
 

Kristen writes:

The Shadow book arrived safely yesterday. Thanks for the box! My mail is so often bent out of shape, but not this time. Thanks also for the little extra, the radio play disc. I will definitely enjoy that! I’m so glad they are reprinting these stories. Now I can have fun reading them without spending too much money. Most of all, I love the artwork. 

 

If you’d like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We’d love to hear from you!

 
The products you’ve read about in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s the sparkling audio fidelity of our classic radio collections, the excitement of our new line of audiobooks, or the timeless novels of the pulp heroes, you’ll find hundreds of intriguing items at RadioArchives.com.
 
If you no longer wish to receive our newsletter, or if this newsletter has been sent to you in error, please reply to this e-mail with the subject line UNSUBSCRIBE and your name will immediately be removed from our mailing list.
 

CLAUDIA, DR. DEATH, DAN FOWLER, AND MORE! A CAST OF GREATS FROM RADIO ARCHIVES!

  • News
  • April 6, 2012

RadioArchives.com Newsletter

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April 6, 2012
 
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Soap operas popped up early as radio dramas initially became popular. Sponsored largely by soap companies, these shows aimed at a primary audience listening every day, scores of housewives across the country, ready to tune in every day just to see what happened next.
 
In 1947, Claudia debuted and was far more quiet and gentle and down-to-earth than its strife-ridden forbears. Claudia was the tale of Claudia and David Naughton, newlyweds, just beginning their married life. Young, enthusiastic, and very much in love, they weren’t suffering from any medical maladies or suspicions of infidelity. Instead, they were simply facing the many challenges of any new marriage – finding an apartment, getting used to each other’s quirks, and learning to live together on a daily basis.
 
With very few of the “tune in tomorrow” hooks that most soaps used to lure listeners back the next day, people returning to Claudia instead came back for the interesting, fully developed characters, the light-hearted banter between them, and the familiarity of their day-to-day situations. Rather than suffering with or feeling superior to them, the characters were, instead, simply the sort of people you enjoyed spending time with.
 
Radio Archives has restored the entire eighteen-month run of Claudia allowing you to enjoy the complete series on a day-by-day basis. Claudia, Volume 11 is one more piece of a program that will be collected in its entirety that will be a real treasure for radio enthusiasts to enjoy for many years to come. Get Claudia, Volume 11 on Audio CDs for $17.98 from Radio Archives!
 

 
Many shows from the classic age of Radio drama survive only as a handful of episodes or in some cases as pieces of episodes. Claudia, however, exists today in its entirety and is now being presented at the highest restored audio quality possible in multiple volumes by Radio Archives. This show stands out for other reasons, including being a rather unique soap opera.
 
Claudia was based on the literary works of Rose Franken, a writer, novelist, playwright, and theatrical director who had first written about the Naughton’s in the mid-1930s. After becoming a Broadway Play and two successful movies, the radio version tells the tale of Claudia and David Naughton, newlyweds, just beginning their married life. Young, enthusiastic, and very much in love, they weren’t suffering from any medical maladies or suspicions of infidelity. Instead, they were simply facing the many challenges of any new marriage – finding an apartment, getting used to each other’s quirks, and learning to live together every day.
 
Heard today, Claudia remains wonderful entertainment, notable for both its light-hearted tone and the believable interplay between its characters. As seen in this twelfth volume, Claudia matured over the run of the program into a unique mixture of enthusiasm, incompetence and over-confidence — deeply in love with her somewhat older husband David but frequently naive and too likely to trust her insecurities rather than her instincts. Truly a historic program for several reasons, radio enthusiasts will find much to enjoy in Claudia, Volume 12 from Radio Archives for only $17.98 on Audio CDs!
 

by Tommy Hancock

 

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Following World War Two, The United States was seen as a protector of the world and a bringer of peace. Even though that proved to be true on the surface, there was still an underlying worry that spies and villains were out to threaten the prosperity that typified the late 1940s and early 1950s. This concern bordering on paranoia proved a fertile field for radio shows. New heroes arose almost daily it seemed, to combat the encroaching threat of evil forces on America. One such hero was Frank Race!
 
The Adventures of Frank Race, Volume 1 spotlights the escapades of Race, a former attorney turned action-seeking investigator after a stint in the O.S.S. during the Second World War. Hungry for excitement beyond the courtroom, Race week after week threw himself into new mysteries, usually focused on some sort of insurance fraud turned dangerous, and sleuthed his way to the solution. Accompanying Race on the cases was Mark Donovan, who began as a raucous New York City cab driver before eventually graduating to more or less be Race’s partner.
 
All of the aspects of a good pulpy tale are in each episode of The Adventures of Frank Race, Volume 1, but this show goes a bit farther than what’s typical. Race is most definitely two fisted and hard boiled when necessary, but he also brings with him a sophistication that few of his radio peers had. Edgy and dark when he had to be, Race also had the ability to blend in with higher society and be diplomatic and even suave when called for. His background in the O.S.S. was also more than just an interesting background piece. That aspect of the character made each tale feel as if it walked that fine line between detective mystery and spy story, adding tremendously to the level of excitement in each episode.
 
Excellent voice talent, interesting stories with at least one fistfight and twist in the plot somewhere along the way, and quirky music to set the mood makes The Adventures of Frank Race a blast to listen to. The blend of classic private detective with the rising fear of Evil threatening Good and a hint of James Bond that definitely shows up in Frank Race makes this an overall hoot for both collectors and casual fans to enjoy. And you can get The Adventures of Frank Race, Volume 1 today for $29.98 from Radio Archives!
 
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Doctor Death is back for second clash with supernatural detective, Jimmy Holm, and his team. When a Zombi strangles a wealthy and influencial Egyptian in his New York apartment, Holm and Police Inspector Ricks knows it signals that Doctor Death is opening up a strange new front on his sworn war against modern man. Master of many forbidden sciences, servant of Satan, Death—in reality disgraced Yale psychologist Rance Mandarin—has assembled a legion of living dead and unclean elementals to do this wicked bidding. But Death wants more. Much more.
 
The trail of dead and undead alike leads to Egypt, land of a million mystical mysteries. There, lies the tomb of Anubis, the jackal-headed Lord of the Underworld. Thought to have been a god, in reality he was once a wizard. And in his sarcophagus rests the long-lost secret of reanimating an unstoppable new army to do Death’s bidding. For Doctor Death will not rest until he has resurrected all of Egypt’s entombed mummies!
 

Only Jimmy Holm and the strange alliance of power political leaders and Underworld kingpins known collectively as the Secret Twelve possess the will to stand against Death and his Undead things. But to win, Holm must ally himself with the mysterious Egyptian ruler known as Queen Charmion. Can she be trusted? More importantly, how do you defeat a human monster who can implant his soul in the body of any living person at will? Can anyone be trusted if they might be in reality…Doctor Death? Buy the second audiobook of one of our most popular titles for only $17.98 on Audio CDs from Radio Archives.

 

by Derrick Ferguson
 

Much as I love Doc Savage, the Shadow, the Spider and the rest of their near-superhuman brethren, I have a special place reserved for Dan Fowler: G-Man. Maybe it’s because I grew up on those great black-and-white gangster movies from the 30’s and 40’s that studios like Warner Brothers, Monogram and Republic Pictures cranked out by the truckloads. One of the things that made these great gangster movies so much fun was that the cops could play as dirty as the crooks since there was no such thing as Miranda or firing warning shots or getting a warrant before kicking down a door. Back in those days, law enforcement was akin to open warfare. Being a big fan of those movies and of the old “The Untouchables” TV show with Robert Stack, listening to “Snatch!” was like revisiting an old friend.
 
Dan Fowler is given the job of combatting The Gray Gang, as vicious a bunch of mugs you never want to run across who have been terrorizing The Midwest. The gang’s latest activities have taken them near the part of that region where Dan was born and raised and where his father is still sheriff. With his partner, the resourceful Larry Kendall by his side, Dan sets out to smash The Gray Gang. His job is made more difficult due to The Gray Gang just having pulled off a kidnapping involving a child. It’s up to Dan to accomplish his task and get the child back safely.
 
Dan Fowler, G-Man In Snatch! Is a good change of pace if you’ve been listening to Radio Archives’ excellent series of audiobooks featuring masked crimefighters and want to switch up. Dan Fowler is a down-to-earth guy doing a down-to-earth job. There’s no bombastic, speech-making super villains here with doomsday devices trying to take over or destroy the world. But that doesn’t mean the story lacks any in suspense or excitement. The excellent voice work by Richard Epcar is just as hard-boiled, gritty and no-nonsense as the story he’s narrating. Another winner from Radio Archives that’s perfect for listening to on a slow Sunday afternoon. After listening to this one, I sincerely hope there’s more Dan Fowler on the way. Buy it today on Audio CDs for only $14.98.
 

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ebook1centoffer-38112641 cent Spider eBook!

 
For a limited time you can now download an exciting original Spider adventure for just one thin penny! Part of the Will Murray Pulp Classics line, The Spider #11, Prince of the Red Looters first saw print in 1934 and features his momentous battle with The Fly and his armies of crazed criminal killers. Their motto? Why “KILL THE SPIDER!” of course.
 
For those who have been unsure about digging into the wonderful world of pulps this is a perfect opportunity to give one of these fantastic yarns a real test run. With a full introduction to the Spider written by famed pulp historian and author Will Murray, The Spider #11 was written by one of pulp’s most respected authors, Norvell W. Page. Writing as Grant Stockbridge, Page’s stories included some of the most bizarre and fun takes on heroes and crime fighting in the history of escapist fiction.
 
Even today Page’s scenarios and his edge-of-the-seat writing style are still thrilling both new and old fans everywhere. For those who have never read one of these rollercoaster adventures, you are in for a thrill. If you already know how much fun a classic pulp is, make sure you download this bargain.
 
All eBooks produced by Radio Archives are available in ePub, Mobi, and PDF formats for the ultimate in compatibility. When you purchase this eBook from RadioArchives.com you receive all three formats in one ZIP file. When you upgrade to a new eReader, you can transfer your Spider novels to your new device without the need to purchase anything new. Use the PDF version when reading on your PC or Mac computer. If you have a Kindle, the Mobi version is what you want. If you have an iPad/iPhone, Android, Sony eReader or Nook, then the ePub version is what you want.

 

 

The best of timeless Pulp now available as cutting edge Ebooks! Will Murray’s Pulp Classics brings the greatest heroes, awesome action, and two fisted thrills to your E-Reader! Presenting Pulp Icons such as the Spider and Operator 5 as well as wonderfully obscure characters like Doctor Death and more, Will Murray’s Pulp Classics brings you the best of yesterday’s Pulp today!
 
Five new golden age Pulp tales exquisitely reformatted into visually stunning E-books!

 

Over New York’s Finest — the police organization without equal in the world — fell the blight of lunacy, sweeping on like wildfire until it had turned Manhattan into a chill, whimpering madhouse and released the helpless city’s wealth to a wild carnival of crooks and vandals! What was that incredible, unseen force which, in a split-second, could transform sane men into drooling maniacs? No human being could stand against that Mask of Madness, and yet Richard Wentworth, in the Spider’s strange vestments, took up the fight — to strike blow for blow against the merciless emperor of idiocy who had captured a metropolis by addling its brains! Another epic exploit of America’s best-loved pulp-fiction character of the 1930s and 1940s: The Spider — Master of Men! As a special Bonus, Will Murray has written an introduction: “Meet the Spider” especially for this series of eBooks.
 
In the name of Humanity, young Doctor Gilmuir bravely faced execution for a ghastly murder he didn’t commit! And Richard Wentworth, the only man who could save him, must first crush the slaves of the Man in the Red Mask — the master-killer whose nation-wide terror plague was calculated to monopolize all life-giving drugs! The Spider walks through thirty-six breathless, death-strewn hours! Another epic exploit of America’s best-loved pulp-fiction character of the 1930s and 1940s: The Spider — Master of Men! As a special Bonus, Will Murray has written an introduction: “Meet the Spider” especially for this series of eBooks.
 

Out of the blue it struck – that dread, mysterious force, dealing death, destruction and misery to millions. America found herself stripped of her strongest defenses as battleships, huge guns, skyscrapers, factories and transportation systems crumbled to dust before the voracious flame. No one could tell where it came from; where it would next strike; no one was safe from its hot, devouring maw. An entire nation stood crippled, paralyzed by panic as Operator 5, alone, fought to save America from the red ruin loosed upon it. As a special Bonus, Will Murray has written an introduction especially for this series of Operator #5 eBooks.

 
Follow the quest of Curtis Newton, wizardman of science, as he scours the worlds of tomorrow in the hunt for the greatest interplanetary outlaw of all time! A creeping menace invades the galaxy in a sweep of interplanetary conquest— and Captain Future meets his most powerful enemy… the Space Emperor!
 
Captain Future… the Ace of Space! Born and raised on the moon, Curt Newton survived the murder of his scientist parents to become the protector of the galaxy known as Captain Future. With his Futuremen, Grag the giant robot, Otho, the shape-shifting android and Simon Wright, the Living Brain, he patrols the solar system in the fastest space ship ever constructed, the Comet, pursuing human monsters and alien threats to Earth and her neighbor planets.
 

Curtis Newton, wizard of science, and his trio of Futuremen blaze a trail across the stars to forestall the coup of Dr. Zarro — leader of a legion of peril!
 
Captain Future… the Ace of Space! Born and raised on the moon, Curt Newton survived the murder of his scientist parents to become the protector of the galaxy known as Captain Future. With his Futuremen, Grag the giant robot, Otho, the shape-shifting android and Simon Wright, the Living Brain, he patrols the solar system in the fastest space ship ever constructed, the Comet, pursuing human monsters and alien threats to Earth and her neighbor planets.
 

When you purchase these beautifully reformatted eBooks from RadioArchives.com you receive all three formats in one ZIP file: PDF for PC or Mac computer; Mobi for Kindle and ePub for iPad/IPhone, Android, Sony eReader, and Nook. When you upgrade to a new eReader, you can transfer your eBook novels to your new device without the need to purchase anything new.
 
Find these legendary Pulp tales and more in Will Murray’s Pulp Classics, now available in the Kindle store and the Barnes and Noble Nook store! The best Pulp eBooks now available for only $2.99 each from Radio Archives!
 
Join the eBook Team!
 
Radio Archives is seeking motivated, excited people to add to our eBook staff! Will Murray’s Pulp Classics line of eBooks continues to rapidly grow and we are looking to add two people to read the stories and correct any errors before the eBooks are published.
 
If you have a love for classic Pulp tales as well as a good grasp of spelling, punctuation, capitalization and basic formatting, then you may be just the person we’re looking for! Send an email inquiry to Service@RadioArchives.com for more details! 
 

