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Ed Catto’s 2016 Holiday Gift Guide

ragnarok-bookI have wonderful Yuletide memories. Like every young boy, I quickly learned that the true meaning of the Holiday Season was… getting more stuff. And being the greedy little monster I was, (and, I guess, I remain) I also learned that I could extend that wonderful feeling of “Christmas Acquisition” through books. More than a toy, or apparel or certainly candy, the enjoyment of a book would linger well past the twelve days of Christmas.

As a comics fan back in the day, actual books about comics were few and far between. One that did make it onto the traditional bookstore shelves was Jules Feiffer’s The Great Comic Book Heroes. Soon after Superman: From the 30’s to the 70’s was a one of those “big wow” books about comics that was gifted to me. It was so massively thick that I couldn’t imagine anyone would be able to read the whole thing in one lifetime!

zorro_precode_webThat holiday-hardcover comic tradition carried on each year with Stan Lee’s Origins of Marvel Comics, The Son of Origins, Bring On the Bad Guys, The Superhero Women and that Silver Surfer graphic novel that reunited Stan Lee and Jack Kirby. (It was kind of a dud for me.)

When I was a parent, my kids would always get me similar treasures – most often DC Archive Editions and Marvel Masterworks. I’ve been one fortunate bookworm.

So with all that in mind, here are a few suggestions for holiday books:

sensuous-frazettaThere’s something about Norse mythology and the Yuletide season that just naturally go together. On the other hand, any day is a good day to enjoy the incredible work of comics legend Walter Simonson. IDW just published Ragnarok: Last God Standing as a collection of the first few issues of the ongoing comic, featuring Thor, the last of the Asgardians. It’s a fresh thriller by a comics master, and keep an eye out for my upcoming column spotlighting Walter’s Ragnarok series.

IDW has also teamed up with Eaglemoss to produce an ongoing reprint series of all the Star Trek comics. And the nice thing about this effort is that each volume mixes and matches Star Trek comics from all the different publishers over the years: Marvel, DC, Malibu, IDW, Gold Key and even the strips from the British weekly comics. What a great way to experience it all. While I love the Gold Key strips, I can’t read more than a few at a time. With this series, fans get a smorgasbord rather than just one heaping main course. Check out Star Trek: The Graphic Novel Collection.

from-the-files-of-mike-hammer-fullIt seems like it’s a golden age for Classic Comic Strips reprints. While some brilliant artists like Thomas Yeates, Mike Manley and Terry Beatty are doing great things with comic strips printed in the actual newspapers, there are now s great many options for reprint books. In fact, in the Diamond’s most recent Previews Magazine (the one with the cool Kamandi by Bruce Timm Cover) “From The Archives” was the monthly theme, celebrating comic strip reprints.

Hermes Press is the run by a passionate guy named Dan Herman. When it comes publishing and reprinting old comics with the respect they deserve, he’s the real deal. A few books of particular note:

star-trek-eaglemossAlex Raymond was a phenomenal artist and a groundbreaking entrepreneur for what would evolve into Geek Culture. But at that time, the world thought of him as an advertising artist who made a living doing those silly comic strips. And today, when comic fans look at his work, I’ve heard comments like “That looks like Dave Stevens’ art.” Hermes’s gorgeous coffee table book Alex Raymond: An Artistic Journey: Adventure, Intrigue and Romance offers readers a ringside seat to experience Raymond’s work again or for the first time.

phantom_avon_cover_1_smallAnd while it’s not a collection of reprinted comic strips, The Phantom: The Complete Avon Books Vol. 1 looks to be fun. This ongoing series reprints the old 60s prose Phantom paperback stories. The first one is an origin story by series creator, Lee Falk and it’s wrapped in a gorgeous painted George Wilson cover.

Max Alan Collins is a favorite here on ComicMix for so many reasons, and he’s contributed essays to two fantastic Hermes books. His thoughts aren’t the only reasons, or even the main reason to check these out, but like a good bottle of wine, he makes the main dish that much better. So I’d also recommend:

  • Zorro: The Complete Dell Pre-Code Comics which gathers together wonderful Zorro adventures from Dell’s Four Color
  • The collection of Mike Hammer strips from the mid-fifties in Mickey Spillane: From the Files of Mike Hammer.

wally-woodMy highest recommendation will probably go to Vanguard Press’ The Sensuous Frazetta by J. David Spurlock. I purchased this book at San Diego Comic-Con in July, and haven’t been able to officially move it from my reading pile to my shelf of favorites in the bookcase. Each time I pick it up I see something new and enjoy it more.

