Other than the ooo’s and ahhh’s the visual effects are supposed to induce, here’s what I took away from this:
The actual villain of the film is not Electro, not the Rhino but OsCorp and SONY really wants you to know they’ve still got the film-making rights to the Spider-Man franchise.
Enjoy!
One of those, you know, jangly weeks: we arrived in Austin wearing the winter garb appropriate for Newark, where we began the journey, and stepped from the airline terminal into 70 degrees and regretted our bag full of long sleeves. Looked like it was going to be a sweaty few days, maybe, but not to worry: the temperature dropped thirty degrees overnight and by daylight, my cold weather jacket was appropriate and when we again moved into the outdoors we got our first bite of winter. No big problem: our destination, the Austin convention center, was just across a narrow street.
The convention was what conventions are, these days, with maybe more television actors than comics folk. We did manage to raise a few bucks for The Hero Initiative, always a good reason to go someplace, but the chill kept us close to the hotel and so we didn’t see much of Austin which, I’m told and still believe, is a righteous city. Maybe next time.
I didn’t speak to any of the celebs, either, though some of them have done work I enjoy. Never do chat with the thespians, even though I’ve been sharing con programs with their ilk for decades. Probably never will. (Maybe not next time.)
I’m the anti-fan I won’t approach VIPs, even when I could jury rig a reason to. Mari and I were sitting in a bakery during our first visit to what is now our home town and, I’ll be darned, who walks in but Alec Baldwin and his then-wife, Kim Basinger, and another woman, a nanny, I’d guess, holding a baby whose last name undoubtedly was Baldwin. They sat nearby. Now – small world – our son had recently spoken with Alec during a visit to Hollywood about a project they might have shared, though they didn’t, and so we had a great conversational opener, and Mari looked like she’d use it. But not grumpy me. I shook my head no and pretty soon we left.
Another instance: Larry Hama and I were playing video games in a California hotel and in comes TV’s Kojak, Telly Savalas. He stands between us, kibitzing for about five minutes, being ignored by the comic book guys from New York.. He leaves. Who could blame him? (Who the hell did we think we were?)
Why does my nose rise into the air when I encounter the renowned? The answer does me no particular credit. What it comes down to is, I’m afraid that they’ll be jerks and I won’t like them, or, worse, it will be obvious that they don’t like me, and this emotional frisson will get between me and the venerable person’s work. I won’t be able to enjoy it and that could be regrettable.
The weather in Austin continued to be iffy and for a while, there seemed to be a possibility that we’d be snowed in. The flight was late taking off and we were cramped for hours – were the new airline seats designed by Torquemada? – and I was thinking Oh just, please, let me get to my cozy home. We got here and found the house cold. The heating system had failed and we were a pair of icy oldsters. But a savior drove in from Orangeburg past midnight and got the heating machine working and I later thought What a great job this guy has…driving alone through the night making people warm…
Well, between the jangly week’s beginning and a major holiday a few days later, and some mild sore-throat/cough/sniffle action, we didn’t see the new Hunger Games movie. If I were into idolatry, I might adore the film’s star, the splendid Jennifer Lawrence. As long as I didn’t have to meet her.
THURSDAY AFTERNOON: Yep, More From The Tweaks!
FRIDAY MORNING: Martha Thomases
There was a time when the world could not get enough of The Man of Steel. In the 1950s National Periodical Publications, the name DC Comics went under back then, published seven different Superman titles, five of them every six weeks and two every month. In those days, that was a lot.
Today, of course, Wolverine wouldn’t lift his head out of his own puke for such paltry exposure. But back then, that workload was astonishing – and it wasn’t uncommon to see sales figures on certain of these titles reaching seven figures. Action Comics was shipped at the end of the month and that very issue was re-shipped two weeks later.
Superman had more than just that going for him. In the 40s he had one of the most popular and long-lasting radio shows around. In the early 50s, a time when most cities were lucky to have two television stations and it was common for one of those channels to pick from the offerings of two of the three networks, Superman was offered up in first-run syndication and he captured the awe and wonder of the entire baby boomer generation. We were all glued to the boob tube; it was our crack. And there were a hell of a lot of us, too.