 

 

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Who knows what evil lurks in the hearts of men? The Shadow knows! The Shadow’s underworld agents Hawkeye and Cliff Marsland take center stage in two thrilling pulp novels by Walter Gibson writing as “Maxwell Grant.” First, what is the strange secret of “The Green Box” that is worth human life? The Shadow seeks the deadly secret in a masterpiece of misdirection that introduced aides Hawkeye and Tapper. Then, the Master of Darkness and his underworld operatives investigate “The Getaway Ring,” a racket that helps mobsters evade capture via a modern-day “underground railway.” BONUS: “The Crawling Death,” a lost thriller scripted by radio Shadow Bret Morrison! This instant collector’s item reprints the classic color cover paintings by George Rozen and Graves Gladney and the original interior illustrations by Tom Lovell and Edd Cartier, with historical articles by Anthony Tollin and Will Murray. Buy it today for $14.95.
 

TRIPLE NOVEL SPECIAL Tarzan’s influence on the Man of Bronze is examined in three action-packed adventures by Lester Dent writing as “Kenneth Robeson.” First, a giant “Dagger in the Sky” materializes from thin air and disappears after bizarre murders, leading Doc Savage to a South American war started by Earth’s wealthiest men. Then, the Man of Bronze is asked to locate an heiress who disappeared into the Brazilian jungles years earlier. Finally, while attempting to license one of Monk’s chemical inventions, Henry Jones comes into possession of “The Monkey Suit” that leads into a strange adventure, narrated in the first person. This triple-novel collector’s edition showcases the original color pulp covers by Emery Clarke and Walter Swenson, the classic interior illustrations by Paul Orban and Edd Cartier and historical commentary by Will Murray, writer of nine Doc Savage novels. Priced at only $14.95.
 

Pulp fiction’s legendary Master of Men returns in two classic novels from the Golden Age of Pulp Fiction, written by Norvell Page under the pseudonym of Grant Stockbridge. First, in “Overlord of the Damned” (October 1935), the Boss unleashes horrible death with his demonic acid guns… with a vat of the same deadly corrosive reserved for those who talk too much! With his beloved Nita van Sloan a hostage to a terrible doom, the Spider faces the soul-tearing prospect of planting the Spider seal on his friend Stanley Kirkpatrick, Commissioner of Police! Then, in “Dictator’s Death Merchants!” (July 1940), The jaws of death gape open when El Crocodilo feasts! With uncanny skill, he forestalls even the Spider’s best attempts to trap him. Striking without mercy, this menace from the past rises anew by demolishing a banking institution each night, in a mad scheme to take control of nothing less than all of America’s finances! This volume is available in two editions and features the original artwork from the October 1935 or the July 1940 edition of “The Spider” magazine. Both versions feature reformatted text and original interior illustrations to accompany each story. Available now for $14.95!
 
 
 
 

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By John Olsen

 
Who is The Black Falcon? That’s what the underworld wonders, as it admires the audacity of this master criminal. That’s what the wealthy social class wonders, as it barricades itself seeking safety from the brutal kidnapper. And that’s what the New York police department wonders as it attempts to unmask the strange mastermind behind the high-profile kidnappings.
 
Even his evil minions don’t know his identity. Yet they readily accept his payments, packets of money banded along with a single black feather. The law receives taunting letters from the crime master, affixed with another of those black feathers.
 
The Black Falcon boasts of his ability of kidnap wealthy society members and return them at will. And he makes good upon his boasts! Who will be next? None other than Lamont Cranston! Yes, The Black Falcon has confirmed that Cranston is The Shadow, and determines to kidnap him. The Black Falcon means to eliminate the threat from the black-cloaked avenger!
 
Featured in this classic early story are underworld-agent Cliff Marsland, reporter Clyde Burke and long-time agent Harry Vincent, with Burbank and Rutledge Mann in brief appearances. And representing law and order are Commissioner Weston and Joe Cardona.
 
This story features the appearance of those unique rubber discs. The Shadow uses the concave suction cups to scale the sheer outside wall of a tall apartment house. These strange cups were a popular feature in the early Shadow novels.
 
In these early stories, The Shadow was apparently a bit of an inventor. In this one, Harry Vincent uses a wireless sending set, secreted in the rumble seat of his coupe. The equipment, it is mentioned, was The Shadow’s own invention.
 
Another feature of the early Shadow novels that disappeared after time was The Shadow’s “horror face.” It was suggested that the true face of The Shadow was so horribly disfigured that he always kept it hidden beneath the collar of his cloak and beneath his slouch hat. In later years, the horror face was discarded, but in this novel, however, The Shadow has his horror face, and reveals it to The Black Falcon in the exciting climax of the story.
 
Yes, this is The Shadow at his finest. It’s a thrilling early pulp novel and you can get it and another classic Shadow novel for $12.95 in The Shadow Volume 5 from Radio Archives!

 

Comments From Our Customers!
 

Bob Anderson:
I received your latest newsletter today. Over the years I have sent you many orders for audio productions. I have never been disappointed with the quality of your offerings or the speed with which they reached my mailbox. I’m thankful for what you’ve resurrected. I wish you could find more NIGHTBEAT. Keep up the good work; keep digging!
 
Barney McCasland:
I finished The Green Lama and really enjoyed both stories. As always, Michael McConnohie was great! He really is one of the best
narrators I’ve ever heard. Looking forward to many more audio pulp treats this year.
 
Guy Montgomery:
I’ve enjoyed all your pulp audio books, How about some more Doc Savage audiobooks.

 

If you’d like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We’d love to hear from you!

 
The products you’ve read about in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s the sparkling audio fidelity of our classic radio collections, the excitement of our new line of audiobooks, or the timeless novels of the pulp heroes, you’ll find hundreds of intriguing items at RadioArchives.com.
 
If you no longer wish to receive our newsletter, or if this newsletter has been sent to you in error, please reply to this e-mail with the subject line UNSUBSCRIBE and your name will immediately be removed from our mailing list.
 

Hall of Fame, Mystery as a Hobby, Dr. Death Returns, and More From Radio Archives!

  • News
  • March 31, 2012
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March 23, 2012
 
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From the earliest days of broadcasting, radio audiences always loved a “really big show”. In December of 1943, a musical variety series that would quickly become one of the most distinguished – and expensive – radio shows on the air debuted on the then newly formed Blue Network. Titled the Radio Hall of Fame, this hour-long Sunday evening offering presented itself as a weekly tribute to the best entertainment then available on stage, in radio, on recordings, and in motion pictures.
 
Sponsored by the Philco Corporation, makers of refrigerators and the largest radio manufacturer in the country, Radio Hall of Fame featured entertainers considered the best of the best then, many still remembered today, including Fred Allen, Bing Crosby, Orson Welles, and many more!
 
Heard today, the Radio Hall of Fame remains outstanding entertainment, reflecting the tastes of the general public during the latter years of World War II. There’s never any shortage of talent on hand. And today, in a time when the once-common variety show has completely disappeared from the airwaves, it’s fun to return to an era when listeners could literally expect to hear anyone or anything presented in a sixty-minute line-up.
 
The nine broadcasts in Radio Hall of Fame, Volume 2 have been fully and beautifully restored to the best sparkling audio quality possible. These programs are truly a piece of history as well as examples of some of the finest entertainers of the Twentieth Century and belong in any Pop Culture enthusiast’s collection! Get yours today, Nine Audio CDs for $26.98!
 
 
Bob Elliott will celebrate his 89th birthday on Monday the 26th. Ray Goulding would have celebrated his 90th birthday on March 20th.
 
You can send Bob a Happy Birthday greeting by sending an email to bob@bobandray.com
 
 
 
 

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One way to tell a radio show is truly great is when it stands out above its own format, which in today’s terms may be overdone and clichéd. Mystery is My Hobby, by that definition is a truly great show.
 

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Aired originally from 1945 to 1947, this fantastic, albeit formulaic program featured Barton Drake, as played by Glenn Langan. A mystery writer by trade, Drake spends much of his time solving mysteries that seem to occur naturally all around him, plying his ‘hobby’ on a regular basis with his sidekick, Policeman Noah Danton. Usually the crime is committed, either while Drake and Danton are around or just prior to their arrival on the scene. Drake then, in the style of The Falcon or The Saint, works his way through the clues given and danger offered and solves the mystery, using the last few minutes to explain just how he did it to the slightly obtuse Danton.
 
On first listen, “Mystery is My Hobby” sounds like several other radio shows of the same format and you can definitely tell that it was one of the precursors to television shows like “Murder, She Wrote’, ‘Diagnosis Murder’ and others. What makes this light mystery program stand out, however, are the two lead characters – Drake and Danton. There’s most definitely a typical ‘Lead and sidekick’ relationship between them, but there’s something more. The two characters interact with each other with a humor and relaxed ease that not only makes the listener grin, but serves to ingratiate and involve them in the plot. The banter between Danton and Drake engages you to the point that you’re wrapped up in the mystery almost immediately and even though you have the general idea of how it’s going to play out, you’re fully invested and enjoy the entire episode.
 
Although most of the mysteries that Drake finds himself engaged in do end up in murder, another intriguing aspect of the show is that all the crimes aren’t always centered on something so fatal. Blackmail, theft, and other interesting crimes pop their head up throughout this collection. Mystery is My Hobby is a good example of a well established light formulaic mystery program, but even more so it’s a hoot to listen to because of the bickering between Drake and Danton. And you can enjoy ten hours of this wonderfully fun amateur detective show for only $29.98 on Audio CDs from Radio Archives!
 
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Doctor Death is back for second clash with supernatural detective, Jimmy Holm, and his team. When a Zombi strangles a wealthy and influencial Egyptian in his New York apartment, Holm and Police Inspector Ricks knows it signals that Doctor Death is opening up a strange new front on his sworn war against modern man. Master of many forbidden sciences, servant of Satan, Death—in reality disgraced Yale psychologist Rance Mandarin—has assembled a legion of living dead and unclean elementals to do this wicked bidding. But Death wants more. Much more.
 
The trail of dead and undead alike leads to Egypt, land of a million mystical mysteries. There, lies the tomb of Anubis, the jackal-headed Lord of the Underworld. Thought to have been a god, in reality he was once a wizard. And in his sarcophagus rests the long-lost secret of reanimating an unstoppable new army to do Death’s bidding. For Doctor Death will not rest until he has resurrected all of Egypt’s entombed mummies!
 

Only Jimmy Holm and the strange alliance of power political leaders and Underworld kingpins known collectively as the Secret Twelve possess the will to stand against Death and his Undead things. But to win, Holm must ally himself with the mysterious Egyptian ruler known as Queen Charmion. Can she be trusted? More importantly, how do you defeat a human monster who can implant his soul in the body of any living person at will? Can anyone be trusted if they might be in reality…Doctor Death? Buy the second audiobook of one of our most popular titles for only $17.98 on Audio CDs from Radio Archives.

Audiobook Reader Profile: An Interview with Joey D’Auria
 

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A Scientist driven mad by his own desires and evil depravity! Zombies, giants, and horrible powers of the mind at his disposal! The world on its knees! And a stalwart group of Twelve led by an intrepid Police Detective stand as the only thing between this lunatic and world domination! All of this and more is what readers of Pulps in the early 20th Century thrilled and chilled to in stories written by Harold Ward under the mysterious nom de guerre Zorro! These were the tales of Doctor Death!
 
Listeners today will find just as much horror and adventure in Doctor Death as they are presented as audiobooks as a part of Will Murray’s Pulp Classics! Brought to chilling life by the fantastic reading provided by Joey D’Auria, the heroic adventure of Jimmy Holm and his team as well as the true horror of the mad Doctor Death keeps listeners coming back for more and leaves goosebumps at the end of every chapter.
 
Translating a classic Pulp Tale to a modern Audiobook is exciting enough. That challenge becomes even greater when the lead character in the story is not the dashing hero rushing into save the day, but instead the insane villain of the piece. This sort of story requires a special talent, someone who can easily move back and forth between the cruel machinations of Doctor Death and the desperate do-gooding of Jimmy Holm. Joey D’Auria is exactly the voice talent to do just that and much more.
 
“I have always been a huge fan of radio drama,” D’Auria stated. “In fact, back in the mid 1970’s in Los Angeles, my very good friend Roger Rittner and I created the Variety Arts Radio Theater, performing recreations of classic radio shows from the 30’s, 40’s and 50’s on stage for a live audience. Our sound effects man did all our sound effects live and without recordings. We even recreated classic period radio commercials.”
 
Even when life pushed Joey other directions, he made his way back to audio. “When I was offered the job as WGN-TV’s Bozo the Clown in 1984, my family and I left L. A. for Chicago, and while there, in addition to working as Bozo the Clown, I also worked in stage productions and in TV and radio commercials. When the Bozo Show ended in 2001, my wife and I moved back to California, and in Hollywood, I returned to working in voice over and animation. One of my first jobs back in L. A. in 2002 was for the anime series Daigunder, in which I played Commissioner Spinklestarber.
 
In 2003,” D’Auria continued, “I was in Great Britain as the principle writer and show coordinator on Star Trek the Experience For See Entertainment in Hyde Park, London. Returning to the States, I became head writer and did occasional voices for Betsy’s Kindergarten Adventures on PBS. And I also supplied assorted voices for Universal/Imagine’s “Curious George” (The Movie). From there I worked on War of the Worlds: Goliath for Tripod Entertainment and most recently was the voice of General Alister Azimuth for Insomniac Games Ratchet & Clank Future – A Crack in Time. Today most of my work is for video games.”
 
Signing on as one of the voices of Will Murray’s Pulp Classics, Joey brought his own knowledge and experience with Pulp to the table. “When I was a kid,” he related, “a friend’s father had a huge pulp collection stashed inside the family’s fallout shelter in the back yard. My friend and I would spend lazy summer days sequestered down there eating peanut butter and jelly sandwiches and reading Amazing Stories, Captain Future, Man of Tomorrow and several other collections whose names I don’t remember. However, the thing that really drew me into “The Pulps” was the fantastic artwork on the covers.”
 
Joey sees Pulp today as just as attractive for modern readers and listeners today as it was for him as a child. When asked what appeal Pulp tales like ‘Doctor Death’ might have for fans today, he stated, “The same things that no doubt appealed to the audiences of the 1930’s, ’40’s and ’50’s! Action, adventure, thrills! Momentary escapism into a fantastic world where anything is possible!”
 
That escapism is something that D’Auria definitely enjoys about his work on Doctor Death. “The Doctor Death stories are marvelous period melodrama. For starters, you have tough talking 1930’s detectives and they are coming up against a world of mad scientists and occult creatures. Here the heroes are 100% patriotic, noble and forthright – even the notorious uncrowned king of the underworld Tony Caminetti steps up and puts all criminal activity in the USA on hold for the good of the country.”
 
The cast that D’Auria has to work with in his reading of this Pulp series is definitely varied and interesting. He explained, “It’s true the stories are all centered on Doctor Death and his insane schemes, but we also have a lot of wonderful characters who are integral to each Doctor Death plot. I approach my reading by not just telling the story – but by attempting to breathe life into all the assorted characters that people this world.”
 
