New Pulp Publisher Airship 27 Productions has released teaser art from the upcoming addition to their best-selling anthology series with The Green Lama – Mystic Warrior.
“THE GREEN LAMA – Mystic Warrior is now in production,” said Airship 27 head honcho, Ron Fortier in a post on his website. “It will feature two reprint stories from our first ever Green Lama anthology, by Peter Miller and Kevin Noel Olson. Plus two brand new Green Lama adventures by Nick Ahlhelm and Robert Craig.”
All four stories in The Green Lama – Mystic Warrior will feature brand new illustrations by artist Neil Foster.
All Pulp will post more as the project develops.
Airship 27 has also joined Twitter. Follow Ron Fortier at @airship271 and Michael Leal at @AirshipCaptainM for the latest Airship 27 news and updates.
Coming in 2014 from Piccadilly Publishing— A Legend Called Shatterhand and Shatterhand and The People by B.J. Holmes, based on the character created by Karl May.
About SHATTERHAND:
Old Shatterhand, the friend and blood-brother of Winnetou, the chief of the Mescalero Apaches, was a fictional character created by German writer Karl May (1842-1912). B.J. Holmes revived him for two epic westerns, A Legend Called Shatterhand and Shatterhand and the People, both of which will be appearing over the coming months under the PP imprint. Real-life historical characters turn up throughout the narratives and Shatterhand’s west has an undeniable ring of authenticity to it.
New Pulp Publisher Dynamite Entertainment has announced Noir, a new comic book series featuring The Shadow, Miss Fury, and The Black Sparrow. NOIR #1 is written by Victor Gischler with art by Andrea Mutti and a cover by Ardian Syaf. Noir #1 will arrive in comic book shop on November 13th.
Prelude to Miss Fury! When thieves steal from other thieves it always causes problems, doesn’t it? So when The Black Sparrow is hired to steal a mysterious “Moon Stone” from a museum in New York, her decision to keep the thing for a better payday annoys her former employers who then steal it back from her. Now it’s The Black Sparrow who is annoyed, and that’s a dangerous thing. All she wants is what she stole fair and square, but she needs help. She needs The Shadow!
Jungle Jim! The very name conjures up images of exotic locales, wild beasts and hostile natives. Jungle Jim braved these with the aid of his faithful Hindu companion, Kolu, as he traveled the wilds of southeastern Asia in search of adventure.
Jungle Jim is best remembered as the star of sixteen Columbia B-movies starring Johnny Weissmuller, fresh off his twelve-year stint as Tarzan, beginning in 1948. But Jungle Jim’s history goes back more than a decade.
Produced by Jay Clark and often written by Gene Stafford, The Adventures of Jungle Jim was on the air weekly from 1935 to 1954. A combination of jungle danger and colonial politics, the show brought listeners tales of slave traders, pirates, foreign spies, wild beasts, poachers, hostile tribes, and, during World War II, the Japanese, as Jim often served as an Allied operative. Armed with his trusty .45 automatic, the adventurer searched for lost treasure and investigated such mysteries as ghosts and unknown islands. Throughout it all, Jungle Jim maintained a cool head.
Beginning with Tarzan, the twentieth century was full of jungle characters. Jungle Jim is one of the unique ones, in that he wasn’t a barely-literate loincloth-clad tree-dwelling wild man, but rather Jim Bradley, a professional hunter in the mold of heroes of earlier popular fiction such as H. Rider Haggard’s Allan Quatermain and Lord John Roxton from Arthur Conan Doyle’s The Lost World.
Jungle Jim was the archetypal Great White Hunter who usually explores the kind of “lost worlds” which filled the pages of adventure magazines, and later, movie serials. He was everything one could ask for in a pulp protagonist – handsome, brave, resourceful.
This volume contains 40 fifteen-minute episodes from 1936 and 1937, including the conclusion of The Purple Triangle (#41-53) and the beginning of The Tiger’s Claw (#54-80), for ten hours of exciting and intelligent adventure. 10 hours $29.98 Audio CDs / $14.99 Download.
New Radio Digital Downloads now Available
For fourteen years, Radio Archives has been known for the amazing audio quality of our classic radio audio CD collections and it’s no wonder. We insist upon finding the absolute best quality masters, then carefully restoring them so that they retain all of the audio luster of the original recordings with none of the crackle, pops, hiss, or muffling so often heard in radio shows from other sources.
