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Michael Shannon’s Nocturnal Animals hits video in February

Universal City, California, January 23, 2017 – Exploring the thin lines between love and cruelty, and revenge and redemption, Academy Award® nominees Amy Adams and Jake Gyllenhaal star as a divorced couple discovering dark truths about each other and themselves in Nocturnal Animals, coming to Digital HD on February 7, 2017, and Blu-ray™, DVD and On Demand on February 21, 2017, from Universal Pictures Home Entertainment. Also starring Aaron Taylor-Johnson (Avengers: Age of Ultron) in his Golden Globe® Award-winning role, Nocturnal Animals on Blu-ray™ and DVD comes with an exclusive behind-the-scenes featurette about the making of the film including an inside look with writer/director Tom Ford.

In the haunting romantic thriller of shocking intimacy and gripping tension from acclaimed writer/director Tom Ford (A Single Man), Susan (Amy Adams) is in an unfulfilling second marriage when she receives a package containing a manuscript from her ex-husband, Edward (Jake Gyllenhaal). Moved by Edward’s writing, Susan cannot help but reminisce over the most private moments from her own love story with the author. Trying to look within herself and beyond the glossy surface of the life and career that she has made, Susan increasingly interprets the book as a tale of revenge, a tale that forces her to re-evaluate the choices that she has made, and re-awakens a love that she feared was lost – as the story builds to a reckoning that will define both the novel’s hero and her own. Nominated for 9 BAFTA® Award (Britain’s Oscars equivalent) including Best Director and Best Actor, Nocturnal Animals is the winner of the Grand Jury Prize at the 2016 Venice International Film Festival, and of the 2017 Golden Globe® Award for Best Supporting Actor (Aaron Taylor-Johnson).

Nocturnal Animals also stars Academy Award® nominee Michael Shannon (Revolutionary Road), Isla Fisher (Now You See Me), Karl Glusman (The Neon Demon), Armie Hammer (The Social Network), Academy Award® nominee Laura Linney (The Savages), Andrea Riseborough (Birdman), and Michael Sheen (Masters of Sex).

BLU-RAYTM, DVD & DIGITAL BONUS FEATURES:

  • The Making of Nocturnal Animals – Amy Adams, Jake Gyllenhaal, Tom Ford, and cast and filmmakers recount how they brought such a unique story to life including:
    • Building the Story – Tom Ford and actors examine central characters and how they fit into the story.
    • The Look of Nocturnal Animals – Filmmakers and cast discuss how the cinematography by Seamus McGarvey and costumes by Arianne Phillips give the film such a distinct and rich feel.
    • The Filmmaker’s Eye: Tom Ford – See how Tom Ford’s attention to detail adds layers to the interwoven stories at the center of the film.

CAST AND FILMMAKERS:

Cast: Amy Adams, Jake Gyllenhaal, Michael Shannon, Aaron-Taylor Johnson, Isla Fisher, Karl Glusman, Armie Hammer, Laura Linney, Andrea Riseborough, Michael Sheen

Directed By: Tom Ford

Screenplay By: Tom Ford

Produced By: Tom Ford, p.g.a., Robert Salerno, p.g.a.

Based upon the Novel: Tony and Susan by Austin Wright

Director of Photography: Seamus McGarvey, ASC, BSC

Production Designer: Shane Valentino

Film Editor:  Joan Sobel, ACE

Music: Abel Korzeniowski

Costume Designer: Arianne Phillips

Casting By: Francine Maisler, CSA

TECHNICAL INFORMATION BLU-RAY™

Street Date:   February 21, 2017

Copyright:  2017 Universal Pictures Home Entertainment

Selection Number:  62184428 / 62184432 (CDN)

Layers:  BD-50

Aspect Ratio:  Widescreen 2.40:1

Rating:  R rating for violence, menace, graphic nudity, and language

Languages/Subtitles:  English SDH, Spanish and French Subtitles

Sound:  English DTS-HD Master Audio 5.1, Spanish and French DTS Surround 5.1

Run Time:  116 minutes

 

TECHNICAL INFORMATION DVD:
Street Date:  February 21, 2017
Copyright:  2017 Universal Pictures Home Entertainment
Selection Number:  62184430 / 62184433(CDN)
Layers:  Dual
Aspect Ratio:  Anamorphic Widescreen 1.85:1
Rating:  R rating for violence, menace, graphic nudity, and language
Languages/Subtitles:  English SDH, Spanish and French Subtitles
Sound:  English, Spanish and French Dolby Digital 5.1
Run Time:  116 minutes

REVIEW: Newsprints

Newsprints
By Ru Xu
208 pages, Scholastic Graphix, $12.99

A world eerily familiar to our own but not, a time of war between two neighboring nations, and a girl masquerading as a boy because she loves selling newspapers. Toss in some steampunk, some science fiction, some gender roles and identity issues, stir vigorously and you have Newsprints a refreshingly original graphic novel from Ru Xu.

Best known for her webcomic Saint for Rent (http://www.saintforrent.com/comic/the-cloverhouse-inn), the SCAD graduate moves from serialized storytelling to a done-in-one adventure that breezily moves along. Lavender Blue has come to work at the Bugle, living with her fellow newsies and keeping her sex a secret because, for some inexplicable reason, girls can’t sell newspapers.

