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Review: ‘Up’ on Blu-ray

Review: ‘Up’ on Blu-ray

Pixar’s command of digital animation has captivated an entire generation of viewers and with Up
, its tenth film, it has actually taken some interesting chances. First, they focused on a senior citizen, the very demographic totally abandoned by Hollywood despite the longevity now being enjoyed by many.

It also decided to take storytelling chances by stretching how many absurdities we can accept in a single film. Previously, we were asked to accept one major concept per film: toys that can talk, a world powered by children’s screams, and so on. Here, we’re being asked to accept an awful lot and frankly, sitting through the film, I think it asked for too much.

Up arrives on DVD tomorrow and comes in Walt Disney Home Video’s controversial multi-package format. The Blu-ray edition contains four discs: the film and extras, a second disc of extras, the film and some extras on standard DVD and a disc with a digital copy. On the one hand, it’s nice to have this package because eventually we’ll all be using Blu-ray so we avoid buying the movie twice. On the other, it’s pricey for people not willing to make the leap for years to come.

The film’s best sequence is the opening ten minutes known as “Married Life”, which details the meeting and evolving relationship between Carl and Ellie. It’s incredibly poignant and moving, aided tremendously by Michael Giacchino’s score. From there, we meet 78-year old, arthritic Carl, every bit the curmudgeon he appears. Wonderfully voiced by Ed Asner, he’s done with life and just wants the world to leave him alone. Sadly, the world wants to move ahead and is busily construction mammoth commercial buildings around his home.

Finally forced to move to an assisted living facility, Carl decides to escape to Paradise Falls, the one place he and Ellie wanted to visit and never found the time and/or money. Here’s where we’re asked for the big leap of faith: overnight, be fills 10,000 balloons with helium, rigs steering gear, and in the morning, launches his home into the air for the trip to South America.

OK, let’s accept that. Let’s also add in the Russell, the young Asian Wilderness Explorer trapped on the porch when the house broke free of its foundation. Their odd couple relationship will form the spine of film and that’s fine.  Now, the house miraculously makes it to Paradise Falls and there’s when things go off the rails. First, we have a pack of dogs each equipped with a collar that translates their growls to human speech, allowing communication. A wondrous piece of technology that would make its inventor world famous and fabulously wealthy. Instead, the inventor, 90 year old Charles Muntz, remains in self-imposed exile, seeking the rare bird whose capture will repair his reputation, spoiled decades earlier when scientists questioned the validity of the bones he brought back from one of his celebrated expeditions.

Once Carl and Russell meet Muntz, the film no longer feels like a Pixar classic, but instead a pale imitator as your credulity is stretched beyond belief time and again. The climax, a battle between geriatrics, is impossible to accept given the athleticism each displays despite their previously established infirmities.  Fortunately, the final scenes come back to familiar Pixar territory and ends on a satisfying note. As a result, Up the movie is a mixed bag and far from its best work.

The extras on the discs, though, show the level of attention that went into each and every aspect of the film from studying the way seniors moved to house architecture. There are several mini-documentaries adding up to over 40 minutes of nifty behind the scenes information. Best of the eight may well be the piece on Giacchino and the scoring for the movie. There’s also the film in Cine-Explore track as the directors, Bob Peterson and Pete Docter, discuss the making of the film, complete with designs, sculptures and other visual details popping up on screen. The main disc also offers up two shorts: Dug’s Special Mission and Partly Cloudy. Another short bit is a look at various ways Muntz’s story came to an end.

The second disc, in addition to the documentaries, offers up a nice piece on the development of “Married Life” and them shows a storyboarded alternative approach, equally effective. Finally, there’s the Global Guardian Badge Game, an interactive trivia game that earns you badges of increasing complexity. It uses the BD Live feature which is nice for those so inclined.

A somewhat good, somewhat flawed film is well packaged and offers up much for families and film enthusiasts to enjoy.

Tribute To A Master

Tribute To A Master

When you think of the classic Marvel artists, you think of masters of the medium such as Jack Kirby, Steve Ditko, John Romita Sr, John Buscema, and Gene Colan. No wonder Marvel left all other American comics publishers in the dust.

This coming February, Marvel Entertainment will honor one of those gentlemen by releasing The Invincible Gene Colan, a visual tribute and biography of one of the most brilliant and influential comic artists in the genre’s history – and one of the nicest guys on the block. Edited by our pal Clifford Meth, the book includes observations from Stan Lee, Roy Thomas, Neil Gaiman, Walter Simonson, Marv Wolfman, Tom Palmer, John Romita Sr., and Tom Spurgeon, as well as tons of Gene’s beautiful art.

Aardwolf Publishing will have the exclusive signed-numbered copies as well as the extremely limited double-lettered remarqued, book-plated edition (each containing a unique sketch from the hand of Gene Colan).