So, when we decided to start offering digital downloads of these same collections, two years ago, we knew that you’d accept nothing but the absolute best quality.
If you enjoy audio entertainment on your computer, your cell phone, or a portable device, you’ll be glad to hear that we’ve just added another sizable batch of digital downloads. Included are such long-time customer favorites as Suspense, The Best of the Big Bands, Boston Blackie, Archive Masters, Mystery is My Hobby, Night Watch, and Crime Club!
Digital downloads from RadioArchives.com give you the best of everything. Top quality shows in sparkling audio fidelity, available to you for instant delivery around the clock and, with digital downloads, you’ll pay no postage or delivery charges! Whether you live in Beijing, Basingstoke, or Bakersfield, just place your order and, within minutes, you’ll be enjoying some great entertainment.
We have 239 radio collections and the final 12 sets are now being converted to the Digital Download format. We are very pleased to announce that 4 radio collections are available for the first time today as digital downloads. The remaining 8 sets will be released in the next month. Great shows, great sound, and great prices, too!
It was CBS News commentator/curmudgeon Andy Rooney who once observed, “A lot of people think, as I do, that they appreciate Bob and Ray more than anyone else does.” Included in that “a lot of people” are undoubtedly old-time radio fans, many of whom have delighted in the offbeat radio antics of Messrs. Elliott and Goulding for the past half-century. Both men capitalized on their uncanny ability to intuit what each other was thinking to carve a small niche in the field of entertainment, generating big laughs by gently skewering and mocking the banality and pomposity of the business in which they had devoted both their careers: radio.
Boston native Robert Brackett Elliott was hired by 5000-watt radio station WHDH shortly after the start of World War II and, upon completing his stint in the service, returned to continue working the station’s morning drive time slot as a disc jockey. At that same time, the station also hired Raymond Walter Goulding to do WHDH’s hourly newscasts. Goulding was also a fellow New Englander, having been raised in nearby Lowell. The two men soon discovered that they enjoyed a real rapport over the airwaves and, after Goulding’s newscast was over, he would often join Elliott in witty, ad-libbed skits that slowly and surely developed a devoted fan base. When WHDH obtained the rights to the Braves-Red Sox games, management offered the two men twenty-five minutes before the start of each game to showcase their unique buffoonery, and dubbed the proceedings with the catchy title “Matinee with Bob and Ray.”
“Matinee with Bob and Ray” continued on WHDH in various formats and time slots until 1951. Thanks to the efforts of Bob and Ray fan Sheryl Smith, who helped us to gain access to the original 16″ WHDH transcriptions, Radio Archives is able to present the two men at their finest, with a collection of hilarious “Matinee” shows that now sound better than ever before. 10 hours. Regular Price $29.98 – Specially priced until August 29 for $14.99 Audio CDs / $7.49 Download.
Read by Nick Santa Maria. Liner Notes by Will Murray
For ten grim years, The Spider battled the Underworld, imprinting his scarlet seal on the bodies of the criminals he slew. No one knew his name. His face was unknown. Pursued by the police, sought by the mob, The Spider crushed crime with a blazing intensity never witnessed before or since. Now he’s back with a vengeance in a new series of audiobooks retelling his pulp-pounding exploits, as chronicled by Norvell W. Page, writing as Grant Stockbridge.
Never before or since has there been a hero like him. Driven, hunted, and violently committed to exterminating criminals of all calibers. A self-appointed savior of humanity, driven manic-depressive, and possibly undiagnosed paranoid schizophrenic, The Spider was known as the Master of Men.
The most compelling of the classic pulp heroes, Richard Wentworth had a fiancé, a coterie of equally committed aides, and a tense relationship with New York Police Commissioner Stanley Kirkpatrick, Wentworth’s best friend, but also a dedicated lawman sworn to send The Spider to the electric chair—no matter who he turns out to be.
Garbed in a black silk cloak, slouch hat and wearing an assortment of masks and strange disguises to make him look as fierce as his namesake, The Spider ran roughshod over a vicious legion of thugs and hoodlums, leaving behind him a trail of cold corpses branded by his calling card, a scarlet spider burned into their foreheads.