On her website, Xu states, “I’m really excited about the first book because it explores a lot of eye-opening feelings I had toward fitting in while growing up, gender identity, and dealing with the expectations of adults. I got to draw a backdrop inspired by the early 20th century and dieselpunk,”

Adolescent Blue is content for now, although she is aware her body will betray her soon enough. She winds up meeting Jack, an inventor of some sort, working in secret. They become friends and she apprentices herself to him. As a result, he brings her with him on his travels which leads to her accidental meeting with the muffled figure who only names himself Crow. She warms to the odd figure and they spend time together but slowly, we learn, that Crow is a robot, a product of Jack’s intelligence and early use of Artificial Intelligence. He was a prototype for a war machine but he chose to leave his country Grimmaea for refuge in Nautilene.

There are chases, secrets learned, relationships altered, and the like before things reach its anticipated climax and resolution. Xu tackles lots of issues and themes here and for me one of keenest was her sense of betrayal when she comes to realize the truth is the first casualty of war. Gender politics comes into play with Blue but also with an adult, Jill, who comes to play a pivotal role.

It’s 1924 and there are phrases like AI that get used so this alternate reality isn’t totally divorced from our world but the worldbuilding is sketchy at best so we don’t understand why things are the way they are or what is at stake during the prolonged war. Blue, Jack, and Crow are the only characters to move beyond two dimensions which is shame since the others, Hector, the Mayor, and Jill among them, who could use some depth and complexity.

Visually, Xu’s work is minimalist with a strong sense of design. Still, the broad strokes and spare use of line means expressions can lack subtlety when called for. Sometimes figures are moving in a panel and you can’t quite tell what is happening. Xu fills the pages and paces things nicely, sparing with splash pages or complicated designs. Xu’s color, done with her brother Eric and Liz Fleming, does a nice job with a limited palette. In Saint for Rent, she has been very disciplined with color because she embeds GIFs to enhance the webcomic and the colors have to be harmonious. Here, she works with broader colors without getting garish, helping give us a sense this is not our world.

The 8-12 year olds this is aimed at will find plenty to like and hopefully read some things that gets to them to think a bit. This nice debut work shows plenty of promise for the future.

Joe Corallo: Meanwhile In Elseworld

This past Saturday I participated in the Women’s March in NYC. While I marched with a group of burlesque performers and friends, other columnists here at ComicMix participated including Molly Jackson and Martha Thomases. It was an important moment of demonstration for the first days of the new administration here, and I’m glad I participated. For all of those reading who want to do something and were unable to attend I can assure you there will be plenty more opportunities to come.

Meanwhile, in my free time I’ve been reading some of the DC Comics Elseworlds. For those of you unfamiliar, these were stories that took place outside of DC Comics continuity that often involve alternate histories of what could have been. As you can imagine, that premise is really intriguing to me lately.

I’ve read four Elseworlds in the past couple of weeks, all of which were ones starring Superman. I really like Superman. The ones I read were Superman’s Metropolis, Superman: Kal, JLA: Shogun of Steel, and Son of Superman. While they varied how much I personally enjoyed each one, they all did a good job of characterizing Superman. Want to know more about these stories? I was just getting to that!

Let’s start with Superman’s Metropolis. Written by R.J.M. Lofficier and Roy Thomas and drawn by Ted McKeever, this story is based on the classic silent film Metropolis by Fritz Lang and the novel by Thea Von Harbou. The premise is what if Clark Kent, spelled Clarc Kent, was raised by Jon Kent who is master of Metropolis. This beautifully illustrated story show Clarc Kent realize the plight of the workers below and Lutor’s poison grip on Jon Kent; propelling Clarc to become a champion of the people. While this story is well written, Ted McKeever is the true champion of the story. The book is stylized and absolutely gorgeous in a way rarely seen in mainstream comics. Ted McKeever was also Rachel Pollack’s longest collaborator on Doom Patrol which includes The Teiresias Wars arch that has often been cited as one of if not the high point of her run. For personal reasons he has stepped away from comics and the industry as a whole is devalued as a result. His presence will be sorely missed. If you can find a copy, get it.

Superman: Kal is written by Dave Gibbons and drawn by Jose Luis Garcia-Lopez. It’s a tale of Kal-El coming to earth in medieval times and being found by peasant farmers. Once he’s older he’s taken to work with a blacksmith in a town run by Lex Luther, an illegitimate ruler. So much for escapism, huh? Anyway, Lois gets involved and there’s kryptonite. There was also kryptonite in the last story, but I like how that previous paragraph turned out without mentioning it. You know now anyway, so I don’t see what the problem is. While the story starts strong, for me it loses steam towards the end and falls into the all too familiar trappings you find in damsel in distress stories and harming women to motivate men to action.

JLA: Shogun of Steel brings us to a mystical feudal Japan setting where characters that mirror the Justice League are working together to fight a cruel Shogan version of Brainiac. The story is written by Ben Raab and drawn by Justiniano. I’ll be honest, I wasn’t familiar with this creative team. The art in the story is solid, and I enjoyed that. The story itself is feels a bit dated and incorporates some elements that seem stereotypical, like Kal-El arriving on Earth as the result of a dragon from heaven. Also more kryptonite, but no Lex so I give it some bonus points for that. Though I don’t feel anything about this story is malicious and I would be more than happy to check out over works by Ben Raab and Justiniano, I don’t think you need to worry yourself too much to find a copy of this particular story.

