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Review: ‘Pixarpedia’

Review: ‘Pixarpedia’

Pixarpedia
300 Pages, $40
DK Publishing

I doubt there has been a studio to start out with as long a streak of consecutive hits as Pixar. Not only have they succeeded beyond anyone’s wildest expectations, but they have helped rewrite the rules for family entertainment and created an armload of pop culture characters that are likely to endure for decades to come.  The secret, it seems, has been to take iconic themes and figures and distill them down to their essence then tell engaging stories that never lose sight of character.

You are reminded of those relatively simple and obvious lessons while reading DK Publishing’s [[[Pixarpedia]]], which was released some weeks back.   Written with their core audience in mind, it’s geared for 9-12 year old readers and is a treasure trove of information about every feature and short film they have produced along with details on each character seen in the films.

The book is divided into thirds with the bookend sections about the studio. You can trace their progress from a small company owned by George Lucas to its sale to Steve Jobs and its explosive growth. The final third, Behind the Scenes, provides cast and crew credits and assorted trivia tidbits about each film along with sidebars spotlighting members of the company with career capsules.  It’s amazing how many shout outs there are for beloved movies and people) especially Mickey Mouse) hidden in each film. You are shown many, but certainly not all, of them in this section.

The largest third is the movie by movie section that provides information about the major and minor characters. Unlike too many DK books, the visual design is clean and colorful, easy to read and chock full of detail. Sprinkled throughout are “Did you Know?” bullets with factual information that supplements each film. You get a plot summary, character descriptions, lavish looks at the sets and lots of fun reading.

Paging through the oversized book is a treat and overall, you come away with a greater knowledge about the characters than you might have imagined possible. At the end of this portion, there are pages dedicated to the themes that carry through the films and its their dedication to these simple dictates, like “You’ve got a Friend in Me”, that places their output head and shoulders above the competition.

#makecomics Colorist tip: How to un-antialias a file to make flats

#makecomics Colorist tip: How to un-antialias a file to make flats

Here’s a tip that you may rarely need, but when you do, hoooo boy.

Let’s say you’ve been flatting a page for coloring, or you’ve sent it out to be flatted. The page comes back, and it looks decent– except when you go to select an area, you discover that the page was created with antialiasing on, which makes it impossible to make a decent selection for further rendering. How do you get the page un-antialiased, without redoing the entire page?

Here’s how.

First, you’re going to need to the BPelt Flatten plugin for Photoshop. (You may find it and Multifill useful for other flatting jobs as well.)

  1. Duplicate the color layer.
  2. Apply Filter -> Stylize -> Find Edges
  3. Apply Image -> Adjustments -> Threshold at 255.
  4. Set layer to multiply and merge down.
  5. Apply Filter -> bPelt -> Flatten.

That’s it. You’ll get an un-antialiased image. Zooming in, you’ll go from this:

to this:

Monty Python turns 40: ComicMix Quick Picks for 10/6/09

Monty Python turns 40: ComicMix Quick Picks for 10/6/09

Still slow going around these parts, but have these tidbits to keep you warm during the cold season:

  • Not strictly comics-related, but the work of Monty Python is close enough to our hearts here at ComicMix that we’d feel remiss in not wishing them a happy 40th anniversary– the first episode of Flying Circus aired October 5, 1969.
    To celebrate, IFC announced it will air all episodes from the original Monty Python’s Flying Circus sketch comedy series starting October 18th as part of the network’s “Python-a-thon” week through the end of 2010. IFC has acquired all four seasons of the Monty Python series (45 episodes). IFC’s “Python-a-thon” runs October 18-23 consisting of the original six-part docu-series Monty Python: Almost the Truth (The Lawyer’s Cut) each night at 9 pm followed by a Python feature film at 10 pm and capped off by an episode of Monty Python’s Flying Circus at 11:30 pm. Additionally, IFC will air all thirteen episodes from season one unedited and uncut through the end of 2009 on Mondays at 7:30 pm and Fridays at 11 pm. Seasons two, three and four will begin airing on IFC next year.
  • The Eisner-winning Marvel series Invincible Iron Man is getting new trade dress for the upcoming Stark Disassembled arc. The new design has been getting a lot of buzz for the same reason the series has: it’s half past awesome.
  • Cla$$war, a 2002-2004 comic from publisher Com.x about a supersoldier that goes rogue to expose the corrupt regime that created him, has been optioned for a movie by the same people who made The Surrogates.
  • We don’t normally like to put this kind of thing here, but this article on superhero Facebook status updates is sure to make any comics fan who’s sick of turning down invitations to Mafia Wars laugh out loud.
  • Joe Quesada informally announced that there’s a sequel to the X-Men: Misfits manga coming from Del Ray this time next year in his weekly Cup O’ Joe column at CBR.