After three years of writing The Spider, Norvell Page suddenly dropped out in the Fall of 1936. No one is sure why this was, but nervous strain due to overwork, along with making unforgiving monthly deadlines, are the likeliest explanations for Page abandoning The Spider series.
For several months, Emile C. Tepperman ghosted the series as Grant Stockbridge. Suddenly, Norvell Page returned. And he returned with a vengeance! Tepperman introduced a new character to the series, Ben Lasker, but Page ruthlessly obliterated him in the beginning of his return novel, The Man Who Ruled in Hell. Not content with that, Page introduced a new alternate identity for Richard Wentworth, safecracker Blinky McQuade.
The Man Who Ruled in Hell pits the Master of Men against The Red Hand, a vicious supercriminal who has audaciously unionized New York’s Underworld. But how can Richard Wentworth overcome this new threat when he himself has been cast in prison?
This thrilling Spider audiobook features acclaimed voice talent Nick Santa Maria, who has made The Spider his own! Also included is Arthur Leo Zagat’s “Doc Turner–-Slave Buyer,” read by Roy Worley. 6 hours $23.98 Audio CDs / $11.99 Download.
RadioArchives.com and Will Murray are giving away the downloadable version of the newly released Strange Detective Mysteries audiobook for FREE.
If you prefer the Audio CDs to play in your car or home CD player, the coupon code will subtract the $11.99 price of the download version from the Audio CDs. That makes the Audio CDs half price.
Add Strange Detective Mysteries to the shopping cart and use the Coupon Code AUDIOBOOK.
“Strange Detective Mysteries #1 is one of my favorite pulps and I am excited to produce it as an audiobook with my good friends at Radio Archives. It leads off with Norvell W. Page’s bizarre novelette, “When the Death-Bat Flies,” and includes thrilling stories by Norbert Davis, Paul Ernst, Arthur Leo Zagat, Wayne Rogers and others. Popular Publications went all-out to make this 1937 debut issue a winner. And they succeeded!”
Happy listening,
Will Murray
New Will Murray’s Pulp Classics eBooks
The best of timeless Pulp now available as cutting edge eBooks! Will Murray’s Pulp Classics brings the greatest heroes, awesome action, and two fisted thrills to your eReader! Presenting Pulp Icons such as The Spider and Operator #5 as well as wonderfully obscure characters like TheOctopus and Captain Satan. Will Murray’s Pulp Classics brings you the best of yesterday’s Pulp today!
Must New York bow down in abject terror before the relentless onslaughts of the IRON MAN — the super-criminal who could direct gigantic steel robots to spill the blood of hundreds at his merest whim?… Richard Wentworth said no! Yet his only weapons with which to back his heroic denial were his few loyal aides, and the garb of The Spider, Master of Men!… The greatest Spider story ever told! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. $2.99.
Out of the caverns of the lost came the deathless beast-men of Herr Goulon, Hunland’s Master-mind of Murder and to save the world he was fighting for, the Ace American Flying Spy had to undertake a solo flight beyond the grave! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. $2.99.
Bill Combat stands beside the dead body of his mother and swears an oath, before God and man, which her murderers shall perish by his hand! Here is an American Ace, thrown into the hell and misery of Europe’s war, offering his life, his courage, his guns and his flying skill, that dictators may vanish from a troubled world! Fly the skies of early World War II with Captain Bill Combat — the war ace who fought across Europe through the smoke of human liberties as it vanished from the earth. Fearlessly he battled the minions of the Nazi war machine. The Nazi evil had murdered his mother and uncle, and he vowed vengeance. It was a rousing call to America, which had not yet entered the war. But it was a call that only lasted for three issues of Captain Combat magazine: April, June and August of 1940. Captain Combat was a symbol created by author Barry Barton to do and say the things that America couldn’t officially say in those perilous times. Read along as blue skies turn red above, as green pastures become the barren homes of the dead. Today it stands as a rare glimpse of what fear fanned across America in the days when war was an ominous threat upon a bloody horizon. Captain Combat returns in these vintage pulp tales, reissued for today’s readers in electronic format. $2.99.