And finally was have Son of Superman. Unlike the other three stories I read which were about 60 or so pages, this one was over 90. As a result we get a pretty well fleshed out story. It helps that it’s written by Howard Chaykin and drawn by J.H. WIlliams III, with David Tischman co-writing. Howard Chaykin has a love of Superman that is very apparent just by reading this, and not just because I’ve heard him talk about Superman before. The story takes place in the future with a woman President. Escapism has failed me yet again. Anyway, in the future Superman is presumed dead, but has had a son with Lois. Due to a freak solar flare, their son Jon gets his Kryptonian powers activated. Now in a world with a government run Justice League and terrorists acting in Superman’s name, Jon has to figure out how he fits in while he tries to learn more about his father and the conspiracy that took him away. The story is honestly a great read with some sweet moments and is probably the closest Superman graphic novel you can get that you can compare to The Dark Knight Returns. I definitely recommend hunting down a copy if you haven’t read it. According to DC Comics website, you can still purchase Son of Superman so you don’t have to hunt too hard.

A lot of things are going on now with the new administration coming into power. While we need to stay informed, escapism is important too. In these times, what better place to escape to than to a world of what could have been?

 

Mindy Newell: Shivers

“Addendum: By the time of next week’s column, we will have had one full weekend of President Donald J. Trump. Will we all still be here? Will there even be a column? Will America be…Amerika?” • Mindy Newell, ComicMix, January 16, 2017

And so…here we are. We made it through the weekend. One hell of a weekend.

First came the inauguration of Donald J. Trump as the 45th President of the United States, the 45th person to hold that august office which leads this country and the world. There have only been 44 others to have previously owned that title and those responsibilities. Only? Yes. We are a young country in the history of the world. 241 years old this coming July 4th. Our nearest relative, England, is over 1500 years old. We are comparative newborns. And like all newborns, America depends on the stability, care, and love of its parents. America’s father is the Declaration of Independence. Its mother, the Constitution of the United States.)

It has been the tradition of this child to swear in the President with these words:

“I do solemnly swear (or affirm) that I will faithfully execute the Office of President of the United States, and will to the best of my Ability, preserve, protect and defend the Constitution of the United States.”

Donald J. Trump’s inaugural speech was dreary, desolate, and depressing in its description of this country, a “uniquely dark vision of the U.S.,” as the New York Times called it. He was a bully during the long campaign, and the bullying continued into his address; he is, in every way, and as Jon Stewart confirmed him, a “Baby Man,” an emotionally immature schoolyard tyrant whose uncertainty and fear and narcissism live beneath a thin skin of machismo and bravado, to be unleashed whenever or wherever a threat to his manhood and/or to his kingdom is perceived.

“America First!” he said. “This American carnage stops!” And shivers went through the souls of people around the world. It was all too reminiscent of another leader who spoke of lebensraum (“living space”) for his country in the 1930’s.

And then, the next day, Saturday, January 21, Americans answered him. The whole world answered. 500,00 and more women, with their men – my daughter and son-in-law Alixandra and Jeff among them – and their children gathered in Washington, D.C, sprawling from the Lincoln Memorial to the White House and neighborhoods between to march and rally and protest this person who dares to claim that he speaks for the lost, the forgotten, the abused, and the ill.

Trump’s first act as President was to issue an executive order paving the way to the end of the Affordable Care Act, a.k.a. Obamacare. They gathered to the tune of 400,000 and more in New York City at the base of the Man’s High Castle, shutting down 5th Avenue and midtown Manhattan into the night. They gathered in every major city of every State of this Union – Boston, Miami, Indianapolis, Los Angeles, Denver, Portland, Seattle and more (the photos above are from the Chicago rally; 150,000 strong). They gathered across the pond in London, in Paris, in Barcelona, in Rome and Berlin and Prague. They gathered in South Korea and Japan and Australia.

And Donald J. Trump looked out the White House windows and saw that there were many, many more out there than were at his inauguration and sent his press secretary – for bullies cannot look in the eyes of those who say “No!” – to blatantly lie and to warn the media (and the country and the world) that “they would be held accountable.”

America’s father and mother cried on Friday, and they cried on Saturday night.

I didn’t cry. But I shivered.

Yeah, we made it through the weekend.

But what is to come?

Ed Catto: Playing Your Cards Right…in Your Local Comic Shop

Two weekends ago, I had a lot of fun at three comic shops. I’ve been to many comic shops in my day, but during these recent visits I did something new. Ostensibly, I made the rounds to Boost My Local Comic Stores (you may have read about #BoostYourLCS in last week’s column), but the real reason I visited them was to experience my first “pre-release party.”

The newest iteration of the long-running Magic: The Gathering was about to be released, so comics and cards stores nationwide hosted a series of pre-release events, as is the custom. Fans get a chance to open a sealed deck of the newest iteration, called Aether Revolt, and then play a series of card games against fellow fans also opening up their new decks.

