The Mix : What are people talking about today?

Watch: Karen Green, Columbia University’s Champion of Comics

Watch: Karen Green, Columbia University’s Champion of Comics

Karen Green is developing the Columbia University comics archive from love, from vast knowledge, from the realization that it’s totally necessary and also totally cool. One of the Columbia Journalism School students decided to make her the subject of a video project, and this is the product.

Take a look at some of what she does and see original artwork from Wendy Pini and Al Jaffee, as well as the collection of Chris Claremont.

Jen Krueger: What’s In A (User)Name?

2755v33-max-450x450-4083077Like most people, my Twitter username isn’t my actual name. I have no compunction about identifying myself by my real name on Twitter, and would’ve taken @jenkrueger if it had been available when I signed up. But even as far back as my first tweet in August of 2008, scoring my real name as a handle wasn’t possible.

Last week, an article entitled How I lost my $50,000 Twitter username caught my eye because the title made me wonder how a Twitter handle could possibly be worth so much, and what exactly constitutes losing it. Don’t get me wrong about the first bit: I’m no stranger to the idea that certain domain names and usernames can have a monetary value beyond what amount, if any, the customer pays the service provider to register the account. Businesses that care about their brand (read: almost all businesses) want to have control over the web address and social media profiles bearing their name, both for the obvious utility it provides their company, and perhaps even more importantly, to prevent anyone else from having that control. In the hands of someone other than Coca-Cola, the domain cocacola.com is dangerous; the site could speak well of a Coke competitor, poorly of Coke, or of unrelated topics that don’t necessarily harm Coke’s brand yet dilute it by not helping it, either.

So a $50,000 Twitter username didn’t seem out of the realm of possibility. It just seemed out of the realm of possibility today. Years ago, I’d heard of businesses offering upwards of $100,000 a pop to the enterprising early registrants of domains bearing the names of major companies. But the market for these transactions seemed to dry up fairly quickly as most businesses bought up their names. And since the value of a company owning its own name online became evident before social media became the behemoth chunk of the internet it is today, many businesses have been savvy enough to defensively grab usernames on burgeoning social networks over the past decade.

Every once in a while though, I still come across a story about someone that has managed to lay claim to a domain or username coveted by a company. But now these stories rarely end with a big payday. In 2010, Tumblr came under fire for turning over pitchfork.tumblr.com to Pitchfork magazine despite the fact that an individual had a personal blog at that address. Tumblr claimed the account had been dormant and the user hadn’t responded to an email inquiry about it. The user disputed these claims, but regardless of whether or not the account was wrongly released, there doesn’t seem to be any dispute over the fact that the incident began with Tumblr receiving a request for the URL directly from the magazine. It seems this bypassing of the account owner is the standard corporate play in these situations now, and whether or not a company can wrench a desired domain or username from someone else’s grasp is in the hands of the host of the desired site or service.

All these factors combined, then, made me assume the lost username in question was a company moniker acquired by corporate coercion after the account owner turned down a (rare by today’s standards) $50,000 offer for the handle. Then I read the article and was very surprised at how wrong both of my assumptions were. The lost username is @N, and its loss had nothing to do with a company. It was, for all intents and purposes, stolen by a hacker.

At first, I couldn’t reconcile this information about the target or the thief, but a few moments of mulling on social media made it click for me. Easy to remember and taking up the smallest possible amount of character real estate in tweets directed at them, short usernames are a virtual commodity on Twitter. Since there are only 26 possibilities for single character usernames, those are the most unique possible handles on the service. The incredibly vast internet user base today has combined with the exponentially expanding importance of online identity for individuals and companies alike to make uniqueness nearly priceless. When I look at it this way, I’m not at all surprised a hacker would want to seize one of the rarest usernames out there. Now I’m just surprised it isn’t happening more often.