In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Dime Mystery Magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Dime Mystery Magazine, all written by John H. Knox, reissued for today’s readers in electronic format. $2.99.
99 cent eBook Singles
Each 99 cent eBook Single contains a single short story, one of the many amazing tales selected from the pages of Terror Tales and Rangeland Romances. These short stories are not included in any of our other eBooks.
I let my wife stand witness to Dr. Klitgard’s monstrous experiments with a giant ape — against my will… Good God! Could I have only known the ghastly plan went further… In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Dime Mystery Magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story the pages of Dime Mystery Magazine, reissued for today’s readers in electronic format. $0.99.
Enden built his setting with the genius of the damned — and the mad gods laughed when his vengeance plan proved a deadly boomerang! In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Dime Mystery Magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story the pages of Dime Mystery Magazine, reissued for today’s readers in electronic format. $0.99.
In the abandoned clipper’s rotting hold, Bruce Cameron saw his sweetheart go mad with a strange and frightful greed! In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird me most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story from the pages of Terror Tales magazine, reissued for today’s readers in electronic format. $0.99.
Sourapple Gulch was a city of dreary, unhappy women. Pert Cinnie was sure she had the right remedy to liven up the girls — even though handsome Rand thought her a frivolous brat. A story of new love and ancient hatred in the grandeur of San Gabriel Canyon. One of the most popular settings for romance stories was the old west, where men were men and women were women. As many a swooning damsel could attest, “There’s something about a cowboy.” The western romance became one of the most popular types of magazines sold during the early and mid-twentieth century. $0.99.
All eBooks produced by Radio Archives are available in ePub, Mobi, and PDF formats for the ultimate in compatibility. When you upgrade to a new eReader, you can transfer your eBook to your new device without the need to purchase anything new.
Find these legendary Pulp tales and more in Will Murray’s Pulp Classics, now available at:
Receive an exciting original Spider adventure FREE! Part of the Will Murray Pulp Classics line, The Spider #11, Prince of the Red Looters first saw print in 1934 and features his momentous battle with The Fly and his armies of crazed criminal killers.
For those who have been unsure about digging into the wonderful world of pulps, this is a perfect chance to give one of these fantastic yarns a real test run. With a full introduction to The Spider written by famed pulp historian and author Will Murray, The Spider #11 was written by one of pulp’s most respected authors, Norvell W. Page. Writing as Grant Stockbridge, Page’s stories included some of the most bizarre and fun takes on heroes and crime fighting in the history of escapist fiction.
Even today Page’s scenarios and his edge-of-the-seat writing style are still thrilling both new and old fans everywhere. For those who have never read one of these rollercoaster adventures, you are in for a thrill. If you already know how much fun a classic pulp is, make sure you get a copy of this classic.
See what the Total Pulp Experience is for yourself. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine.
Send an eMail to eBooks@RadioArchives.com and start reading your FREE copy of The Spider #11 within seconds! Experience The Best Pulps the Past has to offer in the most modern way possible!
Pulp fiction’s Master of Men returns in two classic stories from 1939 and 1942. First, in “The Silver Death Rain”, The Silver Falcon, aided by The Vixen, has a bizarre plan to wreak havoc on the city: he’s trained a flock of crazed owls to kill at the sight of the color red! Then, in “Hell Rolls on the Highways”, The Evangelist seeks to take over the nation’s truck and bus systems, aided by his beautiful slave girl Kalimumtaz. The Spider’s efforts to defeat his evil plans are complicated by the fact that his faithful friend Ram Singh has fallen violently in love with the girl. These two exciting pulp adventures have been beautifully reformatted for easy reading and feature both of the original full color covers as well as interior illustrations to accompany each story. On sale for $12.95, save $2.00
The Knight of Darkness battles diabolical supervillains in classic pulp thrillers by all three “Maxwell Grants.” First, the Master of Darkness confronts his greatest superfoe, Shiwan Khan, “The Golden Master,” in Walter Gibson’s landmark novel that inspired the blockbuster 1994 movie. Then, The Shadow battles The Light in “Death’s Bright Finger,” a violent thriller by Theodore Tinsley. Finally, The Shadow and his agents are faced with a “Reign of Terror” in Bruce Elliott’s final (and best) pulp novel. This instant collector’s item showcases the classic color pulp covers by George Rozen and Graves Gladney and the original interior illustrations by Edd Cartier and Paul Orban, with commentary by popular culture historian Will Murray. $14.95.