Joey admits, however, that even as grand as the heroes are, he finds just as much amusement in playing the lead role. “The madly deranged Doctor Death,” D’Auria added, “brings to the party a delightfully unrepentant mad scientist who wants to take over the world and doesn’t care how many people he has to kill to do it! Doctor Death is a wonderful villain . . . and I must confess that I really miss him when he doesn’t show up in a chapter to spread his special brand of whimsical malevolence. So, I guess you could say the most fun for me in reading these stories is playing Doctor Death!”
 
D’Auria believes that listeners to the Will Murray Pulp Classics audiobooks will be drawn to the same aspects of the stories as fans of the original Pulp tales were, particularly the action. “The beauty of the pulps is that they don’t short-change the reader on action and excitement. And it’s that same action and excitement that also makes them such wonderful material for us readers. All of the other readers (many of whom are old friends of mine) are fine actors and each brings his or her own special talents to each of their stories.”
 
Joey D’Auria definitely plans to keep going with Doctor Death as long as the dastardly doctor is a part of the Will Murray Pulp Classics line up, but he also wouldn’t mind reliving some of his childhood Pulp favorites as a reader as well. “I would love to continue with the series. However, if I were to head into another direction – I guess I would have to confess to a desire for some old fashioned science fiction that harkens back to those days so long ago when I was reading stories like Captain Future, Man of Tomorrow down in my friend Peter’s fallout shelter.”
 
Will Murray’s Pulp Classics is proud to present Two Volumes of Doctor Death as read by the spectacularly talented Joey D’Auria. Get ’12 Must Die’ for $14.98 and the latest audibook “The Gray Creatures’ for $17.98! If you’re looking for the best in Audiobook and Pulp entertainment and a good villain to boot, then Doctor Death as performed by Joey D’Auria and presented by Will Murray’s Pulp Classics is exactly what you’re after!
 
by Derrick Ferguson
 
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People are forever asking me what do I see in this Pulp stuff anyway? “It’s old” they’ll say or “That stuff is corny”
 
Maybe so, but if a crime fighting Buddhist monk is corny, then give me more of it because that’s the kind of corn I love to eat. Up until now my knowledge of The Green Lama has only been limited to the prose anthologies and novels I’ve read. The thing that grabbed me about The Green Lama is that it’s a concept I’d have bet good money on wouldn’t work in the pulps but I’m switched if it doesn’t. Which actually is a good thing. The Green Lama is a refreshing change of pace from guys like The Shadow and The Spider who usually leave several dump trucks full of dead bad guys at the end of their adventures. Not The Green Lama. He relies on his trusty prayer scarf and his knowledge of human anatomy to incapacitate his foes. After listening to “The Case of The Crimson Hand” and “Croesus of Murder” I wonder if Gene Roddenberry got the idea for the Vulcan nerve pinch from The Green Lama.
 
The Radio Archives audiobook is voiced by Michael McConnohie who is my favorite voice talent when it comes to Radio Archives audiobooks. Not to take away from the others because I honestly haven’t yet listened to an audiobook of theirs I didn’t like. But Mr. McConnohie’s ability to do different voices never fails to amaze me. Mr. Connohie is absolutely terrific in his dramatic reading that conveys the excitement of the stories.
 
Once again Radio Archives filled one of my slow Sunday afternoons with a wonderful production that kept me glued to my seat. My intention was to do some household chores while listening to “The Case of The Crimson Hand” and “Croesus of Murder” but that quickly went out the window as I simply did not want to get up. Another worthy addition to any pulp fan’s audio drama library. And it can be a part of yours for only $17.98 from Radio Archives!
 
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The best of timeless Pulp now available as cutting edge Ebooks! Will Murray’s Pulp Classics brings the greatest heroes, awesome action, and two fisted thrills to your E-Reader! Presenting Pulp Icons such as the Spider and Operator 5 as well as wonderfully obscure characters like Doctor Death and more, Will Murray’s Pulp Classics brings you the best of yesterday’s Pulp today!
 
Five new golden age Pulp tales exquisitely reformatted into visually stunning E-books!

 
In the heart of New York’s Chinatown, on his imperial throne, guarded by swordsmen and gunmen and a labyrinth of death traps, sat the Arch-Criminal of all time. Master of life and death, of disease, of horrible, crawling things — the Emperor of Vermin released destruction over city and nation. The Spider, Master of Men, champion of humanity, fought with every ounce of his cunning, against the monster who personified evil incarnate — while one faithful servant gave his life in this, the Spider’s most bitter, hopeless battle, and Nita herself was faced with a doom more ghastly than any criminal mind had conceived before! Another epic exploit of America’s best-loved pulp-fiction character of the 1930s and 1940s: The Spider — Master of Men! As a special Bonus, Will Murray has written an introduction: “Meet the Spider” especially for this series of eBooks.
 
Sere, ghastly, the Severed Hand brought its grisly warning to New York. Its citizens must pay the extortioner’s price or die, their living bodies slowly, agonizingly transformed into rigid mummies! The police were helpless, and only Richard Wentworth, in the Spider’s weird garb, could wage battle — against the master murder-chemist who killed to corral a fortune! Another epic exploit of America’s best-loved pulp-fiction character of the 1930s and 1940s: The Spider — Master of Men! As a special Bonus, Will Murray has written an introduction: “Meet the Spider” especially for this series of eBooks.
 

Walking cadavers! Blood-thirsty, nauseous gray creatures! In the dank tombs of Egypt where he seeks the secret of resurrection, Doctor Death strikes at his pursuers with the terrible inventions of his warped brain. This gripping account of a brave detective’s struggle against a scientific fiend is packed with thrills and horror. The maddest of the Mad Scientists — Doctor Death — starred in his own bizarre pulp magazine in early 1935. He consorted with demons, elementals, zombies, disinterred mummies, and other unclean denizens of Hell. Standing against him were the Secret Twelve, a band of the top U. S. civil and business leaders, headed by Jimmy Holm, a millionaire criminologist and occultist. One of the rare unabashedly supernatural series the pulps ever produced, Doctor Death returns in vintage pulp tales, reissued for today’s readers in electronic format.

 
One moment good-will bound the United States and the great Power across the sea… the next, shells screamed their death wails into Coast homes and factories. No citizen was safe from the bloody holocaust when the Yellow Empire struck without warning from the Pacific. With fiendish artifice the world was turned against us. And somewhere in this country, covertly completing the terrifying work of wholesale destruction, lurked the ruthless agent of the invading hordes. Operator 5 alone guessed the dread secret and matched his individual might against a million war-drunk terrorists — while the nation trembled on the brink of red wreckage! As a special Bonus, Will Murray has written an introduction especially for this series of Operator #5 eBooks.
 

From Earth, Venus and Mercury, three Musketeers of Space, accompanied by a female D’Artagnan, rocket out in a grim battle against the League of the Cold Worlds! From the blistering surface of Mercury to Pluto’s frosty icefields, their fame had spread. John Thorn, Sual Av and Gunner Welk—better known as The Three Planeteers! Are they heroes, or outlaws? Could they be both? No more knew. When the tyrannical League of the Cold Worlds devises a super-weapon capable of annihilating the defenses of the democratic Alliance of Inner Planets, The Three Planeteers go undercover to choke off Dictator Haskell Trask’s critical power supply of radite. But the mission brings them into the realm of the D’Artagnan of space, Lana Cain, legendary leader of the most brazen band of buccaneers ever to ply the space lanes. In the year 2952, the fate of the Solar System rests on a trio of hired ray-guns who dare the pirate-infested asteroid wilderness known as the Zone…from which few return…
 
When you purchase these beautifully reformatted eBooks from RadioArchives.com you receive all three formats in one ZIP file: PDF for PC or Mac computer; Mobi for Kindle and ePub for iPad/IPhone, Android, Sony eReader, and Nook. When you upgrade to a new eReader, you can transfer your eBook novels to your new device without the need to purchase anything new.
 
Find these legendary Pulp tales and more in Will Murray’s Pulp Classics, available in the Kindle store and coming very soon to the iBook Store! The best Pulp eBooks now available for only $2.99 each from Radio Archives!
 
 

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by Kendell Foster Crossen, introduction by Will Murray
Om! Ma-ni pad-me Hum! The first of its kind, the complete adventures of the Green Lama follows the adventures of Buddhist Jethro Dumont and his aides as they battle the forces of evil in the western world. Written by Kendell Foster Crossen, it’s non-stop action in the vein of The Shadow! Never completely reprinted before, the series is collected in three volumes. Each volume contains an all-new introduction, focusing on a different aspect of the character’s life across several forms of popular media. Volume 1 contains in introduction by Will Murray and features the first five stories. Only $34.95 in the Pulp Book Store!
 

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by Henry Kuttner, introduction by Will Murray
Available for the first time… the complete saga of Thunder Jim Wade! Written by fantasy legend Henry Kuttner, this collection reprints all five adventures of Thunder Jim Wade from 1941. Long discounted as a Doc Savage clone, Thunder Jim Wade: The Complete Series brings to life this classic pulp hero and shows him to be much more than a knock-off! Ride along with Wade and his two stalwart companions, Dirk Marat and Red Argyle, as they battle evil across the globe! Thrill along with them as they traverse the world in The Thunderbug, Jim’s multifunctional transforming vehicle! Includes an all-new introduction by pulp historian Will Murray! Now available in the Pulp Book Store for $29.95!
 
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Who knows what evil lurks in the hearts of men? The Shadow knows! The Shadow’s underworld agents Hawkeye and Cliff Marsland take center stage in two thrilling pulp novels by Walter Gibson writing as “Maxwell Grant.” First, what is the strange secret of “The Green Box” that is worth human life? The Shadow seeks the deadly secret in a masterpiece of misdirection that introduced aides Hawkeye and Tapper. Then, the Master of Darkness and his underworld operatives investigate “The Getaway Ring,” a racket that helps mobsters evade capture via a modern-day “underground railway.” BONUS: “The Crawling Death,” a lost thriller scripted by radio Shadow Bret Morrison! This instant collector’s item reprints the classic color cover paintings by George Rozen and Graves Gladney and the original interior illustrations by Tom Lovell and Edd Cartier, with historical articles by Anthony Tollin and Will Murray. Buy it today for $14.95.
 
TRIPLE NOVEL SPECIAL Tarzan’s influence on the Man of Bronze is examined in three action-packed adventures by Lester Dent writing as “Kenneth Robeson.” First, a giant “Dagger in the Sky” materializes from thin air and disappears after bizarre murders, leading Doc Savage to a South American war started by Earth’s wealthiest men. Then, the Man of Bronze is asked to locate an heiress who disappeared into the Brazilian jungles years earlier. Finally, while attempting to license one of Monk’s chemical inventions, Henry Jones comes into possession of “The Monkey Suit” that leads into a strange adventure, narrated in the first person. This triple-novel collector’s edition showcases the original color pulp covers by Emery Clarke and Walter Swenson, the classic interior illustrations by Paul Orban and Edd Cartier and historical commentary by Will Murray, writer of nine Doc Savage novels. Priced at only $14.95.
 
The Pulp Era’s strangest mystery man returns in two more epic adventures by Paul Ernst writing as “Kenneth Robeson.” First, can Justice, Inc. prevent secrets of an ancient civilization buried for centuries in The River of Ice from destroying the modern world? Then, scientists in Paris, Berlin and Montreal exhale fire as they die, setting The Avenger on the trail of The Flame Breathers and a deadly secret that threatens to plunge the world into a fiery infernal! BONUS: a thrilling adventure of Police Commissioner James Gordon, a.k.a. The Whisperer! This classic pulp reprint showcases H. W. Scott’s classic pulp covers, all the original interior illustrations by Paul Orban, and historical commentary by Will Murray for $14.95!

Pulp fiction’s legendary Master of Men returns in two classic novels from the Golden Age of Pulp Fiction, written by Norvell Page under the pseudonym of Grant Stockbridge. First, in “Overlord of the Damned” (October 1935), the Boss unleashes horrible death with his demonic acid guns… with a vat of the same deadly corrosive reserved for those who talk too much! With his beloved Nita van Sloan a hostage to a terrible doom, the Spider faces the soul-tearing prospect of planting the Spider seal on his friend Stanley Kirkpatrick, Commissioner of Police! Then, in “Dictator’s Death Merchants!” (July 1940), The jaws of death gape open when El Crocodilo feasts! With uncanny skill, he forestalls even the Spider’s best attempts to trap him. Striking without mercy, this menace from the past rises anew by demolishing a banking institution each night, in a mad scheme to take control of nothing less than all of America’s finances! This volume is available in two editions and features the original artwork from the October 1935 or the July 1940 edition of “The Spider” magazine. Both versions feature reformatted text and original interior illustrations to accompany each story. Available now for $14.95!
 
 
 
 
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By Art Sippo

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It is the middle of the Great Depression. In the town of Crescent City, poor but honest Tom Worth disappears. Two days later he reappears on his front porch and tells a tale of being captured by a band of tiny golden ogres dressed in loin cloths and held prisoner in a cave. These miniature cavemen were no higher than his knee. They beat him with clubs and warned that they were going to do horrible things to him and the people of Crescent City. Shortly thereafter he disappeared again.
 
Tom’s son, Don is away at summer camp when his mother sends him the news of his father’s final disappearance. Don was a hard working lad and a good student. He intended to work hard and better himself. A serious lad, Don worked odd jobs to help the family make ends meet. Any bully who tried to mess with him learned the hard way that Don was no pushover. In fact Don tried to emulate his hero, the amazing Doc Savage! He wanted to be sound in mind, body, and conscience.
 
Don had three good friends: B. Elmer Dexter who always had some get-rich-quick scheme, Morris ‘Mental” Byron a dreamer and philosopher, and Leander ‘Funny’ Tucker a chubby good-natured boy and a practical joker. Together, they plan to solve the mystery of Tom Worth’s disappearance. The weird aspects of this case lead Don to one logical conclusion: they must seek help from Doc Savage.
 
In one of his few solo adventures without his aides, Doc goes to Crescent City and almost immediately, an attempt is made on his life. He links up with Don Worth and his three friends to solve the mystery of the gold ogres.
 
This adventure was written specifically to inaugurate a new series of juvenile adventures starring Don Worth and his friends that would emulate the more mature stories in the Doc Savage series for younger readers. The projected series never did materialize but Lester Dent left us an example of his writing talents for a young adult audience. Every Doc savage should read this unique addition to the Doc Savage canon and you can get yours today, plus another titanic Doc Savage tale in Doc Savage Volume 20 from Radio Archives for only $12.95!
 
Comments From Our Customers!
 
C. Eugene Schneider writes:
When I found Radio Archives in 2000, I thought I had died and gone to heaven. Continuing on 11 or so years later, I must say you produce the finest quality Old Time Radio recordings in your industry. I am very grateful for them and looking forward to what may be around the corner. The quality you provide is better than the original broadcasts. Thank you and keep up the fantastic work.
 
Larry Hultgren writes:
THANKS for all of your work in making excellent quality old time radio programs available. Great variety in your selections and wonderful service!
 
Mitzi McLaughlin writes:
This is great! I appreciate all of you so much for keeping this alive!
 
