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Interview With Steampunk Octopus Artist Brian Kesinger

  • News
  • July 12, 2013

LA-based illustrator, animator, and artist Brian Kesinger has just released his first book, Walking Your Octopus: A Guide to the Domesticated Cephalopod. I first came across Brian a few years ago when I was the judge for the WeLoveFine steampunk tee shirt art contest, where he submitted “Walkies for Otto”. He won that contest and thus started the Internet’s love affair with his adorable characters Otto and Victoria. Since then, Otto and Victoria have grown to encompass books, prints, shirts, and more. Brian was good enough to sit down with me for an interview on his new book, upcoming projects, and the very important question of “why the octopus?”

ComicMix: How did you get started in the arts?

Brian Kesinger: I was fortunate enough to born into a family of artists. The thing is they were all musicians! In fact I’m the only one in my family who couldn’t play an instrument. I was much more fond of drawing than practicing piano. My parents recognized this and were able to support my artistic endeavors all through school and that support has certainly helped make me the artist I am today.

otto-by-the-sea-brian-kesinger

ComicMix: How did all this Steampunk style art you started doing in 2010 come about?

Brian Kesinger: I had been drawing steampunk art before I knew of that term. Back in 2000 I was doing layout and background design for Walt Disney animation studios on the film, Atlantis. It was on that film that a grew fond of drawing submarines, gears and gadgets. After that I moved on to the film treasure planet where I continued my alternate history aesthetics that time with the mixture of tall ships and sci-fi. It wasn’t until recently that I started doing my own steampunk art and I think my passion for the subject matter stems from the education I had on those films.”

Brian-Kesinger-осьминог-Otto-and-Victoria-deviantartcom-524333

 

ComicMix: Can you tell us a little about the new book you have coming out?

Brian Kesinger: My book, walking your octopus: a guidebook to the domesticated cephalopod is based on two of my more popular original characters, Otto and Victoria. It’s not your typical storybook. It reads more like an owner’s guide to pet octopuses. (Think of a Victorian era “puppies for dummies”)
It’s sort of a satirical look at how we all can get a little carried away with how we raise our pets. It’s certainly inspired by my own dog Scout but also inspired by the ups and downs of raising two young children with my wife. My hope is that the book speaks to not only steampunk fans but pet owners and parents as well.

ottoandvictoria

ComicMix: Why the Octopus?

Brian Kesinger:  I find octopuses extremely fun to draw. It is a real challenge inventing eight different things for them to do in every image. They are nature’s original multi-tasker and they certainly have captured the imagination of a lot of people. Along with the squid and other Cephalopods, octopuses seem to be a sort of theme animal for steampunk so when I set forth trying to render an image of a high class Victorian lady and her boutique pet the choice was obvious. What was not obvious was how popular Otto has become since I first drew him a year ago. He has inspired fan art, tattoos and I’ve even seen girls cosplay Victoria and conventions around the country! And for that I am so grateful and it keeps me drawing octopus.

Brian Kesinger's Tea Girls

ComicMix: What other things do you have coming up that we all should look forward to?

Brian Kesinger: Well my first love is movies. It’s why I have wanted to work in animation. So I have been developing several short film ideas and in addition to that I am in the very early stages of developing a full length feature of Otto and Victoria’s adventures. I would love to see a beautifully rendered steampunk animated film and I can’t think of any characters better suited for that than Otto and Victoria. Stay tuned for more details!