Also on my short list is another Wally Wood book from Vanguard. The latest is called Wally Wood Jungle Adventures and it features the “lost hero” Animan. I’m not sure how much of an Animan fan I am, but you can never go wrong with Wally Wood.

Have a great Yuletide Season and be kind to your friends and foes alike!

John Ostrander: Siddown and Shut Up!

cyberbully-fist-springsteen

There has been a bit of tension since the surprise victory of Donald Trump on election night. There are many on the Left who are vociferous in not liking or accepting the outcome, and there are plenty (not all) on the Right whose attitude appears to be “We won, you lost, get over it.”

A couple of incidents stand out. Vice-President Elect Pence attended a performance of the musical Hamilton on Broadway. Some of the audience booed him and, during curtain call, the cast read a (I thought) polite letter explaining their concerns about the upcoming Trump/Pence Administration. I’ve seen objections that doing so was rude, out of place, and (in the opinion of the President–Elect) it needed an apology. There are those on the Internetverse who evidently believe that politics have no place at a Broadway musical; Pence was there to be entertained, not lectured, and the cast should just sing their little ditties and behave themselves.

Some Trump supporters declared they were going to boycott Hamilton, a feeble threat in that a) it’s theater and they wouldn’t be caught dead in a live show, b) it’s sold-out for the next two years, and c) Hamilton is already a political statement, using a variety of musical styles (including hip-hop) and color-blind casting.

I’ve seen different artists have also made statements either on Facebook or Twitter, including Sarah McLaughlin and Bruce Springsteen, and have been verbally pummeled by trolls. I saw one posting regarding Springsteen that said he should just sing his little songs and shut up. Did this person ever listen to Springsteen? There are those who think that the song Born In The U.S.A. was a nationalistic or even jingoistic anthem. They might have listened to the chorus, but they ignored the verses.

Art is not merely there to entertain you. Art is meant to challenge, to show different perspectives, to introduce new ways of thinking and feeling. The best way to open a mind is through the heart and art is the best way to do that. A closed mind comes from a closed heart.

A song, a drawing, a story, a dance, a touch of theater – these can all open heart and mind. It’s why authoritarian regimes always look to control and dictate the arts, to turn it into propaganda; the arts are dangerous. They should be. That’s part of their value to society. They can challenge established notions and perceptions, in small ways as well as large.

Some of the more virulent responses to artists dissent on Trump that I’ve seen are disdainful. They denigrate the artist and the work. “Siddown and shut up!” they seem to say. “Our side won and we don’t want to hear it! We don’t want to put up with whining little babies!” Some even go misogynistic suggesting those that don’t support the manly Trump are bitchy little girls. (Yes, I’ve seen that, too.)

These are all examples of cyber-bullying. They seem to believe they can make others shut up. They’re predictable, they’re pathetic, and it won’t work. The bullies don’t get it; this is what artists do – they speak up, they challenge, they question. It’s in the DNA. Donald Trump will need to grow a thicker skin and not get into Twitter wars with musicals, Saturday Night Live, and stand-up comics. He won’t win and he won’t look good losing.

The next four years are going to be interesting.

Marc Alan Fishman: Where’s Superman When We Need Him?

superman-hitler

This morning (I prep my stuff on Tuesday) I flicked on my Facebook feed to see a pair of news stories — real ones — that caused me to sincerely take pause. The first was vapid enough: Internet D-Lister Tila Tequila sieg heils at an Italian eatery. The second one, a bit less oh who cares, denoted that a room full of white nationalists (a.k.a. “The Alt-Right,” a.k.a. fucking Nazi Klansmen) had a conference ending with their leading ideologue declaring that Jews may besoulless golem” amongst a litany of other unabashed hate-speech. For the first time in the wake of the presidential election, I actually took a breath to be floored — save only for Tuesday the 8th when Donald Trump was declared the winner of the highest office in our nation.

hitler-reads-supermanAnd my only thought that came into focus was… Where’s Superman?

You see, Superman was created by a pair of Jewish children from Cleveland, born of immigrant families. Their greatest creation was (and still remains) a bit of a nod to the Jewish struggle. Kal-El, an alien born to an alien land was rocketed to safety as an infant by his parents who were unable to leave their land. He was a hero denied his homeland, granted amazing abilities that would separate him forever from those he would live and love on his adopted planet.

To be clear: Jews don’t have superpowers, save only for their amazing ability to control Hollywood, the media, and all global economies. But I digress.

