The Mix : What are people talking about today?

The Book Cave Presents Panel Fest Episode 27: Pulpfest 2013 Yellow Peril

Blood ‘n’ Thunder’s Ed Hulse hosted the Dr. Fu Manchu & the Yellow Peril panel at PulpFest 2013. The panel was recorded by The Book Cave’s Art Sippo.

You can listen to Panel Fest Episode 27: PulpFest 2013 Yellow Peril here.

About Dr. Fu Manchu and the Yellow Peril panel:
One hundred years ago, Sax Rohmer’s Fu Manchu made his American debut in Collier’s, a five-cent weekly. “The Zayat Kiss” ran in the February 15, 1913 number. Nine more stories featuring Rohmer’s “devil doctor” would appear in Collier’s through June 28, 1913. In September of that year, McBride would release The Insidious Dr. Fu-Manchu, collecting all ten tales into novel form.

Although Sax Rohmer did not create the “yellow peril” genre of pulp fiction, his Fu Manchu stories would greatly influence the bloody pulps. From writers as diverse as Dashiell Hammett, Carroll John Daly, Walter B. Gibson, Norvell W. Page, Arthur J. Burks, Philip Nowlan, H. P. Lovecraft, and Robert E. Howard, pulpsters delivered many a story inspired by Rohmer’s evil genius. Even Robert J. Hogan’s flying spy, G-8, battled oriental evildoers in the author’s fantasy version of the First World War.

On Saturday, July 27th, PulpFest 2013 saluted the American centennial of Dr. Fu Manchu with a panel exploring Sax Rohmer’s character and his influence on the pulp fiction of the early twentieth century. Moderated by Blood ‘n’ Thunder editor and publisher, Ed Hulse, the panel will consist of pop culture experts Gene Christie, editor of three collections of Rohmer’s fiction and a leading authority on early American science fiction and fantasy; Win Scott Eckert, known for his work on literary crossovers and chronologies, including Marvel Comics’ Shang-Chi: Master of Kung Fu, a classic series concerning the son of Dr. Fu Manchu; Nathan Madison, author of Anti-Foreign Imagery in American Pulps and Comics, 1920-1960; William Patrick Maynard, authorized by the literary estate of Sax Rohmer to continue the Fu Manchu series; and Will Murray, author of the Wild Adventures of Doc Savage and one of the world’s leading authorities on the pulp era.

The Page of Fu Manchu represents an ongoing effort by scholars and readers around the world to create a definitive Sax Rohmer bibliography, reference and archive. It is edited and maintained by Dr. Lawrence Knapp, an English Professor at Thomas Edison State College, located in Trenton, NJ.

Joseph Clement Coll’s Collier’s cover for April 12, 1913, illustrating “The Call of Siva,” Sax Rohmer’s fifth Fu-Manchu story to be published in the United States.

You can listen to Panel Fest Episode 27: PulpFest 2013 Yellow Peril here.

Sneak Peek: Secret Agent X – The Comic Book

Secret Agent X by Fortier and Davis
Art: Rob Davis

New Pulp Publishers Redbud Studios and Airship 27 Productions shared a sneak peek at their upcoming Secret Agent X comic book. Press Release: Airship 27 Productions is once again teaming up with Redbud Studio to produce another classic pulp hero comic book.  SECRET AGENT X is a 38 page black and white thriller featuring the greatest pulp spy of them all; the Man of a Thousand Faces. The script is by Ron Fortier with all art by Rob Davis.  Here is a sneak-peek of page 4 as the super-spy received his latest assignment and is about to go into action.  No definitive date has been set for the book’s release.  Keep following the Airship 27 blog for future updates.

Mindy Newell: Historical Fiction

Newell Art 130812History is important. Understanding the history of a subject leads to the understanding and interpretation of current events. Knowing where you were can help you in comprehending where you are now. For instance, want to understand the current Mideast conundrum? Learn about World War I and the break-up of the Ottoman Empire by the British Empire and its allies because that’s where our modern Middle East troubles really started.

“But history is so boring!” you say?