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Annie Award-winning artist Brian Kesinger has loved to draw ever since he could remember. During his senior year of high school, Brian was accepted to the Walt Disney Animation Studios in Burbank, California as the second youngest animation hire in the history of the company. At just 18 years old, Brian became a layout artist and in his 16+ years at Disney Animation, he has worn many artistic hats from visual development to story artist. In 2011, he was honored with a prestigious Annie award for his story work on the hit Disney TV holiday movie “Prep and Landing.” Brian’s most recent film at Disney is the Academy Award-nominated film “Wreck It Ralph” – and if you listen closely, you’ll hear him lend his voice talents to comic bad guy, “Cy-borg.” Inspired by his love of gadgets and fantasy, his delightful steampunk characters celebrate Victorian sensibility and timeless beauty with a dash of geekiness thrown in for good measure. His original “Tea Girls” art is created with different kinds of actual tea – resulting in an innovative visual affect.
Brian

Martha Thomases: California, Here I Come – Except…

Thomases Art 130712In a few days, I’ll be in California. Not in San Diego, but in California. I’ll get the good weather without the mobs.

It is the habit of old farts (check out our editor-in-chief’s tirade in this space next Wednesday morning) such as myself to complain about the San Diego Comic Convention. It’s too big. It’s not about comics anymore. Nobody kisses my ass anymore. I don’t have an expense account. (Those last two might be unique to me.)

My major philosophical objection is that a fine, non-profit educational organization has been completely co-opted by Hollywood. True, comic book companies used the occasion of the convention to promote their books, but the convention was at least about comics. Now, it’s a stop on the promotional train for television, movies and video games, complete with red carpets and stylists.

And, apparently, rock bands. Metallica will be performing a live concert for those lucky enough to get tickets (in case you haven’t waited in line for Hall H long enough), to promote their new movie.

Metallica is no doubt a fine group of people (although their music is not my genre), and, since they’ve been together since 1981, they aren’t exactly amateurs at attracting and keeping fans. They should live and be well.

But, as the New York Times story in the link reports, there is going to be a panel about rock music at the Con. And it will include people who score movies, but not the people behind the new Dark Horse graphic novel, The Fifth Beatle, which actually combines rock music and comics. It won’t include John Holmstrom who was combining rock’n’roll and comics even before Metallica was a band.

Look, I enjoy soundtracks as a musical form. Mark Knopfler did some of my favorites. It is an interesting and a demanding musical form with its own unique challenges and structures. There are lots of places that could host interesting panel discussions on the subject with a variety of experts, including composers, directors, and editors. I just don’t think the panel, as described in this article (and maybe it’s not accurate? Could happen) is that kind of conversation.

If you are going to San Diego, I hope you have a fabulous time. I hope you get into The Black Panel because it is so much fun.  I hope no one hits you in the face with a backpack.

And, if you’re really lucky, I hope you find some cool new comics.

SATURDAY: Marc Alan Fishman

SUNDAY: John Ostrander

 

Scott Lobdell on WE CAN BE HEROES Crowdsourcing Event

  • News
  • July 12, 2013

Scott Lobdell talks on ComicVine about raising money for We Can Be Heroes:

I’m a big fan of crowdsourcing — for comics and graphic novels on sites like Kickstarter and Indiegogo. So far I’ve only watched from a distance, calling attention to special projects and generally being a cheerleader for the ambitious creatives involved in these passion projects.

That was until DC Comics asked me to participate in their crowdsourced We Can Be Heroes fund-raiser — part of their ongoing initiative to raise money for and awareness of the plight of the hungry in the Horn of Africa.

My “bosses” gathered a veritable Who’s Who of some of DC and Warner Bros. most talented creators and said I could hang out with them and help a worthy cause in the process. We’re signing super exclusive and limited run graphic novels, animated movies, caps, T-shirts, prints and other assorted products (Did I mention you can have yourself written into a DC Comic? Or that none other than Jim Lee will come to your town and paint a mural on your wall?) with all the money going to fight something far more destructive than anything Lex Luthor has ever come up with on his worst day.

The best part about this campaign? It really does give the fans the opportunity be the hero here: every dollar you commit goes directly to International Rescue Committee, Mercy Corps and Save the Children to help fund their efforts on the ground in the Horn of Africa. Every donation, no matter how small, helps.

In this particular case the goal is to raise $100,000… and we’re halfway there!