The truth of the matter is I’m not oblivious to the world around me. But I’m certainly privileged, self-absorbed, and mostly invisible to the real hate that exists. In my own life, I’ve personally never been anything but celebrated for being Jewish. I grew up in a nice community where Jews were plentiful… all things considered. When I moved to Indianapolis for college, I saw bits and pieces of a different swatch of America, but, again, never once did I feel like my religious identity was truly ever under attack.

Please denote again that this was all from my sheltered, suburbanite, self-absorbed viewpoint.

Here and now, with swastikas swathed across my feed, my eyes squinted at the seething idiocy of it all. By all accounts, Tila Tequila is a waste of atoms. My only knowledge of her comes from the blurred memories of promos for some off-kilter reality show or two. That she has recently turned heads by being a Hitler apologist, pro-Trump, sieg heiling what-have-you? Only screams for a need for attention. When one’s relevance dies out, I suppose this is one road you could take to stop your declining fame.

The National Policy Institute, as run by the aforementioned Hitler youth, causes me no small amount of undesired stress. While Richard B. Spencer was only amongst 200 or so supporters in Washington D.C. when he decided to quote Nazi propaganda in the original German and liken my kin to animated clay statues, the fact that it has risen up the viral flagpole and ignited both pro and anti-movements is what leaves me clutching pulp and ink for solace. Mr. Spencer and his ilk are emboldened by our President-Elect and his appointment of Steve Bannon as a chief advisor. The King of the Alt-Right Internet sounding board (Breitbart.com) is now a stone’s throw away from the man with the nuclear codes. How could that not put a bit of pep in the step of the white-power movement? Even if Trump denounces them… actions speak louder than words. And Bannon is in. Christy is out.

It helps when one builds his election on locking up one’s opponent, erecting walls and disenfranchising immigrants, banning others from entering our country based on their religious beliefs, and generally winking and nodding at being a randy rascal who grabs attractive women by the kitty cats. But. I. Digress.

I never imagined that over the next four years— as my two sons begin to understand more about the world in which they live — that I would need to explain hate the way I’ll have to. When I was in Hebrew school and learned about the Holocaust, I was told of the devastation it caused within my family. My grandmother’s entire hometown was massacred. Much of her family did not survive. That personal connection was numbing. But, again: I lived in a nice suburb where The Holocaust was saved for special movies and solemn history lessons.

Modern-day civics had nothing to do with that kind of hate. That kind of hate had been pushed to the fringes of society, and me and my Jewish brethren were thriving. And now? Internet celebrities and fascist sycophants are being given headlines on CNN and round-the-clock coverage. Hate is now covered for ratings. Hate is now part of the zeitgeist.

And once again… I ask where is Superman now?

 

Martha Thomases: Gifts For People With Brains

inglourious-basterds

I hope you had a lovely Thanksgiving yesterday, and that your conversations with your friends and family were both peaceful and joyous. In my experience, the tryptophan in the turkey makes everyone so sleepy that noisy arguments require too much energy.

Today, Black Friday, is the official start of the holiday shopping season. With luck you are still enjoying the warm glow of gratitude from yesterday’s holiday, and we can use these emotions to consider your holiday shopping list.

I, for one, am grateful to live in a country that defends freedom of speech. Even hate speech. I don’t like neo-Nazis or what they say (and for even more video, check out this link). However, we know who a bunch of these people are now, and we can defend ourselves https://www.splcenter.org.

stuck-rubber-babyYou know another great thing about Nazis? They make excellent bad guys. A book or movie can have the most conflicted protagonist imaginable, but when he or she is fighting Nazis, you know who is the hero. It’s one of my favorite things about Inglourious Basterds, which remains an excellent gift.

If you like your Nazis even more vile, consider the Nazi vampires in The Strain. There are also some excellent choices if you want your Nazis impotent and hilarious. In fact, while The Producers has the most Hitler of any of Mel Brooks’ movies, you can find at least one cutting reference in everything he does.

Those who don’t know history are doomed to repeat it. If you have friends or family who are ignorant about what could happen here, let me help you. There are some lovely graphic novels — award winners all — that you can share. Luckily, they are so entertaining that the recipients won’t feel like they’re getting lectured.

