The Mix : What are people talking about today?

John Ostrander: Never Ending

Ostrander Art 130818 - LEFTOstrander Art 130818 - RIGHTIn the beginning, the Justice League of America on Earth-1 met the Justice Society of America on Earth-2 for an Annual Crisis and it was good. Usually it was really damn good. You waited for each yearly team-up eagerly.

And this begat Crisis on Infinite Earths and that was stupendous. A real game changer for DC. Continuity was never the same again. And this is turn begat Legends, a smaller miniseries that helped re-define the major DC characters and launched several books such as Suicide Squad, Justice League, and an all-new Flash. And it was good. Well, it was very good to me. It helped launch my career at DC and gave me two books, the aforementioned Suicide Squad and I would up taking over Firestorm. And those begat a lot more work for me and that was very, very good so far as I’m concerned.

These also begat a lot of sales and the lesson was not lost on Mighty Marvel and so begat Secret Wars, Secret Wars II, The Infinity Gauntlet, the Infinity Gauntlet Rides Again and so on. And all of these, both at DC and Marvel, begat tie-ins and spin-offs, selling books and making money but also increasingly disgruntling fans. And that’s not so good.

Okay, I’m not going to push the biblical phraseology thing any further because it stops being clever and just gets real annoying real fast. That’s my point – things get old quickly. These days, the “events” happen so much on the heels of one another that its gets hard to tell where one ends and another begins.

I can’t really complain – it’s getting me some work. I’m doing the Cheetah issue for Villains Month that’s part of Forever Evil and I was happy to get it (and – yes – to plug it). I also had some room to play with the character’s background and, I think/hope, the issue has wound up as a pretty good story. I don’t want to be a hypocrite – I can’t decry something in which I’m a participant.

I’d also like to suggest this – the main writer on a lot of DC’s events these days is Geoff Johns, just as Brian Michael Bendis has done on a lot of the Marvel Crossover Events. These are two top talents working at the top of their respective games. They both weave stories, working in plot threads that have appeared in other books leading up to the Event. It does give an epic quality to DC/Marvel’s respective canons.

However, I’m concerned that it could lead to Reader Burn-out. (Hm! The title for the next big crossover event – Burnout!) The books cost money and its not just the central core books of the event. True, most of the spin off books you don’t have to buy (except for the Cheetah one shot connected to Forever Evil; that one you really have to buy) but all the hype connected with any Event starts to numb the reader (IMO). I’m going to sound like a COF (Crusty Old Fart) but I really do think it was better in the old days when the JLA met the JSA just once a year. It was an event to which you could look forward instead of just lurching from one Can’t Miss story to another.

Maybe the point is sales and if the Events sell and garner a big chunk of overall sales that month, maybe that’s all they need to do. I have no objections to that.

Especially if it’s the Cheetah spin-off. Buy lots of copies of that. Buy spare copies to give to friends and family. Pre-order it now.

Hmmm. Maybe I understand Event programming better than I thought.

MONDAY MORNING: Mindy Newell

TUESDAY MORNING: Emily S. Whitten

 

Sometimes I Get Asked Stuff…

Bobby Nash

New Pulp Author Bobby Nash has been running a column on his website called Sometimes I Get Asked Stuff… where he answers questions sent to him, from social media, and wherever an interesting question pops up.

You can check out Bobby Nash’s Sometimes I Get Asked Stuff… at the links below.
Part 1
Part 2
Part 3
Part 4
Part 5
Part 6
Part 7

An Action Tease…

Art: Reno

On the Captain Action Facebook page, the image above was shared with the following comment.
Sneak Peek: A gorgeous illustration by Reno from our upcoming super-secret project. (And it’s NOT what you think)

Let the speculation commence.

You can learn more about Captain Action here.

 

Now You Can Own a Piece of the Golden Age

The Black Terror Vs. Killer Robot
The inspiration

The Golden Age Comics Figurine Collection is a new series of high quality, hand-painted resin figurines of public domain super hero, science fiction, and horror characters from the Golden Age of Comics, which dates from the late 1930s through the early 1950s. Each character is meticulously researched and carefully sculpted at 1/21 scale, the same scale as the recent Eaglemoss collections devoted to Marvel and DC super heroes.  Figurines are typically 3.5″ (8.9 cm) to 4.3″ (10.9 cm) tall, depending upon the size of the original character. Each individually numbered, limited edition piece is produced in very small quantities, typically between 300-500 units. A custom printed, full color box comes standard with each figurine, which is protected with a molded plastic tray.