The Big Guy had something else going for him: he was in the newspapers daily and Sunday all across America, including Hearst’s New York Mirror, which sported the largest circulation of any U.S. newspaper at the time. His newspaper circulation made the comics work appear downright skinny.
All this exposure required the efforts of an astonishing amount of talent. By and large, there were three primary Superman artists: Wayne Boring and Curt Swan, who did the newspaper strip as well as Action Comics and Superman, and Al Plastino, who did… well… everything.
To be fair, there were other great talents in this group, legends all. Kurt Schaffenberger, whose work dominated the Lois Lane stories, Win Mortimer, George Papp and John Sikela, perhaps best known for their Superboy efforts (as was Curt Swan), and Dick Sprang on the Superman-Batman feature in World’s Finest.
Gee, no wonder Big Blue was so popular. And, yes, I’m leaving at least a half-dozen artists out.
Last week the last of these awesomely talented people died. Al Plastino, the medium’s best utility infielder, died at 91. He was an artist, a writer, an editor, a letterer and a colorist. He co-created the Legion of Super-Heroes, Supergirl and Brainiac. He drew the Batman newspaper strip in the 1960s, and he ghosted the Superman strip in its latter years.
Al was the go-to man at the United Feature Syndicate, creating a couple of minor features in the 1940s (Hap Hopper, from 1944, is pictured to the right) and doing Ferd’nand for its last 20 years, retiring in 1989. He also stepped in to do the Sunday Nancy page for a while after Ernie Bushmiller died. And there was some work on Peanuts, but there’s a whole story in that one that should be reserved for a later date.
Oh, and he inked Captain America in the early part of both their careers.
Al Plastino was an editor’s dream. A wonderful artist and a fine storyteller, he could do anything and do it on time. His legend as a comics creator alone makes him a permanent part of comics history.
Al, thank you for making my childhood all the more amazing.
THURSDAY MORNING: Dennis O’Neil
THURSDAY AFTERNOON: The Return of The Tweaks
What does it take to get a woman’s attention? The answer, gentlemen: Iron Claws. Logan, played by Hugh Jackman in The Wolverine, knows exactly what we mean. Jackman returns as The Wolverine and faces his ultimate nemesis in an action-packed, life-or-death battle that takes him to modern-day Japan. Vulnerable for the first time and pushed to his limits, Wolverine confronts not only lethal samurai steel but also his inner struggle against his own immortality; an epic fight that will leave him forever changed. Through all of this, Logan has no problem attracting women, some trying to save him and others trying to kill him. To prepare you for the film’s release on to DVD and Blu-ray today, we’ve compiled a list of The Wolverine’s leading ladies who can’t seem to take their paws off of his claws!
1. Yukio: The Body Guard
Yukio always remained in the “Friend Zone” with Logan, and it’s probably for the best. Thanks to her, Wolverine was able to dodge death several times. She is a badass sidekick!
2. Viper: Toxin Immune “Doctor”
Viper and The Wolverine have so much in common. Both are mutants, both have claws; both are pretty much immortal. While Viper wasn’t exactly fighting for Logan’s love and affection, she couldn’t’ seem to stay away. Even after Logan survives Viper’s murder attempt via a bot she put on his heart both he and she kept coming back for more!
3. Jean Grey: The Ex
While her appearance in the film is short and sweet, we find out that it didn’t end that way between the ex lovers. The Wolverine was forced to kill Jean, but it’s okay because she still loves him. No hard feelings!
4. Mariko: The One to Save
Originally, Mariko plays hard to get, she doesn’t think she needs The Wolverine’s help. Well, let’s just say she was wrong. Not only did Logan save Mariko from being killed, she also fell in love with him. I think it’s safe to say he loves her too.
In order to enter the contest, tell us which one is his True Love and why. Get us your thoughts by 11:59 p.m., Saturday, December 7. Open to US and Canadian readers only and the judgment of ComicMix‘s judges will be final.
It’s been a pretty eventful few weeks on the CBS series, PERSON OF INTEREST. We talk to cast members abut their reactions to those events and where the show may be headed for the rest of the season. Plus WALKING DEAD finishes up big and Robert Downey Jr. hit Crackle.
THE POINT covers it 24/7! Take us ANYWHERE! The Point Radio App is now in the iTunes App store – and it’s FREE! Just search under “pop culture The Point”. The Point Radio – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or on any other mobile device with the Tune In Radio app – and follow us on Twitter @ThePointRadio.