The third and final volume of March by John Lewis, Andrew Aydin ad Nate Powell, just won the National Book Award. Previous prizewinners include A Catcher in the Rye and Profiles in Courage. The March trilogy tells the story of the civil rights movement in the 1950s and 1960s from the perspective of Congressman Lewis. We will need to emulate his courage and grace in these next years.

will-eisner-the-plotpxmI will also and continually recommend Stuck Rubber Baby by Howard Cruse. Aside from being a beautiful and engrossing story, it illuminates what I consider to be a most important truth — that we fight best against hate when we fight together as allies.

If you are afraid of other (but related) forms of hate infecting your loved one, you might consider the last book by the legendary Will Eisner, The Plot. His co-author is Umberto Eco, so your recipient will feel flattered that you chose a gift with such a fine literary pedigree.

And for that Baby Boomer relative who thinks he’s still hip (but is, instead, growing more narrow-minded by the day), there is The Fifth Beatle by Vivek Tiwary, Andrew Robinson and Kyle Baker. It is so colorful and fun that it can be easy to overlook how masterfully it protests homophobia and anti-Semitism.

Once you start looking for gifts like these, I’m sure you’ll find a lot of other things that will open hearts and minds. Please feel free to share them in the comments. We all need more and more and more.

Dennis O’Neil: Channels

57_channels_and_nothin_onWe switched ’round and ’round ’til half-past dawn

There was fifty-seven channels and nothin’ on

  • Bruce Springsteen, 57 Channels (And Nothin’ On)

Only 57? Well, we were all younger when Bruce Springsteen wrote those lines. Now? I actually don’t know how many television channels I can summon to the flat screen that dominates our living room and no, I’m not going to count them. Leave it at this: a lot.

An upside to tv’s heterogeneity is that we have spread before our eager eyes a veritable smorgasbord of entertainment and some of it is good and some of it is very good – and yes, I’m aware that you and I might define “good” differently. There’s no way I know of to verify my hunch that there is more good stuff on the home screen than at the multiplex where it sometimes seems that film makers sacrifice drama in their rush to serve up yet another explosion. Does what I believe is the widespread devaluation of dramatic verities that date back at least to the fifth century BCE harm the audience? Hey, I’m not gonna touch that one.

Once, the absence of a household tv set or five might have indicated a family with very high standards – it’s Mozart and Shakespeare or nothing! Now, though, ‘t’aint necessarily so. If you abstain from tv watching, you deny yourself some of the best that current culture has to offer, even if you can make frequent trips to the theater and concert hall.

But there is a downside to video’s largesse and to find a precedent we have to go to nineteenth century Vienna. The late and wonderful Hans Fantel, musicologist, critic and writer, once argued that the waltz served as social glue in Vienna and was largely responsible for the city’s relative tranquility at the close of the nineteenth century

Because everyone, from the peasantry to the elite, could share in an esteem for this music. I think that the television of the mid-twentieth century did something similar.

There were no 57 channels, no sir. When I left Missouri in the early 60s, St. Louis had maybe five channels, and three of those belonged to the networks. So if a show was popular – I Love Lucy, Ed Sullivan, The Beverly Hillbillies – people often talked about it the next day. (The cute schoolteacher I share quarters with said she sometimes watched shows because she knew her colleagues would be discussing them and she didn’t want to be left out of the dialogue.

The Viennese had the waltz. We had Dragnet.

And now, the deluge. Only 57? Piff!

The United States is, arguably, more divided than at any time since the Civil War and if you think that I’m about to blame television for that… sorry to disappoint. Television did not cause the problem. But television may not be helping it, either.

 

Box Office Democracy: Fantastic Beasts and Where to Find Them

It’s hard to tell either Warner Bros. or J.K. Rowling that they should refuse to make any more money off the Harry Potter franchise. If they can pack people in to theme parks and sell out a theater in London for over a year in advance, why shouldn’t they put out more movies? They didn’t stop making James Bond or Star Trek movies just because they ran out of books or the original cast members didn’t want to do it anymore. That said, Fantastic Beasts and Where to Find Them is a good movie where I can sort of feel its hand in my pocket. This isn’t a labor of love and while I could lie to myself about that being true with other Harry Potter movies, I can’t convince myself quite as much this time.