Fantomah: Jungle Mystery Woman

Characters include The Black Terror, Stardust: The Super Wizard, and Fantomah: Mystery Woman of the Jungle. Coming soon: Basil Wolverton’s Spacehawk.

The Golden Age Comics Figurine Collection figurines are sold through the company’s online store, eBay, and Amazon; US customers are eligible for free economy shipping on all sites, while international customers can purchase the figurines through our store or eBay with additional shipping charges. Each figurine is double boxed prior to shipment to the Amazon warehouse, minimizing the possibility of damage when it arrives at your doorstep. Fletcher Hanks’s Stardust the Super Wizard is our first piece and is currently for sale on the site. Sign up for our newsletter, subscribe to our RSS feed, and follow us on Facebook and Twitter to keep up to date on when future figurines become available!

Learn more about The Golden Age Comics Figurine Collection here.

Stardust: The Super Wizard
Black Terror vs. Killer Robot
 
Coming Soon: Starhawk

COMPANION DRAGONS TALES VOLUME 1 DEBUTS FROM PRO SE AS FIRST VOLUME OF NEW IMPRINT!

A Cutting Edge Independent Publisher, Pro Se Productions introduces another groundbreaking imprint, one aimed at the future fans of Genre Fiction and New Pulp. From the Creative Mind of Fantasy and Pulp Author Nancy A. Hansen comes COMPANION DRAGONS TALES VOLUME ONE, the first volume in Pro Se’s newest line of top quality fiction!




COMPANION DRAGONS TALES VOLUME ONE: A FAMILIAR NAME marks the debut of a new universe of action and excitement created by Hansen and authors Lee Houston, Jr. and Roger Stegman.  Nancy A. Hansen (Fortune’s Pawn, Prophecy’s Gambit) brings her top notch, beloved Fantasy style to a tale full of magic and wonder as well as its own brand of action and adventure.


In A FAMILIAR NAME, the first volume of COMPANION DRAGONS TALES, Nancy Bittergreen is a busy author. She’s also a witch who regularly travels to the wondrous worlds brought to life by magical writing. A dangerous occupation to say the least. Nancy decides she needs a familiar– a small, intelligent creature who can be trusted to watch over things while she’s gone or come to her rescue when situations get just a little too weird. The very best familiars are miniature dragons, but they come with a high price and no instructions. Unfortunately there are powerful people who would prefer all magical creatures be registered, regulated, or even eliminated! Bringing a familiar home with her becomes a race against time with a dangerous opponent as this middle aged witch has to find out her new companion’s true name before sunrise turns him to stone.



COMPANION DRAGONS TALES VOLUME ONE: A FAMILIAR NAME introduces Pro Se Productions Young Reader Imprint- YoungPulp! Aimed at introducing younger audiences to the style of Pulp Fiction while providing them with engaging tales, YoungPulp features stories from all genres written both appropriately and intelligently for Young Readers to discover, enjoy, and explore! Written with intelligence and style that adults can appreciate as well, YoungPulp aims to add to the growing numbers of GenreFiction and New Pulp Fans with tales that excite and appeal to pre teen and adolescent readers.


This fantastic volume features beautiful cover art by Heidi Black as well as format and print design by Sean Ali and Ebook formatting by Russ Anderson.

COMPANION DRAGONS TALES VOLUME ONE: A FAMILIAR NAME is available in print on Amazon at http://tinyurl.com/mfaclyn and via Barnes and Noble at http://tinyurl.com/lhqvj7ffor $9.00. Also available for only $2.99 as an Ebook for the Kindle at http://tinyurl.com/lufo8t9, on the Nook at http://tinyurl.com/llolll7, and in multiple formats at http://www.smashwords.com/books/view/342885.


See a side of magic, action, and fun that has never been seen before as Pro Se’s YoungPulp and Nancy A. Hansen bringyou COMPANION DRAGONS TALES VOLUME ONE: A FAMILIAR NAME!


For interviews, review copies, or further information, please contact Morgan Minor, Director of Corporate Operations at MorganMinorProSe@yahoo.com.  For more information on Pro Se Productions, go to www.prose-press.com.  And stay tuned for further releases concerning YoungPulp.