If you’d like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We’d love to hear from you!
 
The products you’ve read about in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s the sparkling audio fidelity of our classic radio collections, the excitement of our new line of audiobooks, or the timeless novels of the pulp heroes, you’ll find hundreds of intriguing items at RadioArchives.com.

COMEDY, DRAMA, AND PULP, PULP, PULP! ALL FROM RADIO ARCHIVES!

  • News
  • March 10, 2012

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March 9, 2012
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NEW Radio Set: Fibber McGee and Molly – The Lost Episodes, Volume 14

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What makes classic radio comedy? The best comedy writing perhaps for any radio program in history. Memorable, lovable characters. The banter and jokes that people all across the country tuned in for every week. And the best possible leads for a show about an endearing, quirky couple living in small town America. That is why listeners still become fans today of ‘Fibber McGee and Molly.”

It’s not surprising, then, that “Fibber McGee and Molly” enjoyed one of the most successful runs in radio history, being heard on the air in one form or another for nearly twenty-five years. It’s also not surprising that today, over fifty years after they made their last appearance as a team, Jim and Marion Jordan remain a part of our culture; people of a certain age still say “Tain’t funny, McGee” when someone’s joke falls flat and many of the character types used so well on this show still populate Comedy shows today.

For many years, radio enthusiasts and the general public have been enjoying the antics of Fibber and Molly thanks to the generous recording library left by the Johnson’s Wax Company, the long-time sponsor of the series. To add to these programs, RadioArchives.com has acquired many classic episodes of their later fifteen-minute daily series for NBC and has been releasing them in a series of popular compact disc collections – hilarious adventures that literally haven’t been heard since they were first aired in the mid-1950s. Featuring the Jordans, along with neighbors like Wallace Wimple, the Old Timer, and Doc Gamble, played by Bill Thompson and Arthur Q. Bryan, the newly-discovered shows in these collections are just as warm and entertaining today as they were more than fifty years ago.

Providing great laughs and stories until the end, Fibber McGee and Molly – The Lost Episodes, Volume 14 is the final volume in this fantastic series. Transferred from the original NBC master recordings and fully restored for sparkling audio fidelity, enjoy twenty one full length broadcasts, a total of five hours, of hilarity and hijinks for only $14.98 for Audio CDs.

Special note about this fantastic collection. The last show in this set is the very last Fibber McGee and Molly show ever broadcast. Although short pieces would be done for a few more years on Monitor, the final episode in this collection was the last time Fibber McGee and Molly had their own stage to share their magic with the world.

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The Soap Opera as we know it today is not much different than when it began back in the golden age of Radio. The only real difference between then and now is that shows are no longer sponsored by soap companies, hence the name originally attached to these episodic programs full of villains, passion, twists and turns, scandal and rumor and murderous melodrama. In 1947, however, a show that broke the mold and still stands out as a unique example of the soap opera hit the airwaves thanks to the sponsorship of Coca Cola. And this new take on soap operas had a name. Claudia.
The very elements that made Claudia different from other soap operas quickly became its strengths. People came back to “Claudia” for the interesting, fully developed characters, the lighthearted banter, and the familiarity of their day-to-day situations. Given this, most modern listeners view “Claudia” as a continuing daytime situation comedy, rather than as a soap opera — and enjoy it immensely.

The title character and her husband are the best part of the show. Claudia, a bit younger than her years, is often impulsive, sometimes irresponsible, usually perky, and just a bit flighty. Her father had died when she was still a young girl and, as an only child, had been raised by her widowed mother. As she matures, she becomes a unique mixture of enthusiasm, incompetence and over-confidence — deeply in love with her somewhat older husband David, but frequently naive and too likely to trust in her insecurities rather than her instincts. Claudia’s loving and patient husband David came from a substantial family and he had trained to be an architect until World War II interrupted his plans. Like many a returning veteran, he’s working to get ahead in his field, but he sometimes questions whether he’s chosen the right career path.
Claudia, Volume 10 continues the story of Claudia and David restored to the highest audio quality possible, showing not only the success of the program, but also the level of writing involved. Clearly the characters, especially the two leads, grow and mature over the course of the series, as clearly heard in this latest volume now available from Radio Archives on Audio CDs for $17.98.

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An exotic locale, an ancient city thrust into modern times surrounded by a mysterious desert. People of all types and nationalities, as mysterious as their surroundings and usually running to or away from something. A bar, its smoke filled liquor heavy air stirred by patrons crowding in to drown sorrows or make mischief. And at his own private table in the establishment, the bar’s owner, a man of intrigue himself who always ends up knee deep in danger.
For many Classic Movie fans, that description fits the legendary film “Casablanca” like Dooley Wilson fits a piano. It also applies to a wonderfully exciting radio show that has proven to be popular among collectors today, in part because so many episodes have survived. Rocky Jordan, Volume 1 definitely bears resemblance to the better known classic film on the surface, but really it stands on its own merits, owing more to the Pulp Detective shows and tales of the time than to a film making a not so veiled political statement.
Rocky Jordan, Volume 1 features well known radio character actor Jack Moyles in the title role. Having left the States for reasons never fully revealed, Jordan now owns the Café Tambourine, a nightclub in Cairo that everyone seems to want to buy, hide in, steal from, or die within its walls. And each time, Jordan ends up involved, accused, pursued, or otherwise with his neck in a proverbial noose. Helped or sometimes chased by Captain Sam Sabaaya of the Police, Jordan ends up hard boiling his way through the mystery and mayhem just as each episode comes to a close.
General similarities aside, “Rocky Jordan” is much more Philip Marlowe or Michael Shayne if they happened to own a bar in Egypt that it is ‘Casablanca’. Tough as nails and twice as sharp, Jordan takes no guff off anyone, but Moyles brings a necessary duality to his portrayal of Rocky, making him a guy who can throw his fists like wildfire, yet still give a plug nickel about the common joe. The stories are strong, well paced and tightly plotted tales, guaranteed to excite and wow in the short time given.
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In the flood of pulp magazines featuring the hard-hitting exploits of a single hero, only one magazine read as if its stories had been torn out of the headlines. That was G-Men, starring the closest equivalent to Eliot Ness and his Untouchables the pulps dared offer up.
The origins of this exemplary series are obscure. Leo Margulies, editor-in-chief of the Thrilling chain, may have been eyeing rival titles such as Secret Service Operator #5 and Secret Agent X, thinking there’s gold in fictionalizing the exploits of undercover men. Early in 1935, Margulies let it be known in the trade that he was planning to issue Secret Service Detective Stories—a bland and uninspiring title if one was ever floated.
But Secret Service Detective Stories never materialized. In April, James Cagney starred in a blockbuster film, G Men.  That July, a radio program by that same name debuted to strong ratings. It later became even more famous as Gang Busters. Pulp editors always looked to Hollywood and the headlines for inspiration. Margulies didn’t need to be hit over the head.  He scrapped the Secret Service concept and appropriated the popular title, which had been coined by gangster George “Machine Gun” Kelly when, after being surrounded by armed F.B.I. agents in 1933, threw up his hands and cried, “Don’t shoot, G-Men! Don’t shoot, G-Men!” Or so the legend goes. G-Man stood for Government Men, specifically F.B.I. agents.
These were the days of iron-fisted Federal Bureau of Investigation director J. Edgar Hoover battling back the gangster tide that was overrunning major cities all across America. Seeing the local law-enforcement was outnumbered and outgunned—if not compromised—by organized crime he reorganized the old Bureau of Investigation into America’s first national police force—sanctioned to cross state lines in the pursuit of justice. In the pulps, the urban menace of mobster crime had given rise to The Shadow and all the superhuman crime-fighters who followed.
Five years into this ever-shifting reality, Margulies and his editors must have decided the reading public was ready for a crime-crusher who didn’t wear a black cape or a weird mask, and who operated within the law. They were ready for the real deal.
So they created Special Agent Daniel Fowler. Young but hardened, the product of the FBI’s new scientific investigation methods, Fowler and his aides, Larry Kendal and Sally Vane, formed a special roving unit of the Bureau, willing and able to rush to any state in the Union to combat counterfeiters, extortionists and sundry foreign spies.
To write the exploits of such a non-nonsense hero, they understood that they needed a writer of a different cut than the boys who were grinding out The Phantom Detective every month. Maybe they tried a few of their Phantom authors and they flopped. In any case, they called in George Fielding Eliot, a former major in U. S. intelligence.
Titled after an underworld slang term for kidnapping, with the Lindbergh baby kidnapping fresh in the public consciousness, and inspired by the notorious Purple Gang, the premier exploit of Dan Fowler and his team was called Snatch! It was an instant success among readers who had been reading daily newspaper accounts of the F. B. I.’s successful crusade against John Dillinger and “Baby Face” Nelson, and other otherwise-unstoppable Public Enemies. Their bodies were fast piling up—filled with government lead, with no sign of The Shadow or the Spider anywhere in real life.
Seared by crime, trained by Hoover, and motivated by a stern sense of justice, Special Agent Fowler went on to a long and successful career spanning nearly two decades, and a single 1937 film, Federal Bullets. Only the death of the pulp magazine industry put an end to his fame.
In order to do justice to this riveting hero, we’ve recruited the impeccable-voiced Richard Epcar to narrate Snatch! If you like Richard’s hard-hitting performance as much as we do, expect to hear a big announcement regarding Richard Epcar and Radio Archives next month. We can’t wait!
Available for only $14.98 on Audio CDs, 5 Hours of G-Man Action from Will Murray’s Pulp Classics and Radio Archives!
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Part of my love of Classic Pulp heroes stems from their method of operating.  Unlike most modern heroes of today who are content with simply picking up a gun and blasting away at the bad guys until there’s nobody left alive to blast, those Classic Pulp heroes were on a whole other level.  There’s more thought and planning going into their war on evildoers and indeed, for being good guys they had to be far more devious than the bad guys in order to succeed.  Many of the Classic Pulp guys could have become quite formidable supercriminals in their own right if they had decided to go over to the Dark Side.  Take Secret Agent “X” for instance.
Here’s a guy who’s true identity isn’t known to anybody.  Not even his operatives.  There’s a great moment in The Torture Trust where X identifies himself to his main girl Betty Dale by writing the letter ‘X’ on one of her apartment walls in glow-in-the-dark ink.  That’s because every time he shows up to bring Betty into a new case, he looks like a different man.  Secret Agent “X” gets his money from a consortium of millionaires who just dump money into a secret bank account and trust him to do the right thing with it.  Lotta people take this guy X on a lotta faith, if you ask me.
But my paranoia has nothing to do with the sheer exuberant fun of listening to The Torture Trust and a large part of that is the exuberant fun of X himself.  He truly delights in his outwitting his enemies at every turn and escaping the police by just thatmuch.  Before this, I didn’t know that much about Secret Agent X and listening to The Torture Trust is a wonderful introduction to the character and his world. 
As usual, the voice work is excellent.  Radio Archives obviously doesn’t pinch pennies when it comes to acquiring vocal talent for their audiobooks.  I usually go to bed at night intending to listen to just two or three chapters of an audiobook before going to sleep but usually end up listening to the whole thing, so compelling is the voice I’m listening to and so well communicates the energy and excitement of the story.  By all means, give Secret Agent “X” – The Torture Trust a listen. Five hours on Audio CDs for only $14.98 from Radio Archives!
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The Best Pulp From Yesterday for Your Digital Reader Today! Radio Archives guarantees that is what you will get with Will Murray’s Pulp Classics line of eBooks!
Find the greatest heroes and best action in these five new exquisitely reformatted classic tales!
Never before had any criminal dared give open challenge to the Spider! Until now. And while they fought — the Spider and the Fly — a new and fearless criminal army was flocking to the dark banner of that gentlemanly killer whose battle cry was “Kill the Spider — and the world is ours!” As a special Bonus, Will Murray has written an introduction: “Meet the Spider” especially for this series of eBooks.
“When your people need you most… When Death walks the earth like a man…” spoke Mar-lar-delan, Richard Wentworth’s counsellor in the ancient mysticism of the East, “… in that hour, my son — you will die!” That black hour had come. In such a crisis, the Spider undertakes what may be his last foray! As a special Bonus, Will Murray has written an introduction: “Meet the Spider” especially for this series of eBooks.

Doomed to darkness by a murder monger, the Black Bat makes darkness his weapon — and a Mysterious Avenger is born! The foul, ruthless rule of a Lord of Crime, striking terror to a city, calls for the daring and swift justice of Tony Quinn. The Black Bat was the featured story in Black Book Detective magazine beginning in July of 1939, and running through 1953. Blinded former District Attorney Anthony Quinn was the costumed crusader who regained his sight to an amazing extent: he could now see in the dark. With super hearing, an enanced sense of touch and smell, he battled the dark underbelly of crimedom. Around him he gathered a small band of aides, Carol Baldwin, daughter of a small-town policeman, Butch O’Leary, none too bright, but a staunch battler, and Silk Kirby, an ex-crook, now Quinn’s valet.


Unseen, impregnable, the strange war engine of a foreign power hovered over America, waiting the fatal moment to hurl death upon a thousand cities and towns. Foredoomed to destruction and desolation before the ravaging hordes of the Yellow Empire, bleak despair gripped the nation’s millions. And then men held their breath in agonizing hope — as Operator 5, single-handed, seized the last grim chance to save the United States! As a special Bonus, Will Murray has written an introduction especially for this series of Operator #5 eBooks.

Men with skulls for faces — these were the victims of that terrible trio who met in a hidden room. And Secret Agent “X” went against them, daring the bottled torment of their deaf-mute slaves, in a desperate battle of wits at the gateway of destruction! From 1934 to 1939 America thrilled to the adventures of Secret Agent “X” — the “man of a thousand faces” — as he battled futuristic weapons and mad scientists. The true identity of Secret Agent “X” was never revealed. He used his mastery of disguise to work undercover for the U.S. government. With his aide, newspaper reporter Betty Dale, and his secretive government handler K-9, he battled weird and fantastical threats to America for forty-one amazing issues.
When you purchase these beautifully reformatted eBooks from RadioArchives.com you receive all three formats in one ZIP file: PDF for PC or Mac computer; Mobi for Kindle and ePub for iPad/IPhone, Android, Sony eReader, and Nook. When you upgrade to a new eReader, you can transfer your eBook novels to your new device without the need to purchase anything new.
All Radio Archives eBooks are in the Kindle Store and coming very soon to the iBook Store!

Will Murray’s Pulp Classics eBooks are $2.99 each from Radio Archives!