Then pick up a good book. I don’t mean a “bustier and boudoir” romance novel – I mean a novel that explores, through its characters and situations, the mores and creeds and ethos of its time. War And Peace, To Kill A Mockingbird, Marjorie Morningstar, Tales Of The South Pacific – well, okay, James Michener’s book is a collection of short stories – The Grapes Of Wrath; even Gone With The Wind will help you understand the South of today.

I bring this up because I’m currently reading Watergate: A Novel by Thomas Mallon, a noted historical novelist who is also a frequent contributor to The New Yorker and The New York Times Book Review.

Yes, Bob Woodward and Carl Bernstein of the Washington Post wrote a wonderful non-fiction book about the botched break-in at the Democratic National Committee headquarters in the Watergate complex, and All The President’s Men was a brilliant movie starring Robert Redford as Woodward and Dustin Hoffman as Bernstein and Jason Robards as Washington Post Editor-in-Chief Ben Bradlee. I thought the book and the movie were the last words on the scandal, too.

But Mallon does a brilliant job in imagining the emotions, thoughts, and personal ambitions of those involved in what Vanity Fair called, in its review of the book, “the operatic drama of Watergate.”  The scandal was truly a Greek tragedy, a tale of moral bankruptcy and the corruption of leadership that still echoes in the hall of the United States government today, and not to the good.  Unfortunately, in my opinion, the Tea Party, the obstructionists, the corporatists, the Mitch McConnells, the Eric Kantors, the John Boehners, the Koch Brothers, the Dick Cheneys and their ilk took away from the Watergate scandal the wrong lessons.

As in: Be cleverer as you undermine the Constitution of the United States.

On July 21st, John Boehner sat with Bob Schieffer of Face The Nation and actually said that Congress passes too many laws and that it “ought to be judged on how many laws it repeals.” And what laws would those be, Mr. Speaker of the House? You mean Section 4 of the Voting Rights Act?

As in: Lie until people believe it.

Iraq.

As in: Don’t fight the media. Use the media.

Ladies and gentlemen, I give you Fox News.

As in: The right to work without a union.

Yes. The right to work for less pay, worse benefits, more hours, and less environmental protection.

As in: Corporations are people.

Citizens United.

The Washington Post, home to Bob Woodward and Carl Bernstein, the paper that took down a President and his cabal of co-conspirators, was sold this past week to Jeff Bezos, founder of Amazon.com. Bezos hasn’t said anything about his plans for the Graham-owned icon.

But we all know how great Amazon has been for Barnes and Noble and Borders and the great publishing houses like Random House and Penguin and Farrar, Straus & Giroux.

Watergate.

That was a great story, wasn’t it?

TUESDAY MORNING: Emily S. Whitten

TUESDAY AFTERNOON: Michael Davis

 

All Pulp Guest Review- Salmon Reviews ‘Prohibition’!

LAST CALL
A Review of Terrence McCauley’s PROHIBITION
by Andrew Salmon
(disclaimer: Andrew Salmon writes for Airship 27)
 
 
New Pulp has been around long enough that there are literally 100s of new works that have come out in the last few years. So many that a list of Essentials can now be compiled as fans debate theirfavorites whenever and wherever they gather.
 
Well, you can add PROHIBITON to yourlist. Terrence McCauley has given us a gem of a novel – the best New Pulp I’ve had the pleasure to read in years. This one, folks, is required reading.
 
With absolute authenticity and compelling narrative drive, McCauley guides us into the world of former boxer turned mob enforcer Terry Quinn. The year is 1930, the Depression reigns and booze means money to those who control it. There’s always money for vice and Quinn’s boss, Archie Doyle, is raking it in. But there are challengers to Doyle’s power out there and the clock is ticking.
 
That’s the set up. What follows is a truly inspired reading experience. McCauley not only recreates the speech rhythms and attitudes of Doyle and his crew but drops you in the middle of the action. PROHIBITIONis a time machine and you better have a Tommy gun close at hand before you crack the cover.
 
Quinn leaps off the page – a fully three-dimensional protagonist you can’t help but root for as the bullets fly and power plays are put in motion. The action is visceral, bloody, fast-paced and realistic. The character dynamics amongst the cast are fleshed out and interesting.
 