Here’s the details:
• Signed/numbered: $60 plus $5 shipping
• Double-lettered remarqued edition (contains Colan sketch; only 52 will be created): $140 plus $5 shipping
• Special offer: With any order, add another $15 and receive The Uncanny Dave Cockrum hardcover numbered edition ($40 retail value).

Review: ‘Monsters, Inc.’ on Blu-ray

Review: ‘Monsters, Inc.’ on Blu-ray

Pixar burst onto the scene with [[[Toy Story]]] and proved that they were the successor to Walt Disney Studios by providing heart-warming, funny family-friendly animation, using pixels instead of paintbrushes. They followed up with [[[A Bug’s Life]]], which was another success, and they came right back with [[[Toy Story 2]]] which was an expected smash.  The question was back then, how long could they sustain the hits and the level of quality. A lot was riding on their fourth release, Monsters, Inc.
, since it was to be their third original creation and a gauge of their long-term viability.

Well, we all know what happened. It and every subsequent film has been one hit after enough, proving Pixar was not only the real deal, but a successful font of new ideas. Disney clear had no choice but to advance their partnership by owning the company, which reinvigorated their own franchise characters.

Monsters, Inc.
is being released on Blu-ray this Tuesday clearly intended for holiday shopping, and comes in an assortment of flavors. The 4-disc set, sent for review, has the following elements: the film and extras on Blu-ray, a Blu-ray disc of even more extras, the movie on standard DVD and a digital copy. That’s a really impressive deal, if you own a Blu-ray player.

The fabulous movie looks and sounds even better on Blu-ray, the digital creations just as inventive and fun as always. The 91 minute story remains amusing with a lovable set of characters and full realized world of monsters, which required energy derived from children’s’ screams. Boo, the little girl accidentally in their world, could be a sickly-sweet character but instead looks and acts like a real 2-year-old, charming and frustrating all the way. The voice cast, headed by John Goodman and Billy Crystal, is top-notch and well picked for their parts.

But you know all that.

The movie disc comes with the previous DVD bonus material. The shorts For the Birds and Mike’s New Car; but new is a lengthy Filmmakers’ Round Table where four of the geniuses behind the movie, talk through their challenges and favorite parts. There’s also a preview of the Monstropolis exhibit at Tokyo Disneyland, the closest most of us will ever get to see the impressive looking ride.

The second Blu-ray has a few hours’ more fun starting with the interactive game, Roz’s 100-Door Challenge. By answering questions based on the film, it determines which job you are suited for. Don’t like the job, you try again.  There’s a nice tour of Pixar’s compound, dubbed the Fun Factory. Clearly, the imagery emphasizes the creative, goofy, and downright fun involved in the making any one film. On the other hand, the hard work and long hours brining the story and characters to life, is sadly underplayed. Everything on this disc is geared to demonstrating how Pixar works related to Monsters, Inc.  It’s a rich assortment of features for the fan.

The movie endures, a classic for families for generations to come and there’s no better way to preserve this than having this rich package of video material.

Review: ‘Justice League the Complete Series’

Review: ‘Justice League the Complete Series’

For those who only knew the Justice League of America as the Super Friends must have been in for a rude awakening when they sat to watch the Justice League
animated series with their kids. From 2001 through 2006, the Cartoon Network offered up what has since gone on to be recognized as the greatest comics adaptation of all time.

Super-heroes moving from the printed page to animated film have had a checkered path from Filmation’s 1966 [[[Superman]]] through Ruby-Spears’ 1988 effort with the Man of Steel. In between, there were some highlights such as 1968’s [[[Spider-Man]]] and some really low moments including the 1977 [[[Batman]]] show. The problem is that super-heroes need conflict in which to use their powers and abilities. With every passing year, parents fretted over the amount of violence their children were expose to, coupled with concerns over the kids imitating the exploits in real life and causing themselves harm.

Any super-hero in the 1970s and early 1980s found that they could no longer duke it out with villains and their powers were used instead to stop natural disasters or rescue the proverbial kitten stuck in a tree. Some shows rose above the restrictions and proved entertaining but largely they were weak and short-lived.

That all changed thanks to Tim Burton. His 1989 Batman feature film reminded audiences what was good about comic books and their heroes. It forced everyone to re-examine comic book adaptations and prompted Warner Bros. to try a new Batman animated series. In the hands of producers Bruce Timm and Paul Dini, they rewrote the rule book and produced an amazing series.

That in turn gave us Superman so it was logical to follow with the Justice League. Along with James Tucker, Dan Riba, Dwayne McDuffie and others, the JLA never looked better. Now, all 91 episodes are collected for the first time in a two volume tin boxed set and it’s a joy to behold.