So please, take a moment – -watch the video — find one of the multitude of special incentives from the likes of Scott Snyder, David Goyer, Greg Pak, Kenneth Rocafort, Jim Lee, Geoff Johns, James Tucker, Mike Carlin… and some guy named Scott Lobdell!

[youtube]http://www.youtube.com/watch?v=lRUxD_uNGKg[/youtube]

Is it a donation? Is it a special purchase?

Call it what you will… it is an opportunity to help a worthy cause!

It’s a chance to show that, really, We Can Be Heroes.

www.indiegogo.com/projects/dc-entertainment-we-can-be-heroes-superman-edition

via Scott Lobdell on WE CAN BE HEROES — A Crowdsourcing event! – Comic Vine.

Related articles

PRO SE PRODUCTIONS DEBUTS NEW WEBSITE AND NEW PODCAST!

  • News
  • July 12, 2013

Pro Se Productions, an innovative Publisher of Genre Fiction and New Pulp, proudly presents its all new website! Designed to fully represent all that Pro Se is, the site features multiple pages, including staff and creator pages, imprint descriptions, submission guidelines, a news page, a listing of open solicitations, and more. 

From the front page featuring wonderfully rendered Pro Se Covers (swipe over them and they become buttons to other pages!) to the interesting bios, book descriptions, and information galore, the Pro Se website will provide fans and newcomers alike with all they need to know about this growing company.

Also debuting with the website is the weekly PRO SE PRESENTS: THE PODCAST! This will be a podcast focusing on both up and coming releases and projects from Pro Se as well as its continually growing catalog of Genre Fiction and New Pulp works. Tommy Hancock, Partner in and Editor in Chief of Pro Se, will host each episode following the first one. For the Debut, Pro Se Author and Friend of the Company Derrick Ferguson acts as host and quizzes Hancock on Pro Se, then, now, and later!

Pro Se’s new website will be updated frequently and can be found at www.prose-press.com. The Podcast is available on iTunes and can be found at www.prose-press/podcast. Other links on the site can be found in the drop down menu (button in the top left corner at the top of every page on the site.)

White Rocket 031: Jim Beard on Writing Pulps and Comics

  • News
  • July 11, 2013

Comics and New Pulp writer and Comics Historian Jim Beard is the guest on this week’s episode of the White Rocket Podcast.  Jim joins Van Allen Plexico to discuss everything from Sgt Janus to the 1960s Batman TV show!

Find the show here:
http://whiterocket.podbean.com/2013/07/09/white-rocket-031-batman-and-more-with-author-jim-beard/

The White Rocket Podcast is produced by White Rocket Books and is a part of the ESO Network of shows.
Contact Van via http://www.plexico.net

Martin Pasko Wants To Know What’s Going On

Pasko Art 13071I was considering doing a piece on how I can’t figure out why I haven’t seen any of my comic collector friends on Hoarders. You know, those people who keep moving to cheaper, bigger houses in worse and worse neighborhoods so they can have a living room big enough for those little, narrow walkways among their 437 eight-foot-high stacks of long boxes? Fear of ending up like that is the main reason I never got into collecting. Or so I thought.

But then I looked around my own claustrophobic living space and realized that people who live in Mylar snuggies shouldn’t throw weighted-based maquettes.

But I’m not a collector. I’m an accumulator. I haven’t paid for a comic book in 20 years, but people keep sending them to me. I can’t get them to stop. So I put them aside, saying I’ll get to them eventually. But I hate clutter. So today I finally forced myself to spend the day opening stacks of boxes of comps from the major publishers. And wasting several hours on one of my favorite pastimes (not): cutting open those shrink-wrapped bundles of “floppies” and searching for a cover on which I could tell what was going on without having to stare at it for half an hour.

I’ll award my own personal version of the No Prize (you don’t wanna know) to anyone who can me tell what’s going on here. Or here.

