The Mix : What are people talking about today?

Mindy Newell: Family, A Love Story

Newell Art 130805I must apologize for not being here last week. We had a family emergency, and the weekend was not fun.

No, not my dad. My mom. She was in the hospital.

I’ve talked about my dad here, but have rarely mentioned my mom.

She comes from a large family. Eleven kids. All of them, the girls as well as the boys, were raised to be independent, to be able to stand on their own two feet. My mom became a nurse, and down through the years, like Cherry Ames, she has worked in many areas of the field.

Laura Newell, Army Nurse. Laura Newell, Labor and Delivery Nurse. Laura Newell, Dialysis Nurse. Laura Newell, School Nurse. Laura Newell, Camp Nurse. Laura Newell, Public Health Nurse. Laura Newell, Emergency Room Nurse.

I thought a lot about my mom this past week. A professional woman before that was unremarkable. Able to sustain a marriage now 65 years in the making while raising two kids and continuing to work before there was daycare and flex-hours. Being in love, married to a man who was as proud of ability to help others heal as he was of her looks and housekeeping skills and never minded if she had to work an extra shift or stay overtime at the hospital? How had she done it? Where did she learn to how to do it?

And then I thought of my grandmother.

It was during the second wave of the East European Jewish immigration (which lasted from 1890 to 1924) that my grandmother, Anna Pecker, with her two young children – my Aunt Ida and my Uncle Phillip – crossed the ocean to America sometime in the early 1900’s. She was from a shtetl (Yiddish for “small town or village”) near Vilna, a city always known for its culture and book-learning, and which was sometimes part of Poland and sometimes part of Russia and is now a major city of Lithuania.

The thing is, no one knows what happened to her first husband. We don’t even know his name.

There are two theories. The first is that, like many young men of the times, he was conscripted into either the Polish or Russian Army and never returned. Her brother advised her by letter to come to America, saying that he could pay the steerage passage.

The second, and this is what makes it such an intriguing story, is that her husband was a miserable lout, always drunk, and always beating her and threatening the children. She hid her brother’s letters from the brute of a husband, as well as secreting money from him, as she saved for the journey from Vilna to Hamburg, Germany, where the ship would be docked. And then one day, young Anna had enough. She waited until her husband was asleep (or in a drunken stupor, or not home), took her kids, the money she had squirreled away, and left.

They mostly traveled by foot, saving money, and Anna would hire herself out as a maid or a cook to earn more, hiding the kids in a field or a forest. Supposedly they only travelled at night because it was safer, especially for a Jewess with two young children.  I don’t know how long it took, but it must have taken weeks, if not months, to get to Hamburg. Either she wrote her brother and sent it from one of her stops along the way, or, reaching the German port, she wrote her brother to wire her the passage money. (No one is sure about that.) At any rate, she paid for and received booking on a steamer to New York.

When they finally reached America and Ellis Island, my Aunt Ida, who was about five, was almost turned back because the immigration doctors said she had tuberculosis. But my grandmother refused to allow that, and my grandmother’s brother, who was waiting for them, must have greased a lot of palms. Ida was allowed to stay, although she had to be in quarantine for about three months. Think little Vito Corleone in Godfather II.

Anna and her children lived with her brother and his family in Bayonne, New Jersey, which had a large and thriving Jewish community. Jacob Yontef, a tall, handsome widower with seven children, and considered a “hot catch” by widows or mothers with marriage-age daughters, saw Anna at a dance, and fell instantly head-over-heels in love. I mean, he only had eyes for her, as the song says.

But Anna wasn’t interested. She literally scoffed at him, or so the story goes.

Was it because Jacob already had seven children? Of course, back then large families were the norm, but still, I think any woman would hesitate inheriting such a large brood. Unless her name is Carol Brady. Or…

Was it because she was still legally married? Was she worried that her husband would track her down? The mind boggles at the possibilities.

But Jacob never gave up.

Finally, at least three years later, though some in my family say it was more, Jacob won his woman.

And Anna Pecker became Anna Yontef.

And into this family was born my mother, Loretta Yontef, called Laura by everyone. Three years later, another girl, Anita, who would almost immediately be rechristened Augie – though that’s a tale for another time – was born.

