This week, author Rick Nichols joins Tommy Hancock on PULPED! The man behind the John Logan series from Seven Realms Publishing, Nichols discusses his rather unique P.I. Character, the fantastically conceived supporting cast around him (including Lucky the Cat), the influence Robert B. Parker had on him, and the right way to do cliffhangers! Listen in as Rick Nichols gets PULPED!
The first wave of anime to arrive in America was usually found in syndication, filler in the mornings and afternoons for the off-network stations in the New York area. It all started with Astro Boy but was quickly followed by Eighth Man and Gigantor, Kimba the White Lion to the Amazing Three. And then there was Marine Boy, the first of the color animated series to be broadcast in America. In his native Japan, the name translated to Undersea Boy Marine and was therefore Americanized.
Produced by Minoru Adachi and Japan Tele-Cartoons, there were 78 episodes in total and the first season or 26 episodes, have now been collected by Warner Archive, which is fitting since Warner was the company to distribute the series back in the 1960s.
Sometime in the future, there lived a boy, maybe 15, remarkable enough to serve as a full-fledged agent of the Ocean Patrol. Their mission was to troll the seven seas and ensuring that the undersea ranching, mineral and oil exploitation, research, and undersea habitats were safe. With all this prosperity above and below the surface, there seemed to be an unending supply of single-minded villains out to seize control of some portion of this prosperity for themselves.
Thankfully, Dr. Mariner and Professor Fumble were on hand to grow and equip the OP with the gear they needed to keep fish and man safe. Various-sized craft were dispatched but the series focused on the P-1, manned by the comedic duo of Bolton and Piper along with the title character. Marine Boy is an all-around all-star, the perfect athlete, swimmer, tactician, etc. He was beloved by all, including sea life in the form of the friendly dolphin Splasher. Since he insists on heading into action, he’s been equipped with a special wetsuit that allows him to withstand the varying pressure changes underwater along with a ring that can whistle for dolphins and the frequently-used oxy-gum. Odd for the water, but he uses a boomerang with deadly accuracy.
He’s also accompanied by Neptina, a slightly younger girl who just happens to be a mermaid. Little was revealed about her race but she wears a pearl around her neck with a wide array of convenient magical powers.
The vocal work is weak, largely because Corinne Orr, best recognized as Speed Racer’s Trixie, performs the roles of Marine Boy, Neptina and Cli Cli, a small boy who idolized Marine Boy. Sharp-eared fans will recognize the tones of Jack Grimes, Peter Fernandez, and Jack Curtis.
The stories are all long before ecological issues were common so were far more typical adventures such as investigating what happened at drilling Satellite Station 23 or the self-proclaimed Emperor of the Pacific Empire. There’s a certain simple charm to them even if the criminal mastermind of the week grew a little tiring.
Growing up, I never warmed to the show although my siblings liked it well enough. It was certainly engaging enough back in the day and was clearly a stepping stone to the American market and other projects.
One of the most imaginative uses of time travel as a story platform was Don Bellasario’s Quantum Leap, which starred Scott Bakula as quantum physicist (among other things) Dr. Sam Beckett and Dean Stockwell as Rear Admiral Al Calavicci:
“Theorizing that one could time travel within his own lifetime, Doctor Sam Beckett stepped into the Quantum Leap accelerator and vanished…
“He woke to find himself trapped in the past, facing mirror images that were not his own, and driven by an unknown force to change history for the better. His only guide on this journey is Al, an observer from his own time, who appears in the form of a hologram that only Sam can see and hear. And so Doctor Beckett finds himself leaping from life to life, striving to put right what once went wrong, and hoping each time that his next leap will be the leap home.”
Sam was changing history.
Or was he creating alternate histories?
Alternate histories that led to whole new universes.
Parallel universes.
Multiverses within the meta-universe.
The multiverse (a term coined by American philosopher and psychologist William James in 1895—I wonder what he was smoking?) is a hypothesis that states that there are infinite numbers of universes existing parallel to our own, but at different “levels” within the meta-universe. The meta-universe is the hypothetical set of infinite—or maybe finite—possible universes (including our own) that together comprises everything that exists, i.e., you, me, the iMac computer I’m typing this on, the New York City skyline outside my window, President Obama, Vladimir Putin, Syria, the sun, the moon, the planets, the stars, space, time, matter, and energy, and the physical laws and mathematical constants that define them. (In other words, 1 + 1 = 2 no matter where you are in the meta-universe.)