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Who knows what evil lurks in the hearts of men? The Shadow knows! The pulp era’s greatest crimebuster journeys to Maine on golden quests in two thrilling pulp novels by Walter Gibson writing as “Maxwell Grant.” First, The Shadow and G-man Vic Marquette hunt enemy agents sabotaging maritime shipping from a mysterious Castle of Crime. Then, a sea captain’s dying words lead to serial slayings along the long-buried trail to a Dead Man’s Chest and Cuban gold! This instant collector’s item reprints the classic color cover paintings by George Rozen and Graves Gladney and the original interior illustrations by Edd Cartier and Paul Orban, with historical commentary by Will Murray. Yours for only $14.95!
The pulp era’s greatest superman returns in classic pulp thrillers by Laurence Donovan and Lester Dent writing as “Kenneth Robeson.” First, Doc and Patricia Savage attempt to discover the secret behind the baffling series of “black spot murders” that confounds the law. Then, an auction gallery bidding war leads to the abduction of Monk Mayfair. Can the Man of Bronze uncover the sinister secret of The Terrible Stork in time to save his right-hand aide? This special collectors edition showcases the original color pulp covers by Walter M. Baumhofer and Modest Stein, Paul Orban’s classic interior illustrations and a behind-the-scenes article by Will Murray, writer of nine Doc Savage novels. Yours for only $14.95!
The double life of Police Commissioner James Gordon is explored in a pair of two-fisted thrillers that inspired classic Batman stories! First, The Whisperer goes undercover to close down a “School for Murder” that prepares teenagers for criminal careers! Then, Wildcat Gordon investigates corruption in the trucking industry in “Murder on the Line.” BONUS: an adventure of Norgil the Magician by The Shadow’s Maxwell Grant! This historic collector’s item showcases both original color pulp covers by Spider artist John Newton Howitt, classic interior illustrations by Paul Orban and golden-age great Creig Flessel, and historical commentary by Will Murray and Anthony Tollin. Now at Radio Archives for $14.95!
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The Spider, Volume 22 – 1935 & 1940 Variant Cover Editions 
Pulp fiction’s legendary Master of Men returns in two classic novels from the Golden Age of Pulp Fiction, written by Norvell Page under the pseudonym of Grant Stockbridge. First, in “Overlord of the Damned” (October 1935), the Boss unleashes horrible death with his demonic acid guns… with a vat of the same deadly corrosive reserved for those who talk too much! With his beloved Nita van Sloan a hostage to a terrible doom, the Spider faces the soul-tearing prospect of planting the Spider seal on his friend Stanley Kirkpatrick, Commissioner of Police! Then, in “Dictator’s Death Merchants!” (July 1940), The jaws of death gape open when El Crocodilo feasts! With uncanny skill, he forestalls even the Spider’s best attempts to trap him. Striking without mercy, this menace from the past rises anew by demolishing a banking institution each night, in a mad scheme to take control of nothing less than all of America’s finances! This volume is available in two editions and features the original artwork from the October 1935 or the July 1940 edition of “The Spider” magazine. Both versions feature reformatted text and original interior illustrations to accompany each story. Available now for $14.95!
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By John Olsen

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Castle of Doom was originally published in the January 15, 1936 issue of The Shadow Magazine. Now we’re talking! To me, this is what The Shadow is all about. Stealthily stalking through the night, he uncovers strange plottings in an old English castle. Secret passages, ghostly visitations, hidden treasure. Only The Shadow can unravel the secrets of the Castle of Doom!
The Shadow travels to London, England. Tales of crime have crossed the seas to Manhattan, where The Shadow hears of the swift, mysterious crime wave. The theft of gold, jewels, jade, tapestries and much more. Valuables worth a million and a half dollars. Along with the thefts, also murder; two and counting. So, disguised as Lamont Cranston, The Shadow makes a prompt trip to the British capital.
The strange tale gradually unwinds set against a backdrop of a three-hundred-year-old castle sitting high on a cliff overlooking the raging ocean on the rural English coast.  It’s an amazingly intricate story that’s a real joy to read.
This is The Shadow as he is meant to be read about. He is at his full power, with stealth abilities bordering on invisibility. He spends nearly the entire story in the background, skulking about in the dark of night. He appears only occasionally in disguise; he prefers his black cloak and slouch hat. He only rarely needs the assistance of his agent, Harry Vincent. And his mastery of languages now includes the Afghan language, as well as so many others.
We see The Shadow with his portable make-up kit, that small flat box which he uses to manipulate his waxlike features. He only appears briefly as Lamont Cranston. And similarly makes brief appearances as a rustic farmer in one scene, and as Professor Roderick Danglar, of Cambridge, in two others. No one sees any similarity between the three characters, so effective is his skill at disguise.
But it’s as his black-garbed true self that he spends most of his time, here. As he slides across the wide green lawns at midnight, he appears as a flickering shadow cast by the fringe of trees surrounding the estate.
This is one Shadow pulp mystery that I can recommend unconditionally. Mystery and intrigue abound in this atmospheric adventure. Set among ancient underground passages, hidden rooms, secret chambers, spiral staircases, spy rooms and mysterious vaults filled with flapping bats, this story weaves a tale of strange murder! It all makes for a story not to be missed! And You can enjoy “Castle of Doom” and another great Shadow tale in The Shadow, Volume 8 for only $12.95 from Radio Archives!
Comments From Our Customers!
Shaun Pettit:
I ordered “The Whistler – Volume 1” and it is great…The sound quality is superb! I hope to order “The Whistler Vol. 2” real soon!! Thanks to everyone at Radio Archives for the excellent products and customer service.
Ernest Spellmeyer:
Thank you for your prompt response and the quality of your products. I look forward to doing business with you in the future.
Michael Johnson:
Love these pulp reprint books. Thanks!
Clay Carter:
A great story on Jack Benny.  My dad got us interested in Jack’s show when we first listened to him on radio and of course followed by TV.
Dennis Roy:
I’ve recently become interested in your “Will Murray’s Pulp Classics” Audiobooks, after getting the first couple of Doc Savage CD sets. Let me commend you on the selection of pulp stories you have produced thus far.
Allen Hickerson:
LOVED the Spider audiobook! Is there a new one coming out soon?
If you’d like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We’d love to hear from you!
The products you’ve read about in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s the sparkling audio fidelity of our classic radio collections, the excitement of our new line of audiobooks, or the timeless novels of the pulp heroes, you’ll find hundreds of intriguing items at RadioArchives.com.
If you no longer wish to receive our newsletter, or if this newsletter has been sent to you in error, please reply to this e-mail with the subject line UNSUBSCRIBE and your name will immediately be removed from our mailing list.

ra234-350-2721939

What makes classic radio comedy? The best comedy writing perhaps for any radio program in history. Memorable, lovable characters. The banter and jokes that people all across the country tuned in for every week. And the best possible leads for a show about an endearing, quirky couple living in small town America. That is why listeners still become fans today of ‘Fibber McGee and Molly.”

It’s not surprising, then, that “Fibber McGee and Molly” enjoyed one of the most successful runs in radio history, being heard on the air in one form or another for nearly twenty-five years. It’s also not surprising that today, over fifty years after they made their last appearance as a team, Jim and Marion Jordan remain a part of our culture; people of a certain age still say “Tain’t funny, McGee” when someone’s joke falls flat and many of the character types used so well on this show still populate Comedy shows today.

For many years, radio enthusiasts and the general public have been enjoying the antics of Fibber and Molly thanks to the generous recording library left by the Johnson’s Wax Company, the long-time sponsor of the series. To add to these programs, RadioArchives.com has acquired many classic episodes of their later fifteen-minute daily series for NBC and has been releasing them in a series of popular compact disc collections – hilarious adventures that literally haven’t been heard since they were first aired in the mid-1950s. Featuring the Jordans, along with neighbors like Wallace Wimple, the Old Timer, and Doc Gamble, played by Bill Thompson and Arthur Q. Bryan, the newly-discovered shows in these collections are just as warm and entertaining today as they were more than fifty years ago.

Providing great laughs and stories until the end, Fibber McGee and Molly – The Lost Episodes, Volume 14 is the final volume in this fantastic series. Transferred from the original NBC master recordings and fully restored for sparkling audio fidelity, enjoy twenty one full length broadcasts, a total of five hours, of hilarity and hijinks for only $14.98 for Audio CDs.

Special note about this fantastic collection. The last show in this set is the very last Fibber McGee and Molly show ever broadcast. Although short pieces would be done for a few more years on Monitor, the final episode in this collection was the last time Fibber McGee and Molly had their own stage to share their magic with the world.

ra220-250-3087364
The Soap Opera as we know it today is not much different than when it began back in the golden age of Radio. The only real difference between then and now is that shows are no longer sponsored by soap companies, hence the name originally attached to these episodic programs full of villains, passion, twists and turns, scandal and rumor and murderous melodrama. In 1947, however, a show that broke the mold and still stands out as a unique example of the soap opera hit the airwaves thanks to the sponsorship of Coca Cola. And this new take on soap operas had a name. Claudia.
The very elements that made Claudia different from other soap operas quickly became its strengths. People came back to “Claudia” for the interesting, fully developed characters, the lighthearted banter, and the familiarity of their day-to-day situations. Given this, most modern listeners view “Claudia” as a continuing daytime situation comedy, rather than as a soap opera — and enjoy it immensely.

The title character and her husband are the best part of the show. Claudia, a bit younger than her years, is often impulsive, sometimes irresponsible, usually perky, and just a bit flighty. Her father had died when she was still a young girl and, as an only child, had been raised by her widowed mother. As she matures, she becomes a unique mixture of enthusiasm, incompetence and over-confidence — deeply in love with her somewhat older husband David, but frequently naive and too likely to trust in her insecurities rather than her instincts. Claudia’s loving and patient husband David came from a substantial family and he had trained to be an architect until World War II interrupted his plans. Like many a returning veteran, he’s working to get ahead in his field, but he sometimes questions whether he’s chosen the right career path.
Claudia, Volume 10 continues the story of Claudia and David restored to the highest audio quality possible, showing not only the success of the program, but also the level of writing involved. Clearly the characters, especially the two leads, grow and mature over the course of the series, as clearly heard in this latest volume now available from Radio Archives on Audio CDs for $17.98.

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An exotic locale, an ancient city thrust into modern times surrounded by a mysterious desert. People of all types and nationalities, as mysterious as their surroundings and usually running to or away from something. A bar, its smoke filled liquor heavy air stirred by patrons crowding in to drown sorrows or make mischief. And at his own private table in the establishment, the bar’s owner, a man of intrigue himself who always ends up knee deep in danger.
For many Classic Movie fans, that description fits the legendary film “Casablanca” like Dooley Wilson fits a piano. It also applies to a wonderfully exciting radio show that has proven to be popular among collectors today, in part because so many episodes have survived. Rocky Jordan, Volume 1 definitely bears resemblance to the better known classic film on the surface, but really it stands on its own merits, owing more to the Pulp Detective shows and tales of the time than to a film making a not so veiled political statement.
Rocky Jordan, Volume 1 features well known radio character actor Jack Moyles in the title role. Having left the States for reasons never fully revealed, Jordan now owns the Café Tambourine, a nightclub in Cairo that everyone seems to want to buy, hide in, steal from, or die within its walls. And each time, Jordan ends up involved, accused, pursued, or otherwise with his neck in a proverbial noose. Helped or sometimes chased by Captain Sam Sabaaya of the Police, Jordan ends up hard boiling his way through the mystery and mayhem just as each episode comes to a close.
General similarities aside, “Rocky Jordan” is much more Philip Marlowe or Michael Shayne if they happened to own a bar in Egypt that it is ‘Casablanca’. Tough as nails and twice as sharp, Jordan takes no guff off anyone, but Moyles brings a necessary duality to his portrayal of Rocky, making him a guy who can throw his fists like wildfire, yet still give a plug nickel about the common joe. The stories are strong, well paced and tightly plotted tales, guaranteed to excite and wow in the short time given.
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In the flood of pulp magazines featuring the hard-hitting exploits of a single hero, only one magazine read as if its stories had been torn out of the headlines. That was G-Men, starring the closest equivalent to Eliot Ness and his Untouchables the pulps dared offer up.
The origins of this exemplary series are obscure. Leo Margulies, editor-in-chief of the Thrilling chain, may have been eyeing rival titles such as Secret Service Operator #5 and Secret Agent X, thinking there’s gold in fictionalizing the exploits of undercover men. Early in 1935, Margulies let it be known in the trade that he was planning to issue Secret Service Detective Stories—a bland and uninspiring title if one was ever floated.
But Secret Service Detective Stories never materialized. In April, James Cagney starred in a blockbuster film, G Men.  That July, a radio program by that same name debuted to strong ratings. It later became even more famous as Gang Busters. Pulp editors always looked to Hollywood and the headlines for inspiration. Margulies didn’t need to be hit over the head.  He scrapped the Secret Service concept and appropriated the popular title, which had been coined by gangster George “Machine Gun” Kelly when, after being surrounded by armed F.B.I. agents in 1933, threw up his hands and cried, “Don’t shoot, G-Men! Don’t shoot, G-Men!” Or so the legend goes. G-Man stood for Government Men, specifically F.B.I. agents.
These were the days of iron-fisted Federal Bureau of Investigation director J. Edgar Hoover battling back the gangster tide that was overrunning major cities all across America. Seeing the local law-enforcement was outnumbered and outgunned—if not compromised—by organized crime he reorganized the old Bureau of Investigation into America’s first national police force—sanctioned to cross state lines in the pursuit of justice. In the pulps, the urban menace of mobster crime had given rise to The Shadow and all the superhuman crime-fighters who followed.
Five years into this ever-shifting reality, Margulies and his editors must have decided the reading public was ready for a crime-crusher who didn’t wear a black cape or a weird mask, and who operated within the law. They were ready for the real deal.
So they created Special Agent Daniel Fowler. Young but hardened, the product of the FBI’s new scientific investigation methods, Fowler and his aides, Larry Kendal and Sally Vane, formed a special roving unit of the Bureau, willing and able to rush to any state in the Union to combat counterfeiters, extortionists and sundry foreign spies.
To write the exploits of such a non-nonsense hero, they understood that they needed a writer of a different cut than the boys who were grinding out The Phantom Detective every month. Maybe they tried a few of their Phantom authors and they flopped. In any case, they called in George Fielding Eliot, a former major in U. S. intelligence.
Titled after an underworld slang term for kidnapping, with the Lindbergh baby kidnapping fresh in the public consciousness, and inspired by the notorious Purple Gang, the premier exploit of Dan Fowler and his team was called Snatch! It was an instant success among readers who had been reading daily newspaper accounts of the F. B. I.’s successful crusade against John Dillinger and “Baby Face” Nelson, and other otherwise-unstoppable Public Enemies. Their bodies were fast piling up—filled with government lead, with no sign of The Shadow or the Spider anywhere in real life.
Seared by crime, trained by Hoover, and motivated by a stern sense of justice, Special Agent Fowler went on to a long and successful career spanning nearly two decades, and a single 1937 film, Federal Bullets. Only the death of the pulp magazine industry put an end to his fame.
In order to do justice to this riveting hero, we’ve recruited the impeccable-voiced Richard Epcar to narrate Snatch! If you like Richard’s hard-hitting performance as much as we do, expect to hear a big announcement regarding Richard Epcar and Radio Archives next month. We can’t wait!
Available for only $14.98 on Audio CDs, 5 Hours of G-Man Action from Will Murray’s Pulp Classics and Radio Archives!
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Part of my love of Classic Pulp heroes stems from their method of operating.  Unlike most modern heroes of today who are content with simply picking up a gun and blasting away at the bad guys until there’s nobody left alive to blast, those Classic Pulp heroes were on a whole other level.  There’s more thought and planning going into their war on evildoers and indeed, for being good guys they had to be far more devious than the bad guys in order to succeed.  Many of the Classic Pulp guys could have become quite formidable supercriminals in their own right if they had decided to go over to the Dark Side.  Take Secret Agent “X” for instance.
Here’s a guy who’s true identity isn’t known to anybody.  Not even his operatives.  There’s a great moment in The Torture Trust where X identifies himself to his main girl Betty Dale by writing the letter ‘X’ on one of her apartment walls in glow-in-the-dark ink.  That’s because every time he shows up to bring Betty into a new case, he looks like a different man.  Secret Agent “X” gets his money from a consortium of millionaires who just dump money into a secret bank account and trust him to do the right thing with it.  Lotta people take this guy X on a lotta faith, if you ask me.
But my paranoia has nothing to do with the sheer exuberant fun of listening to The Torture Trust and a large part of that is the exuberant fun of X himself.  He truly delights in his outwitting his enemies at every turn and escaping the police by just thatmuch.  Before this, I didn’t know that much about Secret Agent X and listening to The Torture Trust is a wonderful introduction to the character and his world. 
As usual, the voice work is excellent.  Radio Archives obviously doesn’t pinch pennies when it comes to acquiring vocal talent for their audiobooks.  I usually go to bed at night intending to listen to just two or three chapters of an audiobook before going to sleep but usually end up listening to the whole thing, so compelling is the voice I’m listening to and so well communicates the energy and excitement of the story.  By all means, give Secret Agent “X” – The Torture Trust a listen. Five hours on Audio CDs for only $14.98 from Radio Archives!
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The Best Pulp From Yesterday for Your Digital Reader Today! Radio Archives guarantees that is what you will get with Will Murray’s Pulp Classics line of eBooks!
Find the greatest heroes and best action in these five new exquisitely reformatted classic tales!
Never before had any criminal dared give open challenge to the Spider! Until now. And while they fought — the Spider and the Fly — a new and fearless criminal army was flocking to the dark banner of that gentlemanly killer whose battle cry was “Kill the Spider — and the world is ours!” As a special Bonus, Will Murray has written an introduction: “Meet the Spider” especially for this series of eBooks.
“When your people need you most… When Death walks the earth like a man…” spoke Mar-lar-delan, Richard Wentworth’s counsellor in the ancient mysticism of the East, “… in that hour, my son — you will die!” That black hour had come. In such a crisis, the Spider undertakes what may be his last foray! As a special Bonus, Will Murray has written an introduction: “Meet the Spider” especially for this series of eBooks.