Next week, Milestones: African Americans in Comics, Pop Culture and Beyond opens at the Geppi Entertainment Museum. The show features unbelievable art from amazing artists and have been in the works for almost two years.
I was fortunate enough to be asked to curate a show on African American pop art by Missy Geppi, the president of the museum. I was and still am humbled to be chosen for such an honor. I immediately reached out to Tatiana EL-Khouri and John Jennings. Tatiana as co-curator John as adviser. I’ve known both Tatiana and John since the start of their careers. I was a mentor to Tatiana and I’ve advised John over the years and now he’s advising me.
Every now and then Tatiana or John will, out of nowhere, thank me for something or other I’ve frankly forgotten about. It’s always nice to hear and although I may have forgotten exactly what I did or said they are referring to they always remember me.
I’ve been in L.A. since 1994 and it seems I’ve been reminding myself since then to look up and thank Debbie Allen. Debbie’s former husband Win Wilford, then head of publicly at CBS Records, gave me my third professional job. I designed and illustrated an invitation for a Luther Vandross after party. The party followed Luther’s first performance as a solo act opening for Chaka Kahn.
Debbie Allen is an actress, dancer, choreographer, television director, television producer, and a member of the President’s Committee on the Arts and Humanities.
She’s done remarkable work from choreographing the Academy Awards for ten years, six of which were consecutive to developing and producing Amistad directed by Steven Spielberg.
Below is an edited version for ComicMix of a letter I sent to Debbie. I’ve taken out all my career highlights so as to focus not on what I’ve done but why I was able to do it and that was because of words of encouragement from people like her.
Dear Debbie,
I’m sure many in emails, letters, and social media have told you how much of an inspiration you have been.
Although you may not have met them you have reached them as you reached me. In fact I can remember the very moment when you did. I was in your Mount Vernon home for a New Year’s Eve Party (81? 82?) sitting by myself in your kitchen.
I was a young artist at the start of my career attending a party filled with all sorts of successful people. An artist, (a broke ass one at that) was not, I felt a worthy enough occupation to roll with those I’d seen on TV or who’s music I’d heard on the radio.
You came into the kitchen, saw me sitting there and asked me why that was. I’d like to say I spent at least some time trying to avoid sharing my self-pity…nope.
I started to tell you how I was feeling but after a few (if that many) sentences you stopped me and said what to this day I’ve never forgotten; “Michael, Win and I invited you because you are a talented artist, we like you and know you will be a success. You belong here and would not be here if we thought otherwise.”
What you said next is what I hope will make you remember me. “I didn’t drive all the way to Queens to pick you up so you can sit in the kitchen.”
Yep.
You and a driver who’s name I don’t remember drove to my apartment in Queens on New Year’s Eve to pick me up.
Your former husband Win, commissioned a number of paintings from me. One, a large watercolor of a proud 1930’s black man was the centerpiece in your Harlem brownstone even before the renovation was done.
I had no idea it was framed and displayed such as it was until I came to your new home to show Win sketches for a new commission. I was blown away.
“Debbie choose that spot.”
Yep. ;-)
I’ve been blessed in my career thanks in no small part to you, Win and a handful of others.
I’ve wanted to reach out to you for years. Something always came up. Well, I’ve never been as busy as I am now. It’s Thanksgiving Debbie and I’m thankful for your part in my life and career. So, yes I’m busy but this thank you is just as important and long overdue.
I’d love to sit and catch up and if you like I’ll pick you up. I owe you a ride ;-)
From the very bottom my my long winded heart,
Thank you.
Win Wiford took an interest in me and because of that he and Debbie were my first and only patrons. One year, the sale of art to them was my only income.
Without that income who knows what decision I would have made as to my career choice? If Debbie had not spoken those words to me maybe my self-pity would have gotten the best of me and the next day I’m applying for some job I didn’t want doing something I didn’t love.
That didn’t happen and what did happen Debbie was a part of and for that I’ll be forever grateful.