Warner Home Video essentially took the season sets and repackaged them for Justice League: The Complete Series
, so the discs are broken down by season and disc number while the accompanying booklets count the discs from 1-14, so you have to carefully count discs to find a favorite episode. One nice aspect is that all the original extras are therefore included so there’s a rich amount of material to sift through. Unique to this set, on sale Tuesday, is a 15th disc containing “Unlimited Reserve: Exploring the Depths of the DC Universe”, a 16 minute chat with the producers discussing the joys of adapting the comics for a new generation of fans.

The nicest thing about the show, as either [[[Justice League]]] or [[[Justice League Unlimited]]], is the fidelity it paid to the source material. Yes, they altered a great many things, but nothing felt gratuitously done. The heroes and villains looked and acted appropriately plus the comic book conventions of sub-plots and continuity carried over nicely. There was a strong emphasis on characterization, for all the players. As a result, many JLAers had nice arcs, notably [[[Wonder Woman]]] who went from rookie hero to a true Amazon Princess. Hawkgirl’s seeming betrayal and subsequent redemption played well, too.

There far more hits than misses and no doubt everyone has a favorite story or arc. The eight-episode arc of the League versus Cadmus holds up very well and shows many sides to the issue of, ahem, “[[[Who Watches the Watchmen?]]]”  During this, the Question quickly becomes a major player and wonderfully used. Similarly, the League’s rejection of the Huntress or Captain Marvel’s resignation show that not everyone is cut out to be a hero or a team player. All the characters have distinct personalities, which was most welcome.

The show is crammed full of super-heroes drawn from throughout the entire DC Universe from Spy Smasher to Aztek. Just about everyone is superbly voiced from the familiar Kevin Conroy as Batman to Jeffrey Coombs as The Question. Guest voices are also welcome, with some sly winks from the producers such as Jodi Benson’s Aquagirl or The Wonder Years’ Fred Savage and Jason Hervey as Hawk and Dove.

This is most definitely worth owning or finding under your Christmas tree this season.

The Point Radio: Life on the set of ‘Law & Order’

The Point Radio: Life on the set of ‘Law & Order’

Surviving two decades in primetime television is on easy task, especially if you are a drama. NBC’s Law And Order has made it’s mark in TV history, and the latest cast appreciates that as we sit down to talk about life on (and off) the set with Jeremy Sisto, Anthony Anderson and Alana De La Garza. Plus J.J. Abrams and Micronauts, V hits a home run that the Yankees would be proud of and Rob and Todd team up on Spawn.

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Review: ‘Two Girls and a Guy’ on Blu-ray

Review: ‘Two Girls and a Guy’ on Blu-ray

When an actor or director suddenly breaks out and gets hot, studios scour their vaults to see if there’s a way they can capitalize on this heat. Last year, Robert Downey, Jr. went from a troubled, gifted actor to a Super Star thanks to his performance in [[[Iron Man]]]. This week, 20th Century-Fox hopes to catch a break with the Blu-ray release of Downey’s 1998 film Two Girls and a Guy.

Written and direct by James Toback, the film is virtually a real time three-person stage play on a film. In his self-congratulatory 20 minute conversation on the Extras, Toback talks about how he came to write the film, by beginning to imagine a setting. In this case, that’s the spacious loft apartment which became the set his performances would use. After that, he populated the apartment with his players.

We open with Natasha Gregson Wagner’s Lou and Heather Graham’s Carla standing outside the apartment building waiting for their boyfriend to return from trip Very quickly, they determine that the boyfriend in question is the same man, Blake. Once Lou breaks a window to access the apartment, they bond while laying in wait.

Blake arrives and immediately calls his mother, then Carla, then Lou, placing them in the exact order of his affections although that doesn’t become obvious until later as his lies comes to haunt him. The audience gets to see him in has natural state before the women reveal their presence one at a time, catching him in his 10 month-long web of lies.

Carla and Lou are very attractive women in vastly different ways, with Carla soft, brainy, and traditional while Lou is edgier, street smart, and sharp tongued. What’s interesting to Toback was exploring how the same words could seduce such different women. In fact, he finds great humor in this, despite none of that mirth making it onto the screen.

The 1:25 length of the film should allow all three to shine and strut their stuff, but despite the histrionics, the film feels cold and uninvolving. At no point does Toback allow Downey’s Blake to show us any redeeming qualities to demonstrate why they fall for him. As a struggling actor, Blake should not be able to afford such nice digs or afford two women but that’s never addressed.

Instead, the characters reveal their true selves while dunning Blake for obfuscating the truth while he continually denied doing anything wrong. The truth is the overall theme of the film as is the importance of honesty. All too often, though the film’s momentum is interrupted with Blake’s obsessing over his mother, which shows where his heart truly lies.
 