Confused? See if this helps. Think of the meta-universe as a sort of giant department store. The store is stocked with merchandise, but each floor is a separate department, and a little different; they are contained within the same number of square feet, but the first floor sells cosmetics and leather goods and men’s wear, the second is dedicated to children, the third to women, and so on. But each floor, while having its own standards and imperatives, must obey the rules set by the larger store within which it exists.
So, if Sam Beckett was creating alternate histories as he “quantum leaped” through time, did he eradicate himself from any or all histories? In the last episode, Sam rights what he believes is his greatest wrong—not telling Beth (Al’s first wife and true love, whom he met in a previous jump) that Al isn’t dead, that he is a POW in Vietnam:
Sam: I’m going to tell you a story. A story with a happy ending, but only if you believe me.
Beth: And if I don’t?
Sam: You will. I swear you will. Instead of ‘Once upon a time,’ let’s start with the happy ending. Al’s alive and coming home.
The screen goes black. A caption tells us that Al and Beth will be celebrating their 49th anniversary this year.
And another caption tells us, “Dr. Sam Beckett never returned home.”
But what does that mean?
The Grandfather Paradox: Some fans believe that by changing the course of Beth and Al’s life, Sam wiped himself out of existence because Al Calavicci and Sam never met, therefore Al never became a key element in the development of the Quantum Leap project and so it never got off the ground. But if Sam never existed, then how could he leap to Beth and tell her to wait, for Al was coming home?
The Novikov Self-Consistency Principle: Other fans say that, so what if Al is happily married to Beth? Sam still developed his quantum leap theory, and Al still became his liaison with the government and Sam is still out there, fighting “to put right what once went wrong.” History rights itself. History is consistent.
The Multiverse Theory: Quantum mechanics—Sam is a quantum physicist—describes existence as probabilities, not definite outcomes. And the mathematics of quantum theory suggests that all the possible outcomes of a situation do actually occur. Robert Frost described it this way in The Road Not Taken:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
By taking the “one less traveled by,” the narrator has led a life with a certain outcome. However, in quantum mechanics, the narrator also took the other road, the one “more” traveled by, and so a “bubble” or “daughter” universe was created, one in which the events and outcome of the narrators life were just as true, but just as different.
“And in each universe, there’s a copy of you witnessing one or the other outcome, thinking — incorrectly — that your reality is the only reality.”
So in this universe I have a daughter named Alix who is married to Jeff and they’re about to have a baby any minute, and I work as a nurse in the operating room and write for ComicMix.
In another universe I stayed married to Alix’s father, only in that universe Alixandra is Alexander and I never became a comics writer so I’m not writing this column for ComixMix because I never met Mike Gold who talked me into this thing in the first place.
In another universe, everything happened just like it has happened, only I never got better from my clinical depression and when I’m not in the hospital I’m on Welfare and Medicaid and my daughter doesn’t talk to me.
And in another universe, my father doesn’t have Complex Partial Seizure syndrome and he is going strong at 90 and my mother doesn’t need a walker and doesn’t have emotional, crazy outbursts and she’s as healthy as a horse and my Aunt Augie never had cancer and died and she and my mother talk every day on the phone….
In another universe I don’t have black hair (yeah, I dye it) but let myself go gray and I never married at all but Alixandra is still my daughter and Jeff is still her husband and they live on the East Coast and I’m a film editor who lives in Laurel Canyon with a couple of Oscars and SAG Awards under my belt.
This week on Pro Se Presents: The Podcast, Tommy Hancock welcomes Aaron Smith, long time Pulp Author with Pro Se as well as other companies. Aaron discusses his most recent title from Pro Se, the spy thriller NOBODY DIES FOR FREE as well as his influences for the book and what intrigues him about the spy genre! Also, Aaron discusses future plans for one of Pro Se’s long time and most liked characters, Aaron’s own Lieutenant Picard! This and much more as Pro Se Presents: The Podcast welcomes Author Aaron Smith!
Everyone has secrets; lots of them. As I said in my column about the TV miniseries Broadchurch, “…what gets revealed to whom, when, and how and is that a good idea really drives narrative and character. The revelation of secrets may answer some questions but may raise more.”
Some things you can tell about a person by looking at them: what they look like, ethnicity, gender, rough age and so on, but these days of social media such as Facebook, even that may be a secret. Are those pictures really of him/her? Those can still be secrets.
There are levels of secrets and not all of them are deep and dark. Your name, for example. Unless you’re wearing a name badge, it’s not immediately apparent. If you’re asked for your name, you usually give it. Some situations may alter that – women in bars may not give their real names or phone numbers, often with good reason. If a cop asks you your name, however, you’d better be prepared to share it.
