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ComicMix Quick Picks – September 23, 2009

ComicMix Quick Picks – September 23, 2009

Presented for your approval are these, the stories we didn’t get to yesterday.

What else did we miss? Consider this an open thread.

Mark Millar To Rescue Superman After All?

It’s no secret that top comics writer Mark Millar wants to write the next Superman movie. He’s given lots of interviews, and ComicMix has run a whole bunch of news items about this going back over two years. The story stalled when it appeared such a move was not going to happen.

Now, maybe, yes.

It turns out Mark was misunderstood when it was reported Warner Bros. could not afford him. That seems logical for two reasons: 1) Warner Bros. can afford damn near anything, and 2) with the clock ticking loudly on their Superman movie rights and their miserable track record with this movie franchise, meeting the Wanted co-creator’s financial demands just might inure to everybody’s benefit.

Might. It’s Hollywood. No guarantees. According to Mark’s
board: “I don’t think I said they couldn’t afford me now. If I did I was joking
because writing Superman would be a massive payday so if I said that I was
obviously laughing at the time. It’s possible though as I like being glib.”

Mark had also stated “a very well-known American action director heard about my love of Superman, approached me and asked me to team-up with he (sic) and his producer to make a pitch.” Hmmm… I’m sure Warner Bros. appreciates the consideration.

Of course, there’s no word either way as to Warners’ feeling about the matter. We should know soon. In the Siegel estate fight, the courts mandated Warner Bros. produce a new Superman movie by 2011 or lose their rights to one of their brightest corporate jewels.

Stay tuned.

Review: ‘Castle’ Season One on DVD

Review: ‘Castle’ Season One on DVD

When the three-disc DVD set of [[[Castle]]] season one arrived, I was thinking about the series. I was immediately thought that this series would have been a perfect fit for NBC’s old [[[Sunday Mystery Movie]]], the rotating series that gave us memorable characters from Columbo to McMillan and Wife. The mysteries were usually background to the more interesting characters and the 90 minute timeslot left plenty of room for witty banter amidst the lightweight procedural process. When I heard series creator Andrew Marlowe identify McMillan and Wife as one of the inspirations during [[[Whodunit: The Genesis of Castle]]], I knew he got it right.

The series debuted in the winter and was warmly received with so-so ratings, keeping it on the renewal bubble right up until the May announcements. I was pleased to see ABC keep the series, which debuted its second season in style last night. And on sale today is the DVD set from Buena Vista Home Video. All ten episodes are here along with four featurettes and some episodic commentary.

A series about a best-selling mystery novelist and the NYPD detective he’s allowed to shadow is engaging and entertaining. Nathan Fillion makes every role he plays look easy and he has a gentle way about him, finding the humor in everything. When necessary, though, he knows when to drop the act and take things seriously. Grounded the show in the horrors of the crimes being investigated in Stana Katic, a lovely Canadian actress we’ve seen in countless genre guest spots ([[[Heroes]]],[[[Alias]]]) but this is her first series role and she’s making a terrific impression.

While their evolving relationship has the usual Will They or Won’t They element we’ve come to expect, they each have nice support systems that rounds out the cast and brings the show its unique feel. For Kate Beckett, there are her fellow detectives (Jon Huertas and Seamus Dever) at the precinct and the sole female pal, ME Lanie Parish (Tamala Jones). For Castle, who had been spiraling down to a dark place at the outset of the series, there’s his mother, a former theatrical star (Susan Sullivan) hoping for a comeback and his fifteen year old daughter Alexis (Molly Quinn) who is delighted she can stop mothering her father and go back to being a teenager. The scenes between Castle and Alexis are, to me, the best parts of the show because they depict a caring father/daughter relationship built on respect and trust.

As with all modern day series, there’s a larger mystery in the background and this show is no different. Beckett became a cop after her mother was murdered and the case grew cold. It’s a sore spot for her and she refuses to let Castle reopen the case, which of course he does. This will play itself out this season and one hopes it’s resolved and they move on.

