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DENNIS O’NEIL: The kryptonite reality

DENNIS O’NEIL: The kryptonite reality

Once again, life has imitated comics. Maybe comics should sue.

This latest instance was reported in the New York Times a couple of weeks ago and has to do with kryptonite, the stuff from Superman’s planet or origin which can lay the Man of Steel low, or even all the way down. As far as I know, kryptonite was introduced in the early 40s by the writers of the Superman radio show. Since I was only a year or two or three old at the time, I’ll forgive them for not getting in touch with me and telling me why, exactly, they introduced it. But a guess might be: to facilitate conflict, which is widely considered to be a necessary ingredient in drama, and especially melodrama.

These guys – I assume they were guys – and their comic book counterparts were facing a fairly unique problem: how to get their hero in trouble and thus create conflict/drama, and do it not only once, but several times each month, or even more often.

Oh, sure, there had been superhuman characters in world literature and myth before Jerry Siegel and Joe Shuster, but they were in self-contained stories, and not many of those, and the problem was pretty limited. But with Superman… well, here was a fellow who was faster than a speeding bullet, more powerful than a locomotive, able to leap tall buildings in a single bound – and that was when he was in his infancy. (For the record: Superman is only a year older than me. That is, he appeared only about a year before I did, though I gestated for the customary nine months and Supes took a leisurely four years to progress from the imaginations of Joe and Jerry to the public prints. He was a slow developer, but once he got started…) And he literally become more powerful with every passing year. And he had to have a lot of adventures.

So, okay, how do you get this guy in trouble, often, and thus create suspense and interest? The question has been answered in many ways, many times over the years. Kryptonite was one of the earliest of these answers. According to the mythos, it is a fragment of – I guess mineral – from Krypton, where Supes was born. Something in the gestalt of our planet makes kryptonite dangerous to natives of Krypton. (All of which you almost certainly know, but we do try to be thorough here.)

We thought it was fictional. Some of us, of the professional writing ilk, further thought that it was neither more nor less than an answer to a plot problem and at least one of that ilk thought it was overused and temporarily retired it. But now, a Chris Stanley, of London’s Museum of Natural History, analyzed a substance some of his colleagues discovered and, according to the Times, “found that the new mineral’s chemistry matched the description of kryptonite’s composition in last year’s film Superman Returns.”

It is not known whether or not anyone collapsed near the stuff.

At this point, you can either shrug and get on with your life, or pause, and engage in some pretty wild speculation about the nature of reality.

Be warned: We probably aren’t finished with this topic.

RECOMMENDED READING: The God Delusion, by Richard Dawkins.

Batman, The Question, Iron Man, Green Lantern and/or Green Arrow, and The Shadow, as well as all kinds of novels, stories and articles.

Dennis O’Neil is an award-winning editor and writer of comic books like

Heroes: Origins coming to NBC

Heroes: Origins coming to NBC

To stretch the normal 22-episode season of Heroes, which faltered after its long hiatus this year, NBC is adding Heroes: Origins to the summer break. The spinoff will introduce a new character each week, and viewers will select which one stays for the following season. The two series will have 30 new episodes for a year combined.

A brilliant move. Combine the storytelling of a scripted show with the "must watch in real time" necessity of a reality show, as those "must watch in real time" shows are the only ones that are getting quantifiable ratings (no time-shifting from DVRs, etc.). I have to hand it to them, this is a unique way of trying to solve the problem, and could very well work.

Now let’s see the real corporate synergy in action– combine it with sister network’s Sci-Fi Channel’s Who Wants To Be A Superhero?

More comics couple photos

More comics couple photos

Spring is definitely in the air, as more and more "comics couple" photos hit the internets.  Youv’e already seen the one that Everybody’s Talking About.  Here’s one of my favorites, of soon-to-be-wed cartoonists Mikhaela Reid and Makesha Wood, from Mikhaela’s Boiling Point blog.  Lots more where this came from!

Got any Cute Comics Couple photos?  Drop the URLs into the comments section!  It may not be as utterly adorable as a cat getting vacuumed (and… loving it!) but love in bloom’s still a beautiful thing!

2006 Eagle Awards Announced

2006 Eagle Awards Announced

Since you couldn’t watch a new episode of Doctor Who this past Saturday, maybe you were at the Eagle Awards, as part of the Bristol International Comic Expo.

Established in 1976 by Mike Conroy, the Eagles are the comics industry’s longest established awards. Acknowledged as the pre-eminent international prizes, they have been featured on the covers of leading US and UK titles across the last three decades with such diverse titles as X-Men, Swamp Thing, Preacher, 2000 AD and MAD among those proud to display the Eagle Award emblem.

Winners are after the jump.

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Fate gets real

Fate gets real

Steve Gerber reports his Doctor Fate series, already announced, solicited and then rescinded, will be appearing in a new double-length, double-feature book along the lines of DC’s recent Mystery In Space and Tales of the Unexpected titles. It should be coming out in September.