Eleven kids.

And it wasn’t until I was 19, after my grandmother’s passing, that not only did I hear this story for the first time while we sat shiva (a period of mourning) but also learned that only my mom and my Aunt Augie shared parents.

Now my mom is 87, the matriarch of the family, the last surviving member of a true Yiddisher mischpacha (“family” in English, pronounced mish-PA-cha, the cha as in Chanukah – a sound that is like clearing your throat.)

Last month she fell, but thankfully did not break her hip. Still, for the last four weeks she has been in a great deal of pain and she was finding it hard to walk. Then last Friday I got a call. My mother was in the ER. There was a reason for her constant pain of the last month. No, she hadn’t broken her hip. (Thank God, for that would have been a horrible nightmare.) But the fall had caused a linear fracture of her lower pelvis, and of course walking around for the last four weeks had exacerbated it.

There really isn’t anything to do for a fractured pelvis (dependent on the severity, of course) but to rest it and allow it to heal, which means bed rest and wheelchair, with appropriate physical therapy.

So now my mom is in the same rehab/nursing home facility as my dad. We tried to get them into the same room, but weren’t able to, which, in fact, is a blessing in disguise, because knowing my dad, he would most certainly get up in the middle of the night to check on her and considering his fragile state – he is confined to a wheelchair these days and his cognitive state is not good, to say the least – well, I don’t even want to go there in terms of what that could lead to…But my mom is three doors down, and they spend their days together. I tease them about “wheelchair races.”

Yesterday, after a wonderful day partying and celebrating my niece Isabel’s 13th birthday, we brought my parents back to the nursing home/rehab center. They were both exhausted. The nurses said they would put them to bed for us.

But before they were wheeled off to their separate bedrooms (something that is hard for me to watch), they leaned towards each other, and kissed each other good night.

That’s 65 years of marriage.

That’s mishpacha.

That’s love.

TUESDAY MORNING: Emily S. Whitten

TUESDAY AFTERNOON: Michael Davis

 

MECHANOID PRESS RIDES THE WEIRD WEST WITH DEBUT OF ‘STRANGE TRAILS’!

Contact: James Palmer
FOR IMMEDIATE RELEASE
Mechanoid Press Saddles Up for a Ride Through Some Strange Trails

ATLANTA, GA—Mechanoid Press, an innovative small press publisher of science fiction and pulp adventure, has just released their latest anthology, exploring the Weird West.
STRANGE TRAILS features exciting tales of a West that never was, written by some of the biggest names in New Pulp.
“The Weird Western is very popular today,” says Mechanoid Press publisher James Palmer. “I wanted to put something together to celebrate this bizarre yet exciting sub-genre.”
Palmer has assembled a posse of some of today’s most talented New Pulp authors. Riding the range is Josh Reynolds (Mr. Brass), Tommy Hancock and Morgan Minor (Pro Se Productions), Barry Reese (The Rook), Edward M. Erdelac (The Merkabah Rider), and Joel Jenkins (Dire Planet).
“Everyone in the book is there because they have solid New Pulp and/or Weird West chops,” says Palmer. “All the stories are terrific, and I know readers will love it.”
STRANGE TRAILS is available in print here:
And Kindle here:

About Mechanoid Press
Mechanoid Press is an independent publisher specializing in science fiction and New Pulp e-books and books. Join the Robot Revolution at www.mechanoidpress.com, follow the ‘bot on Twitter: www.twitter.com/mechanoidpressand like them on Facebook.

Still Not Ginger – Peter Capaldi is the New Doctor

Announced at the climax of a globally-broadcast special, The BBC introduced the twelfth actor to play The Doctor, Peter Capaldi.

He’s a BAFTA-winning actor, winning for the role of Malcolm Tucker in The Thick of It.  He’s appeared twice on Who-related series, he played Caecilius in The Fires of Pompeii, and John Frobisher in Torchwood: Children of Earth.  In Neil Gaiman’s Neverwhere, he played the angel Islington.  He is currently filming the BBC adaptation of the Three Musketeers, in which he plays Cardinal Richelieu.