The featurettes are as light, breezy and entertaining as the series itself. [[[Whodunit]]] is a nice look at the show’s origins and the building of the cast. Better is Castle’s Godfather, which is a look at the influence Stephen J. Cannell, the TV producer turned best-selling author had one Marlowe. Cannell and Fillion next star in Write-Along with Nathan Fillion, which is a satire on the actor learning to be a writer from a pro. While played with tongue-firmly-in-cheek, you do learn a few things about how Cannell works and works out. The Misdemeanors are a short collection of outtakes that are mildly amusing.

The show is highly recommended and if you missed out, now you can catch up in rapid fashion thanks to this nicely packaged collection.

ComicMix Quick Picks – September 22, 2009

ComicMix Quick Picks – September 22, 2009

Here are some of the things we didn’t get to on Monday, bullet-pointed for your reading pleasure:

Anything else we missed? Consider this an open thread.

Even more calls for medical fundraising: Jeanne Robinson, Bob Beerbohm

Even more calls for medical fundraising: Jeanne Robinson, Bob Beerbohm

Hugo and Nebula winner Jeanne Robinson is undergoing treatment for a rare and virulent form of biliary cancer. Various auctions are going up to raise money for her treatment, including a one-of-a-kind dinner with Harlan Ellison at his home in Los Angeles. Bidding ends tonight and is already over $1100. However, he probably still won’t read your script.


Bob Beerbohm is also in a pretty bad way. Quoting from Gary Groth:

Bob could be a poster child for our pathologically
dysfunctional and systemically cruel and capricious health care system.
He was in a serious car accident while leaving the 1973 Houston Comicon
and, as a result, he’s worn all the cartilage from his hip joints,
which means that when he walks, his hips are grinding bone on bone.
Naturally, his health insurance company dropped him as soon as he
complained about this because, they said, it constituted a “previously
undisclosed condition,” and they wouldn’t cover the operation he now
desperately needs. So, the bottom line is that he’s in continuous pain,
can barely get around on crutches, can no longer do all the physical
labor that his business requires (like lifting and carrying boxes of
comics), is broke, and needs you to buy some comics from him so he can
afford the $18,000 it’ll cost him in cold hard cash for this operation.
If we lived in a better world, America’s generous socialistic health
care would give him the operation he needs, or, at the very least, some
rich patron would come forward and write him a check. We do not live in
that world, and he needs all the help he can get.

If you have the time and money, please consider purchasing something from Beerbohm, either via his site or his ebay store.

The Point Radio: SUPERMAN/BATMAN Public Enemies

The Point Radio: SUPERMAN/BATMAN Public Enemies

Days from now, DC’s next direct-to-DVD feature premieres in stores and On Demand Cable. SUPERMAN/BATMAN:PUBLIC ENEMIES brings to life the acclaimed Jeph Loeb and Ed McGuinness story arc plus it reuintes familar voice talents Kevin Conroy (BATMAN), Clancy Brown (LEX LUTHOR) and Tim Daly (SUPERMAN). We begin our exclusive look at the release today as Clancy, Kevin and prodicer Bruce Timm talk about getting the”band back together” again. Plus news on the Kirby Heirs quest to grab some Major Marvel Copyrights.

 


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Review: George Sprott: 1894-1975 by Seth

Review: George Sprott: 1894-1975 by Seth

George Sprott: 1894-1975
Seth
Drawn & Quarterly, May
2009, $24.95

Comics very, very rarely tell stories about old, fat, boring
men, which most people probably don’t think is a problem. But no art form can
ever become mature if it ignores large swaths of the world, and it’s
indisputable that our world is filled
with men who are old, or fat, or boring, or (even worse) all three at once.
Maybe none of us would ever want comics to be
only about the Sprotts among us, but the fact that there’s
now room for comics about them is a good sign.