Zone 4 Spotlights the Indies

The Zone 4 podcast crew of Brant Fowler, Gordon Dymowski, and Captain Ron Fortier, return. Episode #230 shines a light on some books and online comics they are enjoying that are not from the “big two,” Marvel and DC. Everything from Dark Horse, to Thrillbent, to Action Lab, to Bottled Lightning and more!

But before all that, there are some headlines. Some of them are pretty heavy, like the Kevin Maguire and Kirby Heirs situations. And some are light, like an actor interested in taking over Iron Man, and Groot being cast. And the crew has some words for Dan DiDio… again! And there are new shout-outs again this week! Plus some plugs.

So hunker down with some bacon bits, put aside your mainstream books, and get ready for some indie goodness. It’s time to enter the Zone!

You can listen to Zone 4 – Episode #230: Non-Big Two Spotlight! here.
You can now find Zone 4 on Stitcher as well!

PRO SE PRESENTS: THE PODCAST Presents BARRY REESE!

This Week on PRO SE PRESENTS: THE PODCAST-

PRO SE PRESENTS: THE PODCAST brings you one of the best known, most prolific authors and creators in Genre Fiction and New Pulp!  PSP: TP Host Tommy Hancock welcomes Barry Reese, Author, Creator, Head of the REESE UNLIMITED imprint from Pro Se, and Pro Se’s Submissions editor!  Barry discusses what he writes, how he writes, who influences him, and most of all why he writes!  Learn the behind the scenes stories about his best known creation, including The Rook, Lazarus Gray, and Gravedigger. Listen as Barry discussed what he enjoys about Classic Pulp, but also why he’s continually trying to push his own boundaries!  PRO SE PRESENTS: THE PODCAST Presents Barry Reese!
http://prosepodcast.libsyn.com/pro-se-presents-the-podcast-barry-reese-writer-creator-editor-and-more

A Girl and Her Cat– Honey West Returns!

Cover Art: Douglas Klauba

Win Scott Eckert has shared the final cover to the upcoming Honey West/T.H.E. Cat novel: A Girl and Her Cat by artist Douglas Klauba. A Girl and Her Cat is the first new Honey West novel in over 40 years.

Available for order soon via Diamond and direct from Moonstone!

Following on the heels of the first ever Honey West & T.H.E Cat crossover comic, Moonstone’s “Death in the Desert,” comes the Honey West & T.H.E Cat novel, A Girl and Her Cat…

When an exotic green-eyed Asian doctor hires Honey to recover a stolen sample of a new Rubella vaccine from a rival scientist, the blonde bombshell private eye—suspicious but bored—takes the case. But after she’s attacked not once, but twice, on her way from Long Beach to San Francisco to track down her quarry, she knows there’s more—much more—to her femme fatale client than meets the eye.

Along the way, Honey’s one-time paramour Johnny Doom—ex-bounty hunter and current Company agent—reenters the picture, and the gorgeous doctor’s insidious—and deadly—grandfather deals himself in. But when Honey questions whether Johnny’s playing her game, or just playing her for a patsy, she joins forces—as only Honey can—with the one man in Frisco who can help her recover the stolen vaccine-cum-bioweapon and prevent worldwide genocide by germ-warfare—former cat burglar-turned-bodyguard Thomas Hewitt Edward Cat: T.H.E Cat!

Join writers Win Scott Eckert and Matthew Baugh, and cover artist Douglas Klauba, for A Girl and Her Cat, a groovy, racy 1960s romp coming soon from Moonstone!

Win Scott Eckert (The Green Hornet, The Avenger, Pat Wildman, The Domino Lady, Zorro, The Phantom, Sherlock Holmes, Wold Newton Origins, etc.)
Matthew Baugh (Zorro, The Avenger, The Green Hornet, Sherlock Holmes, Six-Guns Straight from Hell, The Phantom, the Cthulhu Mythos, etc.)
Douglas Klauba (The Phantom, Zorro, The Green Hornet, The Spider, Kolchak, The Black Terror, The Green Lama, Philip Marlowe, Doc Savage, etc.)
Moonstone: Classic & new heroes in thrilling tales of adventure, mystery, & horror!

The Point Radio: Cosplayers Dress For Mainstream Success

PT081613

We see them at every convention, and anyone with a camera seem to adore them. They are The HEROES OF COSPLAY, now headlining a new series on SyFy. Cosplay Queen, Yaya Hahn, talks about how mainstream media has accepted the hobby and why it isn’t just about dressing up like comic book characters anymore. Plus DC edges to a #1 spot in comic store sales and is it bye bye to The Ultimate Universe?