What’s getting you through the lean news season? Tell us in the comments.

Crazy Sexy Geeks: The Series – Relaunch Trailer!

A preview of what's coming up on CRAZY SEXY GEEKS: THE SERIES. I do not own the copyright to the song being used, which is by AC/DC. But everything else is all us. Be sure to tune in weekly for interviews with Rob Zombie, Tim Gunn, Phil Jimenez, David Mack, Emma Caulfield, Edward James Olmos, Sheri Moon Zombie, and MORE! We talk pop culture, fashion, super heroes, comics, fantasy and sci-fi novels and lots of other fun stuff. JOIN US!
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Review: ‘Snow White’ on Blu-ray

Review: ‘Snow White’ on Blu-ray

Truth be told, I was never a big fan of Snow White and the Seven Dwarfs. A lot of that has to be ascribed to my dislike of Adriana Caselotti’s voice as the title character. The songs remain wonderful and the animation a delight. I do have to give Walt Disney a lot of credit for ignoring the nay-sayers who felt people would never sit through a feature-length animated film. Of course back then, people were still figuring out what audiences would or would not do. Back then, no doubt, some still regretted adding sound.

The basic children’s fairy tale was simplified for the 1937 film, starting with the excising of Snow’s mother in favor of just presenting the wicked stepmother. When the Queen tries to do away with Snow White, it took her three attempts which Walt cut down to just the poisoned apple. On the other hand, Walt’s idea of having the Prince’s kiss wake her up is superior to a piece of apple being dislodged from her throat. It would have been nice if the Queen was forced to watch her step-daughter happily marry the Prince, wearing red-hot iron shoes as her punishment.

Wisely, Walt simplified the story to fit it in the constraints of then-current film-making. Additionally, he played up the part of the Seven Dwarfs, giving each a distinctive personality that have become memorable. In the story, after she sought shelter in their home, they agreed to let her stay with them in exchange for her services as cook, maid, and, laundress.  Instead, Snow here takes it upon herself to do the cleaning first, ingratiating herself to the dwarfs before meeting them. Of course, that allows for the animators to let the forest creatures come to her aid set to song.

Still, it’s a charming story, simply told; an experiment that paid off handsomely, catapulting Walt’s studio ahead of all other animators.

Now, the studios’ crown jewel is coming to Blu-ray, going on sale tomorrow. The Blu-ray edition has two discs, one for the film and one for the copious extras. Also included is a standard DVD version so this combo pack is the one to buy for now and the future. While the standard disc contains extras, the supplemental Blu-ray disc has them and much more.

The original film has been meticulously restored and the lush color and design has never looked better. The sound is crisp and the imagery a wonder. Clearly, this is the best the film has ever looked.

Blu-ray owners will enjoy having the Magic Mirror act as the Disney Smart Navigation interface. The mirror guides you through both discs and has enough intelligence ot know if you’ve played this before and whether to resume where you left off. BD Live adds to his functionality and practical use such as time and weather information.  If you don’t like the letterbox bars, you can switch to Disney View which features new art extensions prepared by Toby Bluth, complete with some new information about their creation.

Extras include Backstage Disney: Hyperion Studios, an exhaustive look at the original home for Disney and his animation team complete with virtual tour of the first house that Walt built. A ton of archival material has been unearthed for presentation to diehard fans with every department well represented. Along the way you will watch two Silly Symphony cartoons from the early days and be treated to commentary and tours from current animators including Pixar’s Andrew Stanton. You learn much about how it all began through a series of short features but it requires effort to poke and prod through every doorway and department within the virtual studio.

Snow White gets its due in “The One That Started It All” that offers up some new information and insights.