The story in Fantastic Beasts is more or less Harry Potter with a twist. There’s a magical calamity, in this case Newt Scamander (Eddie Redmayne) loses a bunch of magical creatures in New York City, and while a good-hearted but misguided authority figure, disgraced Auror Tina Goldstein (Katherine Waterston) tries to punish our hero for this misunderstanding they discover a much larger plot involving an immensely powerful evil wizard, this time German pseudo-Nazi Gellert Grindelwald (Johnny Depp). This outline vaguely describes the first five Harry Potter films if you substitute the names and add in a few scenes set in classrooms. I’m not knocking it, it’s an established formula because it works, but it never quite feels like we’re reinventing the wheel. The fun of the movie comes from Jacob Kowalski (Dan Folger) the Muggle (No-Maj in America apparently) baker who happens to switch briefcases with Newt early in the film and is drawn into the whole adventure. His point of view on the events of the film as a true outsider is what feels fresh and exciting and that it brings a bunch of good physical comedy along with it is a fun bonus. Similarly, Tina’s sister Queenie (Alison Sudol) is a sheltered functionary in the magical bureaucracy starting to realize a lot of what she’s been told is lies— a character I don’t remember seeing in the first seven Harry Potter films. Seeing prejudice against non-wizards confronted directly instead of through philosophical discussions is more affecting.

I found myself struggling to care about Newt or Tina. They aren’t particularly likeable or interesting beyond being the lead characters of a movie. Newt felt like a blank slate; unless he was in a scene with Jacob he just reflected the tone of the scene or gave some exposition about some beast or another. It doesn’t help that I find Eddie Redmayne sort of boring as a human being, he’s like the personification of bland England. Tina is a character who deeply cares about one thing (saving the children from the New Salem Society) that is pushed to the periphery of the movie until very late and the rest of the time she’s just the character who wants the main characters to have less fun. She’s like if they replaced Hermoine with Molly Weasley in the main Harry Potter films. By contrast, the supporting characters, Jacob and Queenie, are infinitely more interesting. Jacob has this ambition to escape his mundane life and then he’s offered this glimpse in to an immeasurably more interesting world. Queenie is a telepath who is falling for the first non-wizard she’s ever spent any time with. Their stories are so much more compelling, I would watch a TV show about the two of them running Jacob’s bakery every week.

Fantastic Beasts is supposed to be the first in a five movie series, and that fills me with apprehension. The second movie is supposed to take place in Paris and if the story is that Newt’s case full of magic animals gets broken open unleashing calamity there I’m going to be pretty bored with it. There seems to be less potential with Newt and Tina than there was with Harry, Ron, and Hermoine for continued adventures because instead of a lifelong vendetta and the turmoil of maturity, we have a box with a greedy platypus. I loved that platypus but it isn’t enough. I intend to give Rowling a chance because she hasn’t let me down yet, but I’m nervous about it. Fantastic Beasts is a load of fun but I hope it doesn’t get, please forgive this pun, too long of a leash.

Mike Gold: Polishing Icons

lone-rangergreen-hornet-1There was a time when it was generally perceived that iconic heroic fantasy characters such as The Lone Ranger, The Green Hornet, The Shadow and Buck Rogers were so popular for so long that they would be around forever. I think of that whenever somebody alleges Superman and Spider-Man will be around forever. Times change, as do our cultural predilections and venues.

Nonetheless, those heroes have become part of our cultural fabric. Most Americans (at least) who have neither read, seen, nor heard the adventures of these characters have heard their names and have some vague idea of their modus operandi. Just as DC Entertainment has kept Batman, Superman and Wonder Woman “alive” through their comic books while merchandisers and movie producers such as Michael Uslan could enhance their visibility through their more profitable endeavors.

Right now all of the retired heroic fantasy characters I mentioned above are being kept alive by our friends at Dynamite Entertainment, along with such other icons as John Carter, Vampirella, Flash Gordon, and Zorro. I can’t say I’ve read all of these comics as, sadly, I must take time out for eating, sleeping, and the time-consuming effort of trying to catch up with my TiVo. But I have a thing for iconic characters so I’ve read a whole lot of them, most recently the just-completed five-part Lone Ranger / Green Hornet crossover.

This series takes the opportunity to flesh in one of the most interesting concepts in American heroic fantasy. The Lone Ranger was created in 1933 at Detroit radio station WXYZ (Detroit) radio station by station owner George W. Trendle and/or staff writer Fran Striker, accounts differ. A half-dozen Texas Rangers were ambushed by the Butch Cavendish gang, who slaughtered five of the group and were under the impression they killed all six. The Ranger-in-charge, Captain Daniel Reid, was killed but his brother John (a retconned first name) survived and he took upon himself the name and identity of The Lone Ranger.

lone-rangergreen-hornet-2The radio show was so successful that Trendle launched a contemporary themed character named The Green Hornet. It was a modern-time version of The Lone Ranger in all respects: John’s horse Silver was replaced by a car called the Black Beauty, sidekick Tonto was replaced by sidekick Kato, and masked man John Reid was replaced by masked man Britt Reid.