[[[George Sprott: 1894-1975]]] is an expanded version of a story that originally appeared from late 2006 through March of 2007 in single-page installments in the [[[New York Times Magazine’s]]] “Funny Pages” section. (Which, by the way, seems to have quietly ended with
Gene Luen Yang’s story “Prime Baby” a few months back.) In the Times serialization, each installment of Sprott was a single large page, essentially a chapter of
the longer work. Those pages appear here, in the same sequence and not apparently
changed, but they’re surrounded by new work – both Seth’s usually impeccable
(if chilly, and in his typical blue tones) book design, with illustrations and
decorations, and some new comics stories to expand that original story. Primary
among the new work is a sequence of eight stories – each one three pages long, and
each taking place on one particular day, in a different decade over Sprott’s
long life, arranged from 1906 through 1971 as the book goes on. There’s also an
impressive six-page fold-out, near the end of the book, that looks to depict
Sprott’s scattered thoughts as he died. On top of those, there are short
introductory and ending pieces: the first is thematically interesting, if
mostly wheel-spinning, while the new two-page “Sign Off” from the fictional TV station that Sprott worked for is another slab of very provincial Canadian
bacon added to a plate already swimming in maple flavoring and Timbits.

(more…)

Top 10 Comics of 5769

For those not in the know, Heeb Magazine is the cleverly titled magazine for mostly young people (and me) of Jewish, and generally Ashkenazi, descent. It’s clever, relevant, and not terribly religious. They regularly cover the comics scene; I know of at least one comics shop that carries the magazine: Comix Revolution in Evanston Illinois.

For the past several years, our friends at Heeb have been ranking their favorite
graphic novels on an annual basis – defining “annual” by the Hebrew calendar.
Ergo, here’s their Top 10 list for the year 5769. More info here at the Heeb site.

1. The Complete Essex County by Jeff Lemire (Top Shelf
Comix)

2. Tales Designed to Thrizzle by Michael Kupperman
(Fantagraphics)

3. Asterios Polyp by Dave Mazzucchelli (Pantheon)

4. The Alcoholic by Jonathan Ames & Dean Haspiel
(Vertigo/DC)

5. Little Nothings Volume 2 by Lewis Trondheim (NBM
Publishing)

6. A Drifting Life by Yoshihiro Tatsumi (Drawn &
Quarterly)

7. Brat Pack by Rick Veitch (King Hell Press)

8. The Beats by Harvey Pekar, Paul Buhle & Ed Piskor
(Hill & Wang)

9. Fut Miso by Michel Fiffe (ACT-I-VATE.com)

10. Masterpiece Comics by R. Sikoryak (Drawn &
Quarterly)

Hmmm… Do you think we should tell them that John Gaunt is
Jewish?

What about Jack? Kirby estate files notice of copyright reversion aainst Marvel, Disney, Sony, Universal, Paramount…

What about Jack? Kirby estate files notice of copyright reversion aainst Marvel, Disney, Sony, Universal, Paramount…

And now, the other shoe drops.

Jeff Trexler points to this New York Times piece saying that the Jack Kirby estate sent notice of copyright termination to Marvel, Disney, Sony
Pictures, Universal Pictures, 20th Century Fox, Paramount Pictures and
others who have been making films and other forms of entertainment
based on the characters Jack created or co-created for Marvel.

The Kirby estate lawyer is Marc Toberoff, the man representing the Siegel estate in the Superman copyright case, who has already done an excellent job of raking DC and Warner Brothers over the coals. Toberoff has an impressive winning tally; Nikki Finke reminds us that Toberoff has also won or settled lawsuits on Lassie, Get Smart, The Dukes of Hazzard, and The Wild Wild West.

Kirby battled Marvel for years over the return of the physical artwork to his comics,
and was asked to sign documents that would have irrevocable and
specifically signed away rights to the characters, something he refused
to do. This led to heavy coverage in the industry, including the ad at right from 1986.