The end result is a must-read. It’s as simple as that. If you’re a fan of gangster fiction from Little Caesar to the Godfather and the Sopranos, then PROHIBITION is for you. If you love toughguy/hardboiled fiction, then McCauley delivers. Fans of fast-paced action take note as well. This novel delivers on all fronts.
 
Featuring a great cover and interior illustrations by the incomparable Rob Moran, the book is rock solid from top to bottom. Do not miss this one. You read that a lot in reviews, but it’s never been more true than it is for PROHIBITION. The novel is a stunningachievement. Bravo!

Atomic Pulp Update

Author Christopher Mills shared updates on this week’s Atomic Pulp comics.

Monday is the FINAL episode of GRAVEDIGGER: THE SCAVENGERS by Yours Truly and Rick Burchett! But… have no fear, because the next, all new, Digger McCrae caper, THE PREDATORS, begins in just a couple of weeks!

Learn more about Gravedigger here.

Wednesday is the launch of the new FEMME NOIR website, beginning with a serialization of the “origin” story (stories?) “Blonde Justice,” with art by Joe Staton, Horacio Ottolini and colors by Melissa Kaercher. Even if you own this issue or have simply read it before, I hope you’ll drop by and check out the new digs!

Learn more about Femme Noir here.

And, of course, PERILS ON PLANET X continues this Friday, with the third installment of Chapter 2, “Flight Into Terror,” with art by Gene Gonzales and colors by Ian Sokoliwski.

Learn more about Perils on Planet X here.

The Book Cave Presents Panel Fest Episode 26: Pulpfest 2013 Jim Beard

Jim Beard

New Pulp Author Jim Beard does a reading from his books at PulpFest 2013. Recorded by The Book Cave’s Art Sippo.

You can listen to Panel Fest Episode 26: PulpFest 2013 Jim Beard here.

About The Beard . . . . New Fictioneer!:
Jim Beard was introduced to comic books by his father, who passed on to him a love for the medium and the pulp characters that preceded it. After decades of reading, collecting, and dissecting comics, Jim became a published writer when he sold a story to DC Comics in 2002. Since that time, he’s written comic stories for Dark Horse’s Star Wars and IDW’s Ghostbusters and contributed articles and essays to several volumes of comic book history.

 

A native of Toledo, Ohio where he is a regular columnist for the Toledo Free Press, Jim broke into the world of “New Pulp” in 2012 when Airship 27 published Sgt. Janus, Spirit-Breaker, a collection of ghost stories featuring an occult detective, and Captain Action: Riddle of the Glowing Men, the first prose novel based on the 1960s action figure. Jim provides regular content for Marvel.com, the official Marvel Comics website, and has new and forthcoming comic and prose work from Bluewater, TwoMorrows, Airship 27 and Pro Se Productions.

On Saturday, July 27th at PulpFest, “The Beard” did a reading from Sgt. Janus, Spirit-Breaker, Captain Action: Riddle of the Glowing Men, and “The Parade of Moments,” a story published in Monster Earth, a shared-world anthology of giant monster tales. And to learn more about this exciting new writer, please visit The Beard: The Jim Beard Fan Page.

You can listen to Panel Fest Episode 26: PulpFest 2013 Jim Beard here.

John Ostrander on… The Substitute!

Ostrander Art 130811On June 10th of this year, Jon Stewart took leave of his job hosting The Daily Show on Comedy Central to go direct his first film, handing the hosting duties over to John Oliver, one of the show’s top “reporters.” This was a big deal to me – I’m a huge fan of the show but Oliver has never been my favorite performer on it. He’s been a little too over-the-top manic, playing at a character rather than being the character as predecessors like Ed Helms, Rob Corddry, Steve Carell and Stephen Colbert have done. Or Samantha Bee who comes off as a genuine lunatic (and I mean that as the highest compliment). I thought he was trying too hard to be funny rather than being funny.

Someone I would have picked over Oliver was Larry Wilmore – the dry and droll “Senior Black Correspondent.” I saw him doing a documentary about African-Americans and the Mormon Church in a Showtime special titled Race, Religion and Sex. His interviews were first-rate. I was somewhat disappointed they didn’t pick him to sub for Stewart.