Y’see, I just blew my mortgage payment on a new pair of glasses with lenses thicker than the mirrors on the Hubble, so I know it’s not my eyes.

So engrossed was I in trying to find points of focus and resolving all those hyperthyroidal ink strokes and manic bursts of color into coherent images that I didn’t notice right away that I’d sliced my finger with the box cutter and was bleeding on the comics. In fact, it took a while to notice the flecks of blood on the pages.

No, not because of the gory, violent content (Since when does Superman need to bleed from the nose? Oops, better not get myself started. That’s another rant for some other week) … but because the interior pages are even more incomprehensibly busy, busy, busy than the covers, and in this particular book, the digital colorist’s efforts to cram 137 shades of red into a grad in the background of a panel that printed at 3” wide made it impossible to see the blood.

It finally struck me that what has now made most mainstream super hero product unreadable to me is the very same thing that made it impossible for me to get into collecting, but until today I’d never fully made the connection.

Clutter.

For those of us schooled in certain design principles, minimalism and the use of “negative space” is more effective at arresting the eye than throwing in everything including the kitchen sink. Minimalism in composition, at least ‑ such as that employed here. And here. (And if you don’t believe me, consult Alex Toth.

Since the beginning of this industry, up until relatively recently, many comic book artists have had to be forced by knowledgeable art directors and editors to understand that less is more.

And therein lies part of the problem.

Are the art directors and editors asleep at the switch? No, they’re just impotent. What, exactly, editors and art directors are expected to do these days isn’t abundantly clear. But what role could they play that they aren’t playing in preventing the indecipherable train wrecks that are most mainstream super hero comics?

And what if the very survival of the medium depended on their ability to change course? Could they do it? (Hint: I’ll argue that it does, and they can’t.)

Be here for Part II when we dissect these weighty issues (no, not the floppies). And if you’re one of those eyestrain fans who actually enjoys this stuff while sitting cross-legged in a 3-foot-square floor space between stacks of long boxes, and any of this got your knickers in a twist, just wait’ll next week.

FRIDAY: Martha Thomases

SATURDAY: Marc Alan Fishman

Dennis O’Neil: The Obese Lone Ranger

O'Neil Art 130711I’m hungry. Gimme a plate. No, a bigger one. Bigger. Bigger! Big as a house, a stadium. Now, lemme eat. Eggs and cheese and pork chops and ice cream and popsicles and pickles and brownies and doughnuts and cake and candy and pies and french fries and hot dogs and hamburgers and cinnamon rolls and marshmallows jelly beans and and and…whatever else you got. Gimme!

urp

…don’t feel so good…

And there he goes galloping off into financial ignominy. We, of course, refer to The Lone Ranger and our first paragraph was what we English majors call a “metaphor” – a very bloated metaphor – for what we think is mainly wrong with the much maligned entertainment of the same name.

It got greedy. It wanted too much.

It wanted to be an action blockbuster and a cowboy picture and a kiddie picture and a comedy and a tale of mythic heroism and a satire and, by making the title character a well-meaning doofus with a cruel streak and his Comanche sidekick the real hero, it wanted to acknowledge the shabby treatment Native Americans have often gotten from our popular culture. Go ahead – try to get all that into one movie, even a long one,

Pertinent digression: Back in the sixties, I read work by a journalist named Gene Marine who used the term “engineering mentality,” by which he meant the conviction that if we can build something, we should build it and piffle on the consequences. So we can put up this dam and let’s not bother ourselves with the fact that there may be other, cheaper ways to accomplish whatever this dam is supposed to accomplish without disrupting the environment for miles in every direction. Give a fella a huge budget and by golly he’ll do something with it.

The Lone Ranger had a huge budget.