There are secrets that you share with different groups of people. Acquaintances, co-workers, teachers and so on, people on Facebook perhaps, know more of your secrets than someone just passing by. There are those who are your actual friends and even within this community there are levels, some friends being closer than others. A level of trust is involved which means that you have usually have shared some secrets with them and they have proven worthy of that trust.
Family presents a parallel and often deeper level of secrets. I’ve joked in the past that parents often know how to push your buttons because they’re the ones who installed the wiring. I’ve been in situations around a family table where the adult children are telling stories of growing up and a parent will look bewildered and say, “I never knew about any of this!” They didn’t because the siblings kept those secrets. In my family it’s been joked as I grew up that if my twin brother, Joe, did anything wrong, sooner or later you’d find out because he would just blurt it out. Of me it was said that if I did anything wrong – well, maybe a decade later I might share it if I thought you were ready to deal with it. Yeah, I have a sneaky side.
There are the few people we let in very close. Deep, long time friends or, even more, the person that we love. Even they, however, don’t know all our secrets. There are some secrets known only to ourselves, that we don’t choose to share with anyone for whatever reason. Deepest of all are the secrets that we keep from ourselves, truths we don’t choose to face.
If all this is true in our own lives, and I submit that it is, then it needs to be true in our writing. A writer must know his/her characters’ secrets, especially the ones the characters hide from themselves. How the secrets are revealed, when, to whom, under what circumstances, and whether it was a good choice or turns out to be a good thing – all drive the narrative.
Sometimes the secret will be revealed to the audience before it is revealed to any character and that’s fine as well. It creates a deeper involvement with the audience and greater suspense; the audience has a vested emotional interest in what happens with the secret.
Nor do secrets need to be told all at once. This secret can be told or shown here and maybe that one there. Maybe part of the secret it told at one point and the rest comes out later. Secrets drive motivation and motivation drives the characters and they in turn drive the story.
And who doesn’t love a good story … or a good secret?
Pro Se Productions, a leader in New Pulp and Genre Fiction, announces digital advanced reader copies of an upcoming title are now available for Reviewers!
Pro Se Productions gladly commits THE FIRST SYNN: THE BLOODSTONE CONFIDENTIAL, the first of a new series of supernatural pulp thrillers by noted award winning author Teel James Glenn. Complete with chills and thrills harkening back to the classic Pulps, THE FIRST SYNN introduces the first sibling duo in Pulp history, ready to take on whatever horror flies their way! From Teel James Glenn and Pro Se Productions- THE FIRST SYNN: THE BLOODSTONE CONFIDENTIAL!
About the Book:
The Bloody Curse of the Vampire!
Years ago Gideon Synn tried to save Faith Bloodstone from a deadly family curse in upstate New York. He failed and Faith died at the hands of a mysterious blood drinking fiend. Synn ran from his failure and became a world traveler, joining the French Foreign Legion and eventually becoming a mercenary in China.
Now, years later he has opened a security firm with his sister Kathy. Charity Bloodstone, Faith’s younger sister, comes to him for help against the same curse—the supposed vampire ghost of her ancestor, Justice Bloodstone! According to legend, Charity has only one week to live!
Several people have been killed by what appears to be the undead Justice in ways that suggest a supernatural cause. The Synn siblings are drawn into a whirlwind of terror and evil as the mystery of the vampire murders comes closer and closer to fulfilling the curse.
Has Gideon found love with Charity only to lose her to dark forces? Who are the armed thugs that have attacked the siblings? Can Kathy Synn keep her brother out of trouble long enough to solve the mystery of the Bloodstone Confidential?
Reviewers established with websites, print media, or other formats may request a review copy of this volume. Also, reviewers who consistently post reviews on their own personal sites may also request a copy. To get your review copy of THE FIRST SYNN: THE BLOODSTONE CONFIDENTIAL, email Pro Se’s Director of Corporate Operations Morgan Minor at MorganMinorProSe@yahoo.com.
For more information on Pro Se Productions, go to www.prose-press.com
Pro Se Productions, a leader in New Pulp and Genre Fiction, announces digital advanced reader copies of an upcoming title are now available for Reviewers!
Pro Se Productions gladly commits THE FIRST SYNN: THE BLOODSTONE CONFIDENTIAL, the first of a new series of supernatural pulp thrillers by noted award winning author Teel James Glenn. Complete with chills and thrills harkening back to the classic Pulps, THE FIRST SYNN introduces the first sibling duo in Pulp history, ready to take on whatever horror flies their way! From Teel James Glenn and Pro Se Productions- THE FIRST SYNN: THE BLOODSTONE CONFIDENTIAL!