You might have noticed a similarity there. Britt Reid was the grandson of Captain Dan Reid, which means he was John Reid’s grandnephew. Explained in a trio of radio programs after World War II, this was a truly rare and exciting continuity event for its time.

If you do the math and you keep the Green Hornet in his original milieu, it is possible that a rather healthy John Reid could have met his grandnephew and, within a stretch of reason, could have teamed up with his younger relative.

Or so thought comics writer Michael Uslan, who I already noted is a movie producer. He happens to a producer of all the Batman films made over the several decades. But Michael started out (so to speak) as a comic book writer, and has repeatedly proven himself to be one of the best. Our loss has been the movie industry’s gain, and somebody at Marvel Studios owes him one hell of a nice meal.

Michael remains a geek culture expert and a historian, so taking on the Lone Ranger and the Green Hornet allows him the opportunity to dive deep into the waters of comics continuity as well as American history. As he has in past projects, Michael explains the historical links in the back of each issue. I’ve been trying to catch him in a mistake for a long, long time. It’s futile, but I can’t help it. I share his love of American cultural history, and I admire his work.

It’s fun to read this ultimate “What If” story. Artist Giovanni Timpano is certainly worthy of the effort; drawing them horses in the big city landscape ain’t easy. The five-part Lone Ranger / Green Hornet crossover is a good solid comic book story, even for those who could care less about the iconic status of its stars.

But if you do care, it’s even better.

Joe Corallo: Babes In Trumpland

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babesintrumpland1As many of you may know, this week is Thanksgiving. That magical time of year where you slave away on a big meal for family and friends or bum around watching The Wizard of Oz and Babes in Toyland on TV while everyone else works. At least those used to be on TV. Or you’re in retail and I apologize.

By now you may have started getting your place ready for guests, packing for a trip, or maybe you’ve already reached your destination. You may be really excited for the holiday. You may also be really stressed out.

After a grueling year-and-one-half the 2016 Presidential election has come and gone, and the outcome was shocking to many. Now many of us, particularly white people and those with white relatives, have to face conservative or Trump supporting relatives face to face for the first time at the dinner table since he won the election.

babesintrumpland2This will be the first time since 2004 that they’ll have Presidential election bragging rights. Let’s face it, twelve years is a long time and you’re probably out of practice. Maybe you laughed at them last Thanksgiving when you said Trump might surprise us all. Maybe you chimed in on Facebook to rain on their parade. You might have even gleefully gave them a call after the debates to let them know how woefully unprepared Trump was. Now you’re having to get ready to eat some bird on Thursday, and this year it’s crow.

babesintrumpland4What can be done to make this experience even slightly less miserable, you ask? Well, maybe steering away from politics would be a good call this year for your own well being. Plenty of fun and interesting things have been going on in comics and nerd culture, so let’s talk about that instead.

Doctor Strange is still in theaters. Myself and fellow ComicMix columnist Molly Jackson saw it back when the world was still young and innocent. You still have time to go see it before Thanksgiving and make conversation out of it. Personally, I thought it was middle of the road for Marvel movies. Not the best, and far from the worst. You could also talk about the dated and problematic nature of white man turns to the east to find enlightenment and be a better Asian than actual Asians story if you’re up for it. You could also mention how they couldn’t have the Ancient One be from Tibet because it could have affected the revenue in the Chinese market. Maybe you and your Trump friends and relatives at Thanksgiving can agree that’s nonsense.

babesintrumpland3Fantastic Beasts and Where to Find Them came out as well, but I’m not really a Harry Potter guy so you’re on your own there. I’ve seen the first three movies (yes, I know they’re books), and I only saw them because of a guy I was interested in back in college who I imagine probably doesn’t read these. If he does though, sorry John, but I wasn’t that into Harry Potter.

When it comes to comics, you may have to reiterate that yes you’re still into comics and no they aren’t just for kids. You could talk about some of the great moves in comics over the last year. Maybe talk about Tom King, the man with comic writing aspirations who put them all aside for over a decade when joining the CIA after the 9/11 attacks, who’s been knocking it out of the park lately on series like The Vision and Batman.

See? You like patriots too.