Though I couldn’t get my real name as a Twitter handle, I see now that it must’ve been released and snagged by someone else shortly after I’d joined, as the inaugural tweets on my account and @jenkrueger’s are only 10 days apart. And since @jenkrueger’s only activity is that inaugural tweet in 2008 and a reply to another user six days later, I suppose I could email Twitter support to inquire about getting the username released to me. I could, but I won’t. After all, then I’d have to give up the Twitter name I’ve been using for the last few years, and I’d be seriously bummed out if someone else swooped in on it.

Michael Davis: 28 Days Of… Afrofuturism?

It’s Black History Month!

Here’s a list of some of what’s happening in comics to celebrate the annual spotlight on Black America!

Let’s see now…

Over at the fantastic website Comic Book Resources (CBR) my friend and Milestone Media alumni Joe Illidge is doing a wonderful series of articles called The Color Barrier. I just finished a three part series over at Bleeding Cool titled Code Black.

Milestones: African Americans in Comics, Pop Culture & Beyond, the major exhibit currently showing at the Geppi Entertainment Museum, has Black History month programs planned although I’m not sure why.

The exhibit itself is history all year round so I fail to see why special programs are needed for an already special exhibition. I can’t see it but by NO means does that mean Black History month should not be recognized as such at the gallery. I don’t see it but don’t go by me—I didn’t see the need to disclose to a woman that I once dated her mother.

THAT was a mistake.

What else is happening in comics for Black History Month?

Well, on February 12th Denys Cowan and I will be part of a round table discussion at Loyola Marymount University. The topic is: Milestone, Graphic Novels, Animation and Afrofuturism.

Afrofuturism?

(more…)

Your First Look at AVENGERS UNDERCOVER #1!

This March, ask yourself the question: If you were a teen superhuman and all the adult heroes failed you when you were kidnapped and tortured, would you switch sides and break bad? Marvel is pleased to present your first look at AVENGERS UNDERCOVER #1 from Harvey Award winning writer Dennis Hopeless and critically acclaimed artist Kev Walker!

Damaged, broken, and forever changed by their experiences in Murder World, five conflicted young superhumans are out to prove to the world they can still be heroes. Now, Bloodstone, Hazmat, Deathlocket, Cammi, Anachronism, Chase, and Nico are going rogue and heading deep undercover with the Masters of Evil. And they’re going to take them down from the inside!

But the longer these teens spend undercover, the deeper they descend into darkness. And the line between good and evil blurs. Before it’s all over – a new super villain will be born!

“In many super hero comics, the series jumps from adventure to adventure, never taking the time to dig deep and explore how a traumatic event would truly effect the protagonists. AVENGERS UNDERCOVER turns that situation on its head by using this trauma as the starting point, “ says editor Bill Rosemann. “What happens after your teachers abandon you? Where do you go when you no longer fit in with your old life? When the world has rendered their judgment as to what lies in your heart, how to you prove otherwise? Dennis and Kev have the answers—and to get them you’ll have to follow our heroes down a rabbit hole of pure evil.”

“There aren’t any rules this time,” says writer Dennis Hopeless in an interview with Marvel.com. “The game is over and the kids who have survived have to go back to real life. AVENGERS UNDERCOVER is the story of what that feels like. We explore the PTSD of the thing.”

“What sorts of life decisions do these kids make once they realize that they don’t really fit into their old lives anymore?” continued Hopeless. “Can they get any of it back? If so, how? And if not, what’s next?”

Their time in Murder World prepared them for death. But nothing can prepare them for their new lives among the Masters of Evil. The longer they stay undercover, their path’s become more clear: Join up with the Masters of Evil for real, or be discovered and killed! If you thought Murder World was dangerous, you haven’t seen anything yet – and it all starts this March in AVENGERS UNDERCOVER #1!

AVENGERS UNDERCOVER #1 (JAN140692)

Written by DENNIS HOPELESS
Art by KEV WALKER
Cover by FRANCESCO MATTINA
Variant Cover by MARK BROOKS (JAN140693)

FOC –02/17/14 On-Sale -03/12/14

The Point Radio: STAR CROSSED Brings Romance To SciFi

Premiering next Monday (February 17th) on the CW, STAR CROSSED mixes a bit of X-Men with Romeo and Juliet into a new sci-fi/romance series. We talk to Aimee Teagarden, Matt Lanter and creator, Meredith Averill, on just what the series will be. Plus Batman leads the sales list in what turns out to be a slow start to 2014 for comic shops.