Magic: The Gathering, as you might know, is a strategy-based card game that’s wrapped in an intricate and fascinating mythology. Aether Revolt is the newest wrinkle to the ongoing story, as the people of a mystical land called Kaladesh are called to revolt against violent oppressors of the Consulate and take back their city of Ghirapur.

Seems like the political climate in the real world, now that I think about it.

Like a movie premiere, these events start at midnight and are filled with excitement and anticipation. I’m sure the wee-hour events were a lot of fun, but I opted for a pre-release party that started at 9 AM Saturday. There were actually lots of options from which to choose. The midnight events went all through the night, and then more were scheduled, and well-attended, all day Saturday and Sunday.

This was a fun crowd to hang with, as these fans are both collectors and strategists. They love the game and love the gamesmanship that comes from a competitive card game. In fact, every player is part of a nationwide network that the parent company, Hasbro, has created, and gets their own DCI number and ID card.

I got mine too!

There was a nice mix of fans. Old and young. Male and female. Super-social and more reserved. Everyone there, except for me – I’m the novice – knew his or her stuff and was ready to compete.

As players choose a small set of cards from a seemingly endless supply of cards, there are strategies for assembling the optimum line-up of cards. And the law of supply and demand has led to an incredibly intricate secondary market. Comics and Cards stores buy and sell cards both locally and nationwide. So beyond the playing of the games, the focused task of acquiring and managing one’s collection can be an enjoyable and profitable experience.

The painting for the art of the Magic mythology is what really impresses me. Magic: The Gathering provides a fantastic outlet for top notch fantasy artists and for fans to enjoy the artwork in an accessible format. It’s all a clever mix of classic fantasy elements mashed up with witty and whimsical characters. And some of the painterly landscapes make you feel as if you’ve stepped into a Tolkien novel. Check out a few of the painting of the newest release, Aether Revolt.

Since “Boosting Your Local Comic Store” is where we started, I should also note how much these comic shops benefit from card games like Magic: The Gathering. One retailer told me that card sales have recently accounted for an astonishing portion of his total revenue since he started augmenting his local sales with online sales. That’s pretty incredible, and I’m pretty supportive of anything that helps Geek Culture Retailers.

 

John Ostrander’s Spare Plots

More than once over the years I’ve been approached by someone who says that they have a great idea for a story and that I should write it and then we split any money evenly. The problem with this (aside from the fact that the work is not even) is that I have plenty of ideas of my own that, for one reason or another, never get written. Having ideas isn’t the problem; executing them is.

Here are a few ideas I’ve had in my journal that haven’t seen the light of day.

  • Spectre/Batman Alt Worlds

An alternate DC Universe idea set back in the Thirties, we start with the Waynes getting gunned down in an alley, but this time young Bruce is killed as well. This sets off such a furor that something has to be done. Commissioner Gordon decides on someone from the outside and so brings in a tough as nails New York plainclothes detective named Jim Corrigan to clean things up.

Corrigan tears things up pretty well but finds himself as hamstrung as Gordon does. Frustrated, he gets the idea of an alternate identity and becomes the Bat-Man; however, this one carries .45s and shoots to kill.

Meanwhile, Bruce Wayne’s spirit rages in the afterlife about the injustice of what happened to him and his family. A voice offers him a chance at retribution and he takes it. A 10-year old Bruce Wayne returns to Gotham as the Spectre.

Inevitably, the paths of Bat-Man and the Spectre collide and leads to the ultimate confrontation. Corrigan dies and Bruce is stripped of the Spectre powers but given a chance to live his life again. He becomes Gordon’s ward. In the meantime, Corrigan is given the mantle of the Spectre.

Why didn’t it go? This would have fallen under the “Elseworlds” banner and DC has stopped doing those.

  • Star Wars: Han Solo miniseries

This one is set between Episodes IV and V when the Rebel Alliance is hidden on the ice planet Hoth. Mon Mothma, trying to negotiate for another planet to join the Alliance, is grabbed by some space pirates and held for ransom. If the Alliance doesn’t want to pay up, the kidnappers will sell her to the Empire.

Leia and Luke are off on separate adventures but Han, Chewie and the Millennium Falcon are on hand. Han knows the kidnappers and tells the Alliance leaders he should bring the ransom and get Mon Mothma back. He figures that the Princess would like that and, who knows, he might be able to claim at least part of the ransom as a reward. The plan includes double crossing the pirates, including some old acquaintances.

It all gets more complicated when the Empire learns that the pirates have Mon Mothma and dispatch a Star Destroyer with Darth Vader to grab Mon Mothma and dispatch the kidnappers. Han gets a hold of Mon Mothma just as the Empire shows up and its all a mad scramble to escape the pirates and the Empire.

The tone was meant to be light and fun and focus on Han as a rogue.

Why didn’t it go? Right around the time that I came up with the idea, Dark Horse was losing the license to the franchise. Marvel, who got it, doesn’t appear to be interested in those who did Star Wars for DH. I don’t blame them; they want their take on it.

  • Legion

DC has/had been having trouble re-launching its venerable Legion of Super-Heroes (LSH). Is the concept – teen superheroes routinely saving the galaxy – outdated?

I like jumping stories down their own timeline; witness Star Wars: Legacy.  I thought I’d jump this narrative down its timeline by 500-1000 years. The United Planets no longer exist; the LSH is nowhere to be found. The Khund Empire rules and Earth itself had been shattered and is an asteroid ring around the sun. Super-powered beings were barred or restricted to their own planets.