About the Book:
The Bloody Curse of the Vampire!
Years ago Gideon Synn tried to save Faith Bloodstone from a deadly family curse in upstate New York. He failed and Faith died at the hands of a mysterious blood drinking fiend. Synn ran from his failure and became a world traveler, joining the French Foreign Legion and eventually becoming a mercenary in China.
Now, years later he has opened a security firm with his sister Kathy. Charity Bloodstone, Faith’s younger sister, comes to him for help against the same curse—the supposed vampire ghost of her ancestor, Justice Bloodstone! According to legend, Charity has only one week to live!
Several people have been killed by what appears to be the undead Justice in ways that suggest a supernatural cause. The Synn siblings are drawn into a whirlwind of terror and evil as the mystery of the vampire murders comes closer and closer to fulfilling the curse.
Has Gideon found love with Charity only to lose her to dark forces? Who are the armed thugs that have attacked the siblings? Can Kathy Synn keep her brother out of trouble long enough to solve the mystery of the Bloodstone Confidential?
Reviewers established with websites, print media, or other formats may request a review copy of this volume. Also, reviewers who consistently post reviews on their own personal sites may also request a copy. To get your review copy of THE FIRST SYNN: THE BLOODSTONE CONFIDENTIAL, email Pro Se’s Director of Corporate Operations Morgan Minor at MorganMinorProSe@yahoo.com.
For more information on Pro Se Productions, go to www.prose-press.com
In the 1960s, super-heroics were such the rage that ever era seemed to inspire a masked champion for Saturday morning fare. We had the Mighty Mightor who could been seen as an ancestor to his comedic counterpart, Captain Caveman, which also reflects the shift from dramatic fun to slapstick comedy (also showing how parents boxed in the animators).
Captain Caveman and the Teen Angels was created for Hanna-Barbera, shortly before they split to form their own outfit. It ran from 1977 through 1980 in ABC and the complete 40 episode series is now available on a three-disc set from Warner Archive. The series started off sandwiched as a part of Scooby’s All-Star Laff-A-Lympics and Scooby’s All-Stars before gaining their own thirty minute slot. Brenda, Dee Dee and Taffy, the erstwhile angels, found a caveman frozen in a block of ice and thawed him back to life. Now, Cavey and the girls went around solving mysteries and getting in and out of trouble. Nothing new here except you’re mixing in the detectives from Scooby-Doo with super-heroics, all played for comedy. While a trinity is a common element in such shows, the girls and name in particular owe a lot to Charlie’s Angels, which had taken the nation by storm not long before.
Much as Mightor shouted his name to invoke his powers, so too does the Neanderthal crimefighter. In addition to the standard-issue powers, his ancient fur clothing contains an unending amount of gadgets for convenient use. Not only does the show feel familiar it sounds familiar with the hero voiced by the legendary Mel Blanc and narration from Gary Owens. The girls were voiced by the lesser known Marilyn Scheffler, Laura Page and Vernee Watson.
As was far too common at the time, the mysteries were never terribly challenging and the characters were allowed one personality trait each as if they were being rationed because of a budget shortfall. The antics are not terribly inspiring such as Cavey’s flying powers proving erratic only when he truly needed them. And while he eventually revealed to the audience his crush on Taffy, not that she ever knew it. He’s also saddled with stereotypical caveman speak which can prove grating after a few minutes.
Mildly entertaining, it’s disposable and forgettable stuff.
I figure that many of my ComicMix cohorts will be scrutinizing one or more of the topics I had in my head to discuss with you, my adoring public. I also figure that everyone else on this site is way more important than I am. With that being said? What better way to ride on their coattails, and waste precious column inches then with a numerical list of things I want to get off my chest? Nothing! Nothing I say! Without further ado…
1. New Lobo Design
Filed under the “What Did DC Do Wrong This Week” file… DC released a new design and story direction for The Main Man. Seems the Lobo we all knew and loved, err, tolerated in Rob Liefeld’s New52 Deathstroke wasn’t actually the main Main Man. The newly designed slim-n-trim Lobo is the real thing, and he’s potentially chasing down the impostor for obvious reasons. DC top brass (Bob Harris) was quoted as saying “Ken [Rocafort] updated Lobo’s facial tattoos and weaponry by adding laser edges to his blades and gloves that’ll give him extra strength with their mechanical usage. In the end, Ken transformed Lobo into a lean, mean killing machine.”