THE POINT covers it 24/7! Take us ANYWHERE on ANY mobile device (Apple or Android). Just  get the free app, iNet Radio in The  iTunes App store – and it’s FREE!  The Point Radio  – 24 hours a day of pop culture fun. GO HERE and LISTEN FREE  – and follow us on Twitter @ThePointRadio.

Mindy Newell: Where is your next idea coming from?

This is a column for all you “I want to be a writer” writers out there.

The XXII Olympics officially opened on Friday, February 8th, 2014 in Sochi, Russia.

Thirty years ago the XIV Olympics took place in Sarajevo in what was Yugoslavia and is now Bosnia-Herzegovina, although the region is usually just called Bosnia.  Thirty years later the Olympic village, the ice rink, the bobsled and luge tracks, the ski jump, the other sports facilities and hotels are gone, destroyed during the Bosnian war and the 44-months-long Siege of Sarajevo which killed nearly twelve thousand of the city’s residents.

(more…)

BOOM! STUDIOS ANNOUNCES ‘DAY MEN’ #3 RETAILER PROMOTION

Day Men #3
BOOM! Studios is pleased to announce a special retailer promotion tied to the March 5th release of DAY MEN #3, the breakout series by Matt Gagnon, Michael Alan Nelson, and Brian Stelfreeze about humans who act as protectors for vampires. The top 50 retailers who order DAY MEN #3 will receive one free signed copy each of the upcoming DAY MEN: PEN & INK #1, the first in a new, limited line of publications designed to spotlight some of the comic book industry’s best creators and their work on BOOM! titles. Retailers who qualify for this promotion will be the first individuals to get an advance look at BOOM!’s PEN & INK program.

(more…)

Weekend Window Closing Wrap-Up: February 9th, 2014

Closing them on my browser so you can open them on yours, a list of various things that I haven’t had time to write full posts about. Here we go again…

What else is out there? Consider this an open thread.

John Ostrander: “Sherlock” Season Three: Is The Game Off?

Several years ago, when I first heard that the BBC was doing a version of the Arthur Conan Doyle’s Sherlock Holmes stories re-set in the modern day, I was skeptical. I’ve long loved the Holmes stories. I believe I finished reading the Canon for the first time by the age of ten. For me, part of the charm was the fog/smog filled Victorian streets of London, with the hansom cabs, the gaslights, et al. For me, the era and setting were as much characters in the stories as Holmes and Watson. I might have given the series a pass except that the co-creator and frequent writer for the series was going to be Steven Moffat.

I knew Moffat from some remarkable work he had done on Doctor Who. He has penned what I felt were some of the best episodes I’d ever watched on the series, full of surprises but also deep feeling, moments that truly touched me. So I gave his new series, co-created with writer/actor Mark Gatiss, a look and was generally delighted. The modern setting worked surprisingly well and, while not faithful to the letter of the stories, kept to the spirit of Conan Doyle’s canon. The series benefited as well from a very strong Holmes and Watson in the persons of Benedict Cumberbatch and Martin Freeman respectively.

Each season consists of just three ninety minute episodes and each has ended on something of a cliffhanger or at least we are left with questions to be answered. We’re introduced to their version of Holmes’s arch nemesis, James Moriarty, at the end of the first season as he puts Holmes and Watson into a death trap with no seeming escape. At the end of the second season, Moffat and Gatiss do their version of the last meeting of the two. In their version, it results with Moriarty blowing his own brains out and Holmes forced to jump to his apparent death. We know Holmes is not dead by the end of the episode but we don’t know how he managed it. That would have to wait for Season Three. In theory.

Spoiler Alert. Lots of spoilers below. (more…)