Showrunner Steven Moffat says he’d considered Capaldi when he was casting the eleventh Doctor, though he decided it wasn’t quite the time.

This wasn’t  his first time traveling in time, either – He played Doug Hatton in the recurring sketch “Drunk in Time” on The All new Alexei Sayle Show.

Peter most recently appeared in World War Z, playing a physician working with the World Health Organization.  Or, as he’s listed on the IMDB, “WHO Doctor“.

No details have been yet shared as to how much a part he will played in the final two episodes of the year. Though it’s traditional for the new Doctor to only appear in the last moments of the last episode, the Christmas episode has not been filmed, and David Tennant made his first full appearance in the first Christmas episode, “The Christmas Invasion”.

Mr. Capaldi’s movements will likely be closely followed, and any appearance he makes in the Christmas episode will likely be widely reported.  The Management awaits his work with extreme interest.

John Ostrander: The Essence

Ostrander Art 130804A week or so ago I was talking about how in the Man of Steel movie they had Superman kill someone. No spoiler alert: if you haven’t seen the movie yet, it’s your own damn fault. It did violate one of the traditional tenets that marked Superman as Superman – he doesn’t kill. Lots of innocent bystanders must have also died during his battle with Kryptonians in Smallville and Metropolis but hey – collateral damage.

I did note, however, that characters that have been around a lot need an updating to keep them relevant to the times in which they are being read/watched. The question to me is – how much change is acceptable before you’ve altered the character so much that they are no longer really that character. What defines each character? What are the essentials?

I read in a recent Entertainment Weekly that Andrew Garfield, the current movie Peter Parker/Spider-Man, suggested that the next Mary Jane actually be a guy. Have Peter explore his sexuality with a guy. Even the director, Marc Webb, when asked if he had heard Garfield’s idea, seemed to do an eye roll.

That idea certainly isn’t traditional Peter Parker and got some discussion, but is it that far off? I’m not saying I endorse the idea but wouldn’t it make Peter more contemporary, something to which younger readers/viewers might relate? Would a bi-sexual Peter Parker be any less Spider-Man? Would a Peter Parker in a lip lock with a guy be more shocking than a Superman who kills?

The comics’ Spider-Man has taken it further. In the book, Spider-Man’s old foe Doctor Octopus has taken over Peter’s body and life and identity of Spider-Man with Peter looking real dead and gone. Otto Octavius is now Spider-Man. WTF?

The powers are the same, but the character sure isn’t. Is it the powers that define who Spider-Man is or is it the man behind the mask? If the latter, is this really Spider-Man?

This isn’t the only character to which this has happened. Iron Man has had people other than Tony Stark in the armor. Batman has had a couple of people under the cowl. And let’s not start on Robin. Or Batgirl.

The stories of Sherlock Holmes have also lent themselves to numerous interpretations. There are currently two TV series that put Holmes into modern day. I only really know the BBC series, Sherlock, but despite changing the era it feels so Holmesian to me. It feels like they got the essentials right.

I did it myself with my own character GrimJack. First I killed off the main character, John Gaunt, then I brought his soul back into a clone of himself and then, eventually, I had him reborn into another person, James Edgar Twilley, although again, it was the same soul. Munden’s Bar remained but the supporting cast was different and I had bounced the whole thing down the time line a hundred years or so and the setting of Cynosure was also changed.

I knew why I did it at the time. I felt my writing was getting stale and the character was as well. We hadn’t been around all that long but I felt we were getting tripped up on our own continuity. Sales were eroding. My editor asked me to come up with some way of making the book dangerous again.  That’s how I chose to do it.

Was it still GrimJack? Yes, I felt it was – in its essentials. An alienated and violent loner in a strange city living by his own code. Same soul, two lives. It still felt like GrimJack.

I’m willing to bet that most re-examinations of a given character or concept stems from that – to look at it all with fresh eyes, to make the reader/viewer do the same. To me, that’s trying to get to the essentials.

Maybe we aren’t all agreed as to what the essentials are in any given character or concept. That may vary from person o person, fan to fan. I think that’s why there are quibbles right now about Man of Steel; if Superman not killing is essential to the character, there’s a problem with the newest version. On the other hand, if “do not kill” rule is just like wearing red trunks, then it’s not essential. Is the Man of Steel Superman?