Doomed to darkness by a murder monger, the Black Bat makes darkness his weapon — and a Mysterious Avenger is born! The foul, ruthless rule of a Lord of Crime, striking terror to a city, calls for the daring and swift justice of Tony Quinn. The Black Bat was the featured story in Black Book Detective magazine beginning in July of 1939, and running through 1953. Blinded former District Attorney Anthony Quinn was the costumed crusader who regained his sight to an amazing extent: he could now see in the dark. With super hearing, an enanced sense of touch and smell, he battled the dark underbelly of crimedom. Around him he gathered a small band of aides, Carol Baldwin, daughter of a small-town policeman, Butch O’Leary, none too bright, but a staunch battler, and Silk Kirby, an ex-crook, now Quinn’s valet.


Unseen, impregnable, the strange war engine of a foreign power hovered over America, waiting the fatal moment to hurl death upon a thousand cities and towns. Foredoomed to destruction and desolation before the ravaging hordes of the Yellow Empire, bleak despair gripped the nation’s millions. And then men held their breath in agonizing hope — as Operator 5, single-handed, seized the last grim chance to save the United States! As a special Bonus, Will Murray has written an introduction especially for this series of Operator #5 eBooks.

Men with skulls for faces — these were the victims of that terrible trio who met in a hidden room. And Secret Agent “X” went against them, daring the bottled torment of their deaf-mute slaves, in a desperate battle of wits at the gateway of destruction! From 1934 to 1939 America thrilled to the adventures of Secret Agent “X” — the “man of a thousand faces” — as he battled futuristic weapons and mad scientists. The true identity of Secret Agent “X” was never revealed. He used his mastery of disguise to work undercover for the U.S. government. With his aide, newspaper reporter Betty Dale, and his secretive government handler K-9, he battled weird and fantastical threats to America for forty-one amazing issues.
When you purchase these beautifully reformatted eBooks from RadioArchives.com you receive all three formats in one ZIP file: PDF for PC or Mac computer; Mobi for Kindle and ePub for iPad/IPhone, Android, Sony eReader, and Nook. When you upgrade to a new eReader, you can transfer your eBook novels to your new device without the need to purchase anything new.
All Radio Archives eBooks are in the Kindle Store and coming very soon to the iBook Store!

Will Murray’s Pulp Classics eBooks are $2.99 each from Radio Archives!

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Who knows what evil lurks in the hearts of men? The Shadow knows! The pulp era’s greatest crimebuster journeys to Maine on golden quests in two thrilling pulp novels by Walter Gibson writing as “Maxwell Grant.” First, The Shadow and G-man Vic Marquette hunt enemy agents sabotaging maritime shipping from a mysterious Castle of Crime. Then, a sea captain’s dying words lead to serial slayings along the long-buried trail to a Dead Man’s Chest and Cuban gold! This instant collector’s item reprints the classic color cover paintings by George Rozen and Graves Gladney and the original interior illustrations by Edd Cartier and Paul Orban, with historical commentary by Will Murray. Yours for only $14.95!
The pulp era’s greatest superman returns in classic pulp thrillers by Laurence Donovan and Lester Dent writing as “Kenneth Robeson.” First, Doc and Patricia Savage attempt to discover the secret behind the baffling series of “black spot murders” that confounds the law. Then, an auction gallery bidding war leads to the abduction of Monk Mayfair. Can the Man of Bronze uncover the sinister secret of The Terrible Stork in time to save his right-hand aide? This special collectors edition showcases the original color pulp covers by Walter M. Baumhofer and Modest Stein, Paul Orban’s classic interior illustrations and a behind-the-scenes article by Will Murray, writer of nine Doc Savage novels. Yours for only $14.95!
The double life of Police Commissioner James Gordon is explored in a pair of two-fisted thrillers that inspired classic Batman stories! First, The Whisperer goes undercover to close down a “School for Murder” that prepares teenagers for criminal careers! Then, Wildcat Gordon investigates corruption in the trucking industry in “Murder on the Line.” BONUS: an adventure of Norgil the Magician by The Shadow’s Maxwell Grant! This historic collector’s item showcases both original color pulp covers by Spider artist John Newton Howitt, classic interior illustrations by Paul Orban and golden-age great Creig Flessel, and historical commentary by Will Murray and Anthony Tollin. Now at Radio Archives for $14.95!
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The Spider, Volume 22 – 1935 & 1940 Variant Cover Editions 
Pulp fiction’s legendary Master of Men returns in two classic novels from the Golden Age of Pulp Fiction, written by Norvell Page under the pseudonym of Grant Stockbridge. First, in “Overlord of the Damned” (October 1935), the Boss unleashes horrible death with his demonic acid guns… with a vat of the same deadly corrosive reserved for those who talk too much! With his beloved Nita van Sloan a hostage to a terrible doom, the Spider faces the soul-tearing prospect of planting the Spider seal on his friend Stanley Kirkpatrick, Commissioner of Police! Then, in “Dictator’s Death Merchants!” (July 1940), The jaws of death gape open when El Crocodilo feasts! With uncanny skill, he forestalls even the Spider’s best attempts to trap him. Striking without mercy, this menace from the past rises anew by demolishing a banking institution each night, in a mad scheme to take control of nothing less than all of America’s finances! This volume is available in two editions and features the original artwork from the October 1935 or the July 1940 edition of “The Spider” magazine. Both versions feature reformatted text and original interior illustrations to accompany each story. Available now for $14.95!
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By John Olsen

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Castle of Doom was originally published in the January 15, 1936 issue of The Shadow Magazine. Now we’re talking! To me, this is what The Shadow is all about. Stealthily stalking through the night, he uncovers strange plottings in an old English castle. Secret passages, ghostly visitations, hidden treasure. Only The Shadow can unravel the secrets of the Castle of Doom!
The Shadow travels to London, England. Tales of crime have crossed the seas to Manhattan, where The Shadow hears of the swift, mysterious crime wave. The theft of gold, jewels, jade, tapestries and much more. Valuables worth a million and a half dollars. Along with the thefts, also murder; two and counting. So, disguised as Lamont Cranston, The Shadow makes a prompt trip to the British capital.
The strange tale gradually unwinds set against a backdrop of a three-hundred-year-old castle sitting high on a cliff overlooking the raging ocean on the rural English coast.  It’s an amazingly intricate story that’s a real joy to read.
This is The Shadow as he is meant to be read about. He is at his full power, with stealth abilities bordering on invisibility. He spends nearly the entire story in the background, skulking about in the dark of night. He appears only occasionally in disguise; he prefers his black cloak and slouch hat. He only rarely needs the assistance of his agent, Harry Vincent. And his mastery of languages now includes the Afghan language, as well as so many others.
We see The Shadow with his portable make-up kit, that small flat box which he uses to manipulate his waxlike features. He only appears briefly as Lamont Cranston. And similarly makes brief appearances as a rustic farmer in one scene, and as Professor Roderick Danglar, of Cambridge, in two others. No one sees any similarity between the three characters, so effective is his skill at disguise.
But it’s as his black-garbed true self that he spends most of his time, here. As he slides across the wide green lawns at midnight, he appears as a flickering shadow cast by the fringe of trees surrounding the estate.
This is one Shadow pulp mystery that I can recommend unconditionally. Mystery and intrigue abound in this atmospheric adventure. Set among ancient underground passages, hidden rooms, secret chambers, spiral staircases, spy rooms and mysterious vaults filled with flapping bats, this story weaves a tale of strange murder! It all makes for a story not to be missed! And You can enjoy “Castle of Doom” and another great Shadow tale in The Shadow, Volume 8 for only $12.95 from Radio Archives!
Comments From Our Customers!
Shaun Pettit:
I ordered “The Whistler – Volume 1” and it is great…The sound quality is superb! I hope to order “The Whistler Vol. 2” real soon!! Thanks to everyone at Radio Archives for the excellent products and customer service.
Ernest Spellmeyer:
Thank you for your prompt response and the quality of your products. I look forward to doing business with you in the future.
Michael Johnson:
Love these pulp reprint books. Thanks!
Clay Carter:
A great story on Jack Benny.  My dad got us interested in Jack’s show when we first listened to him on radio and of course followed by TV.
Dennis Roy:
I’ve recently become interested in your “Will Murray’s Pulp Classics” Audiobooks, after getting the first couple of Doc Savage CD sets. Let me commend you on the selection of pulp stories you have produced thus far.
Allen Hickerson:
LOVED the Spider audiobook! Is there a new one coming out soon?
If you’d like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We’d love to hear from you!
The products you’ve read about in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s the sparkling audio fidelity of our classic radio collections, the excitement of our new line of audiobooks, or the timeless novels of the pulp heroes, you’ll find hundreds of intriguing items at RadioArchives.com.
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BOX 13, DAN FOWLER, OPERATOR 5, JACK BENNY, AND MORE! FROM RADIO ARCHIVES!

  • News
  • February 27, 2012

RadioArchives.com Newsletter

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February 24, 2012
 
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NEW Radio Set: Box Thirteen, Volume 4

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“Adventure wanted. Will go anyplace, do anything. Box Thirteen.” These words sent Dan Holiday, reporter turned author, into mystery and action for fifty-two episodes of ‘Box Thirteen’, a stand out radio program produced in 1948-49. Holiday, played by screen star Alan Ladd, checked his box at his paper, the Star-Times, each week and every single time launched himself into a brand new adventure.
 
The basic premise of the show is simple. Interested in writing the most successful and thrilling stories possible, Dan Holiday places an ad in the paper he works for – the Star-Times. Apparently prospering as a mystery writer, Holiday rarely charges a fee to any of the colorful clients that cross his path, most of whom need his assistance in one way or another.
 
“Box Thirteen” stood out amongst its contemporaries for more than one reason. The device Holiday uses to get his story ideas is one aspect of Box Thirteen that adds to its different flavor. Even though this technique, placing an ad in a paper advertising for adventure, was not a new one, actually present in at least one other old time radio show at the time, the way it was handled within this show was special. Holiday wasn’t a retired cop or a super secret agent with no war to fight. He was a guy who wanted to live the stories he wrote about so he’d write better books. He had no intention of making money directly off of helping someone out of a jam or being locked away in an asylum or any of the other calamities he intentionally encountered over fifty-two episodes. Thanks to Ladd’s portrayal, Holiday used the want-ad gimmick to better the lives of those he came into contact with in this unique way whenever he could.
 
Some sources cite that Alan Ladd played Dan Holiday as somewhat stiff and wooden in the early episodes of Box Thirteen. By the last episodes in the series, however, all agree that Ladd made the character and the show itself what it was always intended to be – a showpiece for what Alan Ladd could really do. Hang on tight and read over Dan Holiday’s shoulder as he learns what danger and death awaits him when he checks in at the Star-Times. All the mystery, suspense, and pure adventure you can handle await you in Box Thirteen, Volume 4, the last episodes in this classic program. This Six hour collection is available now on Audio CDs for $17.98 from Radio Archives!

 
This already fantastic collection of a Classic Adventures series also comes with incredible new artwork! Pulp Artist extraordinaire Doug Klauba brings Dan Holiday as played by Alan Ladd to visual life! A print of this great piece can be yours in one of the newest additions to the Pulp Book Store, The Art of Doug Klauba! Get this artwork as a poster in the new store featuring the varied and awesome work of Doug Klauba!
 

ra219-250-7001215 Many works from the Golden Age of Radio had their origins in other mediums. A best selling book, a movie, a hit Broadway play. Some even went on to have their time in the spotlight on TV. One show to rise out or grow into all of these mediums and become a part of radio history as well was a stand out unique soap opera called “Claudia.”

“Claudia” was based on the literary works of Rose Franken, a writer, novelist, playwright, and theatrical director who had first written about the Naughton’s in the mid-1930s. By the end of the decade, the highly popular short stories had been brought together into a series of best-selling novels which, in 1941, were adapted by Franken into a Broadway play starring Donald Cook as David and a young actress named Dorothy McGuire in the title role. Claudia Naughton was a breakout role for McGuire; the sincerity, simplicity, and captivating charm which she brought to the part made the play a long-running hit and soon brought her to Hollywood to reprise the role in the 20th Century Fox film version, released in 1943 and co-starring Robert Young as David. Based on that film’s success, in 1945, RKO Pictures starred McGuire and Young in “The Enchanted Cottage” and 1946 found them together again in “Claudia and David,” a sequel to the earlier film.
 