You could talk about rising star Mags Visaggio and how she’s gone from little known comic writer to creator of Black Mask Studios’ Kim and Kim and getting to write a backup for DC Young Animal’s Shade The Changing Girl #4. To my knowledge she will be the first trans writer to work on a DC comic since Caitlin R. Kiernan’s last issue of The Dreaming back in May of 2001. This is a positive step not only for diversity in the writers freelancing at DC, but also a victory for anyone that wants to see good writers being given a chance. It could also be an opportunity to discuss with relatives how the LGBTQ community and in particular the trans community are more than what conservative outlets might lead one to believe. They’re actually people, just like them.

We’re at a point now where openly queer writers, Steve Orlando and James Tynion IV, are tackling Supergirl in her new ongoing series and Batman in Detective Comics, respectively. And despite all that happening this year, hell has not opened up and engulfed the world.

Actually… scratch that last sentence.

Also talk to your family about Ta-Nehisi Coates, the national correspondent for The Atlantic and well respected social and political commentator turned comic book writer whose debut issue of Black Panther this year was one of the highest selling comics in over a decade. He perfectly blends politics into a superhero story. Maybe you can impress some of your relatives talking about the intricate, intelligent political thriller Ta-Nehisi Coates is telling in his comics. Maybe some of them, even the Trump supporters, will appreciate Coates’ musings on how corporations take advantage of people and how leaders need to put the needs of their citizens over their own needs. If those Trump supporters do agree with you on that, try to restrain yourself.

You could also talk about Demolition Man coming out as gay in Marvel Comics, but why would you? I can only care so much about retconning obscure characters as queer for some backdoor representation.

And we can all come together to complain about how Star Trek: Discovery got pushed back.

It might be stressful and it might be tough, but we can get through this. Try to open up some of their minds with what’s going on in comics and nerd culture. Try to humanize the world around them. It’s too late to change their votes, but it might not be too late to put their values in perspective.

Mindy Newell: Post-Election Blues Redux

humberto-ramos-wolverine

First they came for the Socialists, and I did not speak out –
Because I was not a Socialist.

Then they came for the Trade Unionists, and I did not speak out –
Because I was not a Trade Unionist.

Then they came for the Jews, and I did not speak out –
Because I was not a Jew.

Then they came for me – and there was no one left to speak for me.

• Pastor Martin Niemoller, 1892 – 1984

“All that is necessary for evil to triumph is that good men do nothing.”

• Attributed to Edmund Burke, 1729 – 1797

I am sorry if I am boring you, but simply talking about what series I am binging on now (Luke Cage) and how much I am digging it has been expunged by John Ostrander’s column yesterday.

I didn’t know that Humberto Ramos and George Pérez have decided not to attend any conventions held in any state that went “red” and voted for Trump until I read John’s piece, and I immediately clinked on the links to both men’s statements.

I am immensely impressed by their willingness to speak out and not to be one of those good men who do nothing.

I am immensely pissed off about the horrible vitriol flung against Mr. Ramos, whom I don’t know, and George, whom of course I certainly do. It’s really disgusting, especially the barbs slung at George – go ahead, read them, just scroll down to the comments section on the Newsarama page – and I can’t help wondering just what the comments would be if either man’s last name was “Smith” or “Jones” instead of Hispanic origin. Of course, as John said, it is the Internet, after all…

…But I also must point out that we now have a President-Elect who uses Twitter to insult and rant and threaten litigation against anyone he conceives to be against him; an about-to-be White House Chief Strategist (Steve Bannon) whose Breitbart News website is a haven for white supremacists and whose divorce filing included this statement from his wife about their kids’ education: “…the biggest problem he had…is the number of Jews that attend. He said that he doesn’t like Jews and that he doesn’t like the way they raise their kids to be ‘whiny brats’ and that he didn’t want the girls going to school with Jews;” an about-to-be National Security Advisor (retired Lt. General Michael Flynn) who joined the crowds at Trump campaigns in shouting “Lock her up” about Mrs. Clinton and who tweeted “Fear of Muslims is rational;” and a nominated Attorney General (Senator Jeff Sessions of Alabama) who has called the Voting Rights Act of 1965 “an intrusive piece of legislature,” who endorses a ban on Muslim immigration, and, oh, by the way, was rejected by a Republican-controlled Senate for a federal judge seat after being nominated by President Reagan in 1986 because of his racism.

Bottom line: I am proud of Mr. Ramos and of George. They not only speak truth to power, but they have acted upon it.