This summer, we are updating once a week – every Friday – but you don’t have to miss any pop culture news. THE POINT covers it 24/7! Take us ANYWHERE! The Point Radio App is now in the iTunes App store – and it’s FREE! Just search under “pop culture The Point”. The Point Radio  – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or on any other  mobile device with the Tune In Radio app – and follow us on Twitter @ThePointRadio.

Marc Alan Fishman: The Con Con

Fishman Art 130817So after all that hemming and hawing, Wizard World Chicago came and went. Unshaven Comics saw record sales, happy fans, and well… that’s all we needed. The vibe itself of the show was tepid at best. Many many folks stopping by were quick to talk about their excited meetings with John Barrowman, Wil Wheaton, and Zach Quinto. Others simply said the show was OK, and that they were having a good time as always.

As always, the looming undercurrent of complaints crept around the edges. Full weekend passes cost nearly $100. The show floor itself (due to circumstances beyond Wizard’s control) was split between two floors, with significant bottlenecking of crowds throughout the day. And for those of us showing, Artist Alley seemed to have significant dead-spots – places on the show floor where traffic seemed to never pass by. Attempts to move (and move, and move) seemingly did nothing for the sales. I would guess that roughly a third of the exhibitors left unprofitable, and grumpy.

But I digress. I’m not here to give a thorough analysis of this particular con. Nor am I going to politely make suggestions on how Wizard might improve their exhibitions. I did that last year. And the year before that. I wave the white flag on Wizard’s practices. It’s clear that they want to be micro-San-Diegos in pop-culture-scope and have no desire to really cater to comic creators or the fans that-there-of. My biggest gripe found its way to my Facebook feed via the illustrious Gene Ha.

Gene caught a story over on The Beat that declared Wizard was moving in on comic-con competition in Minneapolis. It’s Wizard World Minneapolis show (a new one amongst their cadre of dates and locales) is scheduled a mere two weeks before the Midwest Comic Book Association’s already established SpringCon. Well, well, well Wizard. Good on you.

Once again, Wizard chooses to horn in on territory where locally owned and beloved conventions have scheduled. Just as they purchased Mid-Ohio Con in Columbus and took over the New York Comic Con in years past. When asked for comment (in case you didn’t read the link above) Wizzy just piddled in the corner… essentially blaming the convention center, and kicking the dirt by it’s boots like a child trying to lie, and failing. It’s maddening.

Wizard has deeper pockets than small comic-based shows. It’s a fact. They book bigger halls, bag bigger stars, and charge exhibitors considerably more. And the fact that Wizard Chairman John Macaluso himself commented that “Scheduling conflicts do no one any good,” he’s merely playing coy in my not-so-humble opinion. What Macaluso isn’t saying is that the conflicts are plenty good for him because the odds are in his favor. His shows snipe in dates weeks earlier than his competition, and brings in pop-culture stars from movies and TV… which invariably draw in a larger audience. And in a smaller city like Columbus or Minneapolis? The average con-goer will have little to no reason (or a plethora of discretionary funds) to attend one con right after the other.

In short, the little guy gets boned, unless they spend their time creating guerrilla marketing efforts such to undercut Wizard all in an attempt not to go under. Mid-Ohio simply caved. And now? The same Cincinnati/Columbus area will see three conventions within a six-week period: Wizard’s Mid-Ohio Con, the newly formed Cincy Comic Con, and the elder Cincinnati Comic Expo.

Is this the fate of Minneapolis looks forward to? Conventions fighting over guests and rolling the dice on their attendance? In the end, if that happens everyone will lose. And when the competition has a deeper wallet, the battle becomes that much harder to fight. We proud dwellers of the Artist Alley are left in waiting, trying to figure out what move to make. Especially those of us making the choice to venture beyond our hometown borders… Where profitability of these shows determines whether we’re eating a nice steak dinner after the show, or supersizing on our way home, with merchandise still in tow.

As it stands, Unshaven Comics this year alone has visited Dayton OH, Ft. Wayne IN, Novi MI, Charlotte NC, and the Chicagoland area several times. Later this year we’re going to Cincinnati, St. Louis, Baltimore, New York, Dearborn, and Kokomo. It’s our hope that Wizard takes a step back, and considers making the shows its known for good again… rather than simply expand it’s empire of bullying.

SUNDAY: John Ostrander

MONDAY: Mindy Newell