Heard today, “Claudia” remains wonderful entertainment, notable for both its lighthearted tone and the believable interplay between its characters. Claudia, a bit younger than her years, is often impulsive, sometimes irresponsible, usually perky, and just a bit flighty. As she matures, she becomes a unique mixture of enthusiasm, incompetence and over-confidence — deeply in love with her somewhat older husband David, but frequently naive and too likely to trust in her insecurities rather than her instincts.
 
Claudia, Volume 9 continues Radio Archives’ collection of the complete run of this classic series. Restored to the best and clearest audio quality possible, these shows sparkle and are best heard in the way they were presented, in fifteen minute chapters every single day. Whether you enjoy them as they originally aired or can’t wait and sit through them all at once, Claudia, Volume 9 continues a wonderful episodic tale of a woman and the man she loves living life the way most of their listeners did and do. This volume can be yours today on Audio CDs for only $17.98.
 

by Tommy Hancock

 

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It’s often amazing and sometimes atrocious when a character begins in one medium and then is translated into other venues. Sometimes the essence of the original concept and story are maintained and fans simply get a different version of the tale they love. Other times, alterations made for whatever reason are so dramatic that whatever results from said changes is a pale imitation, if not something completely different than where the idea began. There is that rare instance, though, of something beginning one way, then being interpreted slightly differently through a different lens, so to speak.
 
Or in this case, through a radio speaker.
 
Casey, Crime Photographer, Volume 1 contains twenty episodes of good old-fashioned pulpy, fun, action packed newspaper mysteries that any fan would enjoy! Originally created for Black Mask magazine by writer George Harmon Coxe, the character that headlines this show was originally known as Flashgun Casey. And those original tales as well as the novels to follow were written in the trademark detective pulp style of two fisted hard boiled action made famous by Black Mask. Coxe imbued the initial version of his camera wielding newspaper photographer with a thirst for justice, a nose for news, and enough grit and iron to take on any thug or crime boss. Thankfully for fans of such stories, those aspects of Casey survived into the radio show, even though the sobriquet of ‘Flashgun’ didn’t for the most part.
 
Even though Casey can be heard doggedly pursuing right and wanting to spread wrongdoing all over the front page of the Morning Express, there was a not all that subtle shift in the character by the time he made it to radio. This was not uncommon in the days of radio, to take especially a rough-hewn hard boiled type and lighten him up a bit for his audio incarnation. There’s multiple examples of this attached to some pretty well known characters. Unfortunately, there’s usually something lost when this occurs, a particular aspect of the character that just doesn’t survive the translation. A prime example of this that comes to mind is the Wally Maher version of ‘Michael Shayne’ (The Jeff Chandler version, also available via Radio Archives, nails the character solidly by the way). Maybe the portrayal comes off as too soft or downright goofy or the stories get feathery. Not so with “Casey, Crime Photographer.”
 
One of the major appeals of this show is the fact that the writers and producers built a likable, interesting supporting cast around Casey. There’s Miss Anne Williams, Casey’s very own reporter and love interest; Captain Logan, the almost standard irascible police contact; and Ethelbert, the most enjoyable owner and bartender of Casey’s favorite watering hole, the Blue Note. Each of the episodes in this collection follow a standard formula for the show. Casey and Ethelbert embark upon banter that leads to Tony Marvin, the announcer, opening the show and hawking the sponsor, Anchor-Hocking Glass. Then oftentimes the mystery or crime that Casey and Anne have to track down for the paper is reported to them while sitting again at Ethelbert’s bar. From there, each show contains a good balance of humorous repartee, well paced action and twists, and Casey showing the flashbulb blazing heroic side of himself Coxe imbued him with while maintaining a likability that added to the mass audience appeal of the character.
 
Throw in the fact that two of the best possible voices for the two best characters in “Casey” are present in this collection and you can’t lose! Staats Cotsworth, although not the only actor to voice Casey, owned the role the longest and definitely left his mark on it with his jovial baritone voice. John Gibson’s high tenor portrayal of Ethelbert clearly stands out in every episode, making the role that Gibson played for the entire run of the radio show one of the favorites among fans.
 
Casey, Crime Photographer, Volume 1 is that rare case where listeners get both the original take on the character wrapped in new interpretations…and it works! Available from Radio Archives for $29.98 on Audio CDs, this is a series that needs to be yours today! Get the picture?

 
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In the flood of pulp magazines featuring the hard-hitting exploits of a single hero, only one magazine read as if its stories had been torn out of the headlines. That was G-Men, starring the closest equivalent to Eliot Ness and his Untouchables the pulps dared offer up.
 
The origins of this exemplary series are obscure. Leo Margulies, editor-in-chief of the Thrilling chain, may have been eyeing rival titles such as Secret Service Operator #5 and Secret Agent X, thinking there’s gold in fictionalizing the exploits of undercover men. Early in 1935, Margulies let it be known in the trade that he was planning to issue Secret Service Detective Stories—a bland and uninspiring title if one was ever floated.
 
But Secret Service Detective Stories never materialized. In April, James Cagney starred in a blockbuster film, G Men.  That July, a radio program by that same name debuted to strong ratings. It later became even more famous as Gang Busters. Pulp editors always looked to Hollywood and the headlines for inspiration. Margulies didn’t need to be hit over the head.  He scrapped the Secret Service concept and appropriated the popular title, which had been coined by gangster George “Machine Gun” Kelly when, after being surrounded by armed F.B.I. agents in 1933, threw up his hands and cried, “Don’t shoot, G-Men! Don’t shoot, G-Men!” Or so the legend goes. G-Man stood for Government Men, specifically F.B.I. agents.
 
These were the days of iron-fisted Federal Bureau of Investigation director J. Edgar Hoover battling back the gangster tide that was overrunning major cities all across America. Seeing the local law-enforcement was outnumbered and outgunned—if not compromised—by organized crime he reorganized the old Bureau of Investigation into America’s first national police force—sanctioned to cross state lines in the pursuit of justice. In the pulps, the urban menace of mobster crime had given rise to The Shadow and all the superhuman crime-fighters who followed.
 
Five years into this ever-shifting reality, Margulies and his editors must have decided the reading public was ready for a crime-crusher who didn’t wear a black cape or a weird mask, and who operated within the law. They were ready for the real deal.
 
So they created Special Agent Daniel Fowler. Young but hardened, the product of the FBI’s new scientific investigation methods, Fowler and his aides, Larry Kendal and Sally Vane, formed a special roving unit of the Bureau, willing and able to rush to any state in the Union to combat counterfeiters, extortionists and sundry foreign spies.
 
To write the exploits of such a non-nonsense hero, they understood that they needed a writer of a different cut than the boys who were grinding out The Phantom Detective every month. Maybe they tried a few of their Phantom authors and they flopped. In any case, they called in George Fielding Eliot, a former major in U. S. intelligence.
 
Titled after an underworld slang term for kidnapping, with the Lindbergh baby kidnapping fresh in the public consciousness, and inspired by the notorious Purple Gang, the premier exploit of Dan Fowler and his team was called Snatch! It was an instant success among readers who had been reading daily newspaper accounts of the F. B. I.’s successful crusade against John Dillinger and “Baby Face” Nelson, and other otherwise-unstoppable Public Enemies. Their bodies were fast piling up—filled with government lead, with no sign of The Shadow or the Spider anywhere in real life.
 
Seared by crime, trained by Hoover, and motivated by a stern sense of justice, Special Agent Fowler went on to a long and successful career spanning nearly two decades, and a single 1937 film, Federal Bullets. Only the death of the pulp magazine industry put an end to his fame.
 
In order to do justice to this riveting hero, we’ve recruited the impeccable-voiced Richard Epcar to narrate Snatch! If you like Richard’s hard-hitting performance as much as we do, expect to hear a big announcement regarding Richard Epcar and Radio Archives next month. We can’t wait!
 
Available for only $14.98 on Audio CDs, 5 Hours of G-Man Action from Will Murray’s Pulp Classics and Radio Archives!

 
by Derrick Ferguson
 

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The more audiobooks produced by Radio Archives that I listen to, the more impressed I am and the more I’m getting hooked on them. What I really enjoy first off is the mixture of music and sound effects that make the audiobooks a little closer to audio dramas than just a straight reading of the text. Which isn’t a bad thing, depending on who’s doing the reading. For White Eyes we’ve got Richard Epcar who has a clear, firm, muscular voice, which is just what you want for a Doc Savage adventure.
 
And what an adventure it is! In White Eyes, Doc Savage is up against one of the most formidable villains he’s ever faced. The mysterious White Eyes dresses entirely in white. His skin is the color of porcelain and his eyes have no pupils. He appears to have supernatural abilities such as his mastery of The Blind Death. A horrifying method of murder, it turns the eyes of its victims as blank and as white as cue balls.
 
There’s quite a lot of eccentric supporting characters running around here, including a goodly number of New York’s criminal element. These criminals are bonded together into an army by White Eyes to seize Doc’s source of wealth: the Mayan gold that was bequeathed to him by his father in The Man of Bronze, Doc’s first recorded adventure.
 
It’s an ambitious scheme and one I found highly intriguing as for a change, it’s the criminals who go on the offensive to challenge Doc and his crew.
 
As an added bonus, there are two interviews with Will Murray where he gives interesting and entertaining background information about Doc Savage and Lester Dent in general and White Eyes in particular. Being a writer myself, I’m always fascinated to hear how another writer goes about crafting his stories.
 
Out of the two highly excellent Doc Savage audiobooks I’ve listened to so far, I’d have to give White Eyes the edge. That’s not to say that Python Isle suffers at all. It’s an outstanding Doc Savage adventure and well worth your time and money. But I’d have to say that White Eyes is probably my favorite out of the two. Tell you what, why not go listen to both of ‘em then get back to me and we can argue about it, okay? Get your copy for $31.98 on Audio CDs from Radio Archives!

 
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The Best Pulp From Yesterday for Your Digital Reader Today! That’s what Will Murray’s Pulp Classics line of eBooks from Radio Archives brings you! Thrill to Heroic Tales of Pulp Icons like The Spider and Chill to the Machinations of Villains like Doctor Death! Two fisted action and high octane adventure written by the Authors who defined Pulp Fiction forever!
 
These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and feature the original full color cover. Will Murray’s Pulp Classics line of eBooks are of the highest quality and feature the great Pulp Fiction stories of the 1930s-1950s.
 
Two new eBooks starring the violent vigilante adventures of the Master of men! The Spider, America’s best-loved pulp-fiction character of the 1930s and 1940s, erupts guns blazing in these two exquisitely reformatted classic tales!
 
The Spider #3 Wings of the Black Death
Like the consuming flames of a prairie fire the dread news spread: “The Spider has gone mad! He will massacre us all!” But Richard Wentworth, never more sane, was even then gambling life itself in one desperate effort to save the city which cursed his name — from the awful ravages of man-spread plague!
 
 
When night falls you’ll think of Zara. You’ll see those eyes of his glowing with the very fires of hell — and you’ll be glad that the Spider prowls the night to help mankind. For Zara rose from Underworld filth… to enslave all peoples. And his crowning glory was saved for the Spider — Master of Men — whom he swore to make an idiot, the clowning jester of Zara’s court!
 
As a special Bonus, Will Murray has written “Meet the Spider” especially for this series of eBooks.
 
Joining the Spider are three names well known to Pulp Fans and characters full of intrigue, adventure, and excitement all their own!
 
Operator #5 – April 1934 
#1 The Masked Invasion

by Frederick C. Davis writing as Curtis Steele
Invisible, secret, deadly, the masked empire wielded its dread power of darkness throughout the nation. Havoc and ruin followed the terror-torn thousands who fled the country to escape the Thirteenth Darkness. America, faced with certain disaster, placed her chance of survival in one man’s capable hands — and prayed that the warrior gods might smile once more upon the miracle man of her Secret Service — Jimmy Christopher! Jimmy Christopher, clean-cut, square-jawed and clear-eyed, was the star of the most audacious pulp magazines ever conceived — Operator #5. As a special Bonus, Will Murray has written an introduction especially for this series of Operator #5 eBooks.
 

Dan Fowler: G-Man – October 1935 
Snatch!

by George Fielding Eliot writing as C.K.M. Scanlon
Into the arena of the endless war which society wages on the criminal has stepped a new and gallant warrior — G-Man Dan Fowler, special agent of the Department of Justice. In this classic tale, Fowler takes to the trail of the Grey Gang — that band of masked killers who laugh at the Law while committing every heinous crime known to humanity! Dan Fowler, special agent of the Department of Justice, appeared as a long-running series inside G-Men Detective magazine from 1935 to 1953. Join him as he battles the brutal instruments of crimedom in this fast-paced battle against the minions of the lawless.
 
Doctor Death – February 1935 
#1 12 Must Die
by Harold Ward writing as Zorro
Who Is Doctor Death? A mad old wizard with the power to summon loathsome gray horrors from hell’s attic, decrees that the country’s 12 most famous men must die as carrion for his ghostly vultures. Only one man has a clue to the strange power of Doctor Death and that man faces torture and death to combat the master of carnage. The maddest of the Mad Scientists — Doctor Death — starred in his own bizarre pulp magazine in early 1935. Standing against him were the Secret Twelve, a band of the top U. S. civil and business leaders, headed by Jimmy Holm, a millionaire criminologist and occultist. One of the rare unabashedly supernatural series the pulps ever produced.
 
All eBooks produced by Radio Archives are available in ePub, Mobi, and PDF formats for the ultimate in compatibility. When you purchase this eBook from RadioArchives.com you receive all three formats in one ZIP file: PDF for PC or Mac computer; Mobi for Kindle; and ePub for iPad/IPhone, Android, Sony eReader, and Nook. When you upgrade to a new eReader, you can transfer your eBook novels to your new device without the need to purchase anything new.
 
Jump Feet First into Classic Pulp with eBooks for only $2.99 each! All Radio Archives eBooks are available at the Kindle Store.

 

 
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Radio Archives is proud to count the International Jack Benny Fan Club as one of the newest members of the Pulp Book Store! The Fan Club’s store features 39 Forever: Second Edition, Volume 3 written by Laura Leff and Martin Gostanian. This book is part of a series that focuses on Benny’s career and illustrates the impact that he had as a comedian and an individual on the entertainment industry and society at large. In the following interview, Laura and Martin discuss their personal interest in Jack Benny as well as the Fan Club itself and the importance of Jack Benny to fans, listeners, and Pop Culture Enthusiasts today.
 
Radio Archives: First, could you share something about yourself and how you developed your interest in Jack Benny?
 
jackbennypose-8445599Laura: The short version is that it all started for me with the 1958 Warner Brothers’ cartoon The Mouse That Jack Built. It portrayed many of the classic radio characters as mice, and included a rare live-action sequence with Jack at the end. Later, I was drawn to reruns of Jack’s programs on a Detroit station in the late 1970s, and then decided it was high time to start the Jack Benny Fan Club.
 