Two immediate questions come to mind:

1. Does this potentially sour the Disney-Marvel deal? Disney said in a statement, “The notices involved are an attempt to
terminate rights seven to 10 years from now, and involve claims that
were fully considered in the acquisition.” Really? You think Disney shareholders are ready to spend four billion dollars on intellectual properties they’re prepared to lose in seven years? Related: there’s a $140 million dollar kill fee Marvel has to pay if the deal doesn’t go through. Does this mean that Marvel has an extra 140 million reasons to settle with Jack’s kids?

2. If the copyright reversion is settled with Marvel and/or Disney, does this give them additional leverage in breaking existing contracts with other movie studios? In other words, does that “right to make X-Men movies in perpetuity” hold up if they don’t control the rights to the underlying characters?

Review: ‘Seeking Spirits’

Review: ‘Seeking Spirits’

[[[Seeking Spirits: The Lost Cases of the Atlantic Paranormal Society]]]
By Jason Hawes, Grant Wilson with Michael Jan Friedman
Pocket Books, 272 pages, $16

One of the major successes of the Sci Fi Channel was the arrival of [[[Ghost Hunters]]], a series focusing on the explorations into the paranormal as conducted by Jason Hawes and Grant Wilson. The Roto Rooter plumbers turned their fascination with the otherworldly by creating TAPS, the Atlantic Paranormal Society, based in Rhode Island. Along with other trained investigators, they have since 2004 been racking up terrific ratings for the channel. Other paranormal shows arrived, such as [[[Destination Truth]]] and the GH spin-offs [[[Ghost Hunters International]]] and the forthcoming [[[Ghost Hunters Academy]]]. The investigators have become regulars on the convention circuit so you may have seen them.

Jason and Grant, though, have been investigating the supernatural since the early 1990s, first individually and then as friends and partners. As a result, their files are filled with cases that have not made it on the air and have resulted in two books, the most current of which is [[[Seeking Spirits]]]. Again cowritten by our pal Michael Jan Friedman, a few dozen cases are explored in breezy short chapters with Jason and Grant ostensibly alternating the narration.

If you watch the show, you know what to expect here, and if you don’t know the show but find the paranormal interesting, then you’ll likely find this great bathroom reading.

Fans of the show, though, may be surprised to find that many of these cases involved the team using clergy to help cleanser the homes of spirits. The religious aspect and the use of priests are largely ignored on air but clearly, these people play a larger role in the overall world of TAPS. The writers touch on the role of religion but never go into much depth.

Another interesting revelation is that many of these investigations are spread over two or three days. On air, the team arrives, interviews and investigates in the course of a day, a far more compressed version of what really happens.

As a result, the book doesn’t really bring the investigators to life. You never understand how these husbands, fathers and plumbers manage to devote days to these investigations while still earning a living. They speak so little about themselves and how TAPS fits into their lives in favor of the individual cases.

Nor do they name their colleagues or give them much in the way of their due despite their contributions to the investigations. On air, the investigators’ personalities enliven the episodes, especially when they clash over events. Here, they are largely faceless, which is a shame.

The cases are varied throughout New England and the people come from all walks of life, showing how universal these cases can be. Some of are downright odd such as the man who finds his furniture rearranged and other deeply concerning such as the investigation leading to a site used by a cult for sacrifices. Not every case result in a paranormal conclusion but those that due, is neatly resolved to everyone’s satisfaction.

The duo talk about their tools and you learn what they are and how they’re used but again, take a backseat to the investigations. Their personalities don’t even come out through the chapters they narrate. The chapters are instead breezy as you get a sketch of the people, the problem, the investigation, and the conclusion. It’s nice to see variety in the reports, especially cases that would never make it to the screen because the problems are quickly debunked or the person’s personal issues are the cause. You really don’t gain much insight into our authors or learn much about the paranormal. Overall, this entertaining book is mostly for believers and fans of the show.