I was also concerned that The Daily Show itself would suffer. Stewart has been so identified with it, rarely taking a night off even when obviously physically ill. There was simply no one else to do the job. Until now.

So, the summer wanes and Labor Day approaches and with it Stewart’s return to the desk of The Daily Show. How’s it gone without him?

In my view, surprisingly well. Oh, no question that I will be glad to see Stewart’s return but John Oliver has, overall, done a very good job. I get a better sense of Oliver as a person in his work as anchor for the show. He’s also been willing to play the straight man for the gang of comedic lunatics that comprise the show’s “reporters.” He’s been an adept interviewer, which is important because the interview sessions comprise about a third of the show. Stewart is still the better interviewer but Oliver is better than David Letterman. And he’s getting better.

An early criticism I had for Oliver’s anchorman duties was that he appeared to be imitating Stewart’s intonations and gestures and even posture. Understandable – you go with what works and you don’t want to lose the audience (I’ll bet that is one of Oliver’s recurring nightmares; that he loses the audience for Stewart). It’s gotten less as the summer has gone on, however.

My larger concern was the show itself. Stewart’s not just the anchorman for the series; he’s a writer and co-executive-producer for the show. He has set the tone for The Daily Show, I think, and that’s important. It’s not only a satire of news programs in general but of the news itself and how it’s covered. There’s a sense of real moral outrage running through the show that gives it the edge it shows. There’s a point of view that is consistently presented.

The show is biased and that’s fine; those who say it should be more balanced forget that this is actually a comedy show and not an actual news show. They proudly proclaim themselves a “fake news” show. However, in 2009 the Pew Research Center for the People and the Press said that 21% of people between 18 and 29 said that The Daily Show was their primary source for news. Stewart and producers of the show have discounted that and suggested those who used the show as their only news source would wind up horribly misinformed.

My concern was, what would the show look and sound like without Stewart, no matter who was in the anchorman’s chair? I’m happy to say it still has the same voice, the same values, the same moral outrage underlying it.

That bodes well for the show’s future. I’m glad Stewart is coming back but, let’s face it, at some point he will leave and not come back. He may want to direct some more (depending on how this first film goes), he may get offered a gig on a broadcast network late night show, he may just get tired and want to do something else. This summer has proven The Daily Show can go on without him.

It will also give him a viable substitute on the nights when he’s too ill to perform or needs to be elsewhere. That’s a good thing; it will help keep Stewart from burning out. Will the sub/heir apparent be John Oliver? It depends; Oliver’s gotten a lot more visibility and credibility as a result of this summer’s experiment. I‘d be surprised if he doesn’t get more offers as well.

So let’s call the experiment a success – John Oliver showed he can do the job and welcome back Jon Stewart. Just don’t go away again too soon, okay, fellah?

MONDAY MORNING: Mindy Newell

TUESDAY MORNING: Emily S. Whitten

 

Pulp Crazy Takes on Solomon Kane

Legendary Pulp Author Robert E. Howard’s Puritan adventurer, Solomon Kane is discussed on the latest episode of the Pulp Crazy video podcast. The character celebrates his 85th anniversary this month. An excerpt from the Librivox.org reading of “Red Shadows” by Peter Siegel is also included in this episode.

Also, check out Pulp Crazy’s Pulpfest 2013 podcasts as well at the Pulp Crazy YouTube Channel or on iTunes.

Learn more about Pulp Crazy here, here, and here.

The Book Cave Presents Panel Fest Episode 25: Pulpfest 2013 Will Murray

Cover Art: Joe Devito

The Doc Meets The King panel at Pulpfest 2013 featured a reading of the Doc Savage novel, Skull Island by Radio Archives’ Roger Price. Also, author Will Murray talks about how Skull Island came to be. It’s Doc Savage vs. King Kong live from Pulpfest. The panel was recorded by The Book Cave’s Art Sippo.

You can listen to Panel Fest Episode 25: PulpFest 2013 Will Murray here.

About Doc Meets The King:
Beginning with the premier of Standard Magazines’ The Phantom Detective at the start of the year and Nick Carter and Doc Savage from Street & Smith in February, on through to the fall when Popular Publications released G-8 and His Battle Aces and The Spider, 1933 was the “year of the hero pulp.” And let’s not forget that The Lone Eagle and Pete Rice likewise debuted that year.