In all this a young man emerges; the only name he gives is Legion. He has with him several LSH flight rings and he travels through the galaxy trying to find super-powered beings to join him in an attempt to overthrow the Khunds.

Since I like what I call narrative alloys, this was an attempt to cross the concept of LSH with Star Wars.

Why didn’t it go? DC had its own plan for the LSH and I guess they thought this would muddy the waters. Or they just didn’t like my take.

There’s lots of other ideas and concepts in my journal and/or my computer. Two of them will be up this year; Tom Mandrake and I (with Jan Duursema) are preparing Kros: Hallowed Ground for the printer right now and then Jan and I will be completing Hexer Dusk. Both are independent projects funded through Kickstarter. Both have taken a lot of thought, energy, and effort to realize.

So, as you see, the problem is not a lack of ideas. Everybody gets ideas. The problem is what do you do with them. Some just never come together and some never get an okay. So you file it and move on to the next. You work at what’s working but you don’t lose track of the ideas you’ve had. You just never know.

 

Marc Alan Fishman: Injustice 2 and The Hype Machine

The very first movie trailer debuted in November, 1913. It showed backstage rehearsal footage of an upcoming production of the musical The Pleasure Seekers. The actual play itself debuted the same month.

In contrast, today you can catch the sneak peak to the first look of the first cut of the promotional trailer of any given movie upwards of a full year before the actual film is released. How starved for content is our culture?

Think now, how literally days into pre-production of a given franchise the hype machine starts a’rollin’. When George Lucas and his menagerie sneezed a bit too loud, Entertainment Weekly and any other number of film blogs lit the net on fire. Speculation then is answered by some unseen specter of a source, second-handed, to an iffy-looking kid with a smartphone. And soon enough, Donald Glover is pitching to be young Lando.

Smash cut to the actual release of the story a year later. Smash cut again when Glover is doing his first costume fitting. Maybe he’ll Instagram his name on a garment bag. It’ll be picked up on TMZ, the AP, AICN, and Perez Hilton — if he’s still a thing. You know, just enough to keep the future film top of mind.

Marketing is an art and a science. Hype is the currency. Hype parlays demand into action. Or so marketing companies want to tell you – ask Edgar Wright how Scott Pilgrim turned out for him when you have a chance.

And it’s not just movies that are guilty of this sin. The day I wrote this very article, the teaser to the full trailer for the upcoming Injustice 2 video game crawled across my Facebook feed. And boy howdy, it worked. Before the predictable (but oh-so-glorious) cut scene footage shown over some narration completed, I was furiously calculating the cost to upgrade my Xbox. When the teaser-to-the-trailer ended, the release date in May whizzed across the screen. I looked over at my second browser window – with open tabs at Amazon, eBay, WalMart, and Best Buy – and I stared off into the middle distance in shame.

The fact is, these days products are bought and sold long before they are ever completed. Pilot season in TV land churns out show after show. Only those with enough hype to garner attention from advertisers ever see the light of day. And even then, if the hype train doesn’t keep chugging down the tracks, the show flies off the rails leaving hundreds of actors and production crew scrambling to do it all again. Maybe with a different script next time.

But who am I to judge? My company’s Kickstarter campaign – itself a bit of a hype machine if you think hard on it – was essentially drumming interest up in a project we’d still not completed inking before we were promoting the crap out of the finished product. Smash cut to over a year later, and only now am I flatting one-half of the book while I finish other pages as they drizzle in. And while I’d be tempted to share my half-completed work on our Facebook page, I’ve relegated it to our “seen by at least four people weekly” Facebook Live show.

The broad question is: When have we reached the event horizon? I think we’re already there. With the ubiquitous nature of technology allowing us to capture content being created live as it’s being fretted over, marketing and promotion is half-button push away. In a world where virality is as important at times as the actual quality of the product, hype is now deeply rooted into the very fabric of creation.

And because of it, Wing Commander made nearly half its lifetime gross its opening weekend. It was a bomb of a film and a financial failure. But it had The Phantom Menace trailer attached to it. We all know how that hype played out.

Michael Davis: No Sex On The Good Ship Lollipop

In the 1960s, the Black Panthers were the number one target of the FBI. They were viewed as terrorists and J. Edgar Hoover, the longtime leader of the most powerful police force in the world, was hell bent on getting rid of them by hook or by crook.

Yep, hook or crook.

It’s no secret the United States Government from time to time will ignore the law. It’s fair to say it goes on often and as far as we know it goes on all the time. When caught, those who swore to uphold the constitution offer apologies for actions that dismissed the law like Trump denies any negative press.

But it’s all bullshit.

If not caught these people may have stopped breaking the law, but it’s doubtful they would have been sorry. I gather few are sorry for wrongdoing that benefits them. How many people have you seen come forward to admit how sorry they are for gaming the system when they have no incentive to do so?

I’ll wait.

The FBI broke all sorts of laws to accomplish their Black Panther agenda. As always, don’t take my word for it. Google that bitch. Unless you’re blind to the truth backed up with a few court rulings the war on the Panthers was a one-sided American tragedy fueled by a lie and driven home by a liar by the name of J. Edgar do I look fat in this dress Hoover.