One of the more interesting featurettes is Snow White Returns. Recently uncovered archival material indicates Walt may have been toying with a sequel and we spent nearly 9 minutes reviewing the data. Deleted scenes include the “Soup Eating Sequence” and the “Bed Building Sequence”.

Resurrected from previous editions are “Dopey’s Wild Mine Ride” game, “Heigh-Ho”, a karaoke sing-along and “Disney Through the Decades”, “Animation Voice Talent” (featuring Caselotti). Unfortunately, some of the 2001 edition features are absent.

This belongs in every videophile’s library and under the Christmas tree of children from coast to coast. The charm and whimsy endures as witnessed in this beautiful collection.

New York Anime Festival 2009 Wrap-up

New York Anime Festival 2009 Wrap-up

Picture a world where people gather and interact in joy and
harmony, where groups of gaily-clad youths break into spontaneous song and
dance at regular intervals, where spontaneous conga lines of diverse peoples
stretch for blocks and wind through the market stalls, where merchants sell and
people buy with easy affability and business is brisk, where people debate the
topics of the day with great thoughtfulness and passion and the powers-that-be
listen to the people-at-large. The Twilight Zone? Are you some sort of philosopher,
or something? Well…no and yes. I just spent a weekend at my first New York
Anime Festival at the Javitz Center in Manhattan and I found myself
intermittently amused, bemused, overwhelmed, and overjoyed.

Think about it. Everyone has watched an animated something
in their lifetime, no matter how old. From Looney Tunes to Disney to
Hanna-Barbera to Pixar, we’ve experienced this media and it has been used for
everything from pure entertainment to social commentary. Much of what was seen
in America during the ‘60s and ‘70s was actually from Japan – Speed
Racer, Kimba the White Lion, Astro Boy, Gigantor, Tobor the 8th Man
– some of which are now known to a new generation only via CGI-heavy
feature films. Yet this is far from past-tense kiddie land. With the global
economy, the on-line connecting of the worlds, and all the ways we
cross-pollinate each other’s cultures, just as Americans seem to be everywhere,
so are the Japanese and the growing connections between East and West, from
McDonald’s to manga.

My professional friends, The Anime Chicks, brought me into
the anime fold only about three years ago with Rose of Versailles and The
Legend of Basara
, and a wise one passed along to me the original Full Metal Alchemist (also see subbed on
hulu and other sites the new Full Metal
Alchemist: Brotherhood
, now up to ep 26 in Japan, which follows the manga
more closely as anime and manga had diverged with the common delays between the
two medias), which is sometimes too great for words and, as I’ve happily
discovered, it’s consistently named in the top 5 anime ever in many fan and
professional polls. This encouraged me to explore more: Death Note, Trinity Blood
and, God help me, the never-ending Bleach,
all enabled by my colleagues, our very own Scooby Gang. This lead to Saturday all-nighters on Cartoon Network with Moribito, Ghost in the Shell: 2nd
Gig
, Code Geass: LeLouche of the
Rebellion
, Blood+, Big O (2nd season), and Cowboy BeBop.

(more…)

The Point Radio: Robert Carlyle On Life At The STARGATE

The Point Radio: Robert Carlyle On Life At The STARGATE

There’s more on STARGATE UNIVERSE including Robert Carlyle explaining why he took a dive intp series television, and Ming Nah on playing one of the few openly gay characters in SF TV. Plus ZOMBIELAND jumps to the top of the Box Office, while STAR TREK and WOLVERINE slip off the chart.

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Don’t forget that you can now enjoy THE POINT 24 hours a Day – 7 Days a week!. Updates on all parts of pop culture, special programming by some of your favorite personalities and the biggest variety of contemporary music on the net.

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Superman’s powers explained and DiDio on Outsiders: ComicMix Quick Picks for 10/5/09

Superman’s powers explained and DiDio on Outsiders: ComicMix Quick Picks for 10/5/09

It’s been a slow few days in comicsylvania, so here’s a roundup of the last few days:

It can’t possibly have been that slow the last few days. What else did we miss?