That comes down to you.

MONDAY MORNING: Mindy Newell

TUESDAY MORNING: Emily S. Whitten

 

PRO SE PRESENTS: THE PODCAST- EPISODE FOUR-PULSE FICTION!

PRO SE PRESENTS: THE PODCAST- EPISODE FOUR-PULSE FICTION!

This week PSP Podcast Host Tommy Hancock welcomes Crime and Pulp Author Paul Bishop. Together these two fans and creators of Genre Fiction and the Pulp style introduce a new imprint coming very soon to Pro Se- PULSE FICTION! The brainchild of Bishop, this series brings a host of characters created by Hancock and Bishop and cast in the mold of classic genre fiction from the era of the pulps to Pro Se! Tommy and Paul talk about the origins of the concept, why something like Pulse Fiction is needed and what it means to New Pulp and beyond, the ideas and the characters in the mix, and the writers already involved. The two men behind Pulse Fiction also discuss how any writer can get involved in this new imprint! Pulse Fiction and Paul Bishop on this week’s PRO SE PRESENTS: THE PODCAST!
http://prosepodcast.libsyn.com/pro-se-presents-the-podcast-episode-four-pulse-fiction

Panel Fest Episode 19: Pulpfest 2013 William Patrick Maynard

 

New Pulp Author William Patrick Maynard reads from his latest Fu Manchu novel, from The Triumph of Fu Manchu at the 2013 PulpFest convention. The panel was recorded by The Book Cave’s Art Sippo.

Listen to Panel Fest Episode 19: PulpFest 2013 William Patrick Maynard here.

From PulpFest website:
Bill Maynard Presents Fu Manchu
They were called scribes, word slingers, hacks, and penny-a-worders. But perhaps the most favored term, especially among the men and women who

labored for the bloody pulps, was fictioneer or, more specifically, a fiction writer, particularly a prolific creator of commercial or pulp fiction. Join PulpFest as we celebrate today’s fictioneers—the authors writing the new pulp fiction—the New Fictioneers!

Our special guest, William Patrick Maynard, will get things rolling on Friday, July 26th. Authorized by the estate of Sax Rohmer to continue the Fu Manchu series, Maynard’s debut novel, The Terror of Fu Manchu, was published in 2009 by Black Coat Press. A sequel, The Destiny of Fu Manchu, followed in 2012. Bill will be reading from The Triumph of Fu Manchu, his forthcoming novel concerning Rohmer’s fabulous devil doctor.

Listen to Panel Fest Episode 19: PulpFest 2013 William Patrick Maynard here.

Russell Simmons and Common Team for Jazz Age Animated Hero, The Harlem Shadow!

 
 

Music and fashion mogul Russell Simmons announced in an interview with Entertainment Weekly that The Harlem Shadow, a new animated online superhero series that will be set in the Jazz Age, will be revealed at the New York Comic-Con in October. The Harlem Shadow will feature hip-hop star Common (currently seen in AMC’s Hell on Wheels) in the title voice role and is executive produced by David Uslan.

After the NYCC debut in October, look for The Harlem Shadow content will be online by the end of the year at All Def Digital, the YouTube channel from Simmons and Awesomeness TV’s Brian Robbins.

The Harlem Shadow is an adaptation of the indie small-press series of the same name from RavenHammer Comics and the creative team of Brian Williams and Christian Colbert.

About the comic book:
THE HARLEM SHADOW
BIRTH OF THE COOL

Born at the tail end of the Harlem Renaissance, The Harlem Shadow is the first official Black paranormal crime-fighter that hit the streets of New York around 1929-1930. He was known for his scary appearance, his vicious hand to hand

combat skills and his mastery of two lethal revolvers, used to maim and disarm his enemies but never kill. In 1950 as a result of the Black Mask Act…Harlem Shadow was hunted down by New York City Police, lynch mob style, and unmasked. His name was Linden Somerset, a school teacher and librarian, and he served a twenty year jail sentence at Alcatraz Island. This is his story.