WEDNESDAY MORNING: Mike Gold
THURSDAY MORNING: Dennis O’Neil
Because last weekend was jammed packed with awesomeness for The Tweeks, we’ve got an extra installment this week! On Friday November 22nd, Maddy and Anya caught an Imax screening of the blockbuster The Hunger Games: Catching Fire on opening day. They even wore costumes to the theater! Here’s their review, brimming with the fever pitch excitement and enthusiasm for the event tweens the world over have been waiting for!
Watch now! Then go see the movie for yourself (if you haven’t yet!)
In preparation for the release of the fuller teaser trailer on Thursday, a few bits have leaked out internationally for The Amazing Spider-Man 2. Watch it now before somebody takes it down:
http://www.youtube.com/watch?v=GqJlloKet2k
I may have been a nice Jewish girl, but my family loved Christmas time. It started at Thanksgiving, when we watched the Macy’s Thanksgiving Parade and watched Santa on his sleigh welcome the holiday season to New York. We lived on a block trisected by three streets, and in the middle of this triangle was an island. On this island was a tall, beautiful spruce fir. Every year after Thanksgiving all us neighbors went out and had a block party and the fathers hung lights on the tree, making it into our own private tannenbaum.
Every year my mom took my brother, two of our friends and me into the city on Christmas Eve. We skated at the ice rink at Rockefeller Center and then went across the street to watch the movie (I particularly remember Father Goose, with Cary Grant and Leslie Caron) and the Christmas Show at Radio City Music Hall, which always included the nativity scene with camels and elephants and horses and donkeys walking across the stage and the angels singing O Holy Night and Adestes Fideles (Come, All Ye Faithful) and ending with the Rockettes performing the “March Of The Wooden Soldiers,” complete with the high kick line.
Sometimes when we came out of the theater it was snowing, and we would walk with flakes falling on our shoulders and our hats and feeling the magic of the night down Fifth Avenue to look at the Christmas windows of Saks and Lord & Taylor, which were always amazing, animated dioramas and for which there were always lines and lines of families enjoying the night, too. And then we’d get home and my mother and father would tuck us into bed and hang up our Santa stockings and my brother and I would go to sleep with visions of sugarplums dancing in our heads.
And it all started with Thanksgiving, when we stuffed ourselves on turkey and brisket and family and friends and love.
That was once upon a time.
“I think commercialism helps Christmas and I think that the more capitalism we can inject into the Christmas holiday the more spiritual I feel about it ”
Craig Ferguson
“Then the Grinch thought of something he hadn’t before! What if Christmas, he thought, doesn’t come from a store. What if Christmas…perhaps…means a little bit more!”
Dr. Seuss, How the Grinch Stole Christmas!
“Money’s scarce
Times are hard
Here’s your fucking
Xmas card”
Phyllis Diller
“Thanksgiving openings are the new normal.”
Jose Pagliery, Money, CNN.com, November 30, 2013
Here’s a list of chain stores that were open on Thanksgiving: Wal•Mart. Target. Best Buy. Sears. Staples. J.C. Penney. Macy’s. Toy R Us. Old Navy. Kohl’s. Lord & Taylor. Michael’s. Express. Dick’s Sporting Goods. Abercrombie & Fitch. K-Mart. And most of the larger shopping malls.
I am disgusted.
I thought it would stop after the 2008 death of Jdimytai Damour. Remember him? As the New York Times reported on November 29 of that year, “Mr. Damour, 34, who was known to his friends as Jimbo, or Jdidread because of his dreadlocks, got his job at Wal•Mart through Labor Now, an agency for temporary workers. He had been trying to hold back a crush of shoppers pressing against the store’s sliding-glass double doors, the authorities said. Just before the store’s scheduled 5 a.m. opening, they said, the doors shattered under the weight of the crowd. Mr. Damour was thrown to the floor and trampled”
Wal•Mart was fined only $7,000 by the Occupational Safety Health Administration (OSHA), the branch of the Labor Department responsible for employee health and safety. And, according to the Huffington Post, they are still fighting that charge – “For a company with sales of $466 billion last fiscal year, the $7,000 fine from the Occupational Safety and Health Administration represents little more than a single store’s rounding error. Wal•Mart would have vastly outspent that sum simply in legal fees devoted to fighting the penalty. But the world’s largest retailer is less concerned with the monetary fine than with the broader implications of the case. A negative ruling could compel Wal-Mart and other retail companies like it to take additional safety precautions for workers or face new liabilities.”