Martin: Along with family, friends and my mother’s cooking, my earliest memories starting in the early 1960s revolved around and were defined by television. To be sure, I loved to read and my interests were varied, from history to math. But when it came to TV, I was just simply obsessed by it, there’s no other way to put it. Through it all, my preferences always lead to comedy, physical as well as verbal and literate humor. My first memory of Jack Benny was his weekly TV series in 1963 when it was on Tuesday nights right after Petticoat Junction – that is why I usually watched it. I will admit I gravitated to whatever physical comedy and sight gags that Jack would either instigate or had become the butt of, but it wasn’t until I had become fascinated with what was dubbed “old-time radio” that was resurfacing on local radio stations in the late 1960s that I really first discovered who Jack Benny really was.
 
It was when I was becoming more mentally discerning that I had latched onto Jack’s deft comedic skills. I started to fathom his virtuosity and his escalated absurdist vision of the world he inhabited, which constantly plagued him and bordered on the surreal. This rewarded audiences with not only what he espoused but also how he expressed his finely calculated wit. Such was the sum total of his greatness as a communicator. I had grown to understand and cherish the subtleties as well as the broad mental conjuring that only Benny’s radio comedy could evoke so superbly and unfailingly – and which had been translated so organically and envisioned so imaginatively when adapted for television. As a writer, I also have a true reverence for the scribes Benny employed who helped shape, hone and perfect Jack’s peerless humor for the ear as well as the eye.
 
In adulthood, I appreciated most the genuineness and universality of his comedy that other more astute pundits and mavens of comedy have already attested more eloquently and precisely. After over 45 years, the more I listen and watch Mr. B, the more I am in sheer awe of his depth, influence and humanity.
 
Radio Archives: What is the background/history of the International Jack Benny Fan Club?
 
Laura: I started the club when I was 10, and have to credit Jay Hickerson for giving it the first boost of publicity. Once upon a time there was no Internet (*GASP!*), and you had to get the word out by connecting to other people and groups who were interested in the same kinds of things that you were! Through 32+ years of accumulating members, shows, information, technology…progressively everything comes together. Today we have an extensive Web site, monthly chats, a newsletter that is published three times per year, audio and video libraries, and lots of resources to help members connect with the things they love most about Jack Benny, his life, and his work.
 
Radio Archives: What do you think there is about the legacy and work Jack Benny has left behind that still makes him popular today?
 
Laura: The major factor is that his comedy was based on character, not topical humor. Everyone still knows someone who is cheap, who thinks they do something very well (like play the violin) when they really don’t, someone who is silly and naive (like Dennis), etc. The characters are people to whom you can relate immediately without running for Wikipedia (“Who was Wendell Wilkie again?”). I have had many members tell me how they enjoy listening to the shows with their children, and even use them as bedtime stories.
 
Martin: Jack’s esteem in the pantheon of American entertainment is celebrated to this day for a variety of reasons. First and foremost was his “everyman” character persona that was so empathetic, sincere and endearing to audiences. His comic logic of inflating his own sense of self and in reacting to the inanities of life that unmercifully and hilariously confronted him revealed his mastery of humor and his ingenuity in connecting with audiences. On a larger scale, Jack’s influence and legacy stemmed from the acknowledged achievements that he innovated or epitomized on radio: character-driven humor, the running gag and the ensemble comedy.
 
Admittedly, there are a good many people, mostly under thirty, who have never seen or even have heard of Jack Benny. However, when they delight in the uproarious antics of sitcom favorites such as The Mary Tyler Moore Show, Cheers, Seinfeld, Friends and 30 Rock, they indirectly know who Jack is because he set the standards for the character-driven, ensemble comedy. And when these same deprived viewers are treated for the first time to Jack’s unique brand of humor, whether from radio or TV, they most always are rewarded with belly laughs, a true sense of appreciation for such a comedic talent and an earnest desire for more Mr. B.
 
By far the greatest testament to Jack’s comedy legacy is readily apparent in late night network talk shows. As learned author and television scholar David Marc observed in his essay, “Lending Character to American Comedy,” hosts such as Johnny Carson, Dick Cavett, David Letterman (and more recently Jay Leno and Conan O’Brien) are “heirs to the mechanics of the Benny inheritance.” He perceptively noted that these stars (and well as other post-primetime “desk-and-sofa” scions since Marc’s 1993 observations) have developed their own versions of the “Benny stare” to minimally express “their personal aggravation with onstage occurrences” and in beseeching viewer support, all while “creating identity with audiences and picking up laughs in the bargain.” In one regard they are like Benny in that each is an “everyman” who tries to make sense of the world around them, all while juggling the vainglorious as well as the self-deprecating within their comic repertoire. Carson was the most vocal on air about his love for Jack and the influence Benny’s comedy wielded in shaping Johnny’s own comic vision, which in turn still serves as the hallmark for any successful comedy-variety talk show on late night TV.
 
Radio Archives: Comedy is a slippery slope as far as timeliness. Does Benny’s work transcend that and if so, what about his work appeals to a modern audience?
 
Laura: Many things don’t age well because people simply don’t understand them any more, or can’t relate them to their own personal experience. For example, consider immigrant humor of the early 20th century. People understood it in the context of that society, and experiencing it today can provide a sociological study of how people were struggling to make the transition into American society. Yet the Irish washerwoman or the Yiddish peddler is largely an artifact of the past, inspiring question marks over the heads of most people who don’t have a first-hand memory of the Reagan administration (and many who do).
 
While you get the very occasional topical joke on Jack’s program, it’s in the larger context of character with which people can connect. Stinginess aside, who doesn’t laugh at Jack playing a broken-down Tarzan opposite Carol Burnett as his put-upon Jane? It’s still character-based, with the humor of a robust young couple growing older in amusing ways.
 
Martin: The timeliness of Jack’s comedy lies in the individuality of Jack’s persona and how he is simply trying to rationalize the world around him, regardless of the scenario. How Jack interprets and reacts to a situation or a condition under one pretense while cleverly revealing his true motivation or hidden agenda resonates with and relates to audiences across all generations because it speaks to our emotional make-up and traits in its many shades through the prism of human behavior.
 
On the whole, people aspire to the same things Jack does: we want to be loved, we want to excel, we want to be respected, we want to know the how and why of situations affecting us, etc. His comic slant is predicated on and motivated by these universal desires and goals. Moreover, Jack’s exaggerated and likeable comic outlook was tinged with self-deprecating humor, yet he carried the veneer of a vulnerable, genteel and harmless fussbudget. The dynamics of Benny’s outward appearance clashing but coexisting with his visceral inner agenda only enhanced the hilarity. Again, comedy emerging out of a well-developed character.
 
This contrasts to comedy that heavily relies on topical references that are soon dated and eventually rendered arcane or obtuse. True, Benny did use topical references and idioms of the day, but the contexts were so broadly used that latter-day audiences unfamiliar with such timely citations could usually get the gist of the joke or outrageous allegory regardless of the era when they first occurred or still had prominence in the then-current culture.
 
Jack Benny endures as an eloquent comic presence and influence who appeals to modern audiences because he was most human and humane of them all in the 20th century. And thanks to the wonders of digital entertainment and the internet, Jack will continue to attract, amuse and amaze legions of new fans in the generations ahead.
 
jack-benny-2963645Radio Archives: What is the goal and purpose of the Fan Club as well as your mission in terms of sharing Jack Benny with today’s listeners/readers/fans?
 
Laura: We are a 501(c)(3) educational non-profit, with the official purpose being to educate people about the life and work of Jack Benny and his associates. We do so by preserving and making material available through our libraries, online resources, and other publications. We also do ongoing research for books such as the 39 Forever series and the newsletter to provide a growing body of knowledge about Jack Benny, expanding the context of understanding who he was as a person, an artist, and one of the foremost comedians of the 20th century.
 
Learn about one of the greatest comedic talents in history by visiting the International Jack Benny Fan Club’s page in the Pulp Book Store!
 

 

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Who knows what evil lurks in the hearts of men? The Shadow knows! The pulp era’s greatest crimebuster journeys to Maine on golden quests in two thrilling pulp novels by Walter Gibson writing as “Maxwell Grant.” First, The Shadow and G-man Vic Marquette hunt enemy agents sabotaging maritime shipping from a mysterious Castle of Crime. Then, a sea captain’s dying words lead to serial slayings along the long-buried trail to a Dead Man’s Chest and Cuban gold! This instant collector’s item reprints the classic color cover paintings by George Rozen and Graves Gladney and the original interior illustrations by Edd Cartier and Paul Orban, with historical commentary by Will Murray. Yours for only $14.95!
 
The pulp era’s greatest superman returns in classic pulp thrillers by Laurence Donovan and Lester Dent writing as “Kenneth Robeson.” First, Doc and Patricia Savage attempt to discover the secret behind the baffling series of “black spot murders” that confounds the law. Then, an auction gallery bidding war leads to the abduction of Monk Mayfair. Can the Man of Bronze uncover the sinister secret of The Terrible Stork in time to save his right-hand aide? This special collectors edition showcases the original color pulp covers by Walter M. Baumhofer and Modest Stein, Paul Orban’s classic interior illustrations and a behind-the-scenes article by Will Murray, writer of nine Doc Savage novels. Yours for only $14.95!
 
The double life of Police Commissioner James Gordon is explored in a pair of two-fisted thrillers that inspired classic Batman stories! First, The Whisperer goes undercover to close down a “School for Murder” that prepares teenagers for criminal careers! Then, Wildcat Gordon investigates corruption in the trucking industry in “Murder on the Line.” BONUS: an adventure of Norgil the Magician by The Shadow’s Maxwell Grant! This historic collector’s item showcases both original color pulp covers by Spider artist John Newton Howitt, classic interior illustrations by Paul Orban and golden-age great Creig Flessel, and historical commentary by Will Murray and Anthony Tollin. Now at Radio Archives for $14.95!

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The Spider, Volume 22 – 1935 & 1940 Variant Cover Editions 

Pulp fiction’s legendary Master of Men returns in two classic novels from the Golden Age of Pulp Fiction, written by Norvell Page under the pseudonym of Grant Stockbridge. First, in “Overlord of the Damned” (October 1935), the Boss unleashes horrible death with his demonic acid guns… with a vat of the same deadly corrosive reserved for those who talk too much! With his beloved Nita van Sloan a hostage to a terrible doom, the Spider faces the soul-tearing prospect of planting the Spider seal on his friend Stanley Kirkpatrick, Commissioner of Police! Then, in “Dictator’s Death Merchants!” (July 1940), The jaws of death gape open when El Crocodilo feasts! With uncanny skill, he forestalls even the Spider’s best attempts to trap him. Striking without mercy, this menace from the past rises anew by demolishing a banking institution each night, in a mad scheme to take control of nothing less than all of America’s finances! This volume is available in two editions and features the original artwork from the October 1935 or the July 1940 edition of “The Spider” magazine. Both versions feature reformatted text and original interior illustrations to accompany each story. Available now for $14.95!
 

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Classic Reprints! New Pulp Tales! History, Pop Culture, and Much More! Where do you find the finest of these? In the Pulp Book Store! And in the Treasure Chest, you find unbelievable deals from the following Publishers!
 
The Lord of the Vampires Returns and you can get him for 20% off original price. Dracula Lives by Joshua Reynolds is a page turning chill ride and can be yours at a steal!
 
Puttin’ The Monthly Back into Pulp, Pro Se Productions offers the finest in modern Pulp Magazines! For the month of February, pick up any or all of the first three issues of Pro Se Presents at an amazing 25% off each copy!
 
The greatest Minds of the 19th Century go to battle with the most evil forces known to man! Buy Modern Marvels: Viktoriana by Wayne Reinagel and get 5% off the regular price for the entire month of February!
 
Just click on the Treasure Chest on the Pulp Book Store Page for these terrific offers! And enjoy the best that these companies and more have to offer in the Pulp Book Store!

 
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By Art Sippo

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Four scientists were stranded on Cormoral Island when the Kendall Foundation of St. Louis that funded their expedition went bust. They were rescued by a passing ship, the Meg Finegan. It should have been a coincidence, but one of the scientists KNEW it would find them. He also started knowing a lot of other things before they happened. Professor Macbeth Williams was a hydrologist and the heir to a 500 million dollar fortune. He had taken the job on the expedition to escape from the pressure of managing his family fortune. He did not think his judgment skills were up to par. Now he was literally predicting poker hands before they were dealt and showing keen insight into future events. But Professor Williams was a man of science and did not place any stock in such things as precognition. But even after landing in Miami, the prediction kept coming. His fellow stranded scientists see this as a good thing and they insist to Williams that maybe he does have enough in sight to manage his vast fortune. But he was frightened that he might be losing his mind. He needed to get professional help to set his mind at ease. So he decided to call on the greatest Psychiatrist of his time: Dr. Clark Savage Jr.
 
But as he attempted to make contact with Doc Savage, strange things start happening. The telegrapher who took his initial message was murdered. Thugs in New York attacked Doc at his headquarters to prevent him from going to Macbeth Williams’ aid. Doc Savage becomes intrigued. There is an enormous fortune at stake, and its unwilling heir suddenly manifests almost supernatural insight which he thinks is a sign of madness. Meanwhile nefarious influences are working to isolate this heir from Doc Savage’s help. Something does not add up.
 
Can Doc Savage figure out this puzzle? Is Macbeth Williams really a prophet? Why are criminal elements interested in him? Is this an elaborate scam to get access to the Williams family fortune?
 
This was the penultimate adventure of the original Doc Savage pulp series. The story harkens back to the heyday of the series with the literary polish that marked many of the later stories. Don’t miss this one! Get it and another Doc Classic today in Doc Savage #15 for $12.95 from Radio Archives!

 

Comments From Our Customers!
 

Dominick Cancilla:
Thanks again for the assistance and for the great customer service (as usual). I have a six-hour drive tomorrow for work and The Green Llama will be keeping me company. I will certainly continue to buy every pulp audiobook you put out.
 
Eugene Dungan:
I am getting ready to order The Green Lama audiobook. I have all of the audiobooks that you have published. I sure am enjoying all of the audiobooks that you have put out so far.
 
Bobby McGowen Jr.:
I have been getting all of The Spider ebooks and I love them.
 
Bryan Pears from the United Kingdom:
Do you have any Operator 5 eBooks available? I have just bought The Spider eBook “City of Flaming Shadows” and was really impressed.

 
If you’d like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We’d love to hear from you!

 
The products you’ve read about in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s the sparkling audio fidelity of our classic radio collections, the excitement of our new line of audiobooks, or the timeless novels of the pulp heroes, you’ll find hundreds of intriguing items at RadioArchives.com.
 
If you no longer wish to receive our newsletter, or if this newsletter has been sent to you in error, please reply to this e-mail with the subject line UNSUBSCRIBE and your name will immediately be removed from our mailing list.
 

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