It might have benefitted from a smaller one. With less money to spend, the film makers might have been forced to decide on exactly which movie they wanted to make and focused plot and action accordingly. Less might have been more.

urp

A final item for all you conspiracy mavens out there: in the embryonic continuity that The Lone Ranger’s creators were devising way back in the 1930s and 40s, probably with no idea that they were doing so, the Lone Ranger had a descendant, Britt Reid, who rode a big car (instead of a big horse) and had an Asian sidekick (instead of Comanche sidekick) and wore a mask and, yes, fought crime. Now: a couple of years ago there was a Green Hornet movie in which the white dude is the klutz and his non-white partner is the real ass-kicker.

One of the Hornet movie’s production team said there wouldn’t be a sequel because of a disappointing ticket sales and the news media are full of the woeful information that The Lone Ranger bombed big time at the box office. Coincidence? You decide.

And one other thing: urp

THURSDAY AFTERNOON: Martin Pasko

FRIDAY MORNING: Martha Thomases

 

Graphicaudio Unleashes a SixKiller

  • Uncategorized
  • July 10, 2013

GraphicAudio has released Sixkiller, U.S. Marshal 1 by William W. Johnstone (with J.A. Johnstone) as an MP3 download of 5 disc Audio CD.

NEW RELEASE:

NEW WESTERN SERIES: SIXKILLER, U.S. Marshall 1 by William W. Johnstone and J.A. Johnstone. 

USA Today and New York Times bestselling authors William W. Johnstone and J.A. Johnstone return with their most, historically vivid character: John Henry Sixkiller, a Cherokee U.S. marshal who takes the jobs no one wants to touch, hunting down the most dangerous outlaws and killers infesting the American West.

He was born in the Going Snake District of the Cherokee Nation–and forged a destiny as bold as his name. John Henry Sixkiller was as fearless as the came. He fought in the 2nd Cherokee Mounted Rifles, his father’s regiment during the Civil War. Served with the Longhorse Police in Indian territory upholding the law among five tribes in a time of violence and change. But now, Sixkiller faces his greatest challenge yet. As a U.S. Marshal, he must take on the most notorious outlaws the west has ever seen. Horse thieves who kill without conscience. Train robbers who terrorize the railways. And one ruthless enemy whose bloody reign of fear would bring Sixkiller to the ultimate showdown.

Available for Purchase Now here and here.

Learn more about Sixkiller, U.S. Marshal 1 here.

Star Trek Into Darkness hits Digital August 20, Disc September 10

Star Trek Into Darkness: Zachary Quinto, Benedict Cumberbatch, and Chris PineLove it or hate it, there’s no denying that Star Trek Into Darkness was a box office smash, ensuring a third installment in time for the franchise’s 50th anniversary in 2016. As it winds down its theatrical run, Paramount Home Video has announced that the movie will be available digitally on August 20, three weeks prior to the home video release. This is an increasing trend among movie releases and slightly alters the release windows for a film’s natural life.

Here are the details:

HOLLYWOOD, Calif.  –  Lauded by critics as “a sleek, thrilling epic” (Owen Gleiberman, Entertainment Weekly), “a clever, exhilarating action adventure” (Claudia Puig, USA Today) and “stratospherically entertaining” (Peter Travers, Rolling Stone), director J.J. Abrams’ phenomenal global sensation STAR TREK INTO DARKNESS makes its highly-anticipated debut on Blu-ray, Blu-ray 3D, DVD and On Demand on September 10, 2013 from Paramount Home Media Distribution.  Fans can be the first to own the film on Digital when it arrives three weeks early on August 20th.  Boasting “spectacular visual effects” (Steven Rea, Philadelphia Inquirer) and “one of the best villains in recent memory” (Joe Neumaier, New York Daily News) STAR TREK INTO DARKNESS delighted audiences around the world, earning a coveted A CinemaScore.

“I’m excited for viewers at home to check out Star Trek Into Darkness on Blu-ray and DVD,” said J.J. Abrams.  “They did a great job and I’m thrilled with how everything looks and sounds.  We also have some really fun behind-the-scenes special features that we shot on the Red and created entirely in-house at Bad Robot.  They really look amazing and unlike anything I’ve seen on DVD or Blu-ray before.”  Abrams added “I hope fans enjoy seeing the process that went into making the movie and the truly amazing work of our most spectacular cast and crew.”