As for me, I will do what I have always done – speak up when and where it is necessary, post on Facebook, and write this column. I will try not to bore you by turning this into a weekly anti-Trump diatribe, but please don’t expect me to apologize, either, if my thoughts about the pop culture world are interrupted by a frightening shadow that is about to become a reality on Friday, January 20, 2017.

 

Ed Catto: A Brief Respite

savage-sword

isparana-buscema-and-nebresIt’s been a grueling election season and everyone seems unhappy – either they are unhappy with the results or they are unhappy with the way some are responding to the results.

I respect everyone who’s energized, outraged or just ready to make things happen. On the other hand, I need a break from it all. Enough of the real world for me, even if it’s just for a little while.

So this week I’m retreating into the Hyborian Age – the fictional historical past of barbarians and wizards – by way of the early 80s. It’s was easy to get there – I just cracked open and read a few yellowed, musty, and totally wonderful issues of Savage Sword of Conan.

To paraphrase Karina Longworth and her excellent podcast, You Must Remember This, “Join me, won’t you?”

nebres-buscema-splash-pageThe Hyborian Age is really all about Conan. I’ll admit it: I was never a super-fan of Conan per se. I enjoyed the prose and comics off-and-on over the years. And like so many young men, I liked Frank Thorne’s Red Sonja adventures. If anything, I counted myself as a fan of Fritz Leiber’s Fafhrd and the Grey Mouser adventures, as I always felt that they there the “thinking man’s barbarians”.

And you should ask for a copy of Dark Horse’s new collection called Fafhrd and The Gray Mouser: Cloud of Hate and Other Stories (written by ComicMix’s own Denny O’Neil) to fill your stocking this Yuletide season.

Fortunately, making the switch from political news to barbarian adventures was pretty easy for me. While traveling through Pennsylvania recently, I stopped at Scranton’s Comics on the Green comic shop. It’s a fantastic store full of new comics, old comics and an infectious enthusiasm.

There was a box of old Marvel Magazines, including a bunch of Savage Sword of Conan issues on sale for just $2 each (unless otherwise marked) and I couldn’t resist buying two issues of Savage Sword of Conan.

Savage Sword of Conan #53 somehow seemed older than the 1980 publication date. The painted cover didn’t really grab me, but the first story’s luscious Rudy Nebres’ inks over John Buscema’s solid pencils certainly did.

roy-thomas-conan-cosplayNebres’ stylized inking seemed to create a unique universe that fascinates and beckons the eye. As many of you know, Rudy Nebres was part of a wave of Filipino artists who migrated to American comics in the 70s. Like many of his compatriots, he could pencil, paint and ink. But somehow, his inking over a top draftsman like Buscema brings out the best in each artist.

And like a comfortable coat that you haven’t worn since forever, re-experiencing a Buscema-Nebres adventure was both cozily familiar and understatedly spectacular.

Beyond the art, there’s a lot of charm in this magazine that helped me briefly forget modern world problems.

tcj-ad-conan-1980In the first story in the issue, we find a young Conan flirting with a girl in a bar. Her boyfriend happens across them, and as he’s also the Captain of the City Guards, that introduction doesn’t go well. Conan refuses to take his hand off the woman’s bare thigh, so naturally, a wild bar fight ensues. Prince Valiant never did that!

There’s also a sense of community in these old Marvel Magazines. For example, in the letter column one reader challenges Roy Thomas, the writer and guiding force, on Conan’s treatment of woman. Roy suggests that Conan was a product of his time, and that it’s difficult to impose 20th century values on a historical character. It’s a fascinating conversation to watch from the sidelines, especially 30+ years removed.

Another reader also tells Roy Thomas about a prototype Conan character called Crom who appeared in Out of This World and Strange World, two 1950s comics published by Avon. It seems there were prior letter column discussions about this character, written by Gardner Fox, and they were adding to their collective knowledge. They were all piecing together a geek puzzle for hard core Conan fans.

Oh, how far we’ve come. I found these stories via ComicBookPlus.com on my cell phone in less than three minutes after learning about them in this old Conan magazine.

There’s even 70s cosplay! Roy Thomas shared a photo on page 48 in which he and his wife were engaging in some serious Conan and Red Sonja cosplay at a west coast party.

Even the advertisements were fun. An ad for The Comics Journal challenges readers with the question “Are You A Comics Fan…? Do you read more than 10 comics a month? Have you ever wanted to know more about comics? Especially more than you can read in the letters page or the Bullpen Bulletins? Well, now you can…” The ad, like the whole magazine, is charming and simple and evocative of simpler times.

It was a brief, but glorious, respite.