Toback not too subtly shows his hand by decorating the apartment with a framed one-sheet for the classic French film [[[Jules et Jim]]]. Late in the story, Lou brings up a threesome relationship which excites Blake but seems to disinterest Carla. In fact, by this point, both women are drunk and begin to reveal their true feelings culminating with Carla taking Blake to his room for sex while Lou sits outside the door, listening.

The sex scene earned the film an NC-17 rating and Toback’s appeals were rejected so he made edits. Interestingly, both versions are on the Blu-ray disc and they are both steamy and erotically charged without any nudity.

The original DVD commentary is provided and between that and the Toback interview, we learn how much was improvised despite the writer claiming the script wrote itself in a mere four days. As a result, one longs to see deleted or alternate scenes to see how the cast found their characters but alas, none are provided.

As the credits roll, one hoped for a more satisfying ending. I was unmoved by this potentially fascinating set-up despite some solid performances.

Add ComicMix to Twitter lists and get entered to win a free graphic novel!

Add ComicMix to Twitter lists and get entered to win a free graphic novel!

Perhaps you’ve heard that Twitter has now added Twitter Lists to its offerings, as an easier way to negotiate your way around. Well, we’d like for you to see us there, so we’re throwing in a little extra incentive.

Every person who adds ComicMix to a Twitter List will be entered in a random drawing. The winner will get their choice of:

The Dark Tower: The Gunslinger Born hardcover

or

EZ Street: Limited Baltimore Edition. Only 100 of these were printed.

Just include ComicMix on your Twitter List by November 15th. We’ll announce the winner on the 16th.

And don’t forget to follow ComicMix or the ComicMix team list!

J.J. Abrams takes on the Micronauts

J.J. Abrams takes on the Micronauts

J.J. Abrams (Star Trek, Lost, Alias) is reported to be in discussions to produce a feature film based on the Micronauts toy franchise, according to the Wall Street Journal.

The Micronauts toy line was created by Takara, later acquired by Tomy, and debuted in 1974 in Japan, where the line is known as Microman. Two years later the Mego Corporation introduced Micronauts to the US, and released five series of toys through 1980.  Palisades Toys acquired the right to reproduce the toys in 2002, and the entire line was recently acquired by Hasbro.  Additionally, Marvel Comics, Devil’s Due and Image Comics published Micronauts comic books, with several paperback books based on the property published by Byron Preiss Visual Publications.

At one point, they were so tightly integrated with the Marvel Universe that they crossed over with the X-Men and spun out a character that has crossed over with most of the rest of the line, Captain Universe.

No word yet on who will actually write or direct the film. But should we worry about these robots being handled by a production company named Bad Robot?

Remember, remember, the fifth of November, and the inspiration for ‘V For Vendetta’

On this day
in 1605, Sir Thomas Knyvet, a justice of the peace, found Guy Fawkes in
a cellar below the English Parliament building, involved in a plot to
blow up Parliament itself. The day was later known as “Guy Fawkes Day”
and served as an inspiration for Alan Moore and David Lloyd’s graphic
novel, V for Vendetta.

Today the folks across the pond remember, remember the fifth of
November in honor of a sense of independence and a shaking of fists at
British authority. While we reserve fireworks for summery July 4th,
today is their excuse to blow things up and set things on fire. Really,
every country should follow some such tradition of blowing things up in
good spirits, but in light of recent world politics, let’s not go
there. 

Or if we do, let’s wear an awesome mask while we’re at it.

Neil Gaiman, an ex-pat Brit, held an annual Guy Fawkes party at his home for many years. The late great John M. Ford, Neil’s favorite writer and good friend, once decided to write directions to that party, with great wit and style…

AMERICAN GUY
(C’mon. You know the tune, whether or not you
remember all the words.)

A long, long time ago
But it should be remembered
How it fell out on November five
Some nobles and a guy named Guy
Thought they’d make their oppressors fly
And there’d be revolution, by and by . . .
The commissary must have shivered
When all those herrings were delivered
Barrels in the basement
For Parliament’s effacement
It was a bold, quixotic dream
(Though some say Salisbury’s scheme)
Explosive treason was the theme
The day the fuse went out

They started singing:
Remember, remember, the fifth of November
It was a night full of gunpowder, treason and plot
I see no reason
Why a gunpowder treason
Ever, ever should be forgot
Ever, ever should be forgot

One day with Lord Monteagle’s bacon
A note says, bangers have been laid on
Take a powder, signed, A Friend
The sort of hint that starts you thinking
With leaks like this, we’ll soon be sinking
Knot the rope that marks the end
They thought rebellion had a chance
But no one got up for the dance
Guy bent but didn’t break
Until Salisbury’s stake
The bottom line could not be plainer
A round of trials and attainder
Divide by four with no remainder
The day the fuse went out
They started singing. . . .

I miss Mr. Ford’s writing a lot. Go visit Elise’s LiveJournal for the last verse and say hi.