The Man of Bronze and his daredevil cousin Pat Savage return in two classic pulp novels by Lester Dent and William Bogart writing as “Kenneth Robeson.” First, Doc Savage is accused of serial murders and jailed. Can Pat and Doc’s aides help unearth the strange secret of “The Invisible-Box Murders” and prove the Man of Bronze’s innocence? Then, Doc journeys to Honolulu after a strange letter makes Pat’s friend, Sally Trent, a “Target for Death.” BONUS: “The Hang String,” a rare 1933 tale by Lester Dent from the back pages of The Shadow Magazine. This double-novel collector’s edition leads off with a classic color cover by Emery Clarke, and showcases all of Paul Orban’s original interior illustrations and new historical commentary by Will Murray, writer of eleven Doc Savage novels. $14.95.
Philip José Farmer tribute edition
The pulp era’s greatest superhero returns in two imaginative novels by Laurence Donovan and Lester Dent writing as “Kenneth Robeson.” What is the strange connection between a snowstorm in July and the death of a woman transformed into a shadow? Doc and Pat Savage journey to the Syrian Desert to unravel the strange secret of the “Murder Mirage” in the novel that inspired a 1940 Superman story! Then, a mysterious animal pelt leads Doc and his aides through a crack in the Earth to the prehistoric dangers of “The Other World.” Pulp historian Will Murray provides historical commentary and a tribute to the late Doc Savage writer Philip José Farmer. This deluxe pulp reprint showcase a stunning cover painting by the legendary James Bama, the classic color covers by Walter Baumhofer and Emery Clarke and all the original interior illustrations by Paul Orban. $14.95.
The pulps’ original “Man of Steel” returns in three action-packed pulp thrillers by Paul Ernst and Emile Tepperman writing as “Kenneth Robeson.” First, smuggled “Pictures of Death” are only the sinister prelude to deadly sabotage and mass destruction. Then, Justice Inc. hunts for the antidote to a deadly malady that transforms men into apelike monstrosities in “The Green Killer.” Will the cure bring death to The Avenger? PLUS “Calling Justice Inc.,” a bonus Avenger thriller by Spider-scribe Emile Tepperman! This classic pulp reprint showcases the classic color pulp covers by Lenosci and William Timmons, Paul Orban’s interior illustrations and commentary by pulp historian Will Murray. $14.95.
This is an authentic replica of an original pulp magazine published by Girasol Collectables. This edition is designed to give the reader an authentic taste of what a typical pulp magazine was like when it was first issued – but without the frailty or expense of trying to find a decades-old collectable to enjoy. The outer covers, the interior pages, and the advertisements are reprinted just as they appeared in the original magazine, left intact to give the reader the true feel of the original as well as an appreciation for the way in which these publications were first offered to their avid readers. To further enhance the “pulp experience”, this edition is printed on off-white bond paper intended to simulate the original look while, at the same time, assuring that this edition will last far longer than the original upon which it is based. The overall construction and appearance of this reprint is designed to be as faithful to the original magazine as is reasonably possible, given the unavoidable changes in production methods and materials. $25.00.
Celebrating the 80th Anniversary of Doc Savage and King Kong
Eighty years ago in February, 1933 the Street & Smith company released the first issue of Doc Savage Magazine, introducing one of the most popular and influential pulp superheroes ever to hit the American scene. Doc Savage was the greatest adventurer and scientist of his era, and while his magazine ended in 1949, he influenced the creators of Superman, Batman, Star Trek, The Man from UNCLE and the Marvel Universe—to name only a few.
While that first issue of Doc Savage was fresh on Depression newsstands, RKO Radio Pictures released one of the most important fantasy films of all time. Everyone knows the story of how King Kong was discovered on Skull Island and hauled back to New York in chains, only to perish tragically atop the world’s tallest skyscraper, the Empire State Building.
As it happened, that was where Doc Savage had his world headquarters. For decades, fans have wondered: Where was Doc the day Kong fell?