Yeah, I can talk a lot of shit from my cozy little home in suburban Los Angeles. I can talk smack because I’m secure in the knowledge I’m protected by:

  1. First Amendment Right Freedom of Speech
  2. What I wrote about the F.B.I is true.
  3. I’m just not that important, and neither is ComicMix nor Bleeding Cool to anyone in power that may object to my point of view.

I’m not as naïve as the above list would suggest. I’m fully aware my rights are subject to the will of the arresting officer and temperament of the D.A. regardless of my innocence if arrested for a crime I didn’t commit.

Been there had that done to me. Twice.

My circumstances notwithstanding in 2017 there exists a reasonable chance that someone may be believed if they claim police brutally or unjust treatment.

In 1966 the odds of a black person being believed were slim. I would wager a Jewish person would face the same type of incredulity and, given what happened to the three Civil Rights workers in Mississippi June 1964, the same dangers.

From Wikipedia:

In June 1964 in Neshoba County, Mississippi, three civil rights workers were abducted and murdered in an act of racial violence. The victims were Andrew Goodman and Michael “Mickey” Schwerner from New York City, and James Chaney from Meridian, Mississippi.

All three were associated with the Council of Federated Organizations (COFO) and its member organization the Congress of Racial Equality (CORE). They had been working with the “Freedom Summer” campaign by attempting to register African-Americans in the southern states to vote.

This registration effort was a part of contesting over 70 years of laws and practices that supported a systematic policy of disenfranchisement of potential black voters by several Southern states that began in 1890.

The three men had been arrested following a traffic stop in Meridian for speeding, escorted to the local jail and held for a number of hours. As the three left town in their car, they were followed by law enforcement and others. Before leaving Neshoba County their car was pulled over and all three were abducted, driven to another location, and shot at close range. The three men’s bodies were then transported to an earthen dam where they were buried.

Two of the three men killed for trying to do the right thing were Jewish.

In the 50s and 60s, certain parts of the deep south were deadly. Those who sided with black people were treated as if they were black people often that meant death. It’s one thing to risk your life for your rights; it’s another thing indeed to do so for somebody else’s.

In my mind, that’s the textbook definition of noble. That takes a whole other level of balls. It’s gangsta with a capital G.

In 1966 the F.B.I was on a mission to destroy the Black Panther Party and woe be on to those who got in their way.

Marvel Comics was all the rage on college campuses in the 60s. Stan The Man Lee was the captain of one of the hottest pop culture ships to set sail in the ever changing 60s sea. His first mate Jack King Kirby navigated just as much of the Marvel boat as Stan and together they ruled comics, campuses and cool.

Stan wasn’t content to just cruise. He continuously looked to change the comic book landscape he had already transformed. DC wasn’t without some cool stuff, Wein and Wrightson’s Swamp Thing, Adams and O’Neil’s Green Lantern / Green Arrow those books along with others were DC’s stellar addition to the cool that Stan ushered in. Alas, those came in the late 60s early 70s.

DC held its own in sales, but in the ‘cool’ department they were outclassed at just about every port. Seen by most as still just for kids DC may have sold as much or more, but Marvel was – to use 60s slang – where it’s at.

The age of sex, drugs and rock and roll embraced Marvel. although they featured none of the above. Neither did DC.

The difference was a bit like the shower scene in Psycho. People swore they saw the knife plunge into Janet Leigh. There was no sex drugs or rock and roll in Marvel books, but fans thought there was.

Over at DC you didn’t have to be in collage to know Lois Lane may have had the title “Superman’s girlfriend” but everyone knew Clark wasn’t hitting that.

Put another way… DC was the Good Ship Lollipop and Marvel was the ever lovin’ Starship Enterprise.

Like another ship, the Titanic, once people heard about Marvel they couldn’t wait to jump on board. Likewise, the Titanic, Stan and Jack faced an Iceberg.

Unlike the doomed ship they looked for that potential death dealer on purpose. Those two Jewish guys were about to take a stand and strike a blow for civil rights. Not for themselves – for African Americans and doing so, whether they knew it or not, chuck a serious fuck you to Hoover and his crew.

A Black Panther with a serious attitude showed up in New York and preceded to win over the masses with his message. If J. Edgar won’t wear white after Labor Day, Hoover wanted to do something he couldn’t just bum rush the place he knew the Panther would be.

That’s because this Black Panther wasn’t real. Stan and Jack made him up out of thin air. Or did they? In 2017 it’s hard to imagine meeting someone who had not heard of Donald Trump’s:

Take your pick.

  1. Wall
  2. Tweets
  3. Hair

The Black Panther Party was a regular item in print and broadcast news. The year was 1966 what you read in the newspaper or watched on TV was damn near (for many it was) gospel.

Ya think Lee and Kirby just happened to create a character with the same name as the most wanted radical group this side of the Weather Underground with no knowledge that group existed?

That’s as likely as a character called The Birther showing up out of thin air.

Name: The Birther!

Tag Line: He Came Out of Thin Not American Air!

Mission: Kill Grandma!

Stan was as tuned in to what American college kids were doing as anyone over 30 could be. He spoke at many universities, and Marvel’s mail was an endless stream of hip American youth feedback.