Personally, I think this is good news. It’s quite rare for me to get excited about still another plow-over of an old superhero, and Doctor Fate had some good runs over the decades. But Gerber and Fate seemed like a perfect match, and I look forward to his new series once again.

(Artwork copyright DC Comics. All Rights Reserved.)

 

The Bionic Woman and Chuck

The Bionic Woman and Chuck

With its only success this year the science fiction favorite, Heroes, NBC is betting that, come the fall, you’ll want more. The new season, announced today, includes a revival of The Bionic Woman, Journeyman (about a time-travelling journalist) and Chuck, a young computer whiz who becomes a Jack Bauer-style agent after espionage secrets are downloaded into his brain.

Other new series include Lipstick Jungle, based on the novel by Sex & the City’s Candace Bushnell, and The IT Crowd, about a "misunderstood" group of techies who apparently have nothing secret downloaded into their brains.

Gone are Crossing Jordan, produced by Heroes’ Tim Kring, and Studio 60 on the Sunset Strip.  *Sigh*  Where will we get our Miguel Ferrer fiix?

Alan Moore, Melinda Gebbie wed

Alan Moore, Melinda Gebbie wed

This photograph, shamelessly ripped off of Neil Gaiman‘s website, provides illustrative proof that yesterday afternoon (as the British reckon afternoon) noted comics couple Alan Moore and Melinda Gebbie created the sequel to their mega-graphic novel Lost Girls: they, indeed, got married.

ComicMix congratulates Alan and Melinda and wishes them a long and happy life together.

For more pics, check out Neil‘s site, and, maybe, eventually, the Alan Moore Fan Site.

More Groo for you

More Groo for you

Ready that cheese dip, your favorite mendicant is about to return!  Groo writer Mark Evanier has just announced that on August 1st Dark Horse will release The Groo 25th Anniversary Special, to be followed in September by debut of the four-issue miniseries Groo: Hell on Earth.

Groo — it’s one of those books where, if you have to ask, don’t.

Only really, do.  According to the solicitation, the anniversary issue will feature our hero battling the menace of "The Plague," as well as presenting The Groo Alphabet, a primer of friends and foes (mostly foes), followed by a special illustrated text story on how this comic came to be and why it just won’t go away. Plus other silly features.

As if the features already listed weren’t silly enough.

(Artwork copyright Mark Evanier and Sergio Aragones. All Rights Reserved.)

Pros name 50 most  influential visual effects film

Pros name 50 most influential visual effects film

On Friday, the Visual Effects Society announced the results of a membership poll, naming the 50 most influential films of all time in terms of special effects.  According to VES Executive Director Eric Roth, hese films have had a significant, lasting impact on the practice and appreciation of visual effects as an integral, artistic element of cinematic expression and the storytelling process."

Comics fans will be arguing about the placement of Sin City (43) and Superman (44).  No other comic book-inspired films made the list.

The films will be the backdrop of the 2007 VES Festival of Visual Effects, which those of you in Los Angeles can enjoy at the Writers Guild Theater in Beverly Hills from June 7 through June 10.  There, a panel that includes Douglas Trumbull, Richard Edlund, Dennis Murren and maybe John Dykstra (he’s tentative as we write this) will discuss the list. 

After the jump, the whole list.

 

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MIKE GOLD: Who’s taking the bullet?

MIKE GOLD: Who’s taking the bullet?

Funny thing about Fred Wertham.

Dr. Fred, in case you don’t know, was the guy who, back in the late 40s and early 50s, was concerned about all the sexual imagery and violence he saw in comics and its harmful impact on our nation’s youth.  He, and those many folks of similar mind, waxed poetic about this crawling evil in the pages of such then-popular general interest magazines as The Saturday Evening Post and Reader’s Digest. He later wrote it all up in a best-seller called Seduction of the Innocent, which helped lead to the establishment of the Comics Code censorship board.

It also lead to the establishment of a noisy all-star rock’n’roll band that starred Bill Mumy, Miguel Ferrer, Steve Leialoha, and Max Allan Collins. They released an album called, appropriately, The Golden Age. It was loud, and it featured Weird Al Yankovic on one track. But this has absolutely nothing to do with my point.

My point is, if sexual imagery and violence in comics were to be considered bad, then Dr. Fred wasn’t incorrect in his analysis of the medium. He was merely premature.

What he thought he found in the children’s comics (a redundancy) of the 50s can be easily discovered on the walls of any comic book shop today. Now, the industry’s defense might very well be “but these books are not for children,” and they’d be right. At today’s cover prices, with all the intertwined continuity and story arcs that command a commitment to multiple purchased, children can’t afford them. Heck, damn few adults can afford them, but adults should have the option of buying any sort of reading material they want.

But you would think that in these times of rising religious fundamentalism and “family values,” at least somebody would be bitching about all the blood and guts and astonishingly huge-breasted crime fighters, both female and male. I know my friends at the Comic Book Legal Defense Fund might disagree, but they fight for the comics retailers and creators who get nailed. I’m glad to see they don’t have to extend their meager resources any further than they have to.

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