On the eightieth anniversary of these fictional giants, Altus Press is proud to release the first authorized clash between The Man of Bronze and the Eighth Wonder of the World—Doc Savage: Skull Island. Written by Will Murray in collaboration with Joe DeVito, creator of KONG: King of Skull Island,Doc Savage: Skull Island is a new pulp epic.
The story opens when Doc returns from his secret retreat in the North Pole to discover the cold corpse of Kong lying on his doorstep.
“I know this creature,” Doc tells his dumbfounded men.
Tasked to dispose of the remains, the Man of Bronze then relates the untold story of his epic encounter with Kong back in 1920, after Doc returns from service in World War I, long before Kong became known to the civilized world as “King” Kong.
Doc Savage: Skull Island is a multi-generational story in which Doc and his father—the man who placed him in the hands of scientists who made him into a superman—sail to the Indian Ocean in search of Doc’s grandfather, the legendary Stormalong Savage, whose famous clipper ship has been discovered floating, deserted, her masts snapped by some incredible force.
The quest for Stormalong Savage leads to the fog-shrouded Indian Ocean and—Skull Island! There, Doc Savage faces his first great test as he encounters its prehistoric dangers and tangles with the towering, unstoppable Kong.
“When Joe DeVito brought this idea to me,” says Will Murray, “I knew it had to be written with reverence for both of these immortal characters. So I used the locale of Skull Island to tell a larger story, an untold origin for Doc Savage. It all started back on Skull Island….”
“Pulling off the first ever face-off between Doc Savage and King Kong was both challenging and exhilarating,” adds DeVito. “Will’s unique take on the tale scatters the primordial mists surrounding Skull Island long enough to reveal secrets of both classic characters hidden since their creation.”
Doc Savage: Skull Island has already been hailed as “The Doc Savage novel that Doc fans have been waiting on for 80 years!”
Doc Savage: Skull Island is the fifth entry in Altus Press’ popular Wild Adventures of Doc Savage series. Cover by Joe DeVito. $24.95.
Doc Savage announces to the world that he has succeeded in a quest that has eluded man for thousands of years. He has discovered a way to resurrect the dead! Doc asks the general public whom they think he should resurrect. The consensus is that he should revive the man reputed to have been the wisest man to ever live, King Solomon. But nefarious forces are at work. They substitute the mummy of the evil Egyptian Pharaoh Pey-deh-eh-ghan for King Solomon. This Pharaoh was reputed to have hidden a secret treasure which was never found.
Doc does not discover the substitution and the Pharaoh is resurrected. The villains who made the switch come to claim their prize but they soon discover that Pey-deh-eh-ghan is more crafty and nefarious than they thought. He adapts well to the 20th Century and lights out on his own to recover his treasure wreaking havoc and destruction at every turn.
Meanwhile, Doc Savage and his Iron Crew continue in pursuit hoping to stop the mad Pharaoh and the criminals who have unleashed him on mankind.
Can Doc stop this reign of terror? Will he be able to bring Pey-deh-eh-ghan to justice? Does the fabled lost treasure even exist after thousands of years?
Don’t miss this one! Double Novel reprint $12.95
Comments From Our Customers!
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Kick-Ass 2opened and I’m very psyched. Loved the comics. Loved the first movie. Even liked the Wanted movie, although it isn’t as sharp and funny as the book.
You see, I’m a big fan of Mark Millar. I’ve followed him ever since he wrote Swamp Thing with Grant Morrison, and, as DC’s Publicity Manager, I had to explain to people who he was. And while I haven’t read absolutely everything he’s written, nor have I loved absolutely everything I’ve read, he always engages me with his characters, entertains me and, in places, makes me laugh.
To be sure, I’m not surprised that there is a backlash against someone who is commercially successful in a popular art form. There are always those people, desperate to be cool, who affect disdain for anything popular. There is a subset of this group, who claim to have liked the person/band/actor/director’s work before, when they were unknown. I, myself, am capable of rambling on pretentiously about the first time I saw Talking Heads, when they were a trio.
That’s not what I’m talking about here. Instead, a (reasonably) well-respected magazine, The New Republic, did an overview of Mark’s work and didn’t like what they saw. They spoke with some people who defended Millar, and with some who criticized him. Mostly, the article focused on sex, violence and rape.