The question is, did Stan, and Jack create the Black Panther to make a buck or a difference? Did they risk aliening some fans becoming an FBI file and possible violence?

I’m sure a lot of you think you know the answers but I most certainly do. Mine came straight from the man himself.

Stan The Man Lee.

End, Part 1.

Miles Morales as Spider-Man Headlines Sony Animation Lineup

Hacker emoji Jailbreak (Ilana Glazer), exuberant Gene (T.J. Miller) and his handy best friend Hi-5 (James Corden) embark on the app-venture of a lifetime in Sony Pictures Animation’s EMOJIMOVIE: EXPRESS YOURSELF, in theaters summer 2017.

Making good on the commitment to increase overall output while continuing to offer its distinctive mix of family films, Sony Pictures Animation today released the project details on its upcoming roster of titles through 2018, along with additional highly anticipated future feature film projects, including one from Pulitzer Prize-winner Lin-Manuel Miranda.

Kristine Belson, President of Sony Pictures Animation, says, “We are proud of the artist-driven titles we have coming to the marketplace.  The abundance, variety and quality of the features are a testament to the wealth of creative talents who call Sony Pictures Animation their home.”

SMURFS: THE LOST VILLAGE (April 7, 2017 release)

Newly announced voice cast includes:  Michelle Rodriguez (SmurfStorm), Ellie Kemper (SmurfBlossom), Ariel Winter (SmurfLily) and Julia Roberts (SmurfWillow), all residents of the title’s Lost Village.  Special voice cameos to include:  Gordon Ramsay (Baker), Gabriel Iglesias (Jokey), Tituss Burgess (Vanity), Jeff Dunham (Farmer), Jake Johnson (Grouchy), and director Kelly Asbury (Nosey).

Previously announced voice cast includes Demi Lovato (Smurfette), Rainn Wilson (Gargamel), Joe Manganiello (Hefty), Jack McBrayer (Clumsy), Danny Pudi (Brainy), and Mandy Patinkin (Papa).

The feature is directed by Kelly Asbury (SHREK 2), produced by Jordan Kerner (CHARLOTTE’S WEB) and Mary Ellen Bauder Andrews (HOTEL TRANSYLVANIA), and written by Stacey Harman and Pamela Ribon, based on the characters and works of Peyo.  Digital animation by Sony Pictures Imageworks.

In this fully animated, all-new take on the Smurfs, a mysterious map sets Smurfette and her best friends Brainy, Clumsy and Hefty on an exciting and thrilling race through the Forbidden Forest filled with magical creatures to find a mysterious lost village before the evil wizard Gargamel does.  Embarking on a rollercoaster journey full of action and danger, the Smurfs are on a course that leads to the discovery of the biggest secret in Smurf history!

THE EMOJI MOVIE (August 4, 2017 release)

Newly announced voice cast: Jennifer Coolidge (Gene’s mother, Mary Meh), Maya Rudolph (Smiler), Jake T. Austin (Alex), and Sir Patrick Stewart (Poop).

Previously announced voice cast includes T.J. Miller (Gene), James Corden (Hi-5), Ilana Glazer (Jailbreak), Steven Wright (Gene’s father, Mel Meh).

The feature is directed by Tony Leondis, produced by Michelle Raimo Kouyate, and written by Tony Leondis & Eric Siegel and Mike White.  Digital animation by Sony Pictures Imageworks.

THE EMOJI MOVIE unlocks the never-before-seen secret world inside your smartphone.  Hidden within the messaging app is Textopolis, a bustling city where all your favorite emojis live, hoping to be selected by the phone’s user.  In this world, each emoji has only one facial expression – except for Gene, an exuberant emoji who was born without a filter and is bursting with multiple expressions.  Determined to become “normal” like the other emojis, Gene enlists the help of his handy best friend Hi-5 and the notorious code breaker emoji Jailbreak.  Together, they embark on an epic “app-venture” through the apps on the phone, each its own wild and fun world, to find the Code that will fix Gene.  But when a greater danger threatens the phone, the fate of all emojis depends on these three unlikely friends who must save their world before it’s deleted forever.

THE STAR (November 10, 2017 release)

The voice cast will be led by Steven Yeun (Bo the donkey), Kelly Clarkson (Leah the horse), Aidy Bryant (Ruth the sheep), Keegan-Michael Key (Dave the dove), Kristin Chenoweth (Mouse), Anthony Anderson (Zach the goat), Gabriel Iglesias (Rufus the dog), Ving Rhames (Thaddeus the dog), Delilah Rene (Elizabeth), Kris Kristofferson (Old Donkey), Gina Rodriguez (Mary), Zachary Levi (Joseph), with Oprah Winfrey (Deborah), Tyler Perry (Cyrus) and Tracy Morgan (Felix) as the three camels, and Christopher Plummer (King Herod).

THE STAR is directed by Academy Award® nominated writer/director Timothy Reckart (HEAD OVER HEELS); executive-produced by DeVon Franklin (MIRACLES FROM HEAVEN), Lisa Henson and Brian Henson (The Jim Henson Company); produced by Jenni Magee Cook; with a story by Carlos Kotkin and Simon Moore; and screenplay by Carlos Kotkin.  Digital animation by Cinesite Studios.