But 1933 was not just the year of the hero pulp. On March 2 of that same year, RKO Radio Pictures premiered “the eighth wonder of the world,” King Kong, at New York’s Radio City Music Hall and the Roxy. In just four days, the film earned nearly $90,000, a substantial sum in those dark Depression days.

To celebrate the 80th anniversaries of “The Man of Bronze” and King Kong, Will Murray, author of The Wild Adventures of Doc Savage, paired the two characters in his novel, Skull Island. On Saturday, July 27th, at 2 PM, PulpFest 2013 hosted a special New Fictioneers reading of Mr. Murray’s bestselling novel by Radio Archives’ reader Roger Price.

During his lengthy career as an entertainer, Roger has performed on television, radio and the live stage. At one time or another, he has worked as a stand-up comic, hosted a late night movie series as a character called “The Baron,” worked as a morning radio personality, hosted and emceed numerous live events, served as an entertainment news anchor and even as a ring announcer for professional wrestling. Comic book and pop culture fans know Roger as the creator, director and “voice” of Mid-Ohio-Con, one of the largest and longest running shows of it’s kind.

Through Radio Archives, Roger Price can be heard reading various short stories on Strange Detective Mysteries #1, Captain Satan #1, Captain Zero #1 and other audiobooks. Roger also works with a wide variety of clients as an announcer and voice actor, specializing in character/cartoon voices and dialects.

Following the reading, both Will Murray and Roger Price were available for questions and conversation.

You can listen to Panel Fest Episode 25: PulpFest 2013 Will Murray here.

Pulp Fiction Reviews and Sweet Money Won

New Pulp Author Ron Fortier returns with another Pulp Fiction Review. This time out Ron takes a look at Sweet Money Won by Mycroft Magnusson.

SWEET MONEY WON
By Mycroft Magnusson
ISBN -13:978-1481952811
401 pages

Here’s a trick question for you.  Can any well written book ever be too long for its own good?  I would have thought that impossible until reading “Sweet Money Won.”  Which is going to make this review a delicate balancing act as I want all of you to understand how much I truly liked this book; in many, many ways.  Save one.  So allow me to applaud what is a truly superbly well crafted crime comedy reminiscent of Elmore Leonard’s best efforts.

Rick and Liam are two small time conmen living in the seedy Koreatown section of Los Angeles.  They survive hand to mouth on their meager rewards for the small cons they perpetuate, mostly on middle-class tourist visiting L.A. for the first time.  Magnusson deftly defines both their personalities so that they immediately appealed to this reader.  Liam, the smarter of the two, is the philosophical gambling addict who loves the Boston Patriots whereas Rick is the more reckless, by-the-seat-of-his-pants character who has a  problem with pornography and sex, the latter being what gets them both into a world of hurt.

When Rick takes their entire money reserve to rescue a Russian porn-princess named Svetlana, whom he’s met on-line, from her muscle-bound pimps, he puts them both in harms way.  Liam had placed a bet on a Patriot’s game, the cash being his debt should the Pats lose.  Of course the Pats lose and the Korean strong-arm bookies are none too pleased when Liam doesn’t have the money to cover his bet.  Now he and Rick have just twenty-four hours to come up with twenty thousand dollars.  It is at this point when  Svetlana agrees to help the boys by having sex with and then blackmailing a rich, up and coming congressman.

Reading “Sweet Money Won” is a truly engrossing, fun literary escapade that plays fast and loose with gunfire pacing.  Again, Magnusson’s prose is both insightful and inventive when it needs to be.  His writing is what is excellent and why I’m recommending you pick up a copy of this top-notch crime novel.

But Magnusson has to learn when scenes are extraneous and should be cut.  Any scene that does not serve the plot should be excised and there are several of these that frustrated me.  Rick’s Mexican weekend and Liam’s sports ticket scam are both unnecessary. A good editor could have trimmed this book by a hundred pages and helped shape it into an even better story.  I hope that’s a lesson he learns soon.  Rick and Liam and awesome characters and I’d love to see them in action again.