So… what’s the big dealio? Well, the new design is like the rest of the new designs of the New52. That is to say it’s reeking of the 90’s excess I’d hoped was just a long lost running-gag by now. Fans via social media dubbed Rocafort’s Lobo a “Twilight-Esque” attempt. Many of the fans of the original character are obviously up in arms. I assume they’re also mounting cannons to their hogs, choppers, and baggers. They might even be visiting Home Depot for some last-minute chain purchases. But I digress.
Simply put, this is merely a continual symptom that is part of a far larger problem. The New52 continues to wow the world with these new and fresh takes on our favorite characters. Apparently they never got the memo that nothing was wrong with the DCU pre-Flashpoint. And I’d be hard-pressed to look at some numbers that could back me up on that. Suffice to say… you can thin down, emo-up, and photoshop effect all you want DC… but until you worry more about the quality of the stories first? You’re just wasting the time of those who buy your books in hopes “this is when they turn it around.”
2. Batfleck / Breaking Luthor
So we’re all pretty sure it’s official that Ben Affleck is Batman and Brian Cranston is Lex Luthor in the forthcoming Man of Steel sequel. Rumor-mills also denote that they might have signed multi-picture deals, akin to that of the House of Mouse across the street. Many fans and nerds took to the net to cry out in fear, shame, and rage over Batfleck. At the time of this writing, only Rolling Stone was saying Cranston had Luthor’s role under wraps… but I’m fairly certain nary a nerd (save perhaps for my own best friend and cohort Kyle Gnepper of Unshaven Comics) finds this to be troublesome.
In my lowly opinion, first and foremost… who the hell cares? A casting decision in mind means almost nothing until the script is written and filming begins. For the naysayers of Big Bad Ben, there’s a plethora of films that I could cite that prove his acting (and directing) chops. It’s been years since Gigli and Daredevil. He is a humbled actor, who can step into the cape and cowl without a problem in my eyes. And lest we all forget? No one wanted Heath Ledger as the Joker now, did they? Affleck, Cavil, and Cranston on screen could be a big deal. And if Snyder eases back on the disaster porn? We may get the Dark Knight of the Superman series. I for one could not be more excited about that. Call it seeing ‘dem apples’ as half-full, if you will.
3. Miley Cyrus Twerking
Seriously? Did it bother you that much when Brittany Spears, Christina Aguilera, or Madonna decided it was time to act like a slut on national cable television? It did? Oh, ok. Well then, go ahead. Be angry. Comment about it. Rant about it. Hell, write an article on how she’s single handedly bringing back the minstrel show with a side of misogyny while you’re at it.
Now realize you’re doing exactly what she wanted you to do in the first place. Everything on the MTV Video Awards was planned in boardrooms, months in advance. And every rant tweeted, touted, statused, or plus-oned was just another dollar bill landing squarely on Miley’s front porch. Which is good, because she’s gonna need to by some new solid gold teeth, and tongue extensions soon.
4. Cartoons ain’t like what they used to be…
Here’s a quickie: The CW now has a block of old(ish) cartoons they’re packaging on Saturday mornings. And though I own the series, it’s still amazing to catch an episode of Justice League Unlimited. I fear that there will never be as complex, action-packed, or mature a cartoon series in my own son’s life. Lucky for me I will practically punish him into enjoying them. Not really mind you, but… yeah, really.
5. Indy Pop Con looks like it’s doing it right.
One more thing… Unshaven Comics was asked to be a part of the inaugural Indy(napolis, baby) Pop Con in 2014. I am astounded at how on-the-ball the show promoters are. They’ve built their site, started planning legitimately interesting events, panels, and discussions, as well as snag some top tier talent. You know, aside from Unshaven Comics. Indianapolis already hosts an amazing nerd-con with Gen-Con. Here, they are placing it at a time when no other cons are competing, in a town that has a bustling nerd-culture. They are putting the right amount of money into it to ensure a solid gate. And they are communicating with fervor to all the artists, and guests of the show. Simply put, they’re doing it right, and I’m very proud to be a part of it thus far.
OK kiddos, that’s my braindump for you. No doubt I’ve enraged you several times over. I implore you to let me have my comeuppance in the comments below. Go on. I dare you. My ego can take it. Plus, next week, I’m redesigning myself. I’ll be slimmer, with 80% more unnecessary lines on my shirt. So, there.
This weekend, the fast-paced thriller GETAWAY hits theaters and both Selena Gomez and Ethan Hawke talk about how moist of the action took place inside the car. And have you ever seen IMPRACTICAL JOKERS on TruTV? If so, ever wonder why no one ever punched those guys. The Jokers themselves tell us why.
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