And you wonder why I’m disgusted?
But surprisingly, at least to me, I discovered – after doing a little research on the web – that Wal•Mart, the most succesful “Big Box” store, did not start this atrocity. It was K-Mart, which has opened its doors to Turkey Day shoppers since 1991. Of course many supermarkets and grocery stores have always been open on Thanksgiving, at least for a few hours, to the “Thank God’s!” of all the cooks who find themselves suddenly short on stuffing or cranberry sauce or coffee or any of the numerous condiments used when preparing the big bird. I can remember making a few runs to Shop-Rite and Shelley’s for my mom over the years, and those memories are further back than 22 years. And of course I’m aware of the importance of Thanksgiving weekend to the year’s bottom line being in the black instead of the red for retailers.
But I’m still disgusted.
And I am sure that next year even more stores will be open.
Just so we can stuff ourselves on Thanksgiving.
TUESDAY MORNING: Glenn Hauman
TUESDAY AFTERNOON: Michael Davis
SANTA MONICA, CA November 12, 2013 – Summit Entertainment, a LIONSGATE® (NYSE: LGF) company, has acquired U.S. distribution rights to Millennium Films’ action-adventure HERCULES: THE LEGEND BEGINS starring Kellan Lutz (THE TWILIGHT SAGA, the upcoming THE EXPENDABLES 3) and directed by Renny Harlin (DIE HARD 2, CLIFFHANGER). Summit will release the film in 3D and 2D nationwide on February 7, 2014. The deal was announced today by Lionsgate Motion Picture Group Co-Chairs Rob Friedman and Patrick Wachsberger, and Avi Lerner, Chairman of Millennium Films.
Lutz stars as Hercules, the mythical Greek hero, demigod and son of Zeus. Betrayed by his King and sold into slavery, Hercules must use his formidable strength to fight for his freedom and return to his true love, Hebe, the Princess of Crete (played by Gaia Weiss).
The supporting cast includes Scott Adkins (THE EXPENDABLES 2), Liam McIntyre (Spartacus), Liam Garrigan (Strike Back), Johnathon Schaech (Ray Donovan, The Client List), Roxanne McKee (Game Of Thrones) and Rade Serbedzija (Red Widow). Screenplay is by Daniel Gliat. Producers are Danny Lerner, Les Weldon, Boaz Davidson and Renny Harlin. Executive Producers are Avi Lerner, Trevor Short and John Thompson.
“We look forward to working with Millennium to bring this larger-than-life hero to theaters and action fans in the new year,” said Friedman and Wachsberger. “We are also very proud to work on a project starring Kellan, with whom we have grown very close throughout the release of all five TWILIGHT SAGA films as well as the production of THE EXPENDABLES 3 scheduled for release next year.”
“We’re thrilled to be expanding our relationship with the very talented team at Lionsgate and Summit, who had such extraordinary success with Kellan in THE TWILIGHT SAGA franchise and with whom we have a great partnership on THE EXPENDABLES franchise,” Lerner said. “And I’m very pleased that ours will be the first movie in the 21st century to reintroduce modern audiences to this classic, timeless story.”
The deal was negotiated on behalf of Lionsgate and Summit by Jason Constantine, Lionsgate’s President of Acquisitions and Co-Productions, Eda Kowan, Lionsgate’s SVP of Acquisitions, and Wendy Jaffe, Lionsgate’s EVP of Business & Legal Affairs for Acquisitions & Co-Productions, and on behalf of Millennium by Avi Lerner and Mark Gill.
Synopsis
In the epic origin story THE LEGEND OF HERCULES, Kellan Lutz stars as the mythical Greek hero – the son of Zeus, a half-god, half-man blessed with extraordinary strength. Betrayed by his stepfather, the King, and exiled and sold into slavery because of a forbidden love, Hercules must use his formidable powers to fight his way back to his rightful kingdom. Through harrowing battles and gladiator-arena death matches, Hercules embarks on a legendary odyssey to overthrow the King and restore peace to the land.
U.S. release via SUMMIT ENTERTAINMENT on January 10, 2014.
[youtube]http://www.youtube.com/watch?v=g0GMzQwO2l0&feature=youtu.be[/youtube]
Columns / Glenn Hauman / News
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