Of which there is a lot in Millar’s work. To quote from the article:
“Laura Hudson, the former editor-in-chief of the popular blog Comics Alliance and a senior editor at Wired, thought that scene was deplorable, but typical of Millar. ‘There’s one and only one reason that happens, and it’s to piss off the male character,” she said. “It’s using a trauma you don’t understand in a way whose implications you can’t understand, and then talking about it as though you’re doing the same thing as having someone’s head explode. You’re not. Those two things are not equivalent, and if you don’t understand, you shouldn’t be writing rape scenes.’”
Laura Hudson is someone I admire and respect. When I say I disagree with her, it is not my intention to dismiss her point of view (and I’m aware it can sound like that in print, when you can’t hear my tone of voice or see my evocative hand gestures). Having said that, I suspect we’re having a similar problem when we read the stories. I don’t pick up a tone in the work that celebrates actual violence or rape. I see those actions being used to define characters. Unlike Laura, I don’t think women in the stories are raped solely to motivate men. I think rape is used to show how awful the person is who commits it.
Is this a comic book problem? John Irving writes books that are full of raped characters and the men who love them. Most contemporary critics consider him to be a feminist, or at least an ally to feminists.
(And this will probably be the only time anyone ever discusses Mark Millar and John Irving in the same article.)
Writing about something – even illustrating something – is not the same as endorsing it. I’ve been involved in the non-violent movement for social justice for more than 45 years, yet I enjoyed these comics a lot. I’m tickled by the cartoon violence, in no small part because I know that no actual humans are involved. This may be because of the tone I infer from the stories, or because, as Scott McCloud describes, we each supply our own interpretation of what happens between the panels.
We bring our lives to comics in a way that’s different from other popular art forms. Maybe this is why we can differ so profoundly in our reactions to what we read. In my version, Mark Millar is sort of kind of related to Chuck Jones by way of Francis Ford Coppola.
Fight Fiction Publisher, Fight Card Books has released Fight Card: Barefoot Bones. Fight Card: Barefoot Bones is a written by pulpmeister Bobby Nash, the 2013 Pulp Ark Award winner for Best Author, writing under the Fight Card house name of Jack Tunney. Under a cover by David Foster and edits by Fight Card co-creator Paul Bishop, Barefoot Bones is a knockout!
PRESS RELEASE:
Korea, 1951
Mentored in the hollows of hardscrabble Georgia by mysterious loner Old Man Winter, then in a Chicago orphanage by ex-fighter Father Tim Brophy, James ‘Barefoot Bones’ Mason has relied on his fists to make his way. But it’s a long way from St. Vincent’s Asylum For Boys to the battlefields of Korea where Bones’ fists may not be enough.
Entered in an inter-camp boxing tournament by his commanding officer, Bones finds himself in a war within a war. When a tenuous cease fire is explosively shattered, Bone’s is fighting against the highest odds of all – staying alive.
Can a skinny kid from the north Georgia mountains survive the hell of Korea and still have the guts to climb back into the ring one more time? The one constant in Bones’ life has been fighting – Lucky for him… he’s good at it.
You can purchase Fight Card: Barefoot Bones here.
Learn more about Fight Card: Barefoot Bones here.
Learn more about Fight Card Books here.
Read Author Bobby Nash’s thoughts on crafting Fight Card: Barefoot Bones and see what it was like strapping on Jack Tunney’s gloves here.
Fight Card: Barefoot Bones – Coming Soon in Paperback.
Coming up next week, we have the debut of the first Fight Card Romance novel, Ladies Night, by Carol Malone (writing as Jill Tunney). Carol has pulled off a wonderful romance/fight pulp genre mash up in Fight Card Romance: Ladies Night.
Next month will see the publication of Anthony Venutolo’s noirish wonder, Fight Card: Front Page Palooka (previously Union Of The Snakes).
The Book Cave‘s host, Ric Croxton goes on a short rant. Afterward, Ric and co-host, Art Sippo, talk about books and everything else that’s on their minds. You would think it would be a short episode with those two talking about what is on their minds, wouldn’t you?
Well, you might be wrong.
Listen to The Book Cave Episode 243: Rants and Ramblings here for the full story.