You can read the entire EW interview here.

Sinbad Sets Sail on Another New Voyage!

Cover Art: Kevin Johnson
New Pulp Publisher, Airship 27 Productions sets sail with a new volume of adventures for Sinbad the pirate as Sinbad: The New Voyages vol. 2 is released.
 
Press Release:
 
THE BLUE NYMPH SETS SAIL
 
Pull up anchor, cast off the mooring lines and drop the sail, the good ship Blue Nymph is about to set sail for adventure once again with her famous seafaring captain at the helm.
 
Airship 27 Productions is thrilled to present the second volume of brand new stories starring the greatest seaman of them all, Sinbad the Sailor and his international crew of daring adventures.  Here are the Henri Delacrois, the deadly archer from Gaul, Ralf Gunarson, the strapping young Viking giant, Tishimi Osara the beautiful female samurai and of course Omar, the irascible first mate.  All of them bound together by their love of action and yearning to explore uncharted lands.
 
“We released the first volume of this series last year,” says Airship 27 Managing Editor, Ron Fortier.  “Reader response was overwhelming and we soon were getting lots of mail to do more.  It’s very clear there are lots of people out there who lovingly remember those old Harryhausen Sinbad movies.”
 
This volume contains a new novella by Ed Erdelac with short stories by Shelby Vick and Erwin K. Roberts. Capturing the feel of the old cinematic hero developed by the late Ray Harryhausen, the volume features illustrations by Steven Wilcox and a cover by Kevin Johnson with designs by Rob Davis.  Over the horizon awaits treasure, beautiful exotic maidens and monsters beyond imagining.  Dare you sign aboard with Sinbad El Ari? If so, then battened hatches and have your curved blade ready, heart pounding adventure awaits within these pages.
 
AIRSHIP 27 PRODUCTIONS – PULP FICTION FOR A NEW GENERATION!
 
Available from Amazon.com in both hard copy and digitally for Kindle.

 

Cover Sneak Peek – Honey West/T.H.E. Cat

 
Final Cover Art: Douglas Klauba

New Pulp Artist Douglas Klauba has shared the cover painting for the upcoming Honey West/T.H.E. Cat paperback for Moonstone Books.

It’s Honey West and T.H.E Cat, in the first new Honey West novel in over 40 years, A Girl and Her Cat!

Following on the heels of the first ever Honey West & T.H.E Cat crossover comic, Moonstone’s “Death in the Desert,” comes the Honey West & T.H.E Cat novel, A Girl and Her Cat.

Art: Douglas Klauba

About A Girl and Her Cat:
When an exotic green-eyed Asian doctor hires Honey to recover a stolen sample of a new Rubella vaccine from a rival scientist, the blonde bombshell private eye—suspicious but bored—takes the case. But after she’s attacked not once, but twice, on her way from Long Beach to San Francisco to track down her quarry, she knows there’s more—much more—to her femme fatale client than meets the eye.

Along the way, Honey’s one-time paramour Johnny Doom—ex-bounty hunter and current Company agent—reenters the picture, and the gorgeous doctor’s insidious—and deadly—grandfather deals himself in. But when Honey questions whether Johnny’s playing her game, or just playing her for a patsy, she joins forces—as only Honey can—with the one man in Frisco who can help her recover the stolen vaccine-cum-bioweapon and prevent worldwide genocide by germ-warfare—former cat burglar-turned-bodyguard Thomas Hewitt Edward Cat: T.H.E Cat!

Join writers Win Scott Eckert and Matthew Baugh, and cover artist Douglas Klauba, for A Girl and Her Cat, a groovy, racy 1960s romp coming soon from Moonstone Books.

Coming September – Four Summoner’s Tales

What if the dead could be summoned from their graves- for a price? What if a quartet of distinctive storytellers took a stab at this deceptively simple idea- on a date? The answers lie here, in Four Summoner’s Tales, as Kelley Armstrong, David Liss, Christopher Golden, and Jonathan Maberry accept the challenge in uniquely chilling ways. Available September 17 in print, EBook and audio. (NOTE: This book includes a never-before-published Joe Ledger novella by Maberry)