Star Trek Into Darkness poster-xlargeThe STAR TREK INTO DARKNESS Blu-ray/DVD and Blu-ray 3D/Blu-ray/DVD combo packs with UltraViolet™ are bursting with behind-the-scenes material detailing how the filmmakers delivered a rousing epic filled with both spectacle and soul.  For the first time, the special features included in the combo packs were produced entirely by Abrams’ Bad Robot Productions and captured in spectacular high quality on Red Epic cameras for a uniquely intimate perspective of the filmmakers’ process.

Written by Roberto Orci, Alex Kurtzman and Damon Lindelof, the film follows the crew of the Enterprise as a shocking act of terror on Earth sends them on a manhunt to capture an unstoppable force of destruction and bring those responsible to justice.  STAR TREK INTO DARKNESS features an outstanding ensemble cast including John Cho, Benedict Cumberbatch, Alice Eve, Bruce Greenwood, Simon Pegg, Chris Pine, Zachary Quinto, Zoe Saldana, Karl Urban, Peter Weller and Anton Yelchin.

STAR TREK INTO DARKNESS Blu-ray/DVD Combo Pack

The STAR TREK INTO DARKNESS Blu-ray is presented in 1080p high definition with English 7.1 Dolby TrueHD, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital, Portuguese 5.1 Dolby Digital and English Audio Description and English, English SDH, French, Spanish and Portuguese subtitles.  The DVD in the combo pack is presented in widescreen enhanced for 16:9 TVs with English 5.1 Dolby Digital, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital and English Audio Description and English, French, Spanish and Portuguese subtitles.  The combo pack includes access to a digital copy of the film as well as the following:

Blu-ray

  • Feature film in high definition
  • Creating the Red Planet – Experience the creation of a never-before-seen alien world, as featured in the action-packed opening sequence of the film.
  • Attack on Starfleet – Go behind the scenes with the cast and filmmakers and witness the creation of the shocking attack on Starfleet Headquarters.
  • The Klingon Home World – Discover the stunning world of Kronos, and see how the filmmakers reinvented the Klingons for a new generation.
  • The Enemy of My Enemy – Find out how, and why, the identity of the film’s true villain was kept a mystery to the very end.
  • Ship to Ship – An in-depth and thrilling look at the filming of the iconic space jump sequence, which both defied the laws of physics and pushed the limits of visual effects.
  • Brawl by the Bay – Sit in with Zachary Quinto and Benedict Cumberbatch as they revisit their intense preparation for the film’s breathtaking climax.
  • Continuing the Mission – An inspiring look at the partnership between the film’s crew and the organization that assists returning veterans to find meaningful ways to contribute on the home front.

DVD

  • Feature film in standard definition

STAR TREK INTO DARKNESS Blu-ray 3D/Blu-ray/DVD Combo Pack

The STAR TREK INTO DARKNESS Blu-ray 3D combo pack includes all of the above, as well as the film in high definition and 3D on a disc presented in 1080p high definition with English 7.1 Dolby TrueHD, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital, Portuguese 5.1 Dolby Digital and English Audio Description and English, English SDH, French, Spanish and Portuguese subtitles.

STAR TREK INTO DARKNESS Single-Disc DVD

The single-disc DVD is presented in widescreen enhanced for 16:9 TVs with English 5.1 Dolby Digital, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital and English Audio Description and English, French, Spanish and Portuguese subtitles.  The disc includes the feature film in standard definition.

The Blu-ray releases available for purchase will be enabled with UltraViolet, a new way to collect, access and enjoy movies.  With UltraViolet, consumers can add movies to their digital collection in the cloud, and then stream or download them – reliably and securely – to a variety of devices.

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