New Pulp Author Bobby Nash was interviewed for his local county newspaper, The Barrow County News, back on July 10th. Click on the image above for a larger, readable view.
If you follow this column regularly (in which case I apologize for the feelings of loneliness and alienation), you might remember me mentioning that I now reside in Los Angeles, which is the perfect city to move to if you’re really desperate to live in a comic book. It’s so colorful and exciting and full of funny-looking noises. Like when the valet at Jerry’s Deli on Ventura slides that new car you haven’t even started making the payments on yet into a parking space narrower than its wheel base – at 120 mph – because he thinks he’s Batman.
So I am thrilled to report I’m serene, I tell you, serene as I continue to sit around, keyboarding like this. Only now I do it for fun because the keyboard I’m using is the digital one on my smartphone, and it’s now in my lap as I write this, with the vibration intensity on the haptic feedback set to “Maximum.”
Sorry.
I am, however, finding it somewhat more lonely here than I’d anticipated.
Many of my old friends – the kind who keep insisting I refer to them on social media as “not-old-that-way” – don’t get out much. They glide about their palatial homes in motorized tricycles which have to be loaded into their very tiny cars when a group of us goes out to lunch. Whereupon the one who still has enough use of his legs to actually drive a car keeps asking the voice on the GPS to speak louder, so he can hear her replies to his inappropriate comments about how hot she sounds and what time she gets off work.
Meanwhile, the other three beg me to push their motorized tricycles out into freeway traffic while they are still in them, because their fingers are too arthritic to use a trackpad and none of them has mastered SEO well enough to Google for the guy who inherited Jack Kevorkian’s equipment.
Thus I find myself in the rather odd position of actually looking forward to inviting to lunch Stan The Man, who, as you know, lives in Beverly Hills. And is not too busy to see me because there are no animation studios or comic book companies left out here with whom he can jointly announce a project that will be completed after you and I are dead.
(“Just came back from The Mansion and I’m way stoked, ‘cause Hef an’ I are This Close to launchin’ that whole Spider-Bunny thing.”)
I’ll have to find a way to break it gently to Mr. Man that Mr. Hefner no longer sits around all day in his pajamas and bathrobe because he needs to be ready at a moment’s notice to fuck a smokin’-hot babe, but because sitting around all day in your pajamas and bathrobe is just what you do when you’re 187 years old.
But, of course, as Bill Maher knows how to say with much better fake sincerity than I, I kid Mr. Man. I have every confidence that he really will be with us many years hence. That’s because, as he has helpfully informed us, he has a pacemaker but no need whatsoever for a motorized tricycle. I am, however, inviting Mr. Man to lunch in my home, where absolutely no effort will be made to point out that he’s standing too close to the microwave.
And, in what passes here in Hollywood for truth, Mr. Man has announced a strategic relationship with Archie Comics, for whom he will be writing Just Imagine Stan The Man Asking You To Believe He Actually Wrote This Comic Book Himself About What It Would’ve Been Like If He’d Created That Really Swell, Groovy Homo Kid We Came Up With That’s Putting Us Out Of Business Because It’s Pissing Off All Those Loudmouthed Jesus People Who For Some Reason Are Still Under The Impression That They Can Buy “Age-appropriate” Comic Books At Wal*Mart.
I, for one, am looking forward to chatting Mr. Man up about that book. I may be totally off-base on this, because I haven’t actually seen Mr. Man in the 20 years since the announcement, but I think Archie is a perfectly natural “fit” for him because, at least at that time, the back of Mr. Man’s head was orange, too.
Now, as we come to the conclusion of what I know all you reverential fanboys, with your keenly developed senses of humor, will have understood was meant as Just Jokes rather than the gratuitous and mean-spirited rant you, you hero-worshiping little cretins, you, mistook it for … I leave you with just these humble thoughts:
Apparently, here in The City On The Edge of Forgetaboutit, the way you fight ageism is by making fun of people who are even older than you are. If you can find any.
And so it is that I whistle past Forest Lawn and rage, rage against the dying of the light from my smartphone.
OK, so I’m a little cranky, too.
Some asshole just totaled my motorized tricycle, trying to park it at 120 mph because he thinks he’s Batman.
Featured Girasol Replica: The Magic Carpet #2 April 1933 [Pulp Replica]