Review: ‘Superman/Batman: Public Enemies’

Review: ‘Superman/Batman: Public Enemies’

For the last 25-30 years, writers and artists have been having a wonderful time contrasting the differences between Superman and Batman. Prior to that, they were both happy-go-lucky super-heroes, brothers-in-arms with nary a problem twixt them. The team of Jeph Loeb and Ed McGuinness really explored the dichotomy between the icons in[[[ Superman/Batman]]], the modern day version of [[[World’s Finest Comics]]]. Their opening story arc, “Public Enemies”, was a major turning point in the DCU, bringing down the curtain on one set of stories and kick starting threads that played out across the line for several years.

Any storyline that involved, could not possibly be well-adapted to an animated feature considering the lack of context most viewers would need to have. As a result, [[[Superman/Batman: Public Enemies]]] the direct-to-DVD release from Warner Premier, now on sale, had to make some modifications. Unfortunately, they were not all for the better.

On the plus side, there are some nice bits between [[[Superman]]] and Power Girl who is the only other character in the story to possess a personality. The story moves at a nice clip and showcases both heroes fairly well, It’s a true pleasure to have Tim Daly and Kevin Conroy voicing the major heroes with Clancy Brown back as the icy Lex Luthor. The animators also do a fine job taking McGuiness’ pumped up style and bringing it alive.

A major plus is that this continues a line of animated features based on today’s DC Comics, demonstrating that good characterization, good storytelling and mature themes can be presented in an entertaining manner for fans of all ages. Yes it’s violent and yes the attempts to destroy, kill and maim the Dark Knight and the Man of Steel aren’t positive themes, but good continues to triumph over evil, working up a sweat to do so.

WIth Luthor as president, it changes the playing field in the struggle between Lex and Superman. Suddenly, as Commander in Chief, he possesses even greater resources to call upon and even uses the Oval Office to sway public opinion. A kryptonite meteor coming to Earth? Must be affecting Superman so he can no longer be trusted. The changed dynamic means battling Luthor has to change, too, and that’s where the comic story works better than the film, which keeps things on the all-out-action level.

Loeb erred in many of the selections he made among the heroes and villains cobbled together to oppose the World’s Finest duo. For example, everyone knows Major Force is a murdering sociopath and the team should have rejected working alongside him. Starfire, an alien princess, and Katana are not American citizens and shouldn’t have answered President Luthor’s call. Similarly, when Captain Marvel shows up to duke it out, Superman brings up the wisdom of Solomon which should have counseled the good Captain to avoid this political mess. The animators also picked an overly broad collection of villains to arrive, controlled by Gorilla Grodd. They all got stopped way too easily, diminishing the threat any one of them possessed.

The movie feels big because of the cast and I wish there were more strong voices such as CCH Pounder’s Amanda Waller. It was probably a mistake for Alison Mack to be Power Girl because I kept thinking Chloe Sullivan.

The biggest oops was not having the Superman and Batman Families come to the heroes’ aid, demonstrating their contrasting styles. I’d have much preferred keeping it, ahem, all in the family, in lieu of the mindless slugfests at 1600 Pennsylvania Avenue.

Finally, there’s the notion that this genius Japanese kid was the only one on Earth able to construct a rocket able to stop the mammoth kryptonite meteor. Let’s see, there are various magicians, three [[[Green Lanterns]]], and so on. And in the film’s case, once the meteor is blown up, there’s nary a mention of what became of the now tiny chunks of kryptonite that were now hurtling towards Earth and other planets in the solar system. At least a line of dialogue should have covered that. At 67 minutes, there was definitely room to smooth over the story points.

Overall, though, this is a strong offering and fun to watch.

The extras on the Standard edition and the DVD include the usual assortment of trailers for other DCU videos, including the next one, [[[Justice League: Crisis on Two Earths]]], coming in 2010. The Blackest Night featurette also appears. “A Test of Minds: Superman and Batman” dos a nice job exploring the comic book relationship between the heroes while “Dinner with DC: With Special Guest Kevin Conroy” features the voice actor Voice Director Andrea Romano, Executive Producer Bruce Timm and DC’s overseer Gregory Noveck chatting the animation crew about adapting the film. Two Batman-featured episodes from Timm’s Superman: The Animated Series round out the disc. You have until September 30, 2010 to take advantage of the digital copy download, with no disc to aid you.