A small but brave donkey named Bo yearns for a life beyond his daily grind at the village mill.  One day he finds the courage to break free, and finally goes on the adventure of his dreams.  On his journey, he teams up with Ruth, a lovable sheep who has lost her flock and Dave, a dove with lofty aspirations.  Along with three wisecracking camels and some eccentric stable animals, Bo and his new friends follow the Star and become accidental heroes in the greatest story ever told – the first Christmas.

HOTEL TRANSYLVANIA 3 (September 21, 2018 release)

Mavis surprises Dracula with a family voyage on a luxury Monster Cruise Ship so he can take a vacation from providing everyone else’s vacation at the hotel. The rest of Drac’s Pack cannot resist going along and once they leave port, romance zings Drac when he meets the mysterious ship captain Ericka.  Now it’s Mavis’ turn to play the overprotective parent, keeping her dad and Ericka apart. Little do they know that his “too good to be true” love interest is actually a descendent of Van Helsing, arch nemesis to Dracula and all monsters!

The voice ensemble of favorites returns, including Adam Sandler (Dracula), Selena Gomez (Mavis) and Andy Samberg (Johnny).

Director Genndy Tartakovsky (SAMURAI JACK, STAR WARS: CLONE WARS) is back in the director’s chair, along with Michelle Murdocca back producing and Adam Sandler executive-producing, with a screenplay by Genndy Tartakovsky and Michael McCullers (AUSTIN POWERS: THE SPY WHO SHAGGED ME).

In addition to this feature film, a new animated short, PUPPY, directed by HOTEL TRANSYLVANIA’s Genndy Tartakovsky, will be debuting in theaters attached to THE EMOJI MOVIE in August 2017.  In the short, the residents of Hotel Transylvania find their world turned upside-down when youngster Dennis gets a surprise monster-sized pet!

UNTITLED ANIMATED SPIDER-MAN (December 21, 2018 release)

From Phil Lord & Christopher Miller, the geniuses behind THE LEGO MOVIE, comes an animated SPIDER-MAN feature starring Miles Morales.

The feature is directed by Bob Persichetti (head of story on PUSS IN BOOTS and THE LITTLE PRINCE) and Peter Ramsey (RISE OF THE GUARDIANS).  The film is written by Phil Lord.  Avi Arad (IRON MAN, SPIDER-MAN), Amy Pascal (SPIDER-MAN: HOMECOMING), Phil Lord & Christopher Miller (Untitled HAN SOLO Movie) are executive producing; Christina Steinberg (TROLLHUNTERS) is producing.

VIVO (December 18, 2020 release)

Lin-Manuel Miranda, the award-winning (Emmy, Tony, Grammy, Olivier, Pulitzer Prize and MacArthur “Genius Grant” recipient) creative force behind the groundbreaking Broadway musical HAMILTON, writes new songs for this musical animated feature.  Academy Award® nominated director Kirk De Micco (THE CROODS) is set to helm a script by Pulitzer Prize winner Quiara Alegría Hudes (IN THE HEIGHTS).  Academy Award® nominated producer Laurence Mark (DREAMGIRLS, JULIE & JULIA) serves as executive producer, and Lisa Stewart (ALMOST FAMOUS) produces.

Martha Thomases: Comic Books and Today’s Reality

This is a sad day for me. We are losing a president with curiosity and interest in people different from himself to one who might not be able to read at all.

Yes, I’m that kind of elitist. I prefer to admire (and, if possible, hang out with) people with imaginations, people who like to be challenged, people who appreciate the arts. All the evidence (this, for example) suggests that our newly installed Commander-in-Chief has no such interests.

Tough times, such as those I imagine to be ahead of us, can be opportunities for great art. The 1960s, with its civil rights marches, police riots and unjust wars, brought us brilliant music, film, theater, dance and literature, even comics. It is the responsibility of the artist to make us question our perceptions, and the best do this in a way that lasts well beyond the topical concerns of their times.

We’ve already seen some public reactions, by artists and audiences, to the new administration. American Muslim comics can band together, in solidarity and support, to amuse and enlighten themselves and the rest of us.

And we’ve seen that Trump, whatever his intentions, seems to have aroused the curiosity of the public. After his recent attacks on Congressman John Lewis, bookstores around the country sold out of March, and it went to the top of Amazon’s best-seller lists. Since the book has been out for quite a long time, and it was already selling well, I assume that the new sales come from people who are curious about why so many people sprang to Lewis’ defense. In the process, they get to read an amazing book.

Everybody wins.

I don’t mean to imply that only art with a progressive point of view is worthwhile. I don’t think that culture has that kind of a litmus test, or it would get boring really quickly. I even like some pop culture that comes from a different point of view.

For example, I’m really enjoying binging on Blue Bloods, a show which seems to think all police departments (but especially New York’s) are fabulous, that all cops are great, and the ones that are not are dealt with swiftly because the good cops are so ashamed of the bad ones. At the same time, people who don’t like or who mistrust the police have something seriously wrong with them. That’s not how I see the NYPD, but I’m fascinated by this chance to understand those who do.

While I’m not looking forward to the next two years (longer, if we screw up the midterms), I am anticipating some exciting art. And I’m happy to be living in a time when comics are respected